Yorkshire Part 8

We turn aside to look at the rudely carved Norman tympanum over the church door at Wold Newton, and then go up to Thwing, on the rising ground to the south, where we may see what Mr. Joseph Morris claims to be the only other Norman tympanum in the East Riding. A cottage is pointed out as the birthplace of Archbishop Lamplugh, who held the See of York from 1688 to 1691. He was of humble parentage and it is said that he would often pause in conversation to slap his legs and say, "Just fancy me being Archbishop of York!" The name of the village is derived from the Norse word _Thing_, meaning an a.s.sembly.

Keeping on towards the sea, we climb up out of the valley, and pa.s.sing Argam Dike and Grindale, come out upon a vast gently undulating plateau with scarcely a tree to be seen in any direction. A few farms are dotted here and there over the landscape, and towards Filey we can see a windmill; but beyond these it seems as though the fierce winds that a.s.sail the promontory of Flamborough had blown away everything that was raised more than a few feet above the furrows.

The village of Bempton has, however, contrived to maintain itself in its bleak situation, although it is less than two miles from the huge perpendicular cliffs where the Wolds drop into the sea. The cottages have a snug and eminently cheerful look, with their much-weathered tiles and white and ochre coloured walls. From their midst rises the low square tower of the church, and if it ever had a spire or pinnacles in the past, it has none now; for either the north-easterly gales blew them into the sea long ago, or else the people were wise enough never to put such obstructions in the way of the winter blasts.

Turning southwards, we get a great view over the low sh.o.r.e of Holderness, curving away into the haze hanging over the ocean, with Bridlington down below, raising to the sky the pair of towers at the west end of its priory--one short and plain, and the other tall and richly ornamented with pinnacles. Going through the streets of sober red houses of the old town, we come at length into a shallow green valley, where the curious Gypsy Race flows intermittently along the fertile bottom. The afternoon sunshine floods the pleasant landscape with a genial glow, and throws long blue shadows under the trees of the park surrounding Boynton Hall, the seat of the Stricklands. The family has been connected with the village for several centuries, and some of their richly-painted and gilded monuments can be seen in the church.

One of these is to Sir William Strickland, Bart., and another to Lady Strickland, his wife, who was a sister of Sir Hugh Cholmley, the gallant but unfortunate defender of Scarborough Castle during the Civil War. In his memoirs Sir Hugh often refers to visits paid him by "my sister Strickland."

After pa.s.sing Thorpe Hall the road goes up to the breezy spot, commanding wide views, where the little church of Rudstone stands conspicuously by the side of an enormous monolith. Although the church tower is Norman, it would appear to be a recent arrival on the scene in comparison with the stone. Antiquaries are in fairly general agreement that huge standing stones of this type belong to some very remote period, and also that they are "a.s.sociated with sepulchral purposes"; and the fact that they are usually found in churchyards would suggest that they were regarded with a traditional veneration.

The road past the church drops steeply down into the pretty village, and, turning northwards, takes us to the bend of the valley, where North Burton lies, which we pa.s.sed earlier in the day; so we go to the left, and find ourselves at Kilham, a fair-sized village on the edge of the chalk hills. Like Rudstone and a dozen places in its neighbourhood, Kilham is situated in a district of extraordinary interest to the archaeologist, the prehistoric discoveries being exceedingly numerous.

Chariot burials of the Early Iron Age have been discovered here, as well as large numbers of Neolithic implements. There is a beautiful Norman doorway in the nave of the church, ornamented with chevron mouldings in a lavish fashion. Far more interesting than this, however, are the fonts in the two villages of Cottam and Cowlam, lying close together, although separated by a thinly-wooded hollow, about five miles to the west. Cottam Church and the farm adjoining it are all that now exists of what must once have been an extensive village. In the church is a Norman font of cylindrical form, covered with the wonderfully crude carvings of that period. There are six subjects, the most remarkable being the huge dragon with a long curly tail in the act of swallowing St. Margaret, whose skirts and feet are shown inside the capacious jaws, while the head is beginning to appear somewhere behind the dragon's neck. To the right is shown a gruesome representation of the martyrdom of St. Lawrence, and then follow Adam and Eve by the Tree of Life (a twisted piece of foliage), the martyrdom of St. Andrew, and what seems to be another dragon.

On each side of the bridle-road by the church you can trace without the least difficulty the ground-plan of many houses under the short turf.

