Women of Achievement Part 2

It is now nearly five hundred years since a prince of Portugal began the slave-trade on the west coast of Africa. Within two hundred years all of the leading countries of western Europe had joined in the iniquitous traffic, and when England in 1713 drew up with France the Peace of Utrecht she deemed the slave-trade of such importance that she insisted upon an article that gave her a practical monopoly of it. Before the end of the eighteenth century, however, the voice of conscience began to be heard in England, and science also began to be interested in the great undeveloped continent lying to the South. It remained for the work of David Livingstone, however, in the middle of the nineteenth century really to reveal Africa to the rest of the world. This intrepid explorer and missionary in a remarkable series of journeys not only traversed the continent from the extreme South to Loanda on the West Coast and Quilimane on the East Coast; he not only made known the great lake system of Central Africa; but he left behind him a memory that has blessed everyone who has followed in his steps. Largely as a result of his work and that of his successor, Stanley, a great congress met in Berlin in 1884 for the part.i.tion of Africa among the great nations of Europe. Unfortunately the diplomats at this meeting were not actuated by the n.o.ble impulses that had moved Livingstone, so that more and more there was evident a mad scramble for territory. France had already gained a firm foothold in the northwest, and England was not only firmly intrenched in the South but had also established a rather undefined protectorate over Egypt. Germany now in 1884 entered the field and in German East Africa, German Southwest Africa, Kamerun, and the smaller territory of Togoland in the West ultimately acquired a total of nearly a million square miles, or one-eleventh of the continent. All of this she lost in the course of the recent great war. Naturally she has desired to regain this land, but at the time of writing (November, 1918) there is no likelihood of her doing so, a distinguished Englishman, Mr.

Balfour, the foreign secretary, having declared that under no circ.u.mstances can Germany's African colonies be returned to her, as such return would endanger the security of the British empire, and that is to say, the security of the world. This problem is but typical of the larger political questions that press for settlement in the new Africa.

Whatever the solution may be, one or two facts stand out clearly. One is that Africa can no longer rest in undisturbed slumber. A terrible war, the most ruinous in the history of humanity, has strained to the utmost the resources of all the great powers of the world. Where so much has been spent it is not to be supposed that the richest, the most fertile, land in the world will indefinitely be allowed to remain undeveloped.

Along with material development must go also the education and the spiritual culture of the natives on a scale undreamed of before. In this training such an enlightened country as England will naturally play a leading role, and America too will doubtless be called on to help in more ways than one. It must not be supposed, however, that the task is not one of enormous difficulties. As far as we have advanced in our missionary activities in America, we have hardly made a beginning in the great task of the proper development of Africa. Here are approximately 175,000,000 natives to be trained and Christianized. Let us not make the common mistake of supposing that they are all ignorant and degraded savages. Nothing could be farther from the truth. Many individuals have had the benefit of travel and study in Europe and more and more are themselves appreciating the great problems before their country. It is true, however, that the great ma.s.s of the population is yet to be reached. In the general development delicate questions of racial contact are to be answered. Unfortunately, in the att.i.tude of the European colonist toward the native, South Africa has a race problem even more stern than that of our own Southern states. As for religion we not only find paganism and Mohammedanism, but we also see Catholicism arrayed against Protestantism, and perhaps most interesting of all, a definite movement toward the enhancement of a native Ethiopian church, with the motto "Africa for the Africans." Let us add to all this numerous social problems, such as polygamy, the widespread sale of rum, and all the train of African superst.i.tion, and we shall see that any one who works in Africa in the new day must not only be a person of keen intelligence and Christian character, but also one with some genuine vision and statesmanship. Workers of this quality, if they can be found, will be needed not by the scores or hundreds, but by the thousands and tens of thousands. No larger mission could come to a young Negro in America trained in Christian study than to make his or her life a part of the redemption of the great fatherland. The salvation of Africa is at once the most pressing problem before either the Negro race or the Kingdom of Christ. Such a worker as we have tried to portray was Nora Gordon. It is to be hoped that not one but thousands like her will arise. Even now we can see the beginning of the fulfilment of the prophecy, "Princes shall come out of Egypt; Ethiopia shall soon stretch out her hands unto G.o.d."

[Ill.u.s.tration: META WARRICK FULLER]

META WARRICK FULLER

IV.

META WARRICK FULLER[B]

The state of Ma.s.sachusetts has always been famous for its history and literature, and especially rich in tradition is the region around Boston. On one side is Charlestown, visited yearly by thousands who make a pilgrimage to the Bunker Hill Monument. Across the Charles River is Cambridge, the home of Harvard University, and Longfellow, and Lowell, and numerous other men whose work has become a part of the nation's heritage. If one will ride on through Cambridge and North Cambridge and Arlington, he will come to Lexington, where he will find in the little Lexington Common one of the most charming spots of ground in America.

