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A Dutch Boy Fifty Years After Part 3

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"I am so sorry we are just going out to dinner," said Mrs. Grant, "for the general had some excellent photographs just taken of himself, and he signed one for you, and put it aside, intending to send it to you when yours came." Then, turning to the general, she said: "Ulysses, send up for it. We have a few moments."

"I'll go and get it. I know just where it is," returned the general.

"Let me have yours," he said, turning to Edward. "I am glad to exchange photographs with you, boy."

To Edward's surprise, when the general returned he brought with him, not a duplicate of the small _carte-de-visite_ size which he had given the general--all that he could afford--but a large, full cabinet size.

"They make 'em too big," said the general, as he handed it to Edward.

But the boy didn't think so!

That evening was one that the boy was long to remember. It suddenly came to him that he had read a few days before of Mrs. Abraham Lincoln's arrival in New York at Doctor Holbrook's sanitarium. Thither Edward went; and within half an hour from the time he had been talking with General Grant he was sitting at the bedside of Mrs. Lincoln, showing her the wonderful photograph just presented to him. Edward saw that the widow of the great Lincoln did not mentally respond to his pleasure in his possession. It was apparent even to the boy that mental and physical illness had done their work with the frail frame.

But he had the memory, at least, of having got that close to the great President.

The eventful evening, however, was not yet over. Edward had boarded a Broadway stage to take him to his Brooklyn home when, glancing at the newspaper of a man sitting next to him, he saw the headline: "Jefferson Davis arrives in New York." He read enough to see that the Confederate President was stopping at the Metropolitan Hotel, in lower Broadway, and as he looked out of the stage-window the sign "Metropolitan Hotel"

stared him in the face. In a moment he was out of the stage; he wrote a little note, asked the clerk to send it to Mr. Davis, and within five minutes was talking to the Confederate President and telling of his remarkable evening.

Mr. Davis was keenly interested in the coincidence and in the boy before him. He asked about the famous collection, and promised to secure for Edward a letter written by each member of the Confederate Cabinet. This he subsequently did. Edward remained with Mr. Davis until ten o'clock, and that evening brought about an interchange of letters between the Brooklyn boy and Mr. Davis at Beauvoir, Mississippi, that lasted until the latter pa.s.sed away.

Edward was fast absorbing a tremendous quant.i.ty of biographical information about the most famous men and women of his time, and he was compiling a collection of autograph letters that the newspapers had made famous throughout the country. He was ruminating over his possessions one day, and wondering to what practical use he could put his collection; for while it was proving educative to a wonderful degree, it was, after all, a hobby, and a hobby means expense. His autograph quest cost him stationery, postage, car-fare--all outgo. But it had brought him no income, save a rich mental revenue. And the boy and his family needed money. He did not know, then, the value of a background.

He was thinking along this line in a restaurant when a man sitting next to him opened a box of cigarettes, and taking a picture out of it threw it on the floor. Edward picked it up, thinking it might be a "prospect" for his collection of autograph letters. It was the picture of a well-known actress. He then recalled an advertis.e.m.e.nt announcing that this particular brand of cigarettes contained, in each package, a lithographed portrait of some famous actor or actress, and that if the purchaser would collect these he would, in the end, have a valuable alb.u.m of the greatest actors and actresses of the day. Edward turned the picture over, only to find a blank reverse side. "All very well,"

he thought, "but what does a purchaser have, after all, in the end, but a lot of pictures? Why don't they use the back of each picture, and tell what each did: a little biography? Then it would be worth keeping." With his pa.s.sion for self-education, the idea appealed very strongly to him; and believing firmly that there were others possessed of the same thirst, he set out the next day, in his luncheon hour, to find out who made the picture.

At the office of the cigarette company he learned that the making of the pictures was in the hands of the Knapp Lithographic Company. The following luncheon hour, Edward sought the offices of the company, and explained his idea to Mr. Joseph P. Knapp, now the president of the American Lithograph Company.

"I'll give you ten dollars apiece if you will write me a one-hundred-word biography of one hundred famous Americans," was Mr.

Knapp's instant reply. "Send me a list, and group them, as, for instance: presidents and vice-presidents, famous soldiers, actors, authors, etc."

"And thus," says Mr. Knapp, as he tells the tale today, "I gave Edward Bok his first literary commission, and started him off on his literary career."