The early writers do not mention Cottam, and so far I have come upon no explanation for the wiping out of this village. Possibly its extinction was due to the Black Death in 1349.

It is about four miles by road to Cowlam, although the two churches are only about a mile and a half apart; and when Cowlam is reached there is not much more in the way of a village than at Cottam. The only way to the church from the road is through an enormous stackyard, speaking eloquently of the large crops produced on the farm. As in the other instance, a search has to be made for the key, entailing much perambulation of the farm.

At length the door is opened, and the splendid font at once arrests the eye. More noticeable than anything else in the series of carvings are the figures of two men wrestling, similar to those on the font from the village of Hutton Cranswick, now preserved in York Museum. The two figures are shown bending forwards, each with his hands clasped round the waist of the other, and each with a foot thrown forward to trip the other, after the manner of the Westmorland wrestlers to be seen at the Grasmere sports. It seems to me scarcely possible to doubt that the subject represented is Jacob wrestling with the _man_ at Penuel.

At Sledmere, the adjoining village, everything has a well-cared-for and reposeful aspect. Its position in a shallow depression has made it possible for trees to grow, so that we find the road overhung by a green canopy in remarkable contrast to the usual bleakness of the Wolds. The park surrounding Sir Tatton Sykes' house is well wooded, owing to much planting on what were bare slopes not very many years ago.

The village well is dignified with a domed roof raised on tall columns, put up about seventy years ago by the previous Sir Tatton to the memory of his father, Sir Christopher Sykes; the inscription telling how much the Wolds were transformed through his energy 'in building, planting, and enclosing,' from a bleak and barren track of country into what is now considered one of the most productive and best-cultivated districts of Yorkshire. The late Sir Tatton Sykes was the sort of man that Yorkshire folk come near to worshipping. He was of that hearty, genial, conservative type that filled the hearts of the farmers with pride. On market days all over the Riding one of the always fresh subjects of conversation was how Sir Tatton was looking. A great pillar put up to his memory by the road leading to Garton can be seen over half Holderness. So great was the conservatism of this remarkable squire that years after the advent of railways he continued to make his journey to Epsom, for the Derby, on horseback.

A stone's-throw from the house stands the church, rebuilt, with the exception of the tower, in 1898 by Sir Tatton. There is no wall surrounding the churchyard, neither is there ditch, nor bank, nor the slightest alteration in the smooth turf.

The church, designed by Mr. Temple Moore, is carried out in the style of the Decorated period in a stone that is neither red nor pink, but something in between the two colours. The exterior is not remarkable, but the beauty of the internal ornament is most striking. Everywhere you look, whether at the detail of carved wood or stone, the workmanship is perfect, and without a trace of that crudity to be found in the carvings of so many modern churches. The cl.u.s.tered columns, the timber roof, and the tracery of the windows are all dignified, in spite of the richness of form they display. Only in the upper portion of the screen does the ornament seem a trifle worried and out of keeping with the rest of the work.

Sledmere also boasts a tall and very beautiful 'Eleanor' cross, erected about ten years ago, and a memorial to those who fell in the European war.

As we continue towards the setting sun, the deeply-indented edges of the Wolds begin to appear, and the roads generally make great plunges into the valley of the Derwent. The weather, which has been fine all day, changes at sunset, and great indigo clouds, lined with gold, pile themselves up fantastically in front of the setting sun. Lashing rain, driven by the wind with sudden fury, pours down upon the hamlet lying just below, but leaves Wharram-le-Street without a drop of moisture.

The widespread views all over the Howardian Hills and the sombre valley of the Derwent become impressive, and an awesomeness of Turneresque gloom, relieved by sudden floods of misty gold, gives the landscape an element of unreality.

Against this background the outline of the church of Wharram-le-Street stands out in its rude simplicity. On the western side of the tower, where the light falls upon it, we can see the extremely early masonry that suggests pre-Norman times. It cannot be definitely called a Saxon church, but although 'long and short work' does not appear, there is every reason to a.s.sociate this lonely little building with the middle of the eleventh century. There are mason marks consisting of crosses and barbed lines on the south wall of the nave. The opening between the tower and the nave is an almost unique feature, having a Moorish-looking arch of horseshoe shape resting on plain and clumsy capitals.