Overlooking this he will see the Harrington House, and all around other memorials of the Revolution. Taking the car again and riding about seven miles more he will come to Concord, and here he will catch still more of the flavor of the eighteenth century. Walking from the center of the town down Monument Street (he _must_ walk now; there is no trolley, and a carriage or automobile does not permit one to linger by the wayside), he will come after a while to the Old Manse, once the home of Emerson and of Hawthorne, and then see just around the corner the Concord Bridge and the statue of the Minute Man. There is a new bridge now, one of concrete; the old wooden one, so long beloved, at length became unsafe and had to be replaced. In another direction from the center of the town runs Lexington Road, within about half a mile down which one will see the later homes of Emerson and Hawthorne as well as that of Louisa May Alcott. Near the Alcott House, back among the trees, is a quaint little structure much like a Southern country schoolhouse--the so-called Concord School of Philosophy, in which Emerson once spoke. It is all a beautiful country--beautiful most of all for its unseen glory. One gives himself up to reflection; he muses on Evangeline and the Great Stone Face and on the heroic dead who did not die in vain--until a lumbering truck-car on the road calls him back from it all to the workaday world of men.

It is in this state of Ma.s.sachusetts, so rich in its tradition, that there resides the subject of the present sketch. About halfway between Boston and Worcester, in the quiet, homelike town of Framingham, on a winding road just off the main street, lives Meta Warrick Fuller, the foremost sculptor of the Negro race.

There are three little boys in the family. They keep their mother very busy; but they also make her very happy. b.u.t.tons have to be sewed on and dinners have to be prepared for the children of an artist just as well as for those of other people; and help is not always easy to get. But the father, Dr. S. C. Fuller, a distinguished physician, is also interested in the boys, so that he too helps, and the home is a happy one.

At the top of the house is a long roomy attic. This is an improvised studio--or, as the sculptor would doubtless say, the workshop. Hither, from the busy work of the morning, comes the artist for an hour or half an hour of modeling--for rest, and for the first effort to transfer to the plastic clay some fleeting transient dream.

Meta Warrick Fuller was born in Philadelphia, Pennsylvania, June 9, 1877. For four years she attended the Pennsylvania School of Industrial Art, and it was at this inst.i.tution that she first began to force serious recognition of her talent. Before very long she began to be known as a sculptor of the horrible, one of her first original pieces being a head of Medusa, with a hanging jaw, beads of gore, and eyes starting from their sockets. At her graduation in 1898 she won a prize for metal work by a crucifix upon which hung the figure of Christ in agony, and she also won honorable mention for her work in modeling. In a post-graduate year she won a much coveted prize in modeling. In 1899 Meta Warrick (then best known by her full name, Meta Vaux Warrick) went to Paris, where she worked and studied three years. Her work brought her in contact with many other artists, among them Augustus St. Gaudens, the sculptor of the Robert Gould Shaw Monument at the head of Boston Common.

Then there came a day when by appointment the young woman went to see Auguste Rodin, who after years of struggle and dispraise had finally won recognition as the foremost sculptor in France if not in the world. The great man glanced one after another at the pieces that were presented to him, without very evident interest. At length, thrilled by the figure in "Silent Sorrow," sometimes referred to as "Man Eating His Heart Out,"

Rodin beamed upon the young woman and said, "Mademoiselle, you _are_ a sculptor; you have the sense of form." With encouragement from such a source the young artist worked with renewed vigor, looking forward to the time when something that she had produced should win a place in the Salon, the great national gallery in Paris. "The Wretched," one of the artist's masterpieces, was exhibited here in 1903, and along with it went "The Impenitent Thief." This latter production was demolished in 1904, after meeting with various unhappy accidents. In the form as presented, however, the thief, heroic in size, hung on the cross torn by anguish. Hardened, unsympathetic, and even defiant, he still possessed some admirable qualities of strength, and he has remained one of the sculptor's most powerful conceptions. In "The Wretched" seven figures greet the eye. Each represents a different form of human anguish. An old man, worn by hunger and disease, waits for death. A mother yearns for the loved ones she has lost. A man bowed by shame fears to look upon his fellow-creatures. A sick child suffers from some hereditary taint. A youth is in despair, and a woman is crazed by sorrow. Over all is the Philosopher who suffers perhaps more keenly than the others as he views the misery around them, and who, powerless to relieve it, also sinks into despair.

