A Distinguished Provincial at Paris Part 42

Lucien was forced to choose between d'Arthez and Coralie. His mistress would be ruined unless he dealt his friend a death-blow in the _Reveil_ and the great newspaper. Poor poet! He went home with death in his soul; and by the fireside he sat and read that finest production of modern literature. Tears fell fast over it as the pages turned. For a long while he hesitated, but at last he took up the pen and wrote a sarcastic article of the kind that he understood so well, taking the book as children might take some bright bird to strip it of its plumage and torture it. His sardonic jests were sure to tell. Again he turned to the book, and as he read it over a second time, his better self awoke. In the dead of night he hurried across Paris, and stood outside d'Arthez's house. He looked up at the windows and saw the faint pure gleam of light in the panes, as he had so often seen it, with a feeling of admiration for the n.o.ble steadfastness of that truly great nature. For some moments he stood irresolute on the curbstone; he had not courage to go further; but his good angel urged him on. He tapped at the door and opened, and found d'Arthez sitting reading in a fireless room.

"What has happened?" asked d'Arthez, for news of some dreadful kind was visible in Lucien's ghastly face.

"Your book is sublime, d'Arthez," said Lucien, with tears in his eyes, "and they have ordered me to write an attack upon it."

"Poor boy! the bread that they give you is hard indeed!" said d'Arthez

"I only ask for one favor, keep my visit a secret and leave me to my h.e.l.l, to the occupations of the d.a.m.ned. Perhaps it is impossible to attain to success until the heart is seared and callous in every most sensitive spot."

"The same as ever!" cried d'Arthez.

"Do you think me a base poltroon? No, d'Arthez; no, I am a boy half crazed with love," and he told his story.

"Let us look at the article," said d'Arthez, touched by all that Lucien said of Coralie.

Lucien held out the ma.n.u.script; d'Arthez read, and could not help smiling.

"Oh, what a fatal waste of intellect!" he began. But at the sight of Lucien overcome with grief in the opposite armchair, he checked himself.

"Will you leave it with me to correct? I will let you have it again to-morrow," he went on. "Flippancy depreciates a work; serious and conscientious criticism is sometimes praise in itself. I know a way to make your article more honorable both for yourself and for me. Besides, I know my faults well enough."

"When you climb a hot, shadowless hillside, you sometimes find fruit to quench your torturing thirst; and I have found it here and now," said Lucien, as he sprang sobbing to d'Arthez's arms and kissed his friend on the forehead. "It seems to me that I am leaving my conscience in your keeping; some day I will come to you and ask for it again."

"I look upon a periodical repentance as great hypocrisy," d'Arthez said solemnly; "repentance becomes a sort of indemnity for wrongdoing.

Repentance is virginity of the soul, which we must keep for G.o.d; a man who repents twice is a horrible sycophant. I am afraid that you regard repentance as absolution."

Lucien went slowly back to the Rue de la Lune, stricken dumb by those words.

Next morning d'Arthez sent back his article, recast throughout, and Lucien sent it in to the review; but from that day melancholy preyed upon him, and he could not always disguise his mood. That evening, when the theatre was full, he experienced for the first time the paroxysm of nervous terror caused by a _debut_; terror aggravated in his case by all the strength of his love. Vanity of every kind was involved. He looked over the rows of faces as a criminal eyes the judges and the jury on whom his life depends. A murmur would have set him quivering; any slight incident upon the stage, Coralie's exits and entrances, the slightest modulation of the tones of her voice, would perturb him beyond all reason.

The play in which Coralie made her first appearance at the Gymnase was a piece of the kind which sometimes falls flat at first, and afterwards has immense success. It fell flat that night. Coralie was not applauded when she came on, and the chilly reception reacted upon her. The only applause came from Camusot's box, and various persons posted in the balcony and galleries silenced Camusot with repeated cries of "Hush!"

The galleries even silenced the _claqueurs_ when they led off with exaggerated salvos. Martainville applauded bravely; Nathan, Merlin, and the treacherous Florine followed his example; but it was clear that the piece was a failure. A crowd gathered in Coralie's dressing-room and consoled her, till she had no courage left. She went home in despair, less for her own sake than for Lucien's.

"Braulard has betrayed us," Lucien said.

