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A Chair on the Boulevard Part 36

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"Capital," said Tricotrin; "things are looking up with us both! And if I raise the franc, there will be ten sous for you to squander on a recherche luncheon. Meet me in the place Dancourt in an hour's time. So long!"

Never had mademoiselle Blondette looked more captivating than when her carriage brought her back that day. She wore--but why particularise?

Suffice it, that she had just been photographed. As she stepped to the pavement she was surprised by the obeisance of a shabby young man, who said in courtly tones, "Mademoiselle, may I beg the honour of an interview? I came from La Coupole." Having bestowed a glance of annoyance on him, she invited him to ascend the stairs, and a minute later Tricotrin was privileged to watch her take off her hat before the mirror.

"Well?" she inquired, "what's the trouble there now; what do they want?"

"So far as I know, mademoiselle," returned the intruder deferentially, "they want nothing but your beauty and your genius; but I myself want infinitely more--I want your attention and your pity. Let me explain without delay that I do not represent the Management, and that when I said I came from La Coupole I should have added that I did not come from the interior."

"ca, par exemple!" she said sharply. "Who are you, then?"

"I am Tricotrin, mademoiselle--Gustave Tricotrin, at your feet. I have two comrades, the parents of _Patatras_; you have refused to play in it, and I fear they will destroy themselves. I come to beg you to save their lives."

"Monsieur," exclaimed the lady, and her eyes were brilliant with temper, "all that I have to say about _Patatras_ I have said! The part gave me the hump."

"And yet," continued the suppliant firmly, "I hope to induce you to accept it. I am an author myself, and I a.s.sure you that it teems with opportunities that you may have overlooked in a casual reading."

"It is stupid!"

"As you would play it, I predict that it would make an epoch."

"And the music is no good."

"If I may venture to differ from you, the music is haunting--the composer is my lifelong friend."

"I appreciate the argument," she said, with fine irony. "But you will scarcely expect me to play a part that I don't like in order to please you!"

"Frankly, that is just what I do expect," replied the poet. "I think you will consent for my sake."

"Oh, really? For _your_ sake? Would you mind mentioning why, before you go?"

"Because, mademoiselle," said Tricotrin, folding his arms, "in years gone by, you ruined me!"

"Mon Dieu!" she gasped, and she did not doubt that she was in the presence of a lunatic.

"Do not rush to the bell!" he begged. "If it will allay your panic, I will open the door and address you from the landing. I am not insane, I solemnly a.s.sert that I am one of the men who have had the honour of being ruined by you." "I have never seen you in my life before!" "I know it. I even admit that I attach no blame to you in the matter.

Nevertheless, you cost me two thousand five hundred and forty-three francs, and--as you may judge by my costume--I do not own the Credit Lyonnais. If you will deign to hear my story, I guarantee that it will convince you. Do you permit me to proceed?"

The beauty nodded wonderingly, and the shabby young man continued in the following words:

"As I have said, I am an author; I shall 'live' by my poetry, but I exist by my prose--in fact, I turn my pen to whatever promises a dinner, be it a sonnet to the Spring, or a testimonial to a hair restorer. One summer, when dinners had been even more elusive than usual, I conceived the idea of calling attention to my talents by means of an advertis.e.m.e.nt. In reply, I received a note bidding me be on the third step of the Madeleine at four o'clock the following day, and my correspondent proved to be a gentleman whose elegant apparel proclaimed him a Parisian of the Boulevard.

"'You are monsieur Gustave Tricotrin?' he inquired.

"'I have that misfortune, monsieur,' said I. We adjourned to a cafe, and after a preliminary chat, from which he deduced that I was a person of discretion, he made me a proposal.

"He said, 'Monsieur Tricotrin, it is evident that you and I were designed to improve each other's condition; _your_ dilemma is that, being unknown, you cannot dispose of your stories--_mine_ is that, being known so well, I am asked for more stories than I can possibly write, I suggest that you shall write some for me. _I_ will sign them, they will be paid for in accordance with my usual terms, and you shall receive a generous share of the swag. I need not impress upon you that I am speaking in the strictest confidence, and that you must never breathe a word about our partnership, even to the wife of your bosom.'

"'Monsieur,' I returned, 'I have no wife to breathe to, and my bosom is unsurpa.s.sed as a receptacle for secrets,'

"'Good,' he said. 'Well, without beating about the bush, I will tell you who I am.' He then uttered a name that made me jump, and before we parted it was arranged that I should supply him with a tale immediately as a specimen of my abilities.

"This tale, which I accomplished the same evening, pleased him so well that he forthwith gave me an order for two more. I can create a plot almost as rapidly as a debt, and before long I had delivered ma.n.u.scripts to him in such wholesale quant.i.ties that if I had been paid cash for them, I should have been in a position to paint the b.u.t.te the richest shade of red. It was his custom, however, to make excuses and payments on account, and as we were capital friends by now, I never demurred.

