A Daughter of To-Day Part 14

Elfrida seemed to restrain a smile. "I don't know that I am," she said. "I'm sorry that you didn't leave my mother so well as she ought to be. She hasn't mentioned it in her letters." In the course of time Miss Bell's correspondence with her parents had duly re-established itself.

"She _wouldn't_, Elf--Miss Bell. She was afraid of suggesting the obligation to come home to you. She said with your artistic conscience you couldn't come, and it would only be inflicting unnecessary pain upon you. But her bronchitis was no light matter last February. She was real sick."

"My mother is always so considerate," Elfrida answered, reddening, with composed lips. "She is better now, I think you said."

"Oh yes, she's some better. I heard from her last week, and she says she doesn't know how to wait to see me back.

That's on your account, of course. Well, I can tell her you appear comfortable," Miss Kimpsey looked around, "if I _can't_ tell her exactly when you'll be home."

"That is so doubtful, just now--"

"They're introducing drawing from casts in the High School," Miss Kimpsey went on, with a note of urgency in her little tw.a.n.ging voice, "and Mrs. Bell told me I might just mention it to you. She thinks you could easily get taken on to teach it. I just dropped round to one or two of the princ.i.p.al trustees the day before I left, and they said you had only to apply. It's seven hundred dollars a year."

Elfrida's eyebrows contracted. "Thanks very much! It was extremely kind--to go to so much trouble. But I have decided that I am not meant to be an artist, Miss Kimpsey,"

she said with a self-contained smile. "I think my mother knows that. I--I don't much like talking about it. Do you find London confusing? I was dreadfully puzzled at first."

"I _would_ if I were alone. I'd engage a special policeman--the policemen _are_ polite, aren't they? But we keep the party together, you see, to economize time, so none of us get lost. We all went down Cheapside this morning and bought umbrellas--two and three apiece. This is the most reasonable place for umbrellas. But isn't it ridiculous to pay for apples by the _pound?_ And then they're not worth eating. This room does smell of tobacco.

I suppose the gentleman in the apartment below smokes a great deal."

"I think he does. I'm so sorry. Let me open another window."

"Oh, don't mind _me_! I don't object to tobacco, except on board, ship. But it must be bad to sleep in."

"Perhaps," said Elfrida sweetly. "And have you no more news from home for me, Miss Kimpsey?"

"I don't know as I have. You've heard of the Rev. Mr.

Snider's second marriage to Mrs. Abraham Peeley, of course. There's a great deal of feeling about it in Sparta--the first Mrs. Snider was so popular, you know --and it isn't a full year. People say it isn't the _marriage_ they object to under such circ.u.mstances, it's--all that goes before," said Miss Kimpsey, with decorous repression, and Elfrida burst into a peal of laughter. "Really," she sobbed, "it's too delicious. Poor Mr. and Mrs. Snider! Do you think people woo with improper warmth--at that age, Miss Kimpsey?"

"I don't know anything about it," Miss Kimpsey declared, with literal truth. "I suppose such things justify themselves somehow, especially when it's a clergyman.

And of course you know about your mother's idea of coming over here to settle?"

"No!" said Elfrida, arrested. "She hasn't mentioned it.

Do they talk of it seriously?"

"I don't know about _seriously_. Mr. Bell doesn't seem as if he could make up his mind. He's so fond of Sparta you know. But Mrs. Bell is just wild to come. She thinks, of course, of having you to live with them again; and then she says that on their present income--you will excuse my referring to your parents' reduced circ.u.mstances, Miss Bell?"

"Please go on."

"Your mother considers that Mr. Bell's means would go further in England than in America. She asked me to make inquiries; and I must say, judging from the price of umbrellas and woollen goods, I think they would."

Elfrida was silent for a moment, looking steadfastly at the possibility Miss Kimpsey had developed. "What a complication!" she said, half to herself; and then, observing Miss Kimpsey's look of astonishment: "I had no idea of that," she repeated; "I wonder that they have not mentioned it."

"Well then!" said Miss Kimpsey, with sudden compunction, "I presume they wanted to surprise you. And I've gone and spoiled it!"

"To surprise me!" Elfrida repeated in her absorption.

"Oh yes; very likely!" Inwardly she saw her garret, the garret that so exhaled her, where she had tasted success and knew a happiness that never altogether failed, vanish into a snug cottage in Hampstead or Surbiton. She saw the rain of her independence, of her delicious solitariness, of the life that began and ended in her sense of the strange, and the beautiful and the grotesque in a world of curious slaveries, of which it suited her to be an alien spectator, amused and free. She foresaw long conflicts and discussions, pryings which she could, not resent, justifications which would be forced upon her, obligations which she must not refuse. More intolerable still, she saw herself in the role of a family idol, the household happiness hinging on her moods, the question of her health, her work, her pleasure being eternally the chief one. Miss Kimpsey talked on about other things --Windsor Castle, the Abbey, the Queen's stables; and Elfrida made occasional replies, politely vague. She was mechanically twisting the little gold hoop on her wrist, and thinking of the artistic sufferings of a family idol.

