Writings in the United Amateur, 1915-1922 Part 10

Henriette and Florenz Ziegfeld have each contributed excellent work, nor must Mary M. Sisson's "Tempora Mutantur" be forgotten.

The rather loosely defined domain of the "sketch" has thriven this year, since it elicits fluent expression from those less prolific in other branches of literature. Mr. Melvin Ryder has entertained us with an entire magazine of this sort of material, whilst Mrs. Ida C. Haughton, Irene Metzger, Benjamin Repp, Mary Faye Durr, Ethel Halsey, Clara Inglis Stalker, Freda de Larot, Helene E. Hoffman Cole, Helen M. Woodruff, Ira A. Cole, and Eloise N. Griffith prove no less entertaining with shorter sketches.

Criticism is well represented by Leo Fritter, Edna M. Haughton, Mrs.

J. W. Renshaw, and Rheinhart Kleiner. The latter is no less gifted a critic than a poet, and gives out very acute judgments in his journal, =The Piper=.

In viewing the formal essays of the year, one is impressed with the profusion of mere schoolboy compositions. Masters of the Addisonian art are few but those few almost atone for the general lack of polish. Henry Clapham McGavack leads the list with a clarity of style and keenness of reasoning unsurpa.s.sed in the a.s.sociation. His "Dr. Burgess, Propagandist" is an amateur cla.s.sic. Edgar Ralph Cheyney is an extreme radical, but is none the less a masterful essayist. His articles take a very high rank both for thoughtfulness and for diction. A third writer of unusual power and a.n.a.lytical depth is Arthur W. Ashby, whose essays on the varied aspects of Nature command our serious attention. The two Schillings, George and Samuel, deserve more than a pa.s.sing mention, whilst Pres. Fritter's Laureateship well attests his merit. Rev. E. P.

Parham has produced work of attractive quality. Joseph W. Renshaw's essays and editorials command notice whenever beheld; whilst Ira A.

Cole, ever versatile, will shortly display his epistolary skill in the now unpublished series of "Churchill-Tutcombie Letters". William T.

Harrington has progressed by leaps and bounds to a prominent place amongst our essay-writers, his able encomiums of Old England being a delightful feature of the year. It would be gratifying to speak of Maurice W. Moe's splendid style and terse English at this point, for he is one of our very foremost essayists; but his enforced inactivity in amateur journalism this year has deprived us of any current specimens save the brief editorial in the February =Pippin=.

The general quality of our prose is by no means satisfactory. Too many of our authors are contaminated with modern theories which cause them to abandon grace, dignity, and precision, and to cultivate the lowest forms of slang.

Papers and magazines have been neither ample nor numerous this year; in fact, the tendency of the times appears to be a centralization of effort in THE UNITED AMATEUR; something which is for many reasons to be applauded, and for a few reasons to be deplored. Those members who feel capable of issuing individual papers should be encouraged to do so; whilst those who are ordinarily silent, should be encouraged to join the contributing staff of THE UNITED AMATEUR as provided by the Campbell amendment.

The best individual journal of the year is =Ole Miss'=. For frequency and regularity, =The Scot=, =The Woodbee=, =The Dixie Booster=, and =The Coyote= are to be commended. THE UNITED AMATEUR has prospered as a monthly despite adverse conditions. The elaborate September, October and February numbers put us in deep debt to Mr. Edward F. Daas, while subsequent examples of good editorship must be accredited to Mr. George Schilling. It is gratifying to note the increasing literary character of the Official Organ; purely official numbers are invariably tedious, many of the long, detailed reports being quite superfluous. It is a strong and sincere hope of the undersigned, that Mr. Daas may rejoin us at and after the present convention. The resumption of =The Lake Breeze= would supply a pressing need. Mr. Moitoret's =Cleveland Sun=, which promises to be a frequently issued paper, made its first appearance lately, and will, after much of its "loudness" has been removed, be of substantial benefit to new members. The "sporting" features should be eliminated at once, as not only being in bad taste, but exerting a noxious influence over the literary development of the younger members.

