100 New Yorkers of the 1970s Part 6

However, he thinks that his masterwork is as valid today as ever. "It's a statement about the fact that man has been hunting the divine in himself ever since he became a conscious animal. And this is the story of one aspect of his search for the divine in himself."

Connelly attends Broadway "when there's something I feel I want to see.

I walk out on quite a few. Theatre is just as strong today. A seasonal crop may be poor, but theatre itself is healthy. It's probably the greatest social instrument man ever invented. All religions have sprung from the theatre."

A Westsider since about 1920, Marc Connelly named Schwartz's Candy Store on West 72nd as one of his favorite neighborhood businesses. "It's one of the finest candy shops in New York," he said. "You can see my portrait there. And the A&P at 68th and Broadway. There's a checkout girl there named Noreen who's one of the best checkout girls in America."

The interview came to an end when I again asked Connelly about television. Does he approve of it? "Of course," he said. "Any new public addition is going to be condemned. They used to say, 'Don't go to the movies. ... You'll go blind.' We're not blind and we still watch them."

EASTSIDER TONY CRAIG Star of _The Edge of Night_

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Although Los Angeles has long since taken over prime-time TV programming, New York is still the headquarters for daytime drama -- also known as soap opera. Of the 13 "soaps," 10 are filmed in New York, and of these 10, five have been on the small screen since the 1950s, including _The Edge of Night_, which debuted in 1956.

The show's crime/mystery format has not changed much over the years, but one thing that has changed, of course, is the cast of characters. Tony Craig, who plays attorney Draper Scott, joined the show in November, 1975, and since then he has become one of the most popular male stars in daytime television.

Tony owes his success not only to his good looks and his acting ability, but also to his likable off-camera personality. Upon meeting Tony on the set of _The Edge of Night_ during a busy shooting session, I cannot help noticing the affection that the other cast members display toward him. His ability to get along with everyone involved with the show -- especially producer Nick Nicholson, and headwriter Henry Slesar -- has enabled Tony to develop the role of Draper Scott into one of the four leading characters.

"I was given a piece of advice when I started," says Tony. "One: keep to your business and do what you're told, and two, answer your fan mail. I answer all my fan mail with a very personal response. ... In the _National Star_, I once said I was looking for Miss Right, and I got inundated with letters. Some people sent plane ticket, asking me to come and see them."

As we sit down to talk in one of the dressing rooms, Tony puts on a tie and jacket for an upcoming bar scene, but because only his top half will be shown on camera, he does not bother to change out of his blue jeans and running shoes. Tall, athletically built and boyish in appearance, he discusses his work with an infectious enthusiasm.

"The closer I get to the character, the more I see that he and I are very much alike," says Tony in his rapid speech. "It's funny, the way I've a.s.similated him and he's a.s.similated me. It's like the dummy in _Magic_.

The character has gone from a very impetuous, aggressive, almost nasty young man to a very quiet, strong, very reserved lawyer. It's changed to the point where I'm a pillar of the community. Whenever there's a problem, call Draper.

"I think I allow Tony a little more anger, a little more frustration, than Draper allows himself. ... I'm very normal, I'm very average, I'm very aggressive. Some people would say pushy. But I do what I have to."

Approximately 260 half-hour shows are filmed each year for _The Edge of Night_, and Tony appears in most of them. He starts his day by studying lines -- "we have about a week ahead to go over the script" -- and then goes to the studio on East 44th Street, where each scene gets just one run-through before the final taping. A quick learner, Tony finds that "I have plenty of time to do what I want." Last year he launched a successful musical nightclub act and performed in two stage plays by Neil Simon -- _Barefoot in the Park_ with Maureen O'Sullivan and _The Star Spangled Girl_.

Another important aspect of Tony's life is sports. When growing up in Pittsburgh, he says, "all I ever wanted was to be an athlete. My whole life was baseball. But I just wasn't good enough." Now he works out three times a week at the 21st Century Health Club on East 57th Street, jogs, plays tennis and racquetball, and is on the softball and basketball teams of both _The Edge of Night_ and the _ABC Eyewitness News_. Says Tony: "The _Eyewitness News_ team plays all over the tri-state area and gives the proceeds to charity."

Unlike his TV character, who recently brought up the ratings by marrying the beautiful April Cavanaugh (played by Terry Davis), Tony lives alone in an Upper East Side apartment. "How can I put this without sounding full of beans and self-pity?" He remarks. "I find that life is a lot more exciting when you share it with somebody. ... The girl I'm dating now is a news reporter in Baltimore, Jeanne Downey. Long distance isn't the next best thing to being there, believe me."

When Tony won the part of Draper Scott over 200 other actors, he was working part-time as a bartender at Joe Allen's in the theatre district. "I was doing commercials and a lot of modeling -- nothing significant.

Before this show, I'd never made more than $1,200 a year from acting.

I didn't expect to get the part, because they wanted someone in his mid 40s. They rewrote the script for a younger attorney. My agent signed me up on a lark. That just goes to show: when it happens, it happens."

Tony hates to cook -- which is fine with the restaurateurs in his area. His favorite dining spot is La Bonne Soupe (3rd Ave., 57th-58th St.): they have the prettiest waitresses and most pleasant food."

Asked about the lasting value of soap opera, he quickly replies: "I believe television has an obligation to do nothing but entertain. Everything on television, even news, is show business. If it weren't, they wouldn't have ratings and handsome newsmen."

Anyone wishing to hear from Tony should write to him at ABC, 1330 Avenue of the Americas, New York, NY 10019.

