A Mortal Antipathy Part 7

I clapped them on to the schoolmaster. The schoolmaster carried a tall gold-headed cane. I put this in the minister's hands. So with other things,--I shifted them round, and got a set of characters who, taken together, reproduced the chief persons of the village where I lived, but did not copy any individual exactly. Thus it went on for a while; but by and by my stock company began to be rather too familiarly known, in spite of their change of costume, and at last some altogether too sagacious person published what he called a 'key' to several of my earlier stories, in which I found the names of a number of neighbors attached to aliases of my own invention. All the 'types,' as he called them, represented by these personages of my story had come to be recognized, each as standing for one and the same individual of my acquaintance. It had been of no use to change the costume. Even changing the s.e.x did no good. I had a famous old gossip in one of my tales,--a much-babbling Widow Sertingly. 'Sho!' they all said, that 's old Deacon Spinner, the same he told about in that other story of his,--only the deacon's got on a petticoat and a mob-cap,--but it's the same old sixpence.' So I said to myself, I must have some new characters. I had no trouble with young characters; they are all pretty much alike,--dark-haired or light-haired, with the outfits belonging to their complexion, respectively. I had an old great-aunt, who was a tip-top eccentric. I had never seen anything just like her in books. So I said, I will have you, old lady, in one of my stories; and, sure enough, I fitted her out with a first-rate odd-sounding name, which I got from the directory, and sent her forth to the world, disguised, as I supposed, beyond the possibility of recognition. The book sold well, and the eccentric personage was voted a novelty. A few weeks after it was published a lawyer called upon me, as the agent of the person in the directory, whose family name I had used, as he maintained, to his and all his relatives' great damage, wrong, loss, grief, shame, and irreparable injury, for which the sum of blank thousand dollars would be a modest compensation. The story made the book sell, but not enough to pay blank thousand dollars. In the mean time a cousin of mine had sniffed out the resemblance between the character in my book and our great-aunt. We were rivals in her good graces. 'Cousin Pansie' spoke to her of my book and the trouble it was bringing on me,--she was so sorry about it! She liked my story,--only those personalities, you know. 'What personalities?' says old granny-aunt. 'Why, auntie, dear, they do say that he has brought in everybody we know,--did n't anybody tell you about--well,--I suppose you ought to know it,--did n't anybody tell you you were made fun of in that novel?' Somebody--no matter who--happened to hear all this, and told me. She said granny-aunt's withered old face had two red spots come to it, as if she had been painting her cheeks from a pink saucer. No, she said, not a pink saucer, but as if they were two coals of fire. She sent out and got the book, and made her (the somebody that I was speaking of) read it to her. When she had heard as much as she could stand,--for 'Cousin Pansie' explained pa.s.sages to her,--explained, you know,--she sent for her lawyer, and that same somebody had to be a witness to a new will she had drawn up. It was not to my advantage. 'Cousin Pansie' got the corner lot where the grocery is, and pretty much everything else. The old woman left me a legacy.

What do you think it was? An old set of my own books, that looked as if it had been bought out of a bankrupt circulating library.

"After that I grew more careful. I studied my disguises much more diligently. But after all, what could I do? Here I was, writing stories for my living and my reputation. I made a pretty sum enough, and worked hard enough to earn it. No tale, no money. Then every story that went from my workshop had to come up to the standard of my reputation, and there was a set of critics,--there is a set of critics now and everywhere,--that watch as narrowly for the decline of a man's reputation as ever a village half drowned out by an inundation watched for the falling of the waters. The fame I had won, such as it was, seemed to attend me,--not going before me in the shape of a woman with a trumpet, but rather following me like one of Actaeon's hounds, his throat open, ready to pull me down and tear me. What a fierce enemy is that which bays behind us in the voice of our proudest bygone achievement!

"But, as I said above, what could I do? I must write novels, and I must have characters. 'Then why not invent them?' asks some novice. Oh, yes!

Invent them! You can invent a human being that in certain aspects of humanity will answer every purpose for which your invention was intended. A basket of straw, an old coat and pair of breeches, a hat which has been soaked, sat upon, stuffed a broken window, and had a brood of chickens raised in it,--these elements, duly adjusted to each other, will represent humanity so truthfully that the crows will avoid the cornfield when your scarecrow displays his personality. Do you think you can make your heroes and heroines,--nay, even your sc.r.a.ppy supernumeraries,--out of refuse material, as you made your scarecrow?