While upon the subject of papers, the undersigned would like to enter a renewed protest against the persistent use of certain distorted forms of spelling commonly called "simplified". These wretched innovations, popular amongst the less educated element during the past decade, are now becoming offensively prominent in certain periodicals of supposedly better grade, and require concerted opposition on the part of all friends of our language. The advantages claimed for the changes are almost wholly unsubstantial, whilst the inevitable disadvantages are immense. Let us see fewer "thrus" and "thoros" in the amateur press!

What the a.s.sociation needs above all things is a return to earlier forms in prose and verse alike; to poetry that does not pain the ear, and paragraphs that do not affront the aesthetic sense of the reader. If our writers would pay more attention to the tasteful Georgian models, they would produce work of infinitely less cacophonous quality. Almost every one of our authors who is familiar with the literature of the past, is distinguished by exceptional grace and fluency of composition.

As this report draws toward its conclusion, a few minor aims of the Department of Public Criticism are to be noted. It is now the desire of the undersigned to aid authors in rectifying the injustices to which they are subjected by the wretched typography of most amateur journals.

Writers are hereby encouraged to transmit to this Department corrected copies of all misprinted work, the corrections to be made public in THE UNITED AMATEUR. By this method it is hoped that no amateur journalist will again be forced to suffer for faults not his own, as so many have suffered in the past. Of course, the critical reports themselves are frequently misprinted, but the vast majority of mistakes may with care be eliminated.

Concerning the name of this a.s.sociation, which a number wish changed in a manner that will eliminate the word "amateur", the undersigned feels that the sentiment of the veteran element is too strongly against such a move to warrant its immediate adoption. The primary object is the training of young writers before they have attained the professional grade, wherefore the present t.i.tle is by no means such a misnomer as might be inferred from the talents of the more cultivated members.

However, the proposed alteration is certainly justified in many ways, hence the idea should be deferred rather than abandoned altogether.

The wane of interest in amateur political affairs is to be commended as a recognition of the superior importance of literary matters. Amateur journalism is rapidly progressing nearer and nearer its ideal: a device for the instruction of the young and crude, and an aid for the obscure author of any sort, rather than a playground for the aimless and the frivolous.

Last of all, the undersigned wishes to thank the membership for its kind reception of the Department's reports. It is ever the Chairman's design to render impartial judgment, and if harshness or captiousness may at any time have been noticed in the reports, it has in each case been unintentional. An ideal of sound conservatism has been followed, but in no instance has the critic sought to enforce upon others that peculiarly archaic style of which he is personally fond, and which he is accustomed to employ in his own compositions. The Department of Public Criticism aspires to be of substantial a.s.sistance to the members of the United, and hopes next year to co-operate with Mr. Lockhart in presenting reviews of truly constructive quality.

Solicitous for the approval, and confident of the indulgence of the a.s.sociation, the Department herewith has the honor to conclude its first annual report; in the hope that such a summary of events and estimate of conditions may be of use to the incoming administration.

H. P. LOVECRAFT, Chairman.

THE UNITED AMATEUR SEPTEMBER 1916

DEPARTMENT OF PUBLIC CRITICISM

=The Amateur Special= for July is a voluminous magazine of credentials and other work of new members, edited by Mrs. E. L. Whitehead, retiring Eastern Ma.n.u.script Manager, with the a.s.sistance of the Recruiting Committee. Of all papers lately issued in the United, this is without doubt among the most valuable and most significant; since it is the pioneer of the new regime, whereby the talent of all our membership is to be brought out by better publishing facilities. Mrs. Whitehead, with notable generosity, has reserved for herself but one page, on which we find a clever and correct bit of verse, and a number of graceful acknowledgments and useful suggestions. The contents in general are well calculated to display the thorough literary excellence and supremacy of the United in its present condition; for in this collection of stories, poems, and articles, taken practically at random from the ma.n.u.script bureaus, there is scarce a line unworthy of commendation.