Coralie was heartstricken. The next day found her in a high fever, utterly unfit to play, face to face with the thought that she had been cut short in her career. Lucien hid the papers from her, and looked them over in the dining-room. The reviewers one and all attributed the failure of the piece to Coralie; she had overestimated her strength; she might be the delight of a boulevard audience, but she was out of her element at the Gymnase; she had been inspired by a laudable ambition, but she had not taken her powers into account; she had chosen a part to which she was quite unequal. Lucien read on through a pile of penny-a-lining, put together on the same system as his attack upon Nathan. Milo of Crotona, when he found his hands fast in the oak which he himself had cleft, was not more furious than Lucien. He grew haggard with rage. His friends gave Coralie the most treacherous advice, in the language of kindly counsel and friendly interest. She should play (according to these authorities) all kind of roles, which the treacherous writers of these unblushing _feuilletons_ knew to be utterly unsuited to her genius. And these were the Royalist papers, led off by Nathan. As for the Liberal press, all the weapons which Lucien had used were now turned against him.

Coralie heard a sob, followed by another and another. She sprang out of bed to find Lucien, and saw the papers. Nothing would satisfy her but she must read them all; and when she had read them, she went back to bed, and lay there in silence.

Florine was in the plot; she had foreseen the outcome; she had studied Coralie's part, and was ready to take her place. The management, unwilling to give up the piece, was ready to take Florine in Coralie's stead. When the manager came, he found poor Coralie sobbing and exhausted on her bed; but when he began to say, in Lucien's presence, that Florine knew the part, and that the play must be given that evening, Coralie sprang up at once.

"I will play!" she cried, and sank fainting on the floor.

So Florine took the part, and made her reputation in it; for the piece succeeded, the newspapers all sang her praises, and from that time forth Florine was the great actress whom we all know. Florine's success exasperated Lucien to the highest degree.

"A wretched girl, whom you helped to earn her bread! If the Gymnase prefers to do so, let the management pay you to cancel your engagement.

I shall be the Comte de Rubempre; I will make my fortune, and you shall be my wife."

"What nonsense!" said Coralie, looking at him with wan eyes.

"Nonsense!" repeated he. "Very well, wait a few days, and you shall live in a fine house, you shall have a carriage, and I will write a part for you!"

He took two thousand francs and hurried to Frascati's. For seven hours the unhappy victim of the Furies watched his varying luck, and outwardly seemed cool and self-contained. He experienced both extremes of fortune during that day and part of the night that followed; at one time he possessed as much as thirty thousand francs, and he came out at last without a sou. In the Rue de la Lune he found Finot waiting for him with a request for one of his short articles. Lucien so far forgot himself, that he complained.

"Oh, it is not all rosy," returned Finot. "You made your right-about-face in such a way that you were bound to lose the support of the Liberal press, and the Liberals are far stronger in print than all the Ministerialist and Royalist papers put together. A man should never leave one camp for another until he has made a comfortable berth for himself, by way of consolation for the losses that he must expect; and in any case, a prudent politician will see his friends first, and give them his reasons for going over, and take their opinions. You can still act together; they sympathize with you, and you agree to give mutual help. Nathan and Merlin did that before they went over. Hawks don't pike out hawks' eyes. You were as innocent as a lamb; you will be forced to show your teeth to your new party to make anything out of them. You have been necessarily sacrificed to Nathan. I cannot conceal from you that your article on d'Arthez has roused a terrific hubbub.

Marat is a saint compared with you. You will be attacked, and your book will be a failure. How far have things gone with your romance?"

"These are the last proof sheets."

"All the anonymous articles against that young d'Arthez in the Ministerialist and Ultra papers are set down to you. The _Reveil_ is poking fun at the set in the Rue des Quatre-Vents, and the hits are the more telling because they are funny. There is a whole serious political coterie at the back of Leon Giraud's paper; they will come into power too, sooner or later."

"I have not written a line in the _Reveil_ this week past."

"Very well. Keep my short articles in mind. Write fifty of them straight off, and I will pay you for them in a lump; but they must be of the same color as the paper." And Finot, with seeming carelessness, gave Lucien an edifying anecdote of the Keeper of the Seals, a piece of current gossip, he said, for the subject of one of the papers.

