Zoonomia Volume I Part 42

2. Similar to these are many other animal facts; as purges, opiates, and even poisons, and contagious matter, cease to stimulate our system, after we have been habituated to their use. So some people sleep undisturbed by a clock, or even by a forge hammer in their neighbourhood: and not only continued irritations, but violent exertions of any kind, are succeeded by temporary paralysis. The arm drops down after violent action, and continues for a time useless; and it is probable, that those who have perished suddenly in swimming, or in scating on the ice, have owed their deaths to the paralysis, or extreme fatigue, which succeeds every violent and continued exertion.

X. MISCELLANEOUS REMARKS.

There were some circ.u.mstances occurred in making these experiments, which were liable to alter the results of them, and which I shall here mention for the a.s.sistance of others, who may wish to repeat them.

1. _Of direct and inverse spectra existing at the same time_; _of reciprocal direct spectra_; _of a combination of direct and inverse spectra_; _of a spectral halo_; _rules to pre-determine the colours of spectra_.

a. When an area, about six inches square, of bright pink Indian paper, had been viewed on an area, about a foot square, of white writing paper, the internal spectrum in the closed eye was green, being the reverse spectrum of the pink paper; and the external spectrum was pink, being the direct spectrum of the pink paper. The same circ.u.mstance happened when the internal area was white, and external one pink; that is, the internal spectrum was pink, and the external one green. All the same appearances occurred when the pink paper was laid on a black hat.

b. When six inches square of deep violet polished paper was viewed on a foot square of white writing paper, the internal spectrum was yellow, being the reverse spectrum of the violet paper, and the external one was violet, being the direct spectrum of the violet paper.

c. When six inches square of pink paper was viewed on a foot square of blue paper, the internal spectrum was blue, and the external spectrum was pink; that is, the internal one was the direct spectrum of the external object, and the external one was the direct spectrum of the internal object, instead of their being each the reverse spectrum of the objects they belonged to.

d. When six inches square of blue paper were viewed on a foot square of yellow paper, the interior spectrum became a brilliant yellow, and the exterior one a brilliant blue. The vivacity of the spectra was owing to their being excited both by the stimulus of the interior and exterior objects; so that the interior yellow spectrum was both the reverse spectrum of the blue paper, and the direct one of the yellow paper; and the exterior blue spectrum was both the reverse spectrum of the yellow paper, and the direct one of the blue paper.

e. When the internal area was only a square half-inch of red paper, laid on a square foot of dark violet paper, the internal spectrum was green, with a reddish-blue halo. When the red internal paper was two inches square, the internal spectrum was a deeper green, and the external one redder. When the internal paper was six inches square, the spectrum of it became blue, and the spectrum of the external paper was red.

f. When a square half-inch of blue paper was laid on a six-inch square of yellow paper, the spectrum of the central paper in the closed eye was yellow, incircled with a blue halo. On looking long on the meridian sun, the disk fades into a pale blue surrounded with a whitish halo.

These circ.u.mstances, though they very much perplexed the experiments till they were investigated, admit of a satisfactory explanation; for while the rays from the bright internal object in exp. a. fall with their full force on the center of the retina, and, by fatiguing that part of it, induce the reverse spectrum, many scattered rays, from the same internal pink paper, fall on the more external parts of the retina, but not in such quant.i.ty as to occasion much fatigue, and hence induce the direct spectrum of the pink colour in those parts of the eye. The same reverse and direct spectra occur from the violet paper in exp. b.: and in exp. c. the scattered rays from the central pink paper produce a direct spectrum of this colour on the external parts of the eye, while the scattered rays from the external blue paper produce a direct spectrum of that colour on the central part of the eye, instead of these parts of the retina falling reciprocally into their reverse spectra. In exp. d. the colours being the reverse of each other, the scattered rays from the exterior object falling on the central parts of the eye, and there exciting their direct spectrum, at the same time that the retina was excited into a reverse spectrum by the central object, and this direct and reverse spectrum being of similar colour, the superior brilliancy of this spectrum was produced. In exp. e. the effect of various quant.i.ties of stimulus on the retina, from the different respective sizes of the internal and external areas, induced a spectrum of the internal area in the center of the eye, combined of the reverse spectrum of that internal area and the direct one of the external area, in various shades of colour, from a pale green to a deep blue, with similar changes in the spectrum of the external area. For the same reasons, when an internal bright object was small, as in exp. f. instead of the whole of the spectrum of the external object being reverse to the colour of the internal object, only a kind of halo, or radiation of colour, similar to that of the internal object, was spread a little way on the external spectrum. For this internal blue area being so small, the scattered rays from it extended but a little way on the image of the external area of yellow paper, and could therefore produce only a blue halo round the yellow spectrum in the center.