"Tatting", by Julian J. Crump, is a fluent and graceful colloquial sketch. "Mother and Child", by J. E. Hoag, is a sombre and thoughtful poem having a certain atmosphere of mysticism. The metre, which is well handled, consists of regular iambic pentameter quatrains with a couplet at the conclusion. An annoying misprint mars the first stanza, where "=sigh=" is erroneously rendered as "=sight=". "Homesick for the Spring", a poem by Bessie Estelle Harvey, displays real merit in thought and construction alike. "Mother Earth", by Rev. E. P. Parham, is a well adorned little essay in justification of the traditional saying that "the earth is mother of us all". George M. Whiteside, a new member of the United, makes his first appearance before us as a poet in "The Little Freckled Face Kid". Mr. Whiteside's general style is not unlike that of the late James Whitcomb Riley, and its prevailing air of homely yet pleasing simplicity is well maintained. "To Chloris", by Chester Pierce Munroe, is a smooth and melodious amatory poem of the Kleiner school. The imagery is refined, and the polish of the whole amply justifies the inevitable triteness of the theme. The word "=adorns=", in next the last line, should read "=adorn=". "A Dream", by Helen Harriet Salls, is a hauntingly mystical succession of poetic images cast in appropriate metre. The natural phenomena of the morning are vividly depicted in a fashion possible only to the true poet. The printer has done injustice to this exquisite phantasy in three places. In the first stanza "=wonderous=" should read "=wondrous=", while in the seventh stanza "=arient=" should be "=orient=". "=Thou'st=", in the eleventh stanza, should be "=Thou'rt=". "Prayers", a religious poem by Rev.

Robert L. Selle, D. D., displays the cla.s.sic touch of the eighteenth century in its regular octosyllabic couplets, having some resemblance to the work of the celebrated Dr. Watts. "Snow of the Northland", by M.

Estella Shufelt, is a religious poem of different sort, whose tuneful dactylic quatrains contain much n.o.ble and appropriate metaphor. In the final line the word "=re-cleaned=" should read "=re-cleansed=". "In Pa.s.sing By", by Sophie Lea Fox, is a meritorious poem of the thoughtful, introspective type, which has been previously honoured with professional publication. "A Time to Sing", by M. B. Andrews, introduces to the United another genuine poet of worth. The lines are happy in inspiration and finished in form, having only one possible defect, the use of "=heralding=" as a dissyllable. "The Stately Mountains", by Rev. Eugene B. Kuntz, D. D., is a notable contribution to amateur poetic literature.

Dr. Kuntz chooses as his favourite metre the stately Alexandrine; and using it in a far more flexible and ingenious manner than that of Drayton, he manages to achieve a dignified and exalted atmosphere virtually impossible in any other measure. The even caesural break so common to Alexandrines, and so often urged by critics as an objection against them, is here avoided with great ingenuity and good taste. Dr.

Kuntz's sentiments and phrases are as swelling and sublime as one might expect from his metre. His conception of Nature is a broad and n.o.ble one, and his appreciation of her beauties is that of the innate poet.

"An April Memory" acquaints us with W. Frank Booker, a gifted lyrist whose lines possess all the warmth, witchery and grace of his native Southland. James J. Hennessey, in his essay on "The Army in Times of Peace", exhibits very forcibly the various indispensable services so quietly and efficiently performed by the United States Army in every-day life. Mr. Hennessey makes plain the great value of having among us a body of keen, versatile, and well-trained men ready for duty of any sort, and ever alert for their country's welfare in peace or in war. The American Soldier well deserves Mr. Hennessey's tribute, and the present essay adds one more to the already incontrovertible array of arguments in favour of an adequate military system. As printed, the article is marred by a superfluous letter "=s=" on the very last word, which should read "=citizen=". "Sowing the Good", a brief bit of moralizing by Horace Fowler Goodwin, contains a serious misprint, for the final word of line 1, stanza 2, should be "=say=". "Bobby's Literary Lesson", by Gladys L.