Eager to retrieve his losses at play, Lucien shook off his dejection, summoned up his energy and youthful force, and wrote thirty articles of two columns each. These finished, he went to Dauriat's, partly because he felt sure of meeting Finot there, and he wished to give the articles to Finot in person; partly because he wished for an explanation of the non-appearance of the _Marguerites_. He found the bookseller's shop full of his enemies. All the talk immediately ceased as he entered. Put under the ban of journalism, his courage rose, and once more he said to himself, as he had said in the alley at the Luxembourg, "I will triumph."

Dauriat was neither amiable or inclined to patronize; he was sarcastic in tone, and determined not to bate an inch of his rights. The _Marguerites_ should appear when it suited his purpose; he should wait until Lucien was in a position to secure the success of the book; it was his, he had bought it outright. When Lucien a.s.serted that Dauriat was bound to publish the _Marguerites_ by the very nature of the contract, and the relative positions of the parties to the agreement, Dauriat flatly contradicted him, said that no publisher could be compelled by law to publish at a loss, and that he himself was the best judge of the expediency of producing the book. There was, besides, a remedy open to Lucien, as any court of law would admit--the poet was quite welcome to take his verses to a Royalist publisher upon the repayment of the thousand crowns.

Lucien went away. Dauriat's moderate tone had exasperated him even more than his previous arrogance at their first interview. So the _Marguerites_ would not appear until Lucien had found a host of formidable supporters, or grown formidable himself! He walked home slowly, so oppressed and out of heart that he felt ready for suicide.

Coralie lay in bed, looking white and ill.

"She must have a part, or she will die," said Berenice, as Lucien dressed for a great evening party at Mlle. des Touches' house in the Rue du Mont Blanc. Des Lupeaulx and Vignon and Blondet were to be there, as well as Mme. d'Espard and Mme. de Bargeton.

The party was given in honor of Conti, the great composer, owner likewise of one of the most famous voices off the stage, Cinti, Pasta, Garcia, Leva.s.seur, and two or three celebrated amateurs in society not excepted. Lucien saw the Marquise, her cousin, and Mme. de Montcornet sitting together, and made one of the party. The unhappy young fellow to all appearances was light-hearted, happy, and content; he jested, he was the Lucien de Rubempre of his days of splendor, he would not seem to need help from any one. He dwelt on his services to the Royalist party, and cited the hue and cry raised after him by the Liberal press as a proof of his zeal.

"And you will be well rewarded, my friend," said Mme. de Bargeton, with a gracious smile. "Go to the _Chancellerie_ the day after to-morrow with 'the Heron' and des Lupeaulx, and you will find your patent signed by His Majesty. The Keeper of the Seals will take it to-morrow to the Tuileries, but there is to be a meeting of the Council, and he will not come back till late. Still, if I hear the result to-morrow evening, I will let you know. Where are you living?"

"I will come to you," said Lucien, ashamed to confess that he was living in the Rue de la Lune.

"The Duc de Lenoncourt and the Duc de Navarreins have made mention of you to the King," added the Marquise; "they praised your absolute and entire devotion, and said that some distinction ought to avenge your treatment in the Liberal press. The name and t.i.tle of Rubempre, to which you have a claim through your mother, would become ill.u.s.trious through you, they said. The King gave his lordship instructions that evening to prepare a patent authorizing the Sieur Lucien Chardon to bear the arms and t.i.tle of the Comtes de Rubempre, as grandson of the last Count by the mother's side. 'Let us favor the songsters' (_chardonnerets_) 'of Pindus,' said his Majesty, after reading your sonnet on the Lily, which my cousin luckily remembered to give the Duke.--'Especially when the King can work miracles, and change the song-bird into an eagle,' M. de Navarreins replied."

Lucien's expansion of feeling would have softened the heart of any woman less deeply wounded than Louise d'Espard de Negrepelisse; but her thirst for vengeance was only increased by Lucien's graciousness. Des Lupeaulx was right; Lucien was wanting in tact. It never crossed his mind that this history of the patent was one of the mystifications at which Mme. d'Espard was an adept. Emboldened with success and the flattering distinction shown to him by Mlle. des Touches, he stayed till two o'clock in the morning for a word in private with his hostess. Lucien had learned in Royalist newspaper offices that Mlle. des Touches was the author of a play in which _La pet.i.te Fay_, the marvel of the moment was about to appear. As the rooms emptied, he drew Mlle. des Touches to a sofa in the boudoir, and told the story of Coralie's misfortune and his own so touchingly, that Mlle. des Touches promised to give the heroine's part to his friend.