If any one should suspect that the scattered rays from the exterior coloured object do not intermix with the rays from the interior coloured object, and thus affect the central part of the eye, let him look through an opake tube, about two feet in length, and an inch in diameter, at a coloured wall of a room with one eye, and with the other eye naked; and he will find, that by shutting out the lateral light, the area of the wall seen through a tube appears as if illuminated by the sunshine, compared with the other parts of it; from whence arises the advantage of looking through a dark tube at distant paintings.

Hence we may safely deduce the following rules to determine before-hand the colours of all spectra. 1. The direct spectrum without any lateral light is an evanescent representation of its object in the unfatigued eye. 2. With some lateral light it becomes of a colour combined of the direct spectrum of the central object, and of the circ.u.mjacent objects, in proportion to their respective quant.i.ty and brilliancy. 3. The reverse spectrum without lateral light is a representation in the fatigued eye of the form of its objects, with such a colour as would be produced by all the primary colours, except that of the object. 4. With lateral light the colour is compounded of the reverse spectrum of the central object, and the direct spectrum of the circ.u.mjacent objects, in proportion to their respective quant.i.ty and brilliancy.

2. _Variation and vivacity of the spectra occasioned by extraneous light._

The reverse spectrum, as has been before explained, is similar to a colour, formed by a combination of all the primary colours, except that with which the eye has been fatigued in making the experiment: so the reverse spectrum of red is such a green as would be produced by a combination of all the other prismatic colours. Now it must be observed, that this reverse spectrum of red is therefore the direct spectrum of a combination of all the other prismatic colours, except the red; whence, on removing the eye from a piece of red silk to a sheet of white paper, the green spectrum, which is perceived, may either be called the reverse spectrum of the red silk, or the direct spectrum of all the rays from the white paper, except the red; for in truth it is both. Hence we see the reason why it is not easy to gain a direct spectrum of any coloured object in the day-time, where there is much lateral light, except of very bright objects, as of the setting sun, or by looking through an opake tube; because the lateral external light falling also on the central part of the retina, contributes to induce the reverse spectrum, which is at the same time the direct spectrum of that lateral light, deducting only the colour of the central object which we have been viewing. And for the same reason, it is difficult to gain the reverse spectrum, where there is no lateral light to contribute to its formation. Thus, in looking through an opake tube on a yellow wall, and closing my eye, without admitting any lateral light, the spectra were all at first yellow; but at length changed into blue. And on looking in the same manner on red paper, I did at length get a green spectrum; but they were all at first red ones: and the same after looking at a candle in the night.

The reverse spectrum was formed with greater facility when the eye was thrown from the object on a sheet of white paper, or when light was admitted through the closed eyelids; because not only the fatigued part of the retina was inclined spontaneously to fall into motions of a contrary direction; but being still sensible to all other rays of light except that with which it was lately fatigued, was by these rays stimulated at the same time into those motions which form the reverse spectrum. Hence, when, the reverse spectrum of any colour became faint, it was wonderfully revived by admitting more light through the eyelids, by removing the hand from before them: and hence, on covering the closed eyelids, the spectrum would often cease for a time, till the retina became sensible to the stimulus of the smaller quant.i.ty of light, and then it recurred. Nor was the spectrum only changed in vivacity, or in degree, by this admission of light through the eyelids; but it frequently happened, after having viewed bright objects, that the spectrum in the closed and covered eye was changed into a third spectrum, when light was admitted through the eyelids: which third spectrum was composed of such colours as could pa.s.s through the eyelids, except those of the object. Thus, when an area of half an inch diameter of pink paper was viewed on a sheet of white paper in the sunshine, the spectrum with closed and covered eyes was green; but on removing the hands from before the closed eyelids, the spectrum became yellow, and returned instantly again to green, as often as the hands were applied to cover the eyelids, or removed from them: for the retina being now insensible to red light, the yellow rays pa.s.sing through the eyelids in greater quant.i.ty than the other colours, induced a yellow spectrum; whereas if the spectrum was thrown on white paper, with the eyes open, it became only a lighter green.