Bagg, is a delightful specimen of domestic satire in prose. The handling of the conversation exhibits Miss Bagg as a writer of considerable skill and promise. "The Leaf", a clever poem of Nature by Emily Barksdale, contains some gruesome atrocities by the printer. In the second stanza "=it's=" should be "=it=", and "=wonderous=" should be "=wondrous=". In the third stanza the typographical artist has killed a pretty woodland "=copse=" with the letter "=r=", so that it reads "=corpse="! In the fourth stanza "=head=" should read "=heard=". Perhaps the "=r=" which murdered the "=copse=" escaped from this sadly mutilated word! In stanza five, "=Chaots=" should be "=chants=". But why continue the painful chronicle? Mr. Kleiner said just what we would like to say about misprints over a year ago, when he wrote "The Rhyme of the Hapless Poet"! "Submission", by Eugene B. Kuntz, is a delightful bit of light prose, forming the autobiography of a much-rejected ma.n.u.script. This piece well exhibits Dr. Kuntz's remarkable versatility. The humour is keen, and nowhere overstrained. "Number 1287", a short story by Gracia Isola Yarbrough, exhibits many of the flaws of immature work, yet contains graphic touches that promise well for the author. The lack of unity in plot and development detracts somewhat from the general effect, while the unusual lapses of time and artificial working up of the later situations are also antagonistic to technical polish. Triteness is present, but that is to be expected in all amateur fiction. "A Drama of Business", by Edgar Ralph Cheyney, is a terse bit of prose which might well serve as an editorial in a liberal literary magazine. "The Schools of Yesterday and Today", a sketch by Selma Guilford, presents in pleasing fashion an interesting and optimistic contrast. In "Mother", George M. Whiteside treats a n.o.ble theme in rather skilful fashion, though the rhyming of "=breezes=" and "=trees is=" can hardly be deemed suitable in a serious poem. "When the Sea Calls", a poem by Winifred Virginia Jordan, is possibly the most striking feature of the magazine.

Mrs. Jordan's style in dealing with the wilder aspects of Nature has a grim potency all its own, and we can endorse without qualification the judgment of Mr. Moe when he calls this poem "positively magnificent in dynamic effect". To Mrs. Jordan is granted a natural poetic genius which few other amateurs can hope to parallel. Not many of our literary artists can so aptly fit words to weird or unusual pa.s.sages, or so happily command all the advantages of alliteration and onomatopoeia. We believe that Mrs. Jordan's amateur eminence will eventually ripen into professional recognition. "Preachers in Politics", by Rev. James Thomas Self, is a long, thoughtful, and extremely well phrased essay against the descent of the ministry to the uncertain affairs of practical legislation. Dr. Self has a just idea of the dignity of the cloth; an idea which some clergymen of less conservative habits would do well to acquire. Very painful is the sight of the slang-mouthing "evangelist"

who deserts his pulpit for the stump or the circus-tent. "Peace, Germany!", a poem by Maude Kingsbury Barton, const.i.tutes an appeal to the present outlaw among nations. We feel, however, that it is only from London that Germany will eventually be convinced of the futility of her pseudo-Napoleonic enterprise. And when peace does come to Germany, it will be British-made peace! The structure of Mrs. Barton's poem is regular, and many of the images are very well selected. The worst misprints are those in the sixth stanza, where "=in=" is omitted before the word "=pomp=", and in the seventh stanza where "=come=" is printed as "=came=". In the biographical sketch ent.i.tled "Two Lives", Helen Hamilton draws a powerful moral from the contrasting but contemporaneous careers of Florence Nightingale and the ex-Empress Eugenie. "Cla.s.s-Room Spirits I Have Known", an essay by Bessie Estelle Harvey, displays a sound comprehension of pedagogical principles. Two more poems by Mrs.

