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A Chair on the Boulevard Part 30

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"To be the guest of monsieur le marquis," murmured Robichon, "is a privilege, an honour, which--er--"

"Ah," sighed the Marquis. "I shall very soon be in the Republic where all men are really equals and the only masters are the worms. My reason for requesting you to come was to speak of your unfortunate experiences--of a certain unfortunate experience in particular. You referred in your lecture to the execution of one called 'Victor Lesueur.' He died game, hein?"

"As plucky a soul as I ever dispatched!" said Robichon, savouring the burgundy.

"Ah! Not a tremor? He strode to the guillotine like a man?"

"Like a hero!" said Robichon, who knew nothing about him.

"That was fine," said the Marquis; "that was as it should be! You have never known a prisoner to die more bravely?" There was a note of pride in his voice that was unmistakable.

"I shall always recall his courage with respect," declared Robichon, mystified.

"Did you respect it at the time?"

"Pardon, monsieur le marquis?"

"I inquire if you respected it at the time; did you spare him all needless suffering?"

"There is no suffering," said Robichon. "So swift is the knife that--"

The host made a gesture of impatience. "I refer to mental suffering.

Cannot you realise the emotions of an innocent man condemned to a shameful death!"

"Innocent! As for that, they all say that they are innocent."

"I do not doubt it. Victor, however, spoke the truth. I know it. He was my son."

"Your son?" faltered Robichon, aghast.

"My only son--the only soul I loved on earth. Yes; he was innocent, monsieur Roux. And it was you who butchered him--he died by your hands."

"I--I was but the instrument of the law," stammered Robichon. "I was not responsible for his fate, myself."

"You have given a masterly lecture, monsieur Roux," said the Marquis musingly; "I find myself in agreement with all that you said in it-- you are his murderer,' I hope the wine is to your taste, monsieur Roux?

Do not spare it!"

"The wine?" gasped the actor. He started to his feet, trembling--he understood.

"It is poisoned," said the old man calmly, "In an hour you will be dead."

"Great Heavens!" moaned Robichon. Already he was conscious of a strange sensation--his blood was chilled, his limbs were weighted, there were shadows before his eyes.

"Ah, I have no fear of you!" continued the other; "I am feeble, I could not defend myself; but your violence would avail you nothing. Fight, or faint, as you please--you are doomed."

For some seconds they stared at each other dumbly--the actor paralysed by terror, the host wearing the smile of a lunatic. And then the "lunatic" slowly peeled court-plaster from his teeth, and removed features, and lifted a wig.

And when the whole story was published, a delighted Paris awarded the palm to Quinquart without a dissentient voice, for while Robichon had duped an audience, Quinquart had duped Robichon himself.

Robichon bought the silver candlesticks, which had been hired for the occasion, and he presented them to Quinquart and Suzanne on their wedding-day.

THE FAIRY POODLE

They were called the "Two Children" because they were so unpractical; even in bohemia, where practicality is the last virtue to flourish, their improvidence was surprising; but really they were not children at all--they had been married for three years, though to watch their billing and cooing, you would have supposed them to be bride and bridegroom.

Julian and Juliette had fallen in love and run to the Mairie as joyously as if chateaubriands were to be gathered from the boughs in the Jardin des b.u.t.tes-Chaumont; and since then their home had been the studio under the slates, where they were often penniless. Indeed, if it had not been for the intermittent mercies of madame Cochard, the concierge, they would have starved under the slates. However, they were sure that the pictures which Julien painted would some day make him celebrated, and that the fairy-tales which Juliette weaved would some day be as famous as Hans Andersen's. So they laughed, and painted and scribbled, and spent their money on bonbons, instead of saving it for bread; and when they had no dinner, they would kiss each other, and say "There is a good time coming," And they were called the "Two Children,"

as you know.

But even the patience of madame Cochard was taxed when Juliette brought back the poodle.

She found him--a strayed, muddy, unhappy little poodle--in the rue de Rivoli one wet afternoon in November, and what more natural than that she should immediately bear him home, and propose to give him a bath, and adopt him? It was the most natural thing in the world, since she was Juliette, yet this madame Cochard, who objected to a dog on her stairs as violently as if it were a tiger, was furious.

"Is it not enough," she cried, "that you are the worst tenants in the house, you two--that you are always behindhand with your rent, and that I must fill your mouths out of my own purse? Is a concierge an Angel from Heaven, do you think, that you expect her to provide also for lost dogs?"

"Dear, kind madame Cochard," cooed Juliette, "you will learn to love the little creature as if it were your own child! See how trustfully he regards you!"

"It is a fact," added Julien; "he seems to take to her already! It is astonishing how quickly a dog recognises a good heart."

"Good heart, or not," exclaimed the concierge, "it is to be understood that I do not consent to this outrage. The poodle shall not remain!"

"Be discreet," urged Juliette. "I entreat you to be discreet, for your own sake; if you must have the whole truth, he is a fairy poodle!"

"What do you say?" e.j.a.c.u.l.a.t.ed madame Cochard.

"He is a fairy poodle, and if we treat him ungenerously, we shall suffer. Remember the history of the Lodgers, the Concierge, and the Pug!"

"I have never heard of such a history," returned madame Cochard; "and I do not believe that there ever was one."

"She has never heard the history of the Lodgers, the Concierge, and the Pug!" cried Juliette. "Oh, then listen, madame! Once upon a time there were two lodgers, a young man and his wife, and they were so poor that often they depended on the tenderness of the concierge to supply them with a dinner."

"Did they also throw away their good money on bonbons and flowers?"

asked madame Cochard, trying her utmost to look severe.

"It is possible," admitted Juliette, who was perched on the table, with the dirty little animal in her lap, "for though they are our hero and heroine, I cannot pretend that they were very wise. Well, this concierge, who suffered badly from lumbago and stairs, had sometimes a bit of temper, so you may figure yourself what a fuss she raised when the poor lodgers brought home a friendless pug to add to their embarra.s.sments. However--"

"There is no 'however,'" persisted madame Cochard; "she raises a fuss, and that is all about it!"

"Pardon, dear madame," put in Julien, "you confuse the cases; we are now concerned with the veracious history of the pug, not the uncertain future of the poodle."

"Quite so," said Juliette. "She raised a terrible fuss and declared that the pug should go, but finally she melted to it and made it welcome. And then, what do you suppose happened? Why, it turned out to be an enchanted prince, who rewarded them all with wealth and happiness. The young man's pictures were immediately accepted by the Salon--did I mention that he was an artist? The young woman's stories-- did I tell you that she wrote stories?--became so much the fashion that her head swam with joy; and the concierge--the dear, kind concierge-- was changed into a beautiful princess, and never had to walk up any stairs again as long as she lived. Thus we see that one should never forbid lodgers to adopt a dog!"

"Thus we see that they do well to call you a pair of 'children,'"

replied madame Cochard, "that is what we see! Well, well, keep the dog, since you are so much bent on it; only I warn you that if it gives me trouble, it will be sausages in no time! I advise you to wash it without delay, for a more deplorable little beast I never saw."

Julien and Juliette set to work with delight, and after he was bathed and dry, the alteration in the dog was quite astonishing. Although he did not precisely turn into a prince, he turned into a poodle of the most fashionable aspect. Obviously an aristocrat among poodles, a poodle of high estate. The metamorphosis was so striking that a new fear a.s.sailed his rescuers, the fear that it might be dishonest of them to retain him--probably some great lady was disconsolate at his loss!

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A Chair on the Boulevard Part 30 summary

You're reading A Chair on the Boulevard. This manga has been translated by Updating. Author(s): Leonard Merrick. Already has 681 views.

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