Though a certain quant.i.ty of light facilitates the formation of the reverse spectrum, a greater quant.i.ty prevents its formation, as the more powerful stimulus excites even the fatigued parts of the eye into action; otherwise we should see the spectrum of the last viewed object as often as we turn our eyes. Hence the reverse spectra are best seen by gradually approaching the hand near the closed eyelids to a certain distance only, which must be varied with the brightness of the day, or the energy of the spectrum. Add to this, that all dark spectra, as black, blue, or green, if light be admitted through the eyelids, after they have been some time covered, give reddish spectra, for the reasons given in Sect. III. Exp. 1.

From these circ.u.mstances of the extraneous light coinciding with the spontaneous efforts of the fatigued retina to produce a reverse spectrum, as was observed before, it is not easy to gain a direct spectrum, except of objects brighter than the ambient light; such as a candle in the night, the setting sun, or viewing a bright object through an opake tube; and then the reverse spectrum is instantaneously produced by the admission of some external light; and is as instantly converted again to the direct spectrum by the exclusion of it. Thus, on looking at the setting sun, on closing the eyes, and covering them, a yellow spectrum is seen, which is the direct spectrum of the setting sun; but on opening the eyes on the sky, the yellow spectrum is immediately changed into a blue one, which is the reverse spectrum of the yellow sun, or the direct spectrum of the blue sky, or a combination of both. And this is again transformed into a yellow one on closing the eyes, and so reciprocally, as quick as the motions of the opening and closing eyelids. Hence, when Mr. Melvill observed the scintillations of the star Sirius to be sometimes coloured, these were probably the direct spectrum of the blue sky on the parts of the retina fatigued by the white light of the star. (Essays Physical and Literary, p.

81. V. 2.)

When a direct spectrum is thrown on colours darker than itself, it mixes with them; as the yellow spectrum of the setting sun, thrown on the green gra.s.s, becomes a greener yellow. But when a direct spectrum is thrown on colours brighter than itself, it becomes instantly changed into the reverse spectrum, which mixes with those brighter colours. So the yellow spectrum of the setting sun thrown on the luminous sky becomes blue, and changes with the colour or brightness of the clouds on which it appears. But the reverse spectrum mixes with every kind of colour on which it is thrown, whether brighter than itself or not; thus the reverse spectrum, obtained by viewing a piece of yellow silk, when thrown on white paper, was a lucid blue green; when thrown on black Turkey leather, becomes a deep violet. And the spectrum of blue silk, thrown on white paper, was a light yellow; on black silk was an obscure orange; and, the blue spectrum, obtained from orange-coloured silk, thrown on yellow, became a green.

In these cases the retina is thrown into activity or sensation by the stimulus of external colours, at the same time that it continues the activity or sensation which forms the spectra; in the same manner as the prismatic colours, painted on a whirling top, are seen to mix together.

When these colours of external objects are brighter than the direct spectrum which is thrown upon them, they change it into the reverse spectrum, like the admission of external light on a direct spectrum, as explained above. When they are darker than the direct spectrum, they mix with it, their weaker stimulus being inefficient to induce the reverse spectrum.

3. _Variation of spectra in respect to number, and figure, and remission._

[Ill.u.s.tration: Fig. 4.]

When we look long and attentively at any object, the eye cannot always be kept entirely motionless; hence, on inspecting a circular area of red silk placed on white paper, a lucid crescent or edge is seen to librate on one side or other of the red circle: for the exterior parts of the retina sometimes falling on the edge of the central silk, and sometimes on the white paper, are less fatigued with red light than the central part of the retina, which is constantly, exposed to it; and therefore, when they fall on the edge of the red silk, they perceive it more vividly. Afterwards, when the eye becomes fatigued, a green spectrum in the form of a crescent is seen to librate on one side or other of the central circle, as by the unsteadiness of the eye a part of the fatigued retina falls on the white paper; and as by the increasing fatigue of the eye the central part of the silk appears paler, the edge on which the unfatigued part of the retina occasionally falls will appear of a deeper red than the original silk, because it is compared with the pale internal part of it. M. de Buffon in making this experiment observed, that the red edge of the silk was not only deeper coloured than the original silk; but, on his retreating a little from it, it became oblong, and at length divided into two, which must have been owing to his observing it either before or behind the point of intersection of the two optic axises. Thus, if a pen is held up before a distant candle, when we look intensely at the pen two candles are seen behind it; when we look intensely at the candle two pens are seen. If the sight be unsteady at the time of beholding the sun, even though one eye only be used, many images of the sun will appear, or luminous lines, when the eye is closed. And as some parts of these will be more vivid than others, and some parts of them will be produced nearer the center of the eye than others, these will disappear sooner than the others; and hence the number and shape of these spectra of the sun will continually vary, as long as they exist. The cause of some being more vivid than others, is the unsteadiness of the eye of the beholder, so that some parts of the retina have been longer exposed to the sunbeams. That some parts of a complicated spectrum fade and return before other parts of it, the following experiment evinces. Draw three concentric circles; the external one an inch and a half in diameter, the middle one an inch, and the internal one half an inch; colour the external and internal areas blue, and the remaining one yellow, as in Fig. 4.; after having looked about a minute on the center of these circles, in a bright light, the spectrum of the external area appears first in the closed eye, then the middle area, and lastly the central one; and then the central one disappears, and the others in inverted order. If concentric circles of more colours are added, it produces the beautiful ever changing spectrum in Sect. I. Exp. 2.