Obviously the only thing was to destroy the prospective shrine.

"We don't find board as cheap as we expected," Miss Kimpsey was saying.

"Living, that is food, is very expensive," Elfrida replied quickly; "a good beefsteak, for instance, costs three Francs--I mean two and fivepence, a pound."

"I _can't_ think in shillings!" Miss Kimpsey interposed plaintively.

"And about this idea my people have of coming over here--I've been living in London four months now, and I can't quite see your grounds for thinking it cheaper than Sparta, Miss Kimpsey."

"Of course you have had time to judge of it."

"Yes. On the whole I think they would find it more expensive and much less satisfactory. They would miss their friends, and their place in the little world over there. My mother, I know, attaches a good deal of importance to that. They would have to live very modestly in a suburb, and all the nice suburbs have their social relations in town. They wouldn't take the slightest interest in English inst.i.tutions; my father is too good a citizen to make a good subject, and they would find a great many English ideas very--trying. The only Americans who are happy in England are the millionaires," Elfrida answered. "I mean the millionaires who are not too sensitive."

"Well now, you've got as sensitive a nature as I know, Miss Bell, and you don't appear to be miserable over here."

"I!" Elfrida frowned just perceptibly. This little creature who once corrected the punctuation of her essays, and gave her bad marks for spelling, was too intolerably personal. "We won't consider my case, if you please.

Perhaps I'm not a good American."

"Mrs. Bell seems to think she would enjoy the atmosphere of the past so much in London."

"It's a fatal atmosphere for asthma. Please impress that upon my people, Miss Kimpsey. There would be no justification in letting my mother believe she could be comfortable here. She must come and experience the, atmosphere of the past, as you are doing, on a visit. As soon as it can be afforded I hope they will do that."

Since the day of her engagement with the _Ill.u.s.trated Age_ Elfrida had been writing long, affectionate, and prettily worded letters to her mother by every American mail. They were models of sweet elegance, those letters; they abounded in dainty bits of description and gay comment, and they reflected as little of the real life of the girl who wrote them as it is possible to conceive.

In this way they were quite remarkable, and in their charming discrimination of topics. It was as if Elfrida dictated that a certain relation should exist between herself and her parents. It should acknowledge all the traditions, but it should not be too intimate. They had no such claim upon her, no such closeness to her, as Nadie Palicsky, for instance, had.

When Miss Kimpsey went away that afternoon, trying to realize the intrinsic reward of virtue--she had been obliged to give up the National Gallery to make this visit--Elfrida remembered that the American mail went out next day, and spent a longer time than usual over her weekly letter. In its course she mentioned with some amus.e.m.e.nt the absurd idea Miss Kimpsey had managed to absorb of their coming to London to live, and touched in the lightest possible way upon the considerations that made such a project impossible. But the greater part of the letter was taken up with a pleased forecast of the time--could it possibly be next summer?--when Mr. and Mrs. Bell would cross the Atlantic on a holiday trip. "I will be quite an affluent person by then," Elfrida wrote, "and I will be able to devote the whole of my magnificent leisure to entertaining you."

She turned from the sealing of this to answer a, note from Lawrence Cardiff. He wrote to her, on odds and ends of matters, almost as often as Janet did now. He wrote as often, indeed, as he could, and always with an amused, uncertain expectancy of what the consciously directed little square envelopes which brought back the reply would contain. It was becoming obvious to him that they brought something a little different, in expression or feeling or suggestion, from the notes that came for Janet, which Janet often read out for their common benefit. He was unable to define the difference, but he was aware that it gave him pleasure, especially as he could not find that it was in any way connected with the respectful consideration that Elfrida might have thought due to his forty-seven years. If Mr. Cardiff had gone so far as to soliloquize upon the subject he would have said to himself, "In my trade a man gets too much of that." I do not know that he did, but the subtle gratification this difference gave him was quite strong enough, at all events, to lead to the reflection. The perception of it was growing so vivid that he instinctively read his notes in silence, paraphrasing them for Janet if she happened to be there.

They had, as it were, a bloom and a freshness, a mere perfume of personality that would infallibly vanish in the communicating, but that left him, as often as not, when he slipped the note back into the envelope with a half smile on his lips.

Janet was conscious of the smile and of the paraphrasing.

In reprisal--though she would not have admitted it was that--she kept her own missives from Elfrida to herself whenever it occurred to her to check the generous impulse of sharing the pleasure they gave her, which was not often, after all. It was the seldomer because she could not help feeling that her father was thoroughly aware of her action, and fancying that he speculated upon the reason of it. It was unendurable that daddy should speculate about the reason of anything she did in connection with Frida, or with any other young lady. Her conduct was perfectly simple; there was no reason whatever why it should not be perfectly simple.