Jordan conclude the issue. "The Time of Peach Tree Bloom" is the fourth of the "Songs from Walpi", three of which appeared in THE UNITED AMATEUR. "In a Garden" is a gem of delightful delicacy and ethereal elegance. It is indeed not without just cause that the author has, from the very first, held the distinction of being the most frequent poetical contributor in all amateur journalism.

=The Cleveland Sun= for June is the first number of an amateur newspaper edited by Anthony F. Moitoret, Edwin D. Harkins, and William J. Dowdell; and remarkable for an excellent heading, drawn by a staff artist of the =Cleveland Leader=. The present issue is printed in close imitation of the modern professional daily, and displays some interesting examples of "newspaper English". Mr. Moitoret is an old-time United man, now reentering the sphere of activity, and he is to be commended warmly both for his generous att.i.tude toward the new members, and for his really magnanimous offer of aid to those desirous of issuing individual papers.

His editorial hostility toward the Campbell amendment is, we believe, mistaken; yet is none the less founded on a praiseworthy desire to serve what he deems the best interests of the a.s.sociation. Were Mr. Moitoret more in touch with the rising ideals of the newer United, he would realize the essential childishness of our "official business" as contrasted with the substantial solidity of our developing literature.

Possibly the plan of Mr. Campbell, as experimentally tried during the present year, will alter Mr. Moitoret's present opinion. Taken altogether, we are not sure whether the =Sun= will prove beneficial or harmful to the United. We most a.s.suredly need some sort of stimulus to activity, yet the comparatively crude atmosphere of newspaperdom is anything but inspiring in a literary society. We cannot descend from the ideals of Homer to those of Hearst without a distinct loss of quality, for which no possible gain in mere enthusiasm can compensate. Headlines such as "Columbus Bunch Boosting Paul" or "Hep Still Shows Pep", are positive affronts to the dignity of amateur journalism. There is room for an alert and informing news sheet in the United, yet we feel certain that the =Sun= must become a far more sedate and scholarly publication before it can adequately supply the need. At present, its garish rays dazzle and blind more than they illuminate; in a perusal of its pages we experience more of =sunstroke= than of =sunshine=. Of "The Best Sport Page In Amateurdom" we find it difficult to speak or write. Not since perusing the delectable lines of "Tom Crib's Memorial to Congress", by jovial old "Anacreon Moore", have we beheld such an invasion of prize-fight philosophy and race-track rhetoric. We learn with interest that a former United member named "Handsome Harry" has now graduated from literature to =left field=, and has, through sheer genius, risen from the lowly level of the ambitious author, to the exalted eminence of the =cla.s.sy slugger=. Too proud to =push the pen=, he now =swats the pill=. Of such doth the dizzy quality of sempiternal Fame consist!

Speaking without levity, we cannot but censure Mr. Dowdell's introduction of the ringside or ball-field spirit into an a.s.sociation purporting to promote culture and lettered skill. Our members can scarcely be expected to place the Stygian-hued John Arthur Johnson, Esq., on a pedestal beside his well-known namesake Samuel; or calmly to compare the stinging wit of a Sidney Smith with the stinging fist-cuffs of a "Gunboat" Smith. In a word, what is suited to the street-corner is not always suited to the library, and the taste of the United is as yet but imperfectly attuned to the lyrical liltings of the pool-room Muse.

It is both hard and unwise to take the "Best Sport Page" seriously. As a copy of "yellow" models it is a work of artistic verisimilitude; indeed, were Mr. Dowdell a somewhat older man, we might justly suspect a satirical intention on his part.

We trust that =The Cleveland Sun= may shine on without cloud or setting, though we must needs hope that the United's atmosphere of academic refinement will temper somewhat the scorching glare with which the bright orb has risen.