From hence it would seem, that the center of the eye produces quicker remissions of spectra, owing perhaps to its greater sensibility; that is, to its more energetic exertions. These remissions of spectra bear some a.n.a.logy to the tremors of the hands, and palpitations of the heart, of weak people: and perhaps a criterion of the strength of any muscle or nerve may be taken from the time it can be continued in exertion.

4. _Variation of spectra in respect to brilliancy; the visibility of the circulation of the blood in the eye._

1. The meridian or evening light makes a difference in the colours of some spectra; for as the sun descends, the red rays, which are less refrangible by the convex atmosphere, abound in great quant.i.ty. Whence the spectrum of the light parts of a window at this time, or early in the morning, is red; and becomes blue either a little later or earlier; and white in the meridian day; and is also variable from the colour of the clouds or sky which are opposed to the window.

2. All these experiments are liable to be confounded, if they are made too soon after each other, as the remaining spectrum will mix with the new ones. This is a very troublesome circ.u.mstance to painters, who are obliged to look long upon the same colour; and in particular to those whose eyes, from natural debility, cannot long, continue the same kind of exertion. For the same reason, in making these experiments, the result becomes much varied if the eyes, after viewing any object, are removed on other objects for but an instant of time, before we close them to view the spectrum; for the light from the object, of which we had only a transient view, in the very time of closing our eyes acts as a stimulus on the fatigued retina; and for a time prevents the defined spectrum from appearing, or mixes its own spectrum with it. Whence, after the eyelids are closed, either a dark field, or some unexpected colours, are beheld for a few seconds, before the desired spectrum becomes distinctly visible.

3. The length of time taken up in viewing an object, of which we are to observe the spectrum, makes a great difference in the appearance of the spectrum, not only in its vivacity, but in its colour; as the direct spectrum of the central object, or of the circ.u.mjacent ones, and also the reverse spectra of both, with their various combinations, as well as the time of their duration in the eye, and of their remissions or alternations, depend upon the degree of fatigue the retina is subjected to. The Chevalier d'Arcy constructed a machine by which a coal of fire was whirled round in the dark, and found, that when a luminous body made a revolution in eight thirds of time, it presented to the eye a complete circle of fire; from whence he concludes, that the impression continues on the organ about the seventh part of a second. (Mem. de l'Acad. des Sc. 1765.) This, however, is only to be considered as the shortest time of the duration of these direct spectra; since in the fatigued eye both the direct and reverse spectra, with their intermissions, appear to take up many seconds of time, and seem very variable in proportion to the circ.u.mstances of fatigue or energy.

4. It sometimes happens, if the eyeb.a.l.l.s have been rubbed hard with the fingers, that lucid sparks are seen in quick motion amidst the spectrum we are attending to. This is similar to the flashes of fire from a stroke on the eye in fighting, and is resembled by the warmth and glow, which appears upon the skin after friction, and is probably owing to an acceleration of the arterial blood into the vessels emptied by the previous pressure. By being accustomed to observe such small sensations in the eye, it is easy to see the circulation of the blood in this organ. I have attended to this frequently, when I have observed my eyes more than commonly sensible to other spectra. The circulation may be seen either in both eyes at a time, or only in one of them; for as a certain quant.i.ty of light is necessary to produce this curious phenomenon, if one hand be brought nearer the closed eyelids than the other, the circulation in that eye will for a time disappear. For the easier viewing the circulation, it is sometimes necessary to rub the eyes with a certain degree of force after they are closed, and to hold the breath rather longer than is agreeable, which, by acc.u.mulating more blood in the eye, facilitates the experiment; but in general it may be seen distinctly after having examined other spectra with your back to the light, till the eyes become weary; then having covered your closed eyelids for half a minute, till the spectrum is faded away which you were examining, turn your face to the light, and removing your hands from the eyelids, by and by again shade them a little, and the circulation becomes curiously distinct. The streams of blood are however generally seen to unite, which shews it to be the venous circulation, owing, I suppose, to the greater opacity of the colour of the blood in these vessels; for this venous circulation is also much more easily seen by the microscope in the tail of a tadpole.

