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"Come here, vagabond!"
He could not; he had not the courage nor the strength.
He still pointed pleadingly to the little presents he had bought with his eighteenpence.
"You won't, you dogged, insulting being?" roared the roadmaker, and rushed at him, knocking over the pipe, which fell and broke on the floor, and trampling flat the thimble. "You won't yet? Always full of sulks and defiance! Oh, you ungrateful one, you!" Then he had him by the collar of his night-shirt and dragged him from his bed, and with his violence tore the b.u.t.ton off, and with his other hand he wrenched the violin away and beat the child over the back with it as he dragged him from the bed.
"Oh, my mammy! my mammy!" cried Joe.
He was not crying out for his stepmother. It was the agonised cry of his frightened heart for the one only being who had ever loved him, and whom G.o.d had removed from him.
Suddenly Samuel Lambole started back.
Before him, and between him and the child, stood a pale, ghostly form, and he knew his first wife.
He stood speechless and quaking. Then, gradually recovering himself, he stumbled down the stairs, and seated himself, looking pasty and scared, by the fire below.
"What is the matter with you, Samuel?" asked his wife.
"I've seen her," he gasped. "Don't ask no more questions."
Now when he was gone, little Joe, filled with terror--not at the apparition, which he had not seen, for his eyes were too dazed to behold it, but with apprehension of the chastis.e.m.e.nt that awaited him, scrambled out of the window and dropped on the pigsty roof, and from thence jumped to the ground.
Then he ran--ran as fast as his legs could carry him, still hugging his instrument--to the churchyard; and on reaching that he threw himself on his mother's grave and sobbed: "Oh, mammy, mammy! father wants to beat me and take away my beautiful violin--but oh, mammy! my violin won't play."
And when he had spoken, from out the grave rose the form of his lost mother, and looked kindly on him.
Joe saw her, and he had no fear.
"Mammy!" said he, "mammy, my violin cost three shillings and sixpence, and I can't make it play no-ways."
[Ill.u.s.tration: "MAMMY," SAID HE, "MAMMY, MY VIOLIN COST THREE SHILLINGS AND SIXPENCE, AND I CAN'T MAKE IT PLAY NOWAYS."]
Then the spirit of his mother pa.s.sed a hand over the the strings, and smiled. Joe looked into her eyes, and they were as stars. And he put the violin under his chin, and drew the bow across the strings--and lo! they sounded wondrously. His soul thrilled, his heart bounded, his dull eye brightened. He was as though caught up in a chariot of fire and carried to heavenly places. His bow worked rapidly, such strains poured from the little instrument as he had never heard before. It was to him as though heaven opened, and he heard the angels performing there, and he with his fiddle was taking a part in the mighty symphony. He felt not the cold, the night was not dark to him. His head no longer ached. It was as though after long seeking through life he had gained an undreamed-of prize, reached some glorious consummation.
There was a musical party that same evening at the Hall. Miss Amory played beautifully, with extraordinary feeling and execution, both with and without accompaniment on the piano. Several ladies and gentlemen sang and played; there were duets and trios.
During the performances the guests talked to each other in low tones about various topics.
Said one lady to Mrs. Amory: "How strange it is that among the English lower cla.s.ses there is no love of music."
"There is none at all," answered Mrs. Amory; "our rector's wife has given herself great trouble to get up parochial entertainments, but we find that nothing takes with the people but comic songs, and these, instead of elevating, vulgarise them."
"They have no music in them. The only people with music in their souls are the Germans and the Italians."
"Yes," said Mrs. Amory with a sigh; "it is sad, but true: there is neither poetry, nor picturesqueness, nor music among the English peasantry."
"You have never heard of one, self-taught, with a real love of music in this country?"
"Never: such do not exist among us."
The parish churchwarden was walking along the road on his way to his farmhouse, and the road pa.s.sed under the churchyard wall.
As he walked along the way--with a not too steady step, for he was returning from the public-house--he was surprised and frightened to hear music proceed from among the graves.
It was too dark for him to see any figure then, only the tombstones loomed on him in ghostly shapes. He began to quake, and finally turned and ran, nor did he slacken his pace till he reached the tavern, where he burst in shouting: "There's ghosts abroad. I've heard 'em in the churchyard making music."
The revellers rose from their cups.
"Shall we go and hear?" they asked.
"I'll go for one," said a man; "if others will go with me."
"Ay," said a third, "and if the ghosts be playing a jolly good tune, we'll chip in."
So the whole half-tipsy party reeled along the road, talking very loud, to encourage themselves and the others, till they approached the church, the spire of which stood up dark against the night sky.
"There's no lights in the windows," said one.
"No," observed the churchwarden, "I didn't notice any myself; it was from the graves the music came, as if all the dead was squeakin' like pigs."
"Hush!" All kept silence--not a sound could be heard.
"I'm sure I heard music afore," said the churchwarden. "I'll bet a gallon of ale I did."
"There ain't no music now, though," remarked one of the men.
"Nor more there ain't," said others.
"Well, I don't care--I say I heard it," a.s.severated the churchwarden.
"Let's go up closer."
All of the party drew nearer to the wall of the graveyard. One man, incapable of maintaining his legs unaided, sustained himself on the arm of another.
"Well, I do believe, Churchwarden Eggins, as how you have been leading us a wild goose chase!" said a fellow.
Then the clouds broke, and a bright, dazzling pure ray shot down on a grave in the churchyard, and revealed a little figure lying on it.
"I do believe," said one man, "as how, if he ain't led us a goose chase, he's brought us after a Gander--surely that is little Joe."
Thus encouraged, and their fears dispelled, the whole half-tipsy party stumbled up the graveyard steps, staggered among the tombs, some tripping on the mounds and falling prostrate. All laughed, talked, joked with one another.
The only one silent there was little Joe Gander--and he was gone to join in the great symphony above.