=The Conservative= for April opens with Andrew Francis Lockhart's melodious and attractive poem ent.i.tled "Benediction". As a whole, this is possibly the best piece of verse which Mr. Lockhart has yet written; the sentiment is apt, if not entirely novel, whilst the technical construction is well-nigh faultless. Such expressions as "pearl-scarr'd"

serve to exhibit the active and original quality of Mr. Lockhart's genius. "Another Endless Day", by Rheinhart Kleiner, is a beautiful and harmonious poetical protest against monotony. Much to be regretted is the misprint in line 3 of the third stanza, where the text should read:

"=A= love to thrill with new delight".

"April", by Winifred Virginia Jordan, is a seasonable and extremely tuneful poem whose imagery is of that dainty, sprightly sort which only Mrs. Jordan can create. "In Morven's Mead", also by Mrs. Jordan, contains an elusive and haunting suggestion of the unreal, in the author's characteristic style. "The Night Wind Bared My Heart" completes a highly meritorious trilogy. In justice to the author, it should be stated that the last of these three poems is, as here presented, merely a rough draft. Through our own reprehensible editorial oversight, the printer received this unpolished copy instead of the finished poem. The following emendations should be observed:

Stanza I, line 4, to read: "Awak'd my anguish'd sighs".

Stanza II, line 3, to read: "But Oh, from grief =were= prest".

"The Best Wine", by William de Ryee, is an earnestly introspective poem, well cast in iambic pentameter quatrains. "Ye Ballade of Patrick von Flynn" is a comic delineation of the cheap pseudo-Irish, England-hating agitators who have been so offensively noisy on this side of the Atlantic ever since the European war began, and particularly since the late riots in Dublin. This cla.s.s, which so sadly misrepresents the loyal Irish people, deserves but little patience from Americans. Its members stutter childishly about "breaches of neutrality" every time a real American dares speak a word in favour of the Mother Country; yet they constantly violate neutrality themselves in their clumsy attempts to use the United States as a catspaw against England. The actual German propagandists have the excuse of patriotism for their race and Vaterland, but these Hibernian hybrids, neither good Irishmen nor good Americans, have no excuse whatever when they try to subvert the functions of the country which is giving them protection and livelihood.

=The Conservative= for July pays a deserved tribute to one of the most lucid and acute of our amateur essayists, by devoting the entire issue to his work. Henry Clapham McGavack, in "The American Proletariat versus England", exposes with admirable fearlessness the silly Anglophobic notions which a mistaken conception of the Revolution, and an ignorant Irish population, have diffused among our lower cla.s.ses. It is seldom that an author ventures to speak so frankly on this subject, for the servile tendency of the times impels most writers and publishers to play the demagogue by essaying to feed the Irish ma.s.ses with the anti-English swill they desire; but Mr. McGavack wields an independent pen, and records the truth without fear of the =mobile vulgus= and its shallow views. In power, directness, urbanity, and impartiality, Mr. McGavack cannot be excelled. He marshals his arguments without pa.s.sion, bias, or circ.u.mlocution; piling proof upon proof until none but the most stubborn England-hater can fail to blush at the equal injustice and stupidity of those who malign that mighty empire to whose earth-wide circle of civilisation we all belong.

=The Coyote= for April is a Special English Number, dedicated to our soldier-member, George William Stokes of Newcastle-on-Tyne. The opening poem "To England", well exhibits the versatility of Mrs. Winifred V.

Jordan, who here appears as a national panegyrist of commendable dignity and unexceptionable taste. The word at the beginning of the fourth line should read "=Is=" instead of "=To=". The short yet stirring metre is particularly well selected. "Active English Amateurs I Have Met", by Ernest A. Dench, is a rather good prose piece, though not without marks of careless composition. "The Vultur", by Henry J. Winterbone of the B. A. P. A., is a remarkably good story whose development and conclusion would do credit to a professional pen. We hope Mr. Winterbone may join the United, thereby giving American readers a more ample opportunity to enjoy his work. Editor William T. Harrington, whose prose is so rapidly acquiring polish and fluency, contributes two brief but able essays: "History Repeats" and "How Great Britain Keeps Her Empire". In "History Repeats", certain parts of the second sentence might well be amended a trifle in structure, to read thus: "it must be remembered =that= the first half was a series of victories for the South, and =that= only after the Battle of Gettysburg did the strength of the North begin to a.s.sert itself". This number of =The Coyote= is an exceedingly timely and tasteful tribute to our Mother Country, appearing at an hour when the air of America reeks with the illiterate anti-British trash of the "Sinn Fein" simpletons and Prussian propagandists.