When Miss Kimpsey arrived at Euston Station next day, with all her company, to take the train For Scotland; she found Elfrida waiting for her, a picturesque figure in the hurrying crowd with her hair blown about her face with the gusts of wind and rain, and her wide dark eyes looking quietly about her. She had a bunch of azaleas in her hand, and as Miss Kimpsey was saying with gratification that Elfrida's coming down to see her off was a thing she did _not_ expect, Miss Bell offered her these.

"They will be pleasant in the train perhaps," said she.

"And do you think you could find room for this in one of your boxes? It isn't very bulky--a trifle I should like so much to send to my mother, Miss Kimpsey. It might go by post, I know, but the pleasure will be much greater to her if you could take it."

In due course Mrs. Bell received the packet. It contained a delicate lace head-dress, which cost Elfrida the full pay and emoluments of a fortnight. Mrs. Bell wore it at all social gatherings of any importance in Sparta the following winter, and often reflected with considerable pleasure upon the taste and unselfishness that so obviously accompanied the gift.

CHAPTER XVIII.

If John Kendal had been an on-looker at the little episode of Lady Halifax's drawing-room in Paris six months earlier it would have filled him with the purest, amus.e.m.e.nt. He would have added the circ.u.mstance to his conception of the type of young woman who enacted it, and turned away without stopping to consider whether it flattered her or not. His comprehension of human nature was too catholic very readily to permit him impressions either of wonder or contempt--it would have been a matter of registration and a smile. Realizing this, Kendal was the more at a loss to explain to himself the feeling of irritation which the recollection of the scene persistently aroused in him, in spite of a p.r.o.nounced disposition, of which he could not help being aware, not to register it but to ignore it. His memory refused to be a party to his intention, and the tableau recurred to him with a persistence which he found distinctly disagreeable. Upon every social occasion which brought young ladies of beauty and middle-aged gentlemen of impressive eminence into conversational contact he saw the thing in imagination done again. In the end it suggested itself to him as paintable--the astonished drawing-room, the graceful half-kneeling girl with the bent head, the other dismayed and uncomprehending figure yielding a doubtful hand, his discomfort indicated in the very lines of his waistcoat.

"_A Fin de Siecle Tribute_," Kendal named it. He dismissed the idea as absurd, and then reconsidered it as a means of disposing of the incident finally. He knew it could be very effectually put away in canvas. He a.s.sured himself again that he could not entertain the idea of painting it seriously, and that this was because of the inevitable tendency which the subject would have toward caricature.

Kendal had an indignant contempt for such a tendency, and the liberty which men who used it took with their art. He had never descended to the flouting of his own aims which it implied. He threw himself into his pictures without reserve; it was the best of him that he painted, the strongest he could do, and all he could do; he was sincere enough to take it always seriously. The possibility of caricature seemed to him to account admirably for his reluctance to paint "_A Fin de Siecle Tribute_,"--it was a matter of conscience. He found that the desire to paint it would not go, however; it took daily more complete possession of him, and fought his scruples with a strong hand. It was a fortnight after, and he had not seen Elfrida in the meantime, when they were finally defeated by the argument that a sketch would show whether caricature were necessarily inherent or not. He would make a sketch purely for his own satisfaction. Under the circ.u.mstances Kendal realized perfectly that it could never be for exhibition, and indeed he felt a singular shrinking from the idea that any one should see it. Finally, he gave a whole day to the thing, and made an admirable sketch.

After that Kendal felt free to make the most of his opportunities of seeing Elfrida--his irritation with her subsided, her blunder had been settled to his satisfaction.

He had an obscure idea of having inflicted discipline upon her in giving the incident form and color upon canvas, in arresting its grotesqueness and sounding its true _motif_ with a pictorial tongue. It was his conception of the girl that he punished, and he let his fascinated speculation go out to her afterward at a redoubled rate.

She brought him sometimes to the verge of approval, to the edge of liking; arid when he found that he could not take the further step he told himself impatiently that it was not a case for anything so ordinary as approval, or anything so personal as liking; it was a matter of observation, enjoyment, stimulus. He availed himself of these abstractions with a candor that was the more open for not being complicated with any less hardy motive. He had long ago decided that relations of sentiment with Elfrida would require a temperament quite different from that of any man he knew. It was entirely otherwise with Janet Cardiff, and Kendal smiled as he thought of the feminine variation the two girls ill.u.s.trated. He had a distinct recollection of one crisp October afternoon before he went to Paris, as they walked home together under the brown curling leaves and pa.s.sed the Serpentine, when he had found that the old charm of Janet's gray eyes was changing to a new one. He remembered the pleasure he had felt in dallying with the thought of making them l.u.s.trous, one day, with tenderness for himself. It had paled since then, there had been so many other things; but still they were dear, honest eyes--and Kendal never brought his reverie to a conclusion under any circ.u.mstances whatever.