5. _Variation of spectra in respect to distinctness and size; with a new way of magnifying objects._

1. It was before observed, that when the two colours viewed together were opposite to each other, as yellow and blue, red and green, &c. according to the table of reflections and transmissions of light in Sir Isaac Newton's Optics, B. II. Fig. 3. the spectra of those colours were of all others the most brilliant, and best defined; because they were combined of the reverse spectrum of one colour, and of the direct spectrum of the other. Hence, in books printed with small types, or in the minute graduation of thermometers, or of clock-faces, which are to be seen at a distance, if the letters or figures are coloured with orange, and the ground with indigo; or the letters with red, and the ground with green; or any other lucid colour is used for the letters, the spectrum of which is similar to the colour of the ground; such letters will be seen much more distinctly, and with less confusion, than in black or white: for as the spectrum of the letter is the same colour with the ground on which they are seen, the unsteadiness of the eye in long attending to them will not produce coloured lines by the edges of the letters, which is the princ.i.p.al cause of their confusion. The beauty of colours lying in vicinity to each other, whose spectra are thus reciprocally similar to each colour, is owing to this greater ease that the eye experiences in beholding them distinctly; and it is probable, in the organ of hearing, a similar circ.u.mstance may const.i.tute the pleasure of melody. Sir Isaac Newton observes, that gold and indigo were agreeable when viewed together; and thinks there may be some a.n.a.logy between the sensations of light and sound. (Optics, Qu. 14.)

In viewing the spectra of bright objects, as of an area of red silk of half an inch diameter on white paper, it is easy to magnify it to tenfold its size: for if, when the spectrum is formed, you still keep your eye fixed on the silk area, and remove it a few inches further from you, a green circle is seen round the red silk: for the angle now subtended by the silk is less than it was when the spectrum was formed, but that of the spectrum continues the same, and our imagination places them at the same distance.

Thus when you view a spectrum on a sheet of white paper, if you approach the paper to the eye, you may diminish it to a point; and if the paper is made to recede from the eye, the spectrum will appear magnified in proportion to the distance.

[Ill.u.s.tration: Fig. 5.]

I was surprised, and agreeably amused, with the following experiment. I covered a paper about four inches square with yellow, and with a pen filled with a blue colour wrote upon the middle of it the word BANKS in capitals, as in Fig. 5, and sitting with my back to the sun, fixed my eyes for a minute exactly on the center of the letter N in the middle of the word; after closing my eyes, and shading them somewhat with my hand, the word was distinctly seen in the spectrum in yellow letters on a blue field; and then, on opening my eyes on a yellowish wall at twenty feet distance, the magnified name of BANKS appeared written on the wall in golden characters.

_Conclusion._

It was observed by the learned M. Sauvage (Nosol. Method. Cl. VIII. Ord.

i.) that the pulsations of the optic artery might be perceived by looking attentively on a white wall well illuminated. A kind of net-work, darker than the other parts of the wall, appears and vanishes alternately with every pulsation. This change of the colour of the wall he well ascribes to the compression of the retina by the diastole of the artery. The various colours produced in the eye by the pressure of the finger, or by a stroke on it, as mentioned by Sir Isaac Newton, seem likewise to originate from the unequal pressure on various parts of the retina. Now as Sir Isaac Newton has shewn, that all the different colours are reflected or transmitted by the laminae of soap bubbles, or of air, according to their different thickness or thinness, is it not probable, that the effect of the activity of the retina may be to alter its thickness or thinness, so as better to adapt it to reflect or transmit the colours which stimulate it into action? May not muscular fibres exist in the retina for this purpose, which may be less minute than the locomotive muscles of microscopic animals? May not these muscular actions of the retina const.i.tute the sensation of light and colours; and the voluntary repet.i.tions of them, when the object is withdrawn, const.i.tute our memory of them? And lastly, may not the laws of the sensations of light, here investigated, be applicable to all our other senses, and much contribute to elucidate many phenomena of animal bodies both in their healthy and diseased state; and thus render this investigation well worthy the attention of the physician, the metaphysician, and the natural philosopher?

November 1, 1785.

Dum, Liber! astra petis volitans trepidantibus alis, Irruis immemori, parvula gutta, mari.

Me quoque, me currente rota revolubilis aetas Volverit in tenebras,--i, Liber, ipse sequor.