You can't do it. You must study living people and reproduce them. And whom do you know so well as your friends? You will show up your friends, then, one after another. When your friends give out, who is left for you? Why, n.o.body but your own family, of course. When you have used up your family, there is nothing left for you but to write your autobiography.

"After my experience with my grand-aunt, I be came more cautious, very naturally. I kept traits of character, but I mixed ages as well as s.e.xes. In this way I continued to use up a large amount of material, which looked as if it were as dangerous as dynamite to meddle with.

Who would have expected to meet my maternal uncle in the guise of a schoolboy? Yet I managed to decant his characteristics as nicely as the old gentleman would have decanted a bottle of Juno Madeira through that long siphon which he always used when the most sacred vintages were summoned from their crypts to render an account of themselves on his hospitable board. It was a nice business, I confess, but I did it, and I drink cheerfully to that good uncle's memory in a gla.s.s of wine from his own cellar, which, with many other more important tokens of his good will, I call my own since his lamented demise.

"I succeeded so well with my uncle that I thought I would try a course of cousins. I had enough of them to furnish out a whole gallery of portraits. There was cousin 'Creeshy,' as we called her; Lucretia, more correctly. She was a cripple. Her left lower limb had had something happen to it, and she walked with a crutch. Her patience under her trial was very pathetic and picturesque, so to speak,--I mean adapted to the tender parts of a story; nothing could work up better in a melting paragraph. But I could not, of course, describe her particular infirmity; that would point her out at once. I thought of shifting the lameness to the right lower limb, but even that would be seen through.

So I gave the young woman that stood for her in my story a lame elbow, and put her arm in a sling, and made her such a model of uncomplaining endurance that my grandmother cried over her as if her poor old heart would break. She cried very easily, my grandmother; in fact, she had such a gift for tears that I availed myself of it, and if you remember old Judy, in my novel 'Honi Soit' (Honey Sweet, the booksellers called it),--old Judy, the black-nurse,--that was my grandmother. She had various other peculiarities, which I brought out one by one, and saddled on to different characters. You see she was a perfect mine of singularities and idiosyncrasies. After I had used her up pretty well, I came dawn upon my poor relations. They were perfectly fair game; what better use could I put them to? I studied them up very carefully, and as there were a good many of them I helped myself freely. They lasted me, with occasional intermissions, I should say, three or four years. I had to be very careful with my poor relations,--they were as touchy as they could be; and as I felt bound to send a copy of my novel, whatever it might be, to each one of them,--there were as many as a dozen,--I took care to mix their characteristic features, so that, though each might suspect I meant the other, no one should think I meant him or her. I got through all my relations at last except my father and mother. I had treated my brothers and sisters pretty fairly, all except Elisha and Joanna. The truth is they both had lots of odd ways,--family traits, I suppose, but were just different enough from each other to figure separately in two different stories. These two novels made me some little trouble; for Elisha said he felt sure that I meant Joanna in one of them, and quarrelled with me about it; and Joanna vowed and declared that Elnathan, in the other, stood for brother 'Lisha, and that it was a real mean thing to make fun of folks' own flesh and blood, and treated me to one of her cries. She was n't handsome when she cried, poor, dear Joanna; in fact, that was one of the personal traits I had made use of in the story that Elisha found fault with.

"So as there was n.o.body left but my father and mother, you see for yourself I had no choice. There was one great advantage in dealing with them,--I knew them so thoroughly. One naturally feels a certain delicacy it handling from a purely artistic point of view persons who have been so near to him. One's mother, for instance: suppose some of her little ways were so peculiar that the accurate delineation of them would furnish amus.e.m.e.nt to great numbers of readers; it would not be without hesitation that a writer of delicate sensibility would draw her portrait, with all its whimsicalities, so plainly that it should be generally recognized. One's father is commonly of tougher fibre than one's mother, and one would not feel the same scruples, perhaps, in using him professionally as material in a novel; still, while you are employing him as bait,--you see I am honest and plain-spoken, for your characters are baits to catch readers with,--I would follow kind Izaak Walton's humane counsel about the frog you are fastening to your fish-hook: fix him artistically, as he directs, but in so doing I use him as though you loved him.'

