A Mummer's Wife Part 2

'Is mother in a great rage because I won't let her in?' he said presently.

'She's very much cut up about it, dear; you know she loves you better than anyone in the world. You'd do well to make it up with her.'

'Well, perhaps I was wrong,' he said after a time, and with good humour, 'but she annoys me. She will interfere in everything; as if I hadn't a right to let my rooms to whom I please. She pays for all she has here, but I'd much sooner she left us than be lorded over in that way.'

'She doesn't want to lord it over you, dear. It's all arranged. She promised me just now she'd say nothing more about it, and that she'd look after Mr. Lennox like any other lodger.'

On hearing that his mother was willing to submit to his will, the invalid smiled and expressed regret that the presence of an extra person in the house, especially an actor, would give his wife and mother more work to do.

'But I shall soon be well,' he said, 'and I dare say downstairs looking after the shop in a week.'

Kate protested against such imprudence, and then suggested she should go and see after his breakfast. Ralph proffered no objection, and bidding him goodbye for the present, she went downstairs. Annie was helping Mrs. Ede to make the toast in the front kitchen; Lizzie stood at the table b.u.t.tering it, but as soon as Kate entered they returned to their sewing, for it was against Kate's theories that the apprentices should a.s.sist in the household work.

'Dear mother,' she began, but desisted, and when all was ready Mrs. Ede, remembering she had to make peace with her son, seized the tray and went upstairs. And the moment she was gone Kate seated herself wearily on the red, calico-covered sofa. Like an elongated armchair, it looked quaint, neat, and dumpy, pushed up against the wall between the black fireplace on the right and the little window shaded with the muslin blinds, under which a pot of greenstuff bloomed freshly. She lay back thinking vaguely, her cup of hot tea uppermost in her mind, hoping that Mrs. Ede would not keep her waiting long; and then, as her thoughts detached themselves, she remembered the actor whom they expected that afternoon. The annoyances which he had unconsciously caused her had linked him to her in a curious way, and all her prejudices vanished in the sensation of nearness that each succeeding hour magnified, and she wondered who this being was who had brought so much trouble into her life even before she had seen him. As the word 'trouble'

went through her mind she paused, arrested by a pa.s.sing feeling of sentimentality; but it explained nothing, defined nothing, only touched her as a breeze does a flower, and floated away. The dreamy warmth of the fire absorbed her more direct feelings, and for some moments she dozed in a haze of dim sensuousness and emotive numbness. As in a dusky gla.s.s, she saw herself a tender, loving, but unhappy woman; by her side were her querulous husband and her kindly-minded mother-in-law, and then there was a phantom she could not determine, and behind it something into which she could not see. Was it a distant country? Was it a scene of revelry? Impossible to say, for whenever she attempted to find definite shapes in the glowing colours they vanished in a blurred confusion.

But amid these fleeting visions there was one shape that particularly interested her, and she pursued it tenaciously, until in a desperate effort to define its features she awoke with a start and spoke more crossly than she intended to the little girls, who had pulled aside the curtain and were intently examining the huge theatrical poster that adorned the corner of the lane. But as she scolded she could not help smiling; for she saw how her dream had been made out of the red and blue dresses of the picture.

The arrival of each new company in the town was announced pictorially on this corner wall, and, in the course of the year, many of the vicissitudes to which human life is liable received ill.u.s.tration upon it. Wrecks at sea, robberies on the highways, prisoners perishing in dungeons, green lanes and lovers, babies, glowing hearths, and heroic young husbands. The opera companies exhibited the less serious sides of life--strangely dressed people and gallants kissing their hands to ladies standing on balconies.

The little girls examined these pictures and commented on them; and on Sat.u.r.days it was a matter of the keenest speculation what the following week would bring them. Lizzie preferred exciting scenes of murder and arson, while Annie was moved more by leavetakings and declarations of unalterable affection. These differences of taste often gave rise to little bickerings, and last week there had been much prophesying as to whether the tragic or the sentimental element would prove next week's attraction.

Lizzie had voted for robbers and mountains, Annie for lovers and a nice cottage. And, remembering their little dispute, Kate said:

'Well, dears, is it a robber or a sweetheart?'

'We're not sure,' exclaimed both children in a disappointed tone of voice; 'we can't make the picture out.' Then Lizzie, who cared little for uncertainties, said:

'It isn't a nice picture at all; it is all mixed up.'

'Not a nice picture at all, and all mixed up?' said Kate, smiling, yet interested in the conversation. 'And all mixed up; how is that? I must see if I can make it out myself.'

The huge poster contained some figures nearly life-size. It showed a young girl in a bridal dress and wreath struggling between two police agents, who were arresting her in a marketplace of old time, in a strangely costumed crowd, which was clamouring violently. The poor bridegroom was being held back by his friends; a handsome young man in knee-breeches and a c.o.c.ked hat watched the proceedings cynically in the right-hand corner, whilst on the left a big fat man frantically endeavoured to recover his wig, that had been lost in the melee. The advertis.e.m.e.nt was headed, 'Morton and c.o.x's Operatic Company,' and concluded with the announcement that _Madame Angot_ would be played at the Queen's Theatre. After a few moments spent in examining the picture Kate said it must have something to do with France.

'I know what it means,' cried Lizzie; 'you see that old chap on the right?