Other early productions were similarly characterized by a strongly romantic quality. "Silent Sorrow" has already been remarked in pa.s.sing.

In this a man, worn and gaunt and in despair, is represented as leaning over and actually eating out his own heart. "Man Carrying Dead Body" is in similar vein. The sculptor is moved by the thought of one who will be spurred on by the impulse of duty to the performance of some task not only unpleasant but even loathsome. She shows a man bearing across his shoulder the body of a comrade that has evidently lain on the battlefield for days. The thing is horrible, and the man totters under the great weight; but he forces his way onward until he can give it decent burial. Another early production was based on the ancient Greek story of Oedipus. This story was somewhat as follows: Oedipus was the son of Laius and Jocasta, king and queen of Thebes. At his birth an oracle foretold that the father Laius would be killed by his son. The child was sent away to be killed by exposure, but in course of time was saved and afterwards adopted by the King of Corinth. When he was grown, being warned by an oracle that he would kill his father and marry his mother, he left home. On his journey he met Laius and slew him in the course of an altercation. Later, by solving the riddle of the sphinx, he freed Thebes from distress, was made king of the city, and married Jocasta. Eventually the terrible truth of the relationship became known to all. Jocasta hanged herself and Oedipus tore out his eyes. The sculptor portrays the hero of the old legend at the very moment that he is thus trying to punish himself for his crime. There is nothing delicate or pretty about all such work as this. It is grewsome in fact, and horrible; but it is also strong and intense and vital. Its merit was at once recognized by the French, and it gave Meta Warrick a recognized place among the sculptors of America.

On her return to America the artist resumed her studies at the School of Industrial Art, winning in 1904 the Battles first prize for pottery. In 1907 she produced a series of tableaux representing the advance of the Negro for the Jamestown Tercentennial Exposition, and in 1913 a group for the New York State Emanc.i.p.ation Proclamation Commission. In 1909 she became the wife of Dr. Solomon C. Fuller, of Framingham, Ma.s.sachusetts.

A fire in 1910 unfortunately destroyed some of her most valuable pieces while they were in storage in Philadelphia. Only a few examples of her early work, that happened to be elsewhere, were saved. The artist was undaunted, however, and by May, 1914, she had sufficiently recovered from the blow to be able to hold at her home a public exhibition of her work.

After this fire a new note crept into the work of Meta Warrick Fuller.

This was doubtless due not so much to the fire itself as to the larger conception of life that now came to the sculptor with the new duties of marriage and motherhood. From this time forth it was not so much the romantic as the social note that was emphasized. Representative of the new influence was the second model of the group for the Emanc.i.p.ation Proclamation Commission. A recently emanc.i.p.ated Negro youth and maiden stand beneath a gnarled, decapitated tree that has what looks almost like a human hand stretched over them. Humanity is pushing them forth into the world while at the same time the hand of Destiny is restraining them in the full exercise of their freedom. "Immigrant in America" is in somewhat similar vein. An American woman, the mother of one strong healthy child, is shown welcoming to the land of plenty the foreigner, the mother of several poorly nourished children. Closely related in subject is the smaller piece, "The Silent Appeal," in which a mother capable of producing and caring for three st.u.r.dy children is shown as making a quiet demand for the suffrage and for any other privileges to which a human being is ent.i.tled. All of these productions are clear cut, straightforward, and dignified.

In May, 1917, Meta Warrick Fuller took second prize in a compet.i.tion under the auspices of the Ma.s.sachusetts Branch of the Woman's Peace Party, her subject being "Peace Halting the Ruthlessness of War." War is personified as on a mighty steed and trampling to death numberless human beings. In one hand he holds a spear on which he has transfixed the head of one of his victims. As he goes on his masterful career Peace meets him and commands him to cease his ravages. The work as exhibited was in gray-green wax and was a production of most unusual spirit.

Among other prominent t.i.tles are "Watching for Dawn," a conception of remarkable beauty and yearning, and "Mother and Child." An early production somewhat detached from other pieces is a head of John the Baptist. This is one of the most haunting creations of Mrs. Fuller. In it she was especially successful in the infinite yearning and pathos that she somehow managed to give to the eyes of the seer. It bears the unmistakable stamp of power.

In this whole review of this sculptor's work we have indicated only the chief t.i.tles. She is an indefatigable worker and has produced numerous smaller pieces, many of these being naturally for commercial purposes.

As has been remarked, while her work was at first romantic and often even horrible, in recent years she has been interested rather in social themes. There are those, however, who hope that she will not utterly forsake the field in which she first became distinguished. Through the sternness of her early work speaks the very tragedy of the Negro race.