The name Wharram-le-Street reminds us forcibly of the existence in remote times of some great way over this tableland. Unfortunately, there is very little sure ground to go upon, despite the additional fact of there being another place, Thorpe-le-Street, some miles to the south.

With the light fast failing we go down steeply into the hollow where North Grimston nestles, and, crossing the streams which flow over the road, come to the pretty old church. The tower is heavily mantled with ivy, and has a statue of a Bishop on its west face. A Norman chancel arch with zigzag moulding shows in the dim interior, and there is just enough light to see the splendid font, of similar age and shape to those at Cowlam and Cottam. A large proportion of the surface is taken up with a wonderful 'Last Supper,' and on the remaining s.p.a.ce the carvings show the 'Descent from the Cross,' and a figure, possibly representing St. Nicholas, the patron saint of the church.

When the lights of Malton glimmer in the valley this day of exploration is at an end, and much of the Wold country has been seen.

CHAPTER XX

FROM FILEY TO SPURN HEAD

'As the sh.o.r.e winds itself back from hence,' says Camden, after describing Flamborough Head, 'a thin slip of land (like a small tongue thrust out) shoots into the sea.' This is the long natural breakwater known as Filey Brig, the distinctive feature of a pleasant watering-place. In its wide, open, and gently curving bay, Filey is singularly lucky; for it avoids the monotony of a featureless sh.o.r.e, and yet is not sufficiently embraced between headlands to lose the broad horizon and sense of airiness and s.p.a.ce so essential for a healthy seaside haunt.

The Brig has plainly been formed by the erosion of Carr Naze, the headland of dark, reddish-brown boulder clay, leaving its hard bed of sandstone (of the Middle Calcareous Grit formation) exposed to the particular and ceaseless attention of the waves. It is one of the joys of Filey to go along the northward curve of the bay at low tide, and then walk along the uneven tabular ma.s.ses of rock with hungry waves heaving and foaming within a few yards on either hand. No wonder that there has been sufficient sense among those who spend their lives in promoting schemes for ugly piers and senseless promenades, to realize that Nature has supplied Filey with a more permanent and infinitely more attractive pier than their fatuous ingenuity could produce. There is a spice of danger a.s.sociated with the Brig, adding much to its interest; for no one should venture along the spit of rocks unless the tide is in a proper state to allow him a safe return. A melancholy warning of the dangers of the Brig is fixed to the rocky wall of the headland, describing how an unfortunate visitor was swept into the sea by the sudden arrival of an abnormally large wave, but this need not frighten away from the fascinating ridge of rock those who use ordinary care in watching the sea. At high tide the waves come over the seaweedy rocks at the foot of the headland, making it necessary to climb to the gra.s.sy top in order to get back to Filey.

The real fascination of the Brig comes when it can only be viewed from the top of the Naze above, when a gale is blowing from the north or north-east, and driving enormous waves upon the line of projecting rocks. You watch far out until the dark green line of a higher wave than any of the others that are creating a continuous thunder down below comes steadily onward, and reaching the foam-streaked area, becomes still more sinister. As it approaches within striking distance, a spent wave, sweeping backwards, seems as though it may weaken the onrush of the towering wall of water; but its power is swallowed up and dissipated in the general advance, and with only a smooth hollow of creamy-white water in front, the giant raises itself to its fullest height, its thin crest being at once caught by the wind, and blown off in long white beards.

The moment has come; the ma.s.s of water feels the resistance of the rocks, and, curling over into a long green cylinder, brings its head down with terrific force on the immovable side of the Brig. Columns of water shoot up perpendicularly into the air as though a dozen 12-inch sh.e.l.ls had exploded in the water simultaneously. With a roar the imprisoned air escapes, and for a moment the whole Brig is invisible in a vast cloud of spray; then dark ledges of rock can be seen running with creamy water, and the scene of the impact is a cauldron of seething foam, backed by a smooth surface of pale green marble, veined with white. Then the waters gather themselves together again, and the pounding of lesser waves keeps up a thrilling spectacle until the moment for another great _coup_ arrives.

Years ago Filey obtained a reputation for being 'quiet,' and the sense conveyed by those who disliked the place was that of dullness and primness. This fortunate chance has protected the little town from the vulgarizing influences of the unlettered hordes let loose upon the coast in summer-time, and we find a sea-front without the flimsy meretricious buildings of the popular resorts. Instead of imitating Blackpool and Margate, this sensible place has retained a quiet and semi-rural front to the sea, and, as already stated, has not marred its appearance with a jetty.