"I have at length shown up, in one form and another, all my townsmen who have anything effective in their bodily or mental make-up, all my friends, all my relatives; that is, all my blood relatives. It has occurred to me that I might open a new field in the family connection of my father-in-law and mother-in-law. We have been thinking of paying them a visit, and I shall have an admirable opportunity of studying them and their relatives and visitors. I have long wanted a good chance for getting acquainted with the social sphere several grades below that to which I am accustomed, and I have no doubt that I shall find matter for half a dozen new stories among those connections of mine. Besides, they live in a Western city, and one doesn't mind much how he cuts up the people of places he does n't himself live in. I suppose there is not really so much difference in people's feelings, whether they live in Bangor or Omaha, but one's nerves can't be expected to stretch across the continent. It is all a matter of greater or less distance. I read this morning that a Chinese fleet was sunk, but I did n't think half so much about it as I did about losing my sleeve b.u.t.ton, confound it! People have accused me of want of feeling; they misunderstand the artist-nature,--that is all. I obey that implicitly; I am sorry if people don't like my descriptions, but I have done my best. I have pulled to pieces all the persons I am acquainted with, and put them together again in my characters. The quills I write with come from live geese, I would have you know. I expect to get some first-rate pluckings from those people I was speaking of, and I mean to begin my thirty-ninth novel as soon as I have got through my visit."

IX. THE SOCIETY AND ITS NEW SECRETARY.

There is no use in trying to hurry the natural course of events, in a narrative like this. June pa.s.sed away, and July, and August had come, and as yet the enigma which had completely puzzled Arrowhead Village and its visitors remained unsolved. The white canoe still wandered over the lake, alone, ghostly, always avoiding the near approach of the boats which seemed to be coming in its direction. Now and then a circ.u.mstance would happen which helped to keep inquiry alive. Good horsemanship was not so common among the young men of the place and its neighborhood that Maurice's accomplishment in that way could be overlooked. If there was a wicked horse or a wild colt whose owner was afraid of him, he would be commended to Maurice's attention. Paolo would lead him to his master with all due precaution,--for he had no idea of risking his neck on the back of any ill-conditioned beast,--and Maurice would fasten on his long spurs, spring into the saddle, and very speedily teach the creature good behavior. There soon got about a story that he was what the fresh-water fisherman called "one o' them whisperers." It is a common legend enough, coming from the Old World, but known in American horse-talking circles, that some persons will whisper certain words in a horse's ear which will tame him if he is as wild and furious as ever Cruiser was. All this added to the mystery which surrounded the young man. A single improbable or absurd story amounts to very little, but when half a dozen such stories are told about the same individual or the same event, they begin to produce the effect of credible evidence. If the year had been 1692 and the place had been Salem Village, Maurice Kirkwood would have run the risk of being treated like the Reverend George Burroughs.

Miss Lurida Vincent's curiosity had been intensely excited with reference to the young man of whom so many stories were told. She had pretty nearly convinced herself that he was the author of the paper on Ocean, Lake, and River, which had been read at one of the meetings of the Pansophian Society. She was very desirous of meeting him, if it were possible. It seemed as if she might, as Secretary of the Society, request the cooperation of any of the visitors, without impropriety.

So, after much deliberation, she wrote a careful note, of which the following is an exact copy. Her hand was bold, almost masculine, a curious contrast to that of Euthymia, which was delicately feminine.

PANSOPHIAN SOCIETY.

ARROWHEAD VILLAGE, August 3, 18-. MAURICE KIRKWOOD, ESQ.

DEAR SIR,--You have received, I trust, a card of invitation to the meetings of our Society, but I think we have not yet had the pleasure of seeing you at any of them. We have supposed that we might be indebted to you for a paper read at the last meeting, and listened to with much interest. As it was anonymous, we do not wish to be inquisitive respecting its authorship; but we desire to say that any papers kindly sent us by the temporary residents of our village will be welcome, and if adapted to the wants of our a.s.sociation will be read at one of its meetings or printed in its records, or perhaps both read and printed.

May we not hope for your presence at the meeting, which is to take place next Wednesday evening? Respectfully yours,

LURIDA VINCENT, Secretary of the Pansophian Society.