In any case it is pleasant to record that the foremost sculptor of the race is not only an artist of rank but also a woman who knows and appreciates in the highest possible manner the virtues and the beauties of the home.

FOOTNOTE:

[B] For the further pursuit of this and related subjects the attention of the reader is invited to the author's "The Negro in Literature and Art" (Duffield & Co., New York, N. Y., 1918).

[Ill.u.s.tration: MARY McLEOD BETHUNE]

MARY McLEOD BETHUNE

V.

MARY McLEOD BETHUNE

On October 3, 1904, a lone woman, inspired by the desire to do something for the needy ones of her race and state, began at Daytona, Florida, a training school for Negro girls. She had only one dollar and a half in money, but she had faith, energy, and a heart full of love for her people. To-day she has an inst.i.tution worth not less than one hundred thousand dollars, with plans for extensive and immediate enlargement, and her school is one of the best conducted and most clear-visioned in the country. Such has been the result of boundless energy and thrift joined to an unwavering faith in G.o.d.

Mary McLeod was born July 10, 1875, in a three-room log cabin on a little cotton and rice farm about three miles from Mayesville, South Carolina, being one in the large family of Samuel and Patsy McLeod.

Ambitious even from her early years, she yearned for larger and finer things than her environment afforded; and yet even the life that she saw around her was to prove a blessing in disguise, as it gave to her deeper and clearer insight into the problems, the shortcomings, and the needs of her people. In course of time she attended a little mission school in Mayesville, and she was converted at the age of twelve. Later she was graduated at Scotia Seminary, Concord, North Carolina, and then she went to the Moody Bible Inst.i.tute in Chicago. In the years of her schooling she received some a.s.sistance from a scholarship given by Miss Mary Chrisman, a dressmaker of Denver, Colorado. Mary McLeod never forgot that she had been helped by a working woman. Some day she intended to justify that faith, and time has shown that never was a scholarship invested to better advantage.

In 1898 Mary McLeod was married. She became the mother of one son. Not long after, the family moved to Palatka, Florida. Now followed the hard years of waiting, of praying, of hoping; but through it all the earnest woman never lost faith in herself, nor in G.o.d. She gained experience in a little school that she taught, she sang with unusual effect in the churches of the town, and she took part in any forward movement or uplift enterprise that she could. All the while, however, she knew that the big task was yet to come. She prayed, and hoped, and waited.

By the fall of 1904 it seemed that the time had come. In a little rented house, with five girls, Mrs. Bethune began what is now the Daytona Normal and Industrial Inst.i.tute for Negro Girls. By means of concerts and festivals the first payment of five dollars was made on the present site, then an old dump-pile. With their own hands the teacher and the pupils cleared away much of the rubbish, and from the first they invited the co-operation of the people around them by lending a helping hand in any way they could, by "being neighborly." In 1905 a Board of Trustees was organized and the school was chartered. In 1907 Faith Hall, a four-story frame house, forty by fifty feet, was "prayed up, sung up, and talked up;" and we can understand at what a premium s.p.a.ce was in the earlier days when we know that this building furnished dormitory accommodations for teachers and students, dining-room, reading room, storerooms, and bathrooms. To the rear of Faith Hall was placed a two-story structure containing the school kitchen and the domestic science room. In 1909 the school found it necessary to acquire a farm for the raising of live stock and vegetables and for the practical outdoor training of the girls. After six weeks of earnest work the twelve-acre tract in front of the school was purchased. In 1914 a Model Home was built. In this year also an additional west farm of six acres, on which was a two-story frame building, was needed, asked for and procured. In March, 1918, the labors of fourteen years were crowned by the erection and dedication of a s.p.a.cious auditorium; and among the speakers at the dedication were the Governor of Florida and the Vice-President of the United States. Efforts now look forward to a great new dormitory for the girls.

Such a bare account of achievements, however, by no means gives one an adequate conception of the striving and the hopings and the praying that have entered into the work. To begin with, Daytona was a strategic place for the school. There was no other such school along the entire east coast of Florida, and as a place of unusual beauty and attractiveness the town was visited throughout the winter by wealthy tourists. From the very first, however, the girls were trained in the virtues of the home, and in self-help. Great emphasis was placed on domestic science, and not only for this as an end in itself, but also as a means for the larger training in cleanliness and thrift and good taste. "We notice strawberries are selling at fifty and sixty cents a quart," said a visitor, "and you have a splendid patch. Do you use them for your students or sell them?" "We never eat a quart when we can get fifty cents for them," was the reply. "We can take fifty cents and buy a bone that will make soup for us all, when a quart of berries would supply only a few."