And it is true.

But Edward soon found the Lithograph Company calling for "copy," and, write as he might, he could not supply the biographies fast enough.

He, at last, completed the first hundred, and so instantaneous was their success that Mr. Knapp called for a second hundred, and then for a third. Finding that one hand was not equal to the task, Edward offered his brother five dollars for each biography; he made the same offer to one or two journalists whom he knew and whose accuracy he could trust; and he was speedily convinced that merely to edit biographies written by others, at one-half the price paid to him, was more profitable than to write himself.

So with five journalists working at top speed to supply the hungry lithograph presses, Mr. Knapp was likewise responsible for Edward Bok's first adventure as an editor. It was commercial, if you will, but it was a commercial editing that had a distinct educational value to a large public.

The important point is that Edward Bok was being led more and more to writing and to editorship.

CHAPTER IV

A PRESIDENTIAL FRIEND AND A BOSTON PILGRIMAGE

Edward Bok had not been office boy long before he realized that if he learned shorthand he would stand a better chance for advancement. So he joined the Young Men's Christian a.s.sociation in Brooklyn, and entered the cla.s.s in stenography. But as this cla.s.s met only twice a week, Edward, impatient to learn the art of "pothooks" as quickly as possible, supplemented this instruction by a course given on two other evenings at moderate cost by a Brooklyn business college. As the system taught in both cla.s.ses was the same, more rapid progress was possible, and the two teachers were constantly surprised that he acquired the art so much more quickly than the other students.

Before many weeks Edward could "stenograph" fairly well, and as the typewriter had not then come into its own, he was ready to put his knowledge to practical use.

An opportunity offered itself when the city editor of the _Brooklyn Eagle_ asked him to report two speeches at a New England Society dinner. The speakers were to be President Hayes, General Grant, General Sherman, Mr. Evarts, and General Sheridan. Edward was to report what General Grant and the President said, and was instructed to give the President's speech verbatim.

At the close of the dinner, the reporters came in and Edward was seated directly in front of the President. In those days when a public dinner included several kinds of wine, it was the custom to serve the reporters with wine, and as the gla.s.ses were placed before Edward's plate he realized that he had to make a decision then and there. He had, of course, constantly seen wine on his father's table, as is the European custom, but the boy had never tasted it. He decided he would not begin then, when he needed a clear head. So, in order to get more room for his notebook, he asked the waiter to remove the gla.s.ses.

It was the first time he bad ever attempted to report a public address.

General Grant's remarks were few, as usual, and as he spoke slowly, he gave the young reporter no trouble. But alas for his stenographic knowledge, when President Hayes began to speak! Edward worked hard, but the President was too rapid for him; he did not get the speech, and he noticed that the reporters for the other papers fared no better.

Nothing daunted, however, after the speechmaking, Edward resolutely sought the President, and as the latter turned to him, he told him his plight, explained it was his first important "a.s.signment," and asked if he could possibly be given a copy of the speech so that he could "beat"

the other papers.

The President looked at him curiously for a moment, and then said: "Can you wait a few minutes?"

Edward a.s.sured him that he could.

After fifteen minutes or so the President came up to where the boy was waiting, and said abruptly:

"Tell me, my boy, why did you have the wine-gla.s.ses removed from your place?"

Edward was completely taken aback at the question, but he explained his resolution as well as he could.

"Did you make that decision this evening?" the President asked.

He had.

"What is your name?" the President next inquired.

He was told.

"And you live, where?"

Edward told him.

"Suppose you write your name and address on this card for me," said the President, reaching for one of the placecards on the table.

The boy did so.

"Now, I am stopping with Mr. A. A. Low, on Columbia Heights. Is that in the direction of your home?"

It was.

"Suppose you go with me, then, in my carriage," said the President, "and I will give you my speech."

Edward was not quite sure now whether he was on his head or his feet.

As he drove along with the President and his host, the President asked the boy about himself, what he was doing, etc. On arriving at Mr.

Low's house, the President went up-stairs, and in a few moments came down with his speech in full, written in his own hand. Edward a.s.sured him he would copy it, and return the ma.n.u.script in the morning.

The President took out his watch. It was then after midnight. Musing a moment, he said: "You say you are an office boy; what time must you be at your office?"

"Half past eight, sir."

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A Dutch Boy Fifty Years After Part 3 summary

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