That promise put new life into Coralie. But the next day, as they breakfasted together, Lucien opened Lousteau's newspaper, and found that unlucky anecdote of the Keeper of the Seals and his wife. The story was full of the blackest malice lurking in the most caustic wit. Louis XVIII. was brought into the story in a masterly fashion, and held up to ridicule in such a way that prosecution was impossible. Here is the substance of a fiction for which the Liberal party attempted to win credence, though they only succeeded in adding one more to the tale of their ingenious calumnies.

The King's pa.s.sion for pink-scented notes and a correspondence full of madrigals and sparkling wit was declared to be the last phase of the tender pa.s.sion; love had reached the Doctrinaire stage; or had pa.s.sed, in other words, from the concrete to the abstract. The ill.u.s.trious lady, so cruelly ridiculed under the name of Octavie by Beranger, had conceived (so it was said) the gravest fears. The correspondence was languishing. The more Octavie displayed her wit, the cooler grew the royal lover. At last Octavie discovered the cause of her decline; her power was threatened by the novelty and piquancy of a correspondence between the august scribe and the wife of his Keeper of the Seals. That excellent woman was believed to be incapable of writing a note; she was simply and solely G.o.dmother to the efforts of audacious ambition. Who could be hidden behind her petticoats? Octavie decided, after making observations of her own, that the King was corresponding with his Minister.

She laid her plans. With the help of a faithful friend, she arranged that a stormy debate should detain the Minister at the Chamber; then she contrived to secure a _tete-a-tete_, and to convince outraged Majesty of the fraud. Louis XVIII. flew into a royal and truly Bourbon pa.s.sion, but the tempest broke on Octavie's head. He would not believe her. Octavie offered immediate proof, begging the King to write a note which must be answered at once. The unlucky wife of the Keeper of the Seals sent to the Chamber for her husband; but precautions had been taken, and at that moment the Minister was on his legs addressing the Chamber. The lady racked her brains and replied to the note with such intellect as she could improvise.

"Your Chancellor will supply the rest," cried Octavie, laughing at the King's chagrin.

There was not a word of truth in the story; but it struck home to three persons--the Keeper of the Seals, his wife, and the King. It was said that des Lupeaulx had invented the tale, but Finot always kept his counsel. The article was caustic and clever, the Liberal papers and the Orleanists were delighted with it, and Lucien himself laughed, and thought of it merely as a very amusing _canard_.

He called next day for des Lupeaulx and the Baron du Chatelet. The Baron had just been to thank his lordship. The Sieur Chatelet, newly appointed Councillor Extraordinary, was now Comte du Chatelet, with a promise of the prefecture of the Charente so soon as the present prefect should have completed the term of office necessary to receive the maximum retiring pension. The Comte _du_ Chatelet (for the _du_ had been inserted in the patent) drove with Lucien to the _Chancellerie_, and treated his companion as an equal. But for Lucien's articles, he said, his patent would not have been granted so soon; Liberal persecution had been a stepping-stone to advancement. Des Lupeaulx was waiting for them in the Secretary-General's office. That functionary started with surprise when Lucien appeared and looked at des Lupeaulx.

"What!" he exclaimed, to Lucien's utter bewilderment. "Do you dare to come here, sir? Your patent was made out, but his lordship has torn it up. Here it is!" (the Secretary-General caught up the first torn sheet that came to hand). "The Minister wished to discover the author of yesterday's atrocious article, and here is the ma.n.u.script," added the speaker, holding out the sheets of Lucien's article. "You call yourself a Royalist, sir, and you are on the staff of that detestable paper which turns the Minister's hair gray, hara.s.ses the Centre, and is dragging the country headlong to ruin? You breakfast on the _Corsair_, the _Miroir_, the _Const.i.tutionnel_, and the _Courier_; you dine on the _Quotidienne_ and the _Reveil_, and then sup with Martainville, the worst enemy of the Government! Martainville urges the Government on to Absolutist measures; he is more likely to bring on another Revolution than if he had gone over to the extreme Left. You are a very clever journalist, but you will never make a politician. The Minister denounced you to the King, and the King was so angry that he scolded M. le Duc de Navarreins, his First Gentleman of the Bedchamber. Your enemies will be all the more formidable because they have hitherto been your friends. Conduct that one expects from an enemy is atrocious in a friend."