For one interested in education few pictures could be more beautiful than that of the dining-room at the school in the morning of a day in midterm. Florida is warm often even in midwinter; nevertheless, rising at five gives one a keen appet.i.te for the early breakfast. The ceiling is low and there are other obvious disadvantages; but over all is the spirit of good cheer and of home. The tablecloths are very white and clean; flowers are on the different tables; at the head of each a teacher presides over five or six girls; the food is nourishing and well-prepared; and one leaves with the feeling that if he had a sister or daughter he would like for her to have the training of some such place as this.

Of such quality is the work that has been built up; and all has been accomplished through the remarkable personality of the woman who is the head and the soul of every effort. Indomitable courage, boundless energy, fine tact and a sense of the fitness of things, kindly spirit, and firm faith in G.o.d have deservedly given her success. Beyond the bounds of her immediate inst.i.tution her influence extends. About the year 1912 the trustees felt the need of so extending the work as to make the school something of a community center; and thus arose the McLeod Hospital and Training School for Nurses. In 1912, moved by the utter neglect of the children of the turpentine camp at Tomoka, Mrs. Bethune started work for them in a little house that she secured. The aim was to teach the children to be clean and truthful and helpful, to sew and to sweep and to sing. A short school term was started among them, and the mission serves as an excellent practice school for the girls of the senior cla.s.s in the Training School. A summer school and a playground have also been started for the children in Daytona. Nor have the boys and young men been neglected. Here was a problem of unusual difficulty.

Any one who has looked into the inner life of the small towns of Florida could not fail to be impressed by the situation of the boys and young men. Hotel life, a shifting tourist population, and a climate of unusual seductiveness, have all left their impress. On every side to the young man beckons temptation, and in town after town one finds not one decent recreation center or uplifting social influence. Pool-rooms abound, and the young man is blamed for entering forbidden paths; but all too often the Christian men and women of the community have put forth no definite organized effort for his uplift. All too often there results a blasted life--a heartache for a mother, or a ruined home for some young woman. In Daytona, in 1913, on a lot near the school campus, one of the trustees, Mr. George S. Doane, erected a neat, commodious building to be used in connection with the extension work of the inst.i.tution as a general reading-room and home for the Young Men's Christian a.s.sociation; and this is the only specific work so being done for Negro boys in this section of the state. A debating club, an athletic club, lecture club, and prayer-meetings all serve as means toward the physical, intellectual, and spiritual development of the young men. A "Better Boys Movement" is also making progress and the younger boys are becoming interested in canning and farming as well as being cared for in their sports and games.

No sketch of this woman's work should close without mention of her activities for the nation at large. Red Cross work or a Liberty Loan drive has alike called forth her interest and her energy. She has appeared on some great occasions and before distinguished audiences, such as that for instance in the Belasco Theatre in Washington in December, 1917, when on a noteworthy patriotic occasion she was the only representative of her race to speak.

Her girls have gone into many spheres of life and have regularly made themselves useful and desirable. Nearly two hundred are now annually enrolled at the school. The demand for them as teachers, seamstresses, or cooks far exceeds the supply. In great homes and humble, in country or in town, in Daytona or elsewhere--North, South, East, West--they remember the motto of their teacher and of the Master of all, "Not to be ministered unto but to minister;" and year after year they accomplish better and better things for the school that they love so well and through it for the Kingdom of G.o.d.

Two thousand years ago the Savior of Mankind walked upon the earth, a man of sorrows and acquainted with grief; and the people hid as it were their faces from him. But one day he went into the home of a Pharisee and sat him down to meat. And a woman of the city, when she knew that Jesus sat at meat in the Pharisee's house, brought an alabaster box of ointment, exceeding precious, and began to wash his feet with her tears, and did wipe them with the hairs of her head, and kissed his feet, and anointed them with the ointment. And there were some that had indignation among themselves, and said, Why was this waste of the ointment made? But Jesus said, Let her alone. She hath wrought a good work on me. She hath done what she could. Verily, I say unto you, Wheresoever this gospel shall be preached throughout the whole world, this also that she hath done shall be spoken of for a memorial of her.

To-day as well as centuries ago the Christ is before us, around us, waiting. We do not always know him, for he appears in disguise, as a little orphan, or a sick old woman, or even perhaps as some one of high estate but in need of prayer. Let us do what we can. Let each one prove herself an earnest follower. To such end is the effort of Mary McLeod Bethune; and as we think of all that she has done and is doing let us for our own selves once more recall the beautiful words of Sister Moore: "There is no place too lowly or dark for our feet to enter, and no place so high and bright but it needs the touch of the light that we carry from the Cross."