Years of Plenty Part 3

"What is that?"

"We don't have to sweat it out like Randall's. Their pre's make them groise at it all day and all night."

"Good job. The stinkers."

Martin's sympathy with the oppressed was not yet as strong as his hatred of Randall's, the pot hunters, the unspeakable.

Work with the Terror was not always terrible: for Martin it even had its moments. He enjoyed turning out a good verse or a good translation, and he enjoyed also the commendation that it won. The Terror, whose real name was Vickers, was a young man soured by misfortune. He had meant to go triumphantly to the Bar: he had connections, he had brains, he would rise. But a financial crisis in the family had left him in despair, too old to enter for the Civil Service, too poor to attempt the Bar in spite of his connections. He had drifted, of necessity, to the arduous, responsible, and despised task of moulding the future generation. The future generation, as represented by the Lower Fifth, Cla.s.sical, of Elfrey, seemed to Vickers a loathsome crew, fit only to be the victim of the sarcastic tongue on which he prided himself. He hated the elderly bloods who remained calmly and irremovably at the bottom of the form: he hated the ink-stained urchins with brains who pa.s.sed through his hands on their way to higher things. The Lower Fifth he held to be an abominable form because it was neither one thing nor the other. The teaching was not mere routine, the soulless cramming of impenetrable skulls: on the other hand, it wasn't like taking a Sixth. There were times, especially in the afternoons, when the frowst of the water-warmed room, the dingy walls and desks, the ponderous horror of mistranslated aeschylus, and the unmannered lumpishness of the human boy (average age sixteen) would all combine to play upon his nerves and to rend the amorphous thing which once had been an active, ambitious soul. Wearily he vented his wrath upon the form.

His method was, as a rule, the sarcasm courteous. He lounged magnificently while he played with his victim.

"Simpson!" This to a clever but idle youth remarkable for his large, inky hands and persistent untidiness of apparel. There was something in Simpson's grimy collars and straggling bootlaces that infuriated Vickers.

"Simpson!"

"Yes, sir?"

"You owe me, I think, a rendering of Virgil."

"Please, sir, I haven't quite finished it yet, sir."

"And how much, may I ask, have you finished?"

"Well, sir, last night I had the Agamemnon chorus."

"I see, Simpson. I see."

"Please, sir, I was very busy."

"Our Simpson was busy early this morning also, I suppose."

"Yes, sir."

"At your ablutions, I presume."

Here the form would laugh: Simpson's cleanliness was a standing joke.

"Please, sir, I didn't wake up very early."

"That was very distressing."

There was a silence. "Well, Simpson?" Vickers would continue in his softest tone.

Simpson gazed moodily at the desk, digging nibs into the wood.

"Our Simpson seems fonder of water than of Maro. We must tighten the bonds between Simpson and the poet. May I say the whole of the first Georgic this time?"

"Oh, sir."

"You think the quant.i.ty excessive?"

Simpson summoned up his courage and said he did think so.

"Ah, but the verse is so beautiful," came the answer. "I couldn't deprive you, Simpson. Anyhow, you may begin your _magnum opus_ and let me know when you have reached line two hundred."

"Yes, sir."

"Thank you, Simpson, that will be delightful. You were translating, Grant, I think."

Vickers aimed at being a strong man and he never set a grammar paper in which he did not ask for a comment on the phrase:

"Oderint dum metuant."

"A capital sentiment, Simpson," he would say with his gentlest smile, as he mouthed out the words. But his pretensions were not idle, as was shown by the fact that he could lose his temper without becoming ridiculous. If a weaker man had called the giant Batson 'a contemptible a.s.s,' Batson would have laughed and the form would have sn.i.g.g.e.red. But when Vickers flared up he commanded the silence of the greatest.

Vickers had a gift of phrase and Martin learned much from him, partly because he was so afraid that he always worked hard, and partly because Vickers took a fancy to him and would give him little hints about translation and composition which he did not choose to waste on the ruck. Martin was less inky and more intelligent than the average new boy who was placed in the Lower Fifth. Moreover, his fear of his master was obvious, and there was no more effective method of flattering Vickers than to fear him and to let your fear be seen.