To this note the Secretary received the following reply: MISS LURIDA VINCENT,

ARROWHEAD VILLAGE, August 4, 18-.

Secretary of the Pansophian Society:

DEAR MISS VINCENT,--I have received the ticket you refer to, and desire to express my acknowledgments for the polite attention. I regret that I have not been and I fear shall not be able to attend the meetings of the Society; but if any subject occurs to me on which I feel an inclination to write, it will give me pleasure to send a paper, to be disposed of as the Society may see fit.

Very respectfully yours, MAURICE KIRKWOOD.

"He says nothing about the authorship of the paper that was read the other evening," the Secretary said to herself. "No matter,--he wrote it,--there is no mistaking his handwriting. We know something about him, now, at any rate. But why doesn't he come to our meetings? What has his antipathy to do with his staying away? I must find out what his secret is, and I will. I don't believe it's harder than it was to solve that prize problem which puzzled so many teachers, or than beating Crakowitz, the great chess-player."

To this enigma, then, The Terror determined to bend all the faculties which had excited the admiration and sometimes the amazement of those who knew her in her school-days. It was a very delicate piece of business; for though Lurida was an intrepid woman's rights advocate, and believed she was ent.i.tled to do almost everything that men dared to, she knew very well there were certain limits which a young woman like herself must not pa.s.s.

In the mean time Maurice had received a visit from the young student at the University,--the same whom he had rescued from his dangerous predicament in the lake. With him had called one of the teachers,--an instructor in modern languages, a native of Italy. Maurice and the instructor exchanged a few words in Italian. The young man spoke it with the ease which implied long familiarity with its use.

After they left, the instructor asked many curious questions about him,--who he was, how long he had been in the village, whether anything was known of his history,--all these inquiries with an eagerness which implied some special and peculiar reason for the interest they evinced.

"I feel satisfied," the instructor said, "that I have met that young man in my own country. It was a number of years ago, and of course he has altered in appearance a good deal; but there is a look about him of--what shall I call it?---apprehension,--as if he were fearing the approach of something or somebody. I think it is the way a man would look that was haunted; you know what I mean,--followed by a spirit or ghost. He does not suggest the idea of a murderer,--very far from it; but if he did, I should think he was every minute in fear of seeing the murdered man's spirit."

The student was curious, in his turn, to know all the instructor could recall. He had seen him in Rome, he thought, at the Fountain of Trevi, where so many strangers go before leaving the city. The youth was in the company of a man who looked like a priest. He could not mistake the peculiar expression of his countenance, but that was all he now remembered about his appearance. His attention had been called to this young man by seeing that some of the bystanders were pointing at him, and noticing that they were whispering with each other as if with reference to him. He should say that the youth was at that time fifteen or sixteen years old, and the time was about ten years ago.

After all, this evidence was of little or no value. Suppose the youth were Maurice; what then? We know that he had been in Italy, and had been there a good while,--or at least we infer so much from his familiarity with the language, and are confirmed in the belief by his having an Italian servant, whom he probably brought from Italy when he returned.

If he wrote the paper which was read the other evening, that settles it, for the writer says he had lived by the Tiber. We must put this sc.r.a.p of evidence furnished by the Professor with the other sc.r.a.ps; it may turn out of some consequence, sooner or later. It is like a piece of a dissected map; it means almost nothing by itself, but when we find the pieces it joins with we may discover a very important meaning in it.

In a small, concentrated community like that which centred in and immediately around Arrowhead Village, every day must have its local gossip as well as its general news. The newspaper tells the small community what is going on in the great world, and the busy tongues of male and female, especially the latter, fill in with the occurrences and comments of the ever-stirring microcosm. The fact that the Italian teacher had, or thought he had, seen Maurice ten years before was circulated and made the most of,--turned over and over like a cake, until it was thoroughly done on both sides and all through. It was a very small cake, but better than nothing. Miss Vincent heard this story, as others did, and talked about it with her friend, Miss Tower. Here was one more fact to help along.