"Well, things went on in this fashion until one day he hinted to me that I had provided him with enough ma.n.u.scripts to last him for two years; his study was lumbered with evidence of my talent, and his market, after all, was not unlimited. He owed me then close upon three thousand francs, and it was agreed that he should wipe the debt out by weekly instalments. Enfin, I was content enough--I foresaw an ample income for two years to come, and renewed leisure to win immortality by my epics. I trust that my narrative does not fatigue you, mademoiselle?"

"What has it all to do with me, however?" asked the lady.

"You shall hear. Though the heroine comes on late, she brings the house down when she enters. For a few weeks my patron fulfilled his compact with tolerable punctuality, but I never failed to notice when we met that he was a prey to some terrible grief. At last, when he had reduced the sum to two thousand five hundred and forty-three francs--the figures will be found graven on my heart--he confided in me, he made me a strange request; he exclaimed:

"'Tricotrin, I am the most miserable of men!'

"'Poor fellow!' I responded. 'It is, of course, a woman?'

"'Precisely,' he answered. 'I adore her. Her beauty is incomparable, her fascinations are unparalleled, her intelligence is unique. She has only one blemish--she is mercenary.'

"'After all, perfection would be tedious,' I said.

"'You are a man of sensibility, you understand!' he cried. 'Her tastes have been a considerable strain on my resources, and in consequence my affairs have become involved. Now that I am in difficulties, she is giving me the chuck. I have implored and besought, I have worn myself out in appeals, but her firmness is as striking as her other gifts.

There remains only one chance for me--a letter so impa.s.sioned that it shall awake her pity. _I_, as I tell you, am exhausted; I can no longer plead, no longer phrase, I am a wreck! Will you, as a friend, as a poet, compose such a letter and give it to me to copy?'

"Could I hesitate? I drove my pen for him till daybreak. All the yearnings of my own nature, all the romance of my fiery youth, I poured out in this appeal to a siren whom I had never seen, and whose name I did not know. I was distraught, pathetic, humorous, and sublime by turns. Subtle gleams of wit flashed artistically across the lurid landscape of despair. I reminded her of scenes of happiness--vaguely, because I had no details to elaborate; the reminiscences, however, were so touching that I came near to believing in them. Mindful of her solitary blemish, I referred to 'embarra.s.sments now almost at an end'; and so profoundly did I affect myself, that while I wrote that I was weeping, it was really true. Well, when I saw the gentleman again he embraced me like a brother. 'Your letter was a masterpiece,' he told me; 'it has done the trick!'

"Mademoiselle, I do not wish to say who he was, and as you have known many celebrities, and had many love-letters, you may not guess. But the woman was you! And if I had been a better business man, I should have written less movingly, for I recognised, even during my inspiration, that it was against my interests to reunite him to you. I was an artist; I thrilled your heart, I restored you to his arms--and you had the two thousand five hundred and forty-three francs that would otherwise have come to me! Never could I extract another sou from him!"

As Tricotrin concluded his painful history, mademoiselle Blondette seemed so much amused that he feared she had entirely missed its pathos. But his misgiving was relieved when she spoke.

"It seems to me I have been expensive to you, monsieur," she said; "and you have certainly had nothing for your money. Since this revue--which I own that I have merely glanced at--is the apple of your eye, I promise to read it with more attention."

A month later _Patatras_ was produced at La Coupole after all, and no one applauded its performance more enthusiastically than the poet, who subsequently went to supper arm-in-arm with its creators.

"Mon vieux," said the elated pair, "we will not ask again by what means you accomplished this miracle, but let it teach you a lesson! Tonight's experience proves that nothing is beyond your power if you resolve to succeed!"

"It proves," replied Tricotrin, "that Blondette's first impression was correct, for, between ourselves, my children, _Patatras_ is no shakes."

Nevertheless, Lajeunie and Pitou wore laurels in Montmartre; and one is happy to say that their fees raised the young collaborators from privation to prosperity--thanks to Blondette's attractions--for nearly three weeks.

THE DANGER OF BEING A TWIN

My Confessions must begin when I was four years old and recovering from swollen glands. As I grew well, my twin-brother, Gregoire, who was some minutes younger, was put to bed with the same complaint.

"What a misfortune," exclaimed our mother, "that Silvestre is no sooner convalescent than Gregoire falls ill!"

The doctor answered: "It astonishes me, madame Lapalme, that you were not prepared for it--since the children are twins, the thing was to be foreseen; when the elder throws the malady off, the younger naturally contracts it. Among twins it is nearly always so."

And it always proved to be so with Gregoire and me. No sooner did I throw off whooping-cough than Gregoire began to whoop, though I was at home at Vernon and he was staying with our grandmother at Tours. If I had to be taken to a dentist, Gregoire would soon afterwards be howling with toothache; as often as I indulged in the pleasures of the table Gregoire had a bilious attack. The influence I exercised upon him was so remarkable that once when my bicycle ran away with me and broke my arm, our mother consulted three medical men as to whether Gregoire's bicycle was bound to run away with him too. Indeed, my brother was distinctly apprehensive of it himself.

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A Chair on the Boulevard Part 36 summary

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