Woodland Tales Part 25

Once a great American poet was asked which he thought was the sweetest voice in the woods. He said: "The sweetest sound in Nature is the calling of the Screech Owl."

Sometimes, though rarely, it does screech, but the sound it most often makes is the soft mournful song that it sings in the woods at night, especially in the autumn nights.

It seems to be moaning a lament for the falling leaves, a sad good-bye to the dear dying summer.

Last autumn one sat above my head in the dark October woods, and put his little soul into a song that seemed to be

Ohhhh! Ohhhh!

The leaves are falling: Ohhhh! Ohhhh!

A sad voice calling; Ohhhh! Ohhhh!

The Woodbirds flying; Ohhhh! Ohhhh!

Sweet summer's dying, Dying, Dying.

[Ill.u.s.tration: The Lament of the Owl.

Notation by Ann Seton]

A mist came into my eyes as I listened, and yet I thanked him. "Dear voice in the trees, you have said the things I felt, and could not say; but voicing my sadness you have given it wings to fly away."

TALE 103

Springtime, or the Wedding of Maka Ina and El Sol

Oh, that was a stirring, glowing time! All the air, and the underwood seemed throbbed with pleasant murmuring voices. The streams were laughing, the deep pools smiling, as p.u.s.s.y-willows scattered catkins on them from above. The oak trees and the birches put on little glad-hangers, like pennants on a gala ship. The pine trees set up their green candles, one on every big tip-twig. The dandelions made haste to glint the early fields with gold. The song toads and the peepers sang in volleys; the blackbirds wheeled their myriad cohorts in the air, a guard of honour in review. The woodwale drummed. The redbud draped its naked limbs in early festal bloom; and Rumour the pretty liar smiled and spread the news.

All life was smiling with the frank unselfish smile, that tells of pleasure in another's joy.

The love of love is wider than the world. And one who did not know their speech could yet have read in their reflected joy a magnitude of joyful happening, could guess that over two beings of the highest rank, the highest rank of happiness impended.

Yes, all the living world stood still at gaze: the story of the bridegroom, the gracious beauty of the bride were sung, for the wedding day had come. And Mother Carey, she was there, for were they not her peers? And the Evil One--he came, but slunk away, for the blessing of the one Great Oversoul was on them.

Oh, virile, radiant one, El Sol! Oh, Maka Ina! bounteous mother earth, the day of joining hand in hand pa.s.sed by. The joy is with us yet; renewed each year, when March is three weeks gone. Look, then, ye wanderers in the woods! Seek in the skies, seek in the growing green, but find it mostly in your souls, and _sing_!

TALE 104

Running the Council

Every good Woodcrafter should know the way of the Council Ring.

Select some quiet level place out of doors; in the woods if possible, for it is so much better if surrounded by trees.

Make a circle of low seats; the circle should be not less than 12 feet or more than 20 feet across, depending somewhat on the number to take part.

In the middle prepare for a small fire. At one side is a special seat for the Chief; this is called the Council Rock.

On very important occasions take white sand or lime, and draw a circle around the fire. Then from that draw the four lamps and the twelve laws as in Tale 105.

When all is ready with the Guide on the Council Rock, and the Scouts in their seats, the Guide stands up and says: "Give ear my friends, we are about to hold a council. I appoint such a one, Keeper of the fire and so-and-so, Keeper of the tally. Now let the Fire-keeper light the fire."

Next the Tally-keeper calls the roll. After which the business part of the Council is carried on exactly the same as any ordinary meeting, except that instead of addressing the "Chairman," they say, "O Chief"; instead of "yes" they say "ho," instead of "no" they say "wah."

The order of doings in Council is:--

Opening and fire-lighting Roll Call Reading and accepting tally of last Council Reports of Scouts (things observed or done) Left-over business New business Honours Honourable mention (For the good of the Tribe) Complaints and suggestions.

(_Here business ends and entertainment begins._) Challenges Games, contests, etc.

Close by singing Omaha Prayer (Tale 108)

TALE 105

The Sandpainting of the Fire

[Ill.u.s.tration: The Sandpainting of the Fire]

When I was staying among the Navaho Indians, I met John Wetherall, the trader. He had spent half his life among them, and knew more of their ways than any other white man that I met. He told me that part of the education of Navaho priest was knowing the fifty sandpaintings of his tribe. A sandpainting is a design made on the ground or floor with dry sands of different colours--black, white, gray, yellow, red, etc. It looks like a rug or a blanket on the ground, and is made up of many curious marks which stand for some man, place, thing, or idea. Thus, the first sandpainting is a map of the world as the Navaho knew it, with rivers and hills that are important in their history. These sandpaintings cannot be moved; a careless touch spoils them, and a gust of wind can wipe them out. They endure only in the hearts and memories of the people who love them.

In the Woodcraft Camp there is but one sandpainting that is much used; that is, the Sandpainting of the Fourfold Fire. When I make it in camp, I use only white sand or powdered lime; but indoors, or on paper, I use yellow (or orange) and white.

This is the story of the sandpainting. The fire is the symbol of the Great Spirit; around that we draw a great circle, as in the diagram.

At each of the four sides we light another fire; these four are called Fort.i.tude, Beauty, Truth, and Love, and come from the Fire through Spirit, Body, Mind, and Service.

Then from each of these we draw three golden rays. These stand for the twelve laws of Woodcraft, and they are named in this way:

Be Brave, Be Silent and Obey; Be Clean, Be Strong, Protect Wild Life alway; Speak True, Be Reverent, Play Fair as you Strive!

Be Kind; Be Helpful; Glad you are alive.

And the final painting is as in the drawing. Of course the names are not written on the real thing though the Woodcraft scout should know them.

TALE 106

The Woodcraft Kalendar

[Ill.u.s.tration: The Woodcraft Kalendar]

The Woodcraft Kalendar is founded on the Indian way of noting the months. Our own ancestors called them "Moons" much as the Indians did.

Our word "month" was once written "moneth" or "monath" which meant a "moon or moon's time of lasting." The usual names for the moons to-day are Latin, but we find we get closer to nature if we call them by their Woodcraft names, and use the little symbols of the Woodcraft Kalendar.

TALE 107

Climbing the Mountain

Afar in our dry southwestern country is an Indian village; and in the offing is a high mountain, towering up out of the desert. It is considered a great feat to climb this mountain, so that all the boys of the village were eager to attempt it. One day the Chief said: "Now boys, you you may all go to-day and try to climb the mountain. Start right after breakfast, and go each of you as far as you can. Then when you are tired, come back: but let each one bring me a twig from the place where he turned."