The two young ladies who had recently graduated at the Corinna Inst.i.tute remained, as they had always been, intimate friends. They were the natural complements of each other. Euthymia represented a complete, symmetrical womanhood. Her outward presence was only an index of a large, wholesome, affluent life. She could not help being courageous, with such a firm organization. She could not help being generous, cheerful, active. She had been told often enough that she was fair to look upon. She knew that she was called The Wonder by the schoolmates who were dazzled by her singular accomplishments, but she did not overvalue them. She rather tended to depreciate her own gifts, in comparison with those of her friend, Miss Lurida Vincent. The two agreed all the better for differing as they did. The octave makes a perfect chord, when shorter intervals jar more or less on the ear. Each admired the other with a heartiness which if they had been less unlike, would have been impossible.

It was a pleasant thing to observe their dependence on each other.

The Terror of the schoolroom was the oracle in her relations with her friend. All the freedom of movement which The Wonder showed in her bodily exercises The Terror manifested in the world of thought. She would fling open a book, and decide in a swift glance whether it had any message for her. Her teachers had compared her way of reading to the taking of an instantaneous photograph. When she took up the first book on Physiology which Dr. b.u.t.ts handed her, it seemed to him that if she only opened at any place, and gave one look, her mind drank its meaning up, as a moist sponge absorbs water. "What can I do with such a creature as this?" he said to himself. "There is only one way to deal with her, treat her as one treats a silkworm: give it its mulberry leaf, and it will spin its own coc.o.o.n. Give her the books, and she will spin her own web of knowledge."

"Do you really think of studying medicine?" said Dr. b.u.t.ts to her.

"I have n't made up my mind about that," she answered, "but I want to know a little more about this terrible machinery of life and death we are all tangled in. I know something about it, but not enough. I find some very strange beliefs among the women I meet with, and I want to be able to silence them when they attempt to proselyte me to their whims and fancies. Besides, I want to know everything."

"They tell me you do, already," said Dr. b.u.t.ts.

"I am the most ignorant little wretch that draws the breath of life!"

exclaimed The Terror.

The doctor smiled. He knew what it meant. She had reached that stage of education in which the vast domain of the unknown opens its illimitable expanse before the eyes of the student. We never know the extent of darkness until it is partially illuminated.

"You did not leave the Inst.i.tute with the reputation of being the most ignorant young lady that ever graduated there," said the doctor. "They tell me you got the highest marks of any pupil on their record since the school was founded."

"What a grand thing it was to be the biggest fish in our small aquarium, to be sure!" answered The Terror. "He was six inches long, the monster,--a little too big for bait to catch a pickerel with! What did you hand me that schoolbook for? Did you think I did n't know anything about the human body?"

"You said you were such an ignorant creature I thought I would try you with an easy book, by way of introduction."

The Terror was not confused by her apparent self-contradiction.

"I meant what I said, and I mean what I say. When I talk about my ignorance, I don't measure myself with schoolgirls, doctor. I don't measure myself with my teachers, either. You must talk to me as if I were a man, a grown man, if you mean to teach me anything. Where is your hat, doctor? Let me try it on."

The doctor handed her his wide-awake. The Terror's hair was not naturally abundant, like Euthymia's, and she kept it cut rather short.

Her head used to get very hot when she studied hard. She tried to put the hat on.

"Do you see that?" she said. "I could n't wear it--it would squeeze my eyes out of my head. The books told me that women's brains were smaller than men's: perhaps they are,--most of them,--I never measured a great many. But when they try to settle what women are good for, by phrenology, I like to have them put their tape round my head. I don't believe in their nonsense, for all that. You might as well tell me that if one horse weighs more than another horse he is worth more,--a cart-horse that weighs twelve or fourteen hundred pounds better than Eclipse, that may have weighed a thousand. Give me a list of the best books you can think of, and turn me loose in your library. I can find what I want, if you have it; and what I don't find there I will get at the Public Library. I shall want to ask you a question now and then."

The doctor looked at her with a kind of admiration, but thoughtfully, as if he feared she was thinking of a task too formidable for her slight const.i.tutional resource.

She returned, instinctively, to the apparent contradiction in her statements about herself.

"I am not a fool, if I am ignorant. Yes, doctor, I sail on a wide sea of ignorance, but I have taken soundings of some of its shallows and some of its depths. Your profession deals with the facts of life that interest me most just now, and I want to know something of it. Perhaps I may find it a calling such as would suit me."