Yet it was a relief, even to Martin, to escape from the tension of the Terror's cla.s.sroom to the turbulent relaxation that prevailed in the dark chamber where Barmy Walters taught mathematics. Old Barmy suffered from acute poverty and incipient senile decay. He had once been a brilliant undergraduate at Cambridge and then a wrangler, a man with a future: he now lived in a red-brick villa with a chattering wife and two gaunt, unwedded daughters. For nearly forty years it had been his function to instruct the cla.s.sical side in mathematics: he had never been a strong man, never fitted for his work. And so in spite of all his brilliance as a mathematician he had missed promotion, seen his chance of a house go by, and eventually lost grip. To retire was financially impossible (Elfrey was too poor a school to have a pension fund), and he stuck to his work grimly, sitting beneath his blackboard with an overcoat under his dusty gown, wheezing and grumbling and looking for his gla.s.ses. Plainly he could be ragged: and ragged he was without mercy or cessation. A couple of hours with the Terror had a vicious effect on the tempers of his victims, and Barmy Walters found in the Lower Fifth, coming straight from Vickers, torturers of a fiendish devilry.

To begin with, there was the distribution of the instrument-boxes before geometry. The boxes stood in great piles at the end of the room and it was the duty of the bottom boy to deal them round. It was also part of the established order of things that the bottom boy dropped the two and twenty boxes with a series of slow and deafening crashes. At the end he would say: "Oh, sir, I'm so sorry."

And Barmy would answer: "Um, ah. Really, really, you boys will shatter my nerves. How many times have I told you to be careful? Um, ah!"

Then there would be a rush to recover the boxes, a long, clattering rush with much jostling and swearing and spilling of ink, some of which would find its way to Barmy's gla.s.s of water. When peace had been restored people would begin to ask questions, to demand elaborate demonstrations on the blackboard, or to consume food. Barmy's room was renowned as a resort for picnics. Biscuits were popular in winter, but in summer there was a special line in fruit. Once a daring individual threw a biscuit at Barmy's head and hit him, whereupon he had to carry to his housemaster a note which began:

"DEAR RANDALL,--Morgan struck me with a macaroon."

The conjunction of the words 'strike' and 'macaroon' so pleased Mr Randall that he omitted to deal with Morgan.

All the obvious things were done to Barmy by one or other of his cla.s.ses. Mice were brought into form and released, and once a gra.s.s snake. He found a hedgehog in his mortar-board. Barmy had an idea that fifty lines formed a long imposition and he used to whine out:

"Um, ah, boy, I'll give you a long day's work. Take fifty lines."

He would enter the imposition in a note-book which he left in his unlocked desk, and in the morning he would find 'shown up' written against it in his own handwriting. After a long day of wheezing and grumbling about his shattered nerves Barmy would be seen mounting his aged bicycle with fixed wheel and pedalling laboriously to the villa and the chattering wife and the gaunt, unwedded daughters. Yet perhaps he was not altogether unhappy, for, if a master is to be ragged, he may as well sink to the depths: the tragedy of the defenceless dotard has less pathos than the suffering of the young man with ideals, whose burning desire to teach well and to succeed is thwarted by just the slightest lack of that presence and authority which make the master.

Undoubtedly, however, Barmy could be hurt, and Martin was not old enough to understand the consummate brutality of the proceedings in that dismal room. Like all young schoolboys, Martin regarded a master or crusher as a natural foe, a person with whom truceless war is waged.

If he is fool enough to let himself be ragged, that is his look-out: he has all the resources of punishment on his side and if he cannot use them he deserves no mercy. So Martin worked off his vitality in ragging, and, being of an ingenious turn of mind, became noted for the improvisation of new j.a.pes. He was patronised by the bloods of the form and enjoyed himself hugely: without realising the nature and results of his conduct, he even lay awake at nights devising new and exquisite methods for completing the destruction of Barmy's nervous system.

V

Every school, even so modern a foundation as Elfrey, has its traditional rows, its stories of rags perpetrated on a colossal scale by the heroes of old: but the modern schoolboy finds that, like fights, they don't happen. Martin's life moved calmly on and its monotony was only broken by sundry interludes, painful or humorous, with masters or prefects. Still, ragging old Barmy was tame enough and only once was he involved in a genuine row, an affair that counted and was history for several years. Partly because it was his only rag, and partly because it chanced to occur in his first term, while he was still very impressionable, the memory remained with him clearly and for ever. It is true also that he played a part in the drama and even was responsible for its name, so naturally he remembered that notable December night with its comradeship and perils and glorious achievement.

The end of term, so exasperating to the harried teacher, brings exhilaration to the taught. As Christmas approached Martin found prefectorial discipline slackening and, though exams might mean harder work in school, there was in the house a very agreeable relaxation of tension. Even games were taken less seriously, and one or two of the more audacious spirits actually cut without detection. But just as Berney's began to slacken their reins, Randall's, the neighbouring house, became more vigorous than usual: for Randall's were in the final of the "footer pot."