From the smooth sweep of golden sand rises a steep slope grown over with trees and bushes which shade the paths in many places. Without claiming any architectural charm, the town is small and quietly un.o.btrusive, and has not the untidy, half-built character of so many watering-places.

Above a steep and narrow hollow, running straight down to the sea, and densely wooded on both sides, stands the church. It has a very st.u.r.dy tower rising from its centre, and, with its simple battlemented outline and slit windows, has a semi-fortified appearance. The high pitched-roofs of Early English times have been flattened without cutting away the projecting drip-stones on the tower, which remain a conspicuous feature. The interior is quite impressive. Round columns alternated with octagonal ones support pointed arches, and a clerestory above pierced with roundheaded slits, indicating very decisively that the nave was built in the Transitional Norman period. It appears that a western tower was projected, but never carried out, and an unusual feature is the descent by two steps into the chancel.

A beautiful view from the churchyard includes the whole sweep of the bay, cut off sharply by the Brig on the left hand, and ending about eight miles away in the lofty range of white cliffs extending from Speeton to Flamborough Head.

The headland itself is lower by more than a 100 feet than the cliffs in the neighbourhood of Bempton and Speeton, which for a distance of over two miles exceed 300 feet. A road from Bempton village stops short a few fields from the margin of the cliffs, and a path keeps close to the precipitous wall of gleaming white chalk.

We come over the dry, sweet-smelling gra.s.s to the cliff edge on a fresh morning, with a deep blue sky overhead and a sea below of ultramarine broken up with an infinitude of surfaces reflecting sc.r.a.ps of the cliffs and the few white clouds. Falling on our knees, we look straight downwards into a cove full of blue shade; but so bright is the surrounding light that every detail is microscopically clear. The crumpling and distortion of the successive layers of chalk can be seen with such ease that we might be looking at a geological textbook. On the ledges, too, can be seen rows of little whitebreasted puffins; razor-bills are perched here and there, as well as countless guillemots. The ringed or bridled guillemot also breeds on the cliffs, and a number of other types of northern sea-birds are periodically noticed along these inaccessible Bempton Cliffs. The guillemot makes no nest, merely laying a single egg on a ledge. If it is taken away by those who plunder the cliffs at the risk of their lives, the bird lays another egg, and if that disappears, perhaps even a third.

Coming to Flamborough Head along the road from the station, the first noticeable feature is at the point where the road makes a sharp turn into a deep wooded hollow. It is here that we cross the line of the remarkable entrenchment known as the Danes' d.y.k.e. At this point it appears to follow the bed of a stream, but northwards, right across the promontory--that is, for two-thirds of its length--the huge trench is purely artificial. No doubt the _vallum_ on the seaward side has been worn down very considerably, and the _fosse_ would have been deeper, making in its youth, a barrier which must have given the dwellers on the headland a very complete security.

Like most popular names, the a.s.sociation of the Danes with the digging of this enormous trench has been proved to be inaccurate, and it would have been less misleading and far more popular if the work had been attributed to the devil. In the autumn of 1879 General Pitt Rivers dug several trenches in the rampart just north of the point where the road from Bempton pa.s.ses through the d.y.k.e. The position was chosen in order that the excavations might be close to the small stream which runs inside the d.y.k.e at this point, the likelihood of utensils or weapons being dropped close to the water-supply of the defenders being considered important. The results of the excavations proved conclusively that the people who dug the ditch and threw up the rampart were users of flint. The most remarkable discovery was that the ground on the inner slope of the rampart, at a short distance below the surface, contained innumerable artificial flint flakes, all lying in a horizontal position, but none were found on the outer slope. From this fact General Pitt Rivers concluded that within the stockade running along the top of the _vallum_ the defenders were in the habit of chipping their weapons, the flakes falling on the inside. The great entrenchment of Flamborough is consequently the work of flint-using people, and 'is not later than the Bronze Period.'

And the strangest fact concerning the promontory is the isolation of its inhabitants from the rest of the county, a traditional hatred for strangers having kept the fisherfolk of the peninsula aloof from outside influences. They have married among themselves for so long, that it is quite possible that their ancestral characteristics have been reproduced, with only a very slight intermixture of other stocks, for an exceptionally long period. On taking minute particulars of ninety Flamborough men and women, General Pitt Rivers discovered that they were above the average stature of the neighbourhood, and were, with only one or two exceptions, dark-haired. They showed little or no trace of the fair-haired element usually found in the people of this part of Yorkshire. It is also stated that almost within living memory, when the headland was still further isolated by a belt of uncultivated wolds, the village could not be approached by a stranger without some danger.