=Invictus= for July is the second number of Mr. Paul J. Campbell's personal organ, and represents the strictly individual magazine in its most tasteful and elaborate form. Unimpeachably artistic in appearance, its contents justify the exterior; the whole const.i.tuting a publication of the first rank, wherein are joined the virtues both of the old and of the new schools of amateur journalism. Since Mr. Campbell is preeminently an essayist, it is to his dissertations on "The Pursuit of Happiness" and "The Age of Accuracy" which we turn most eagerly; and which in no way disappoint our high expectations. The first of these essays is a dispa.s.sionate survey of mankind in its futile but frantic scramble after that elusive but unreal sunbeam called "happiness". The author views the grimly amusing procession of human life with the genuine objective of an impartial spectator, and with commendable freedom from the hypocritical colouring of those who permit commonplace emotions and tenuous idealizings to obscure the less roseate but more substantial vision of their intellects. "The Age of Accuracy" presents an inspiring panorama of the evolution of Intellect, and of its increasing domination over the more elemental faculties of instinct and emotion. At the same time, much material for reflection is furnished, since it is obvious that the advance is necessarily confined to a comparatively small and select part of humanity. Instinct and emotion are still forces of tremendous magnitude, against which Reason wages an upward struggle of incredible bravery. Only the strong can escape the clutch of the primitive, wherefore there can be no successful social order which does not conform in its essentials to the blind impulses of the natural man or man-ape. We are in danger of overestimating the ascendancy and stability of Reason, for it is in reality the most fragile and rudimentary element in our mortal fabric. A heavy blow on certain parts of the skull, or a bullet in certain parts of the brain, can destroy in an instant all the acc.u.mulated intellect which aeons of heredity have bestowed, depressing the victim from the zenith of culture and refinement to a condition separated only by colour and contour from that of the negro or the gorilla; yet not all the edicts of the lawgiver, devices of the educator, measures of the reformer, or skill of the surgeon, can extirpate the ingrained instincts and seated superst.i.tions of the average human animal.

The poetry of Mr. Campbell is represented in =Invictus= by three specimens, whose merit speaks well for the author's progress in the art.

"The Sunshine Girl" is an amatory panegyric of no small skill and polish, though not strikingly novel in sentiment or expression. "German Kultur" is a scathing and virile indictment of the present enemies of humanity. The versification is bold, and in places rugged, whilst the imagery is appropriately grim and sardonic. Points which we might criticise are the repeated use of "=civilization=" as a word of only four syllables, and the archaic p.r.o.nunciation of "=drown-ed=" as a dissyllable. This latter usage would be objectionable in verse of stately or conservative cast, but here grates upon the ear as an anachronism. The trenchant wit of the piece is well sustained, and brought out with particular force in the second and fourth stanzas. "The Major Strain" is without doubt the foremost verse of the issue. This is real poetry. The sustained rhyming, whereby each stanza contains only one rhyming sound, is pleasing and unusual. Mr. Campbell's comment on "Amateur Affairs" really deserves to be cla.s.sed as an essay, for its thoughtful conclusions and intelligent a.n.a.lyses of human nature certainly draw it within the pale of true literature. The broad comprehension and continued love of amateur journalism here exhibited, are potent justifications of the author's practically unanimous election to the Presidency of the United. =Invictus= is one of the very foremost journals of the amateur world, and the only possible objection which can be raised against it, is its infrequency of appearance. It is the voice of a virile and vibrant personality who unites vigour of thought with urbanity of expression.