He's the rich man who has sent the two policemen to carry the bride to his castle, and it's the young fellow in the corner who has betrayed them.'

The ingenuity of this explanation took Kate and Annie so much by surprise that for the moment they could not attempt to controvert it, and remained silent, whilst Lizzie looked at them triumphantly. The more they examined the picture the more clear did it appear that Lizzie was right. At the end of a long pause Kate said:

'Anyhow, we shall soon know, for one of the actors of the company is coming here to lodge, and we'll ask him.'

'A real actor coming here to lodge?' exclaimed Annie. 'Oh, how nice that will be! And will he take us to see the play?'

'How silly of you, Annie!' said Lizzie, who, proud of her successful explanation of the poster, was a little inclined to think she knew all about actors. 'How can he take us to the play? Isn't he going to act it himself? But do tell me, Mrs. Ede--is he the one in the c.o.c.ked hat?'

'I hope he isn't the fat man who has lost his wig,' Annie murmured under her breath.

'I don't know which of those gentlemen is coming here. For all I know it may be the policeman,' Kate added maliciously.

'Don't say that, Mrs. Ede!' Annie exclaimed.

Kate smiled at the children's earnestness, and, wishing to keep up the joke, said:

'You know, my dear, they are only sham policemen, and I dare say are very nice gentlemen in reality.'

Annie and Lizzie hung down their heads; it was evident they had no sympathies with policemen, not even with sham ones.

'But if it isn't a policeman, who would you like it to be, Lizzie?' said Kate.

'Oh, the man in the c.o.c.ked hat,' replied Lizzie without hesitation.

'And you, Annie?'

Annie looked puzzled, and after a moment said with a slight whimper:

'Lizzie always takes what I want--I was just going--'

'Oh yes, miss, we know all about that,' returned Lizzie derisively. 'Annie never can choose for herself; she always tries to imitate me. She'll have the man who's lost his wig! Oh yes, yes! Isn't it so, Mrs. Ede? Isn't Annie going to marry the man who's lost his wig?'

Tears trembled in Annie's eyes, but as she happened at that moment to catch sight of the young man in white, she declared triumphantly that she would choose him.

'Well done, Annie!' said Kate, laughing as she patted the child's curls, but her eyes fell on the neglected ap.r.o.n, and seeing how crookedly it was being hemmed, she said:

'Oh, my dear, this is very bad; you must go back, undo all you have done this morning, and get it quite straight.'

She undid some three or four inches of the sewing, and then showed the child how the hem was to be turned in, and while she did so a smile hovered round the corners of her thin lips, for she was thinking of the new lodger, asking herself which man in the picture was coming to lodge in her house.

Mrs. Ede returned, talking angrily, but Kate could only catch the words 'waiting' and 'breakfast cold' and 'sorry.' At last, out of a confusion of words a reproof broke from her mother-in-law for not having roused her.

'I called and called,' said Kate, 'but nothing would have awakened you.'

'You should have knocked at my door,' Mrs. Ede answered, and after speaking about open house and late hours she asked Kate suddenly what was going to be done about the latchkey.

'I suppose he will have to have his latchkey,' Kate answered.

'I shall not close my eyes,' Mrs. Ede returned, 'until I hear him come into the house. He won't be bringing with him any of the women from the theatre.'

Kate a.s.sured her that she would make this part of the bargain, and somewhat softened, Mrs. Ede spoke of the danger of bad company, and trusted that having an actor in the house would not be a reason for going to the theatre and falling into idle habits.

'One would have thought that we heard enough of that theatre from Miss Hender,' she interjected, and then lapsed into silence.

Miss Hender, Kate's a.s.sistant, was one of Mrs. Ede's particular dislikes.

Of her moral character Mrs. Ede had the gravest doubts; for what could be expected, she often muttered, of a person who turned up her nose when she was asked to stay and attend evening prayers, and who kept company with a stage carpenter?

Mrs. Ede did not cease talking of Hender till the girl herself came in, with many apologies for being an hour behind her time, and saying that she really could not help it; her sister had been very ill, and she had been obliged to sit up with her all night. Mrs. Ede smiled at this explanation, and withdrew, leaving Kate in doubt as to the truth of the excuse put forward by her a.s.sistant; but remembering that Mrs. Barnes's dress had been promised for Tuesday morning, she said:

'Come, we're wasting all the morning; we must get on with Mrs. Barnes's dress,' and a stout, buxom, carroty-haired girl of twenty followed Kate upstairs, thinking of the money she might earn and of how she and the stage carpenter might spend it together. She was always full of information concerning the big red house in Queen Street. She was sure that the hours in the workroom would not seem half so long if Kate would wake up a bit, go to the play, and chat about what was going on in the town. How anyone could live with that horrid old woman always hanging about, with her religion and salvation, was beyond her. She hadn't time for such things, and as for Bill, he said it was all 'tommy-rot.'

Hender was an excellent workwoman, although a lazy girl, and, seeing from Kate's manner that the time had not come for conversation, applied herself diligently to her business. Placing the two side-seams and the back under the needle, she gave the wheel a turn, and rapidly the little steel needle darted up and down into the glistening silk, as Miss Hender's thick hands pushed it forward. The work was too delicate to admit of any distraction, so for some time nothing was heard but the clinking rattle of the machine and the 'swishing' of the silk as Kate drew it across the table and snipped it with the scissors which hung from her waist.