We find no one to object to our intrusion, and go on towards the village. It is a straggling collection of low, red houses, lacking, unfortunately, anything which can honestly be termed picturesque; for the church stands alone, a little to the south, and the small ruin of what is called 'The Danish Tower' is too insignificant to add to the attractiveness of the place.

All the males of Flamborough are fishermen, or dependent on fishing for their livelihood; and in spite of the summer visitors, there is a total indifference to their incursions in the way of catering for their entertainment, the aim of the trippers being the lighthouse and the cliffs nearly two miles away.

Formerly, the church had only a belfry of timber, the existing stone tower being only ten years old. Under the Norman chancel arch there is a delicately-carved Perpendicular screen, having thirteen canopied niches richly carved above and below, and still showing in places the red, blue, and gold of its old paint-work. Another screen south of the chancel is patched and roughly finished. The altar-tomb of Sir Marmaduke Constable, of Flamborough, on the north side of the chancel, is remarkable for its long inscription, detailing the chief events in the life of this great man, who was considered one of the most eminent and potent persons in the county in the reign of Henry VIII. The greatness of the man is borne out first in a recital of his doughty deeds: of his pa.s.sing over to France 'with Kyng Edwarde the fourith, y[t] n.o.ble knyght.'

'And also with n.o.ble king Herre, the sevinth of that name He was also at Barwick at the winnyng of the same [1482]

And by ky[n]g Edward chosy[n] Captey[n] there first of anyone And rewllid and governid ther his tyme without blame But for all that, as ye se, he lieth under this stone.'

The inscription goes on in this way to tell how he fought at Flodden Field when he was seventy, 'nothyng hedyng his age.'

Sir Marmaduke's daughter Catherine was married to Sir Roger Cholmley, called 'the Great Black Knight of the North,' who was the first of his family to settle in Yorkshire, and also fought at Flodden, receiving his knighthood after that signal victory over the Scots.

Yorkshire being a county in which superst.i.tions are uncommonly long-lived it is not surprising to find that a fisherman will turn back from going to his boat, if he happen on his way to meet a parson, a woman, or a hare, as any one of these brings bad luck. It is also extremely unwise to mention to a man who is baiting lines a hare, a rabbit, a fox, a pig, or an egg. This sounds foolish, but a fisherman will abandon his work till the next day if these animals are mentioned in his presence[1].

[Footnote 1: 'Flamborough Village and Headland,' Colonel A.H.

Armytage.]

On the north and south sides of the headland there are precarious beaches for the fisherman to bring in their boats. They have no protection at all from the weather, no attempt at forming even such miniature harbours as may be seen on the Berwickshire coast having been made. When the wind blows hard from the north, the landing on that side is useless, and the boats, having no shelter, are hauled up the steep slope with the help of a steam windla.s.s. Under these circ.u.mstances the South Landing is used. It is similar in most respects to the northern one, but, owing to the cliffs being lower, the cove is less picturesque. At low tide a beach of very rough shingle is exposed between the ragged chalk cliffs, curiously eaten away by the sea.

Seaweed paints much of the sh.o.r.e and the base of the cliffs a blackish green, and above the perpendicular whiteness the ruddy brown clay slopes back to the gra.s.s above.

When the boats have just come in and added their gaudy vermilions, blues, and emerald greens to the picture, the North Landing is worth seeing. The men in their blue jerseys and sea-boots coming almost to their hips, land their hauls of silvery cod and load the baskets pannier-wise on the backs of st.u.r.dy donkeys, whose work is to trudge up the steep slope to the road, nearly 200 feet above the boats, where carts take the fish to the station four miles away.

In following the margin of the cliffs to the outermost point of the peninsula, we get a series of splendid stretches of cliff scenery. The chalk is deeply indented in many places, and is honey-combed with caves. Great white pillars and stacks of chalk stand in picturesque groups in some of the small bays, and everywhere there is the interest of watching the heaving water far below, with white gulls floating unconcernedly on the surface, or flapping their great stretch of wing as they circle just above the waves.