EASTSIDER RODNEY DANGERFIELD The comedian and the man

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He was 43 years old when the big break came. Jack Roy, a paint salesman from Queens who did comedy in his spare time, stood before the cameras of the _Ed Sullivan Show_ and delivered a routine that soon had the audience helpless with laughter. Whether they realized they were witnessing the birth of one of comedy's brightest stars is uncertain. But for Jack Roy -- better known as Rodney Dangerfield -- the long wait was over.

His unique brand of humor caught on immediately. Within a year he was able to quit the paint business -- "it was a colorless job" -- and give his full time to comedy. After 10 appearances with Sullivan he went on _The Tonight Show_, and established such a smooth rapport with Johnny Carson that he has so far been invited back about 60 times. With Carson acting as "straight man," Dangerfield tosses off a string of outrageous anecdotes that are in keeping with his image as a man who seems to have the whole world against him.

The afternoon I meet Rodney Dangerfield at his s.p.a.cious modern East Side apartment is like a day straight out of his monologue. Coming to the door dressed in a polka dot robe and looking quite exhausted, he apologizes by saying that he has been up since 8 in the morning -- early for someone who is accustomed to working past 4 a.m. As we sit down to talk, he answers most of my questions with an unexpected seriousness.

Still, the humor creeps in around the edges.

"I have an image to feed. Most comedians don't," he says with a yawn, sprawled out on the sofa like a bear prematurely woken from hibernation.

"If I see something or read something that starts me thinking, I try to turn it around, and ask myself: How can it go wrong for me now? What can happen here? For example, you're watching something on television. You see Lindbergh on the screen. Your mind is on that TV. ... You get no respect at all. You see the paper flying all over the place. You say, I get no respect at all. I got arrested for littering at a ticker tape parade.

"Rickles has an image. Steve Martin has an image. But most don't. A lot of comedians buy their material. Others take someone else's material and steal it. We don't go into that, though."

Being a professional funny man, says Rodney, "is a completely total sacrifice. It's like dope: you have to do it. ... The curse is to be a perfectionist."

He writes at least 90 percent of his act. Whenever an original joke flashes into his mind, he drops whatever he's doing and jots it down. ("I get no respect. On my wedding night I got arrested for having a girl in my room.") Before a new gag can be thought worthy of _The Tonight Show_, it must be tested and retested before a live audience. This is no problem, for Rodney is constantly in demand all over the North American continent, not only as a nightclub performer but also as a lecturer at colleges. Last June he was invited to give the commencement address at Harvard. "It's a strange thing," he remarks. "Kids are into me."

One probable reason for his appeal with the young is that Rodney has two children of his own, an 18-year-old son in college and a 14-year-old daughter who lives at home. It was mainly to lighten his travel schedule and enable him to spend more time with his children that Rodney opened his own nightclub nine years ago. Known simply as Dangerfield's, it is located on First Avenue between 61st and 62nd Streets. Dangerfield's is especially popular with out-of-town visitors. Among the celebrities who have been spotted there: Bob Hope, Johnny Carson, Joe Namath, Telly Savalas and Led Zeppelin. The entertainment usually consists of both music and comedy -- Jackie Mason, singers Gene Barry and Carmen MacRae, and America's foremost political impressionist, David Frye.

But the biggest attraction, of course, is Rodney himself. He will be playing the club from January 5 until February 4, seven nights a week.

There is an $8 cover charge and a $7 minimum on food and/or drink.

Rodney has lived on the East Side since 1969. Born as Jacob Cohen 57 years ago in Babylon, Long Island, he spent most of his boyhood and his early career in Queens. After graduating from Richmond Hill High School, he changed his legal name to Jack Roy "because my father used 'Roy' in vaudeville." For years he worked small nightclubs for little or no pay. Then at 28 he married. "My wife was a singer. So we decided to both quit show business and lead a normal life. That doesn't always work out."

The first "no respect" joke he ever wrote, says Rodney, was: "I played hide and seek. They wouldn't even look for me." The same basic gag has since reappeared in a thousand variations. ("My twin brother forgot my birthday.")

Rodney now earns a substantial part of his income by making commercials, the best known of which are for Mobil and Miller Lite beer.

He has cut two comedy alb.u.ms and written a pair of books, _I Don't Get No Respect_ and _I Couldn't Stand My Wife's Cooking So I Opened a Restaurant._

For the moment, Rodney has no plans for other books or alb.u.ms.

"Perhaps I'm not ambitious enough to pursue different things the way I should," he confesses."I'd rather spend my free time at the health club.

The idea in life is not to see how much money you can die with."

Copyright 2004 The a.s.sociated Pr ess.

WESTSIDER JAN DE RUTH Partner of nudes and _Time_ covers

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In 1955, when Jan De Ruth's painting reached the point where he could support himself entirely by his brush and palette, he used to take singing lessons at 8 o'clock in the morning to make himself get up early. Today he gets up strictly to paint, and does so with such skill and efficiency that he maintains a reputation as one of America's foremost painters of nudes, while still managing to turn out five or six commissioned portraits a month.

At 55 and in the zenith of his career, De Ruth is a mellow, dignified Westsider whose lively eyes reflect the deep intellect within. His achievements in the past two decades are enormous. His works have graced nearly 70 one-man shows. His portraits of former First Lady Pat Nixon and other celebrity wives have appeared on the cover of _Time_ magazine. He has written two widely popular books -- _Portrait Painting_ and _Painting the Nude_. As we relax in the workroom of his West 67th Street apartment, I begin by asking how he came to specialize in nudes.

"I always knew I would paint women," he says in a soft voice shaded with tones of his native Czechoslovakia. "In 1948, when I came to the United States, I started to paint nudes."

Is his choice of subject matter motivated by something other than art's sake?" "The only person I think who may have these thoughts in mind is myself," he answers, smiling frankly, "because I always ask myself whether these reasons are purely artistic or do they come from the gut?

I don't think there can be art unless it comes from the gut."