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Woman in the Dark Part 5

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Once, before they left the city, she had said: "I wish to see my lawyer. His name is Harry Klaus."

The man beside her was chewing gum. He made noises with his lips, then told her, politely enough: "We can't stop now."

The man at the wheel spoke before she could reply. He did not turn his head. "How come Brazil socked him?"

Luise said quickly: "It was not his fault. He was-"

The older man, addressing the man at the wheel, interrupted her: "Let it alone, Pete. Let the D.A. do his own work."

Pete said: "Oke."

The woman turned to the man beside her. "Was-was Brazil hurt?"

He studied her face for a long moment, then nodded slightly. "Stopped a slug, I hear."

Her eyes widened. "He was shot?"

He nodded again.

She put both hands on his forearm. "How badly?"

He shook his head. "I don't know."

Her fingers dug into his arm. "Did they arrest him?"

"I can't tell you, miss. Maybe the District Attorney wouldn't like me to." He smacked his lips over his gum-chewing.

"But, please!" she insisted. "I must know."

He shook his head again. "We ain't worrying you with a lot of questions. Don't be worrying us."

Chapter Three.

Conclusion It was nearly nine o'clock by the dial on the dashboard, and quite dark, when Luise Fischer and her captors pa.s.sed a large square building whose illuminated sign said "Mile Valley Lumber Co." and turned in to what was definitely a town street, though its irregularly s.p.a.ced houses were not many. Ten minutes later the sedan came to rest at the curb in front of a gray public building. The driver got out. The other man held the door open for Luise. They took her into a ground-floor room in the gray building.

Three men were in the room. A sad-faced man of sixty-some years, with ragged white hair and mustache, was tilted back in a chair, with his feet on a battered yellowish desk. He wore a hat but no coat. A pasty-faced young blond man, straddling a chair in front of the filing cabinet on the other side of the room, was saying, "So the traveling salesman asked the farmer if he could put him up for the night and-" but broke off when Luise Fischer and her companions came in.

The third man stood with his back to the window. He was a slim man of medium height, not far past thirty, thin-lipped, pale, flashily dressed in brown and red. His collar was very tight. He advanced swiftly toward Luise Fischer, showing white teeth in a smile. "I'm Harry Klaus. They wouldn't let me see you down there, so I came on up to wait for you." He spoke rapidly and with a.s.surance. "Don't worry. I've got everything fixed."

The storyteller hesitated, changed his position. The two men who had brought Luise Fischer up from the city looked at the lawyer with obvious disapproval.

Klaus smiled again with complete a.s.surance. "You know she's not going to tell you anything at all till we've talked it over, don't you? Well, what the h.e.l.l, then?"

The man at the desk said: "All right, all right." He looked at the two men standing behind the woman. "If Tuft's office is empty, let 'em use that."

"Thanks." Harry Klaus picked up a brown briefcase from a chair, took Luise Fischer's elbow in his hand, and turned her to follow the thick-chested, florid man.

He led them down the corridor a few feet to an office that was similar to the one they had just left. He did not go in with them. He said, "Come on back when you're finished," and, when they had gone in, slammed the door.

Klaus jerked his head at the door. "A lot of whittlers," he said cheerfully. "We'll stand them on their heads." He tossed his briefcase on the desk. "Sit down."

"Brazil?" she said. "He is-"

His shrug lifted his shoulders almost to his ears. "I don't know. Can't get anything out of these people."

"Then-?"

"Then he got away," he said.

"Do you think he did?"

He shrugged his shoulders again. "We can always hope."

"But one of those policemen told me he had been shot and-"

"That don't have to mean anything but that they hope they hit him." He put his hands on her shoulders and pushed her down into a chair. "There's no use of worrying about Brazil till we know whether we've got anything to worry about." He drew another chair up close to hers and sat in it. "Let's worry about you now. I want the works-no song and dance-just what happened, the way it happened."

She drew her brows together in a puzzled frown. "But you told me everything-"

"I told you everything was all fixed, and it is." He patted her knee. "I've got the bail all fixed so you can walk out of here as soon as they get through asking you questions. But we've got to decide what kind of answers you're going to give them." He looked sharply at her from under his hat brim. "You want to help Brazil, don't you?"

"Yes."

"That's the stuff." He patted her knee again, and his hand remained on it. "Now, give me everything, from the beginning."

"You mean from when I first met Kane Robson?"

He nodded.

She crossed her knees, dislodging his hand. Staring at the opposite wall as if not seeing it, she said earnestly: "Neither of us did anything wrong. It is not right that we should suffer."

"Don't worry." His tone was light, confident. "I'll get the pair of you out of it." He proffered her cigarettes in a shiny case.

She took a cigarette, leaned forward to hold its end to the flame from his lighter, and, still leaning forward, asked: "I will not have to stay here tonight?"

He patted her cheek. "I don't think so. It oughtn't to take them more than an hour to grill you." He dropped his hand to her knee. "And the sooner we get through here, the sooner you'll be through with them."

She took a deep breath and sat back in her chair. "There is not a lot to say," she began, p.r.o.nouncing her words carefully so they were clear in spite of her accent. "I met him in a little place in Switzerland. I was without any money at all, any friends. He liked me and he was rich." She made a little gesture with the cigarette in her hand. "So I said yes."

Klaus nodded sympathetically and his fingers moved on her knee.

"He bought me clothes, those jewels, in Paris. They were not his mother's and he gave them to me."

The lawyer nodded again and his fingers moved again on her knee.

"He brought me over here then and"-she put the burning end of her cigarette on the back of his hand-"I stayed at his-"

Klaus had s.n.a.t.c.hed his hand from her knee to his mouth, was sucking the back of his hand. "What's the matter with you?" he demanded indignantly, the words m.u.f.fled by the hand to his mouth. He lowered the hand and looked at the burn. "If there's something you don't like, you can say so, can't you?"

She did not smile. "I no speak Inglis good," she said, burlesquing a heavy accent. "I stayed at his house for two weeks-not quite two weeks-until-"

"If it wasn't for Brazil, you could take your troubles to another lawyer!" He pouted over his burned hand.

"Until last night," she continued, "when I could stand him no longer. We quarreled and I left. I left just as I was, in evening clothes, witha"

She was finishing her story when the telephone bell rang. The attorney went to the desk and spoke into the telephone: "h.e.l.lo?a Yesa Just a couple of minutes morea That's right. Thanks." He turned. "They're getting impatient."

She rose from her chair, saying: "I have finished. Then the police came and he escaped through the window and they arrested me about those rings."

"Did you do any talking after they arrested you?"

She shook her head. "They would not let me. n.o.body would listen to me. n.o.body cared."

A young man in blue clothes that needed pressing came up to Luise Fischer and Klaus as they left the courthouse. He took off his hat and tucked it under an arm. "Mith Fither, I'm from the Mile Valley Potht. Can you-"

Klaus, smiling, said: "There's nothing now. Look me up at the hotel in the morning and I'll give you a statement." He handed the reporter a card. He cleared his throat. "We're hunting food now. Maybe you'll tell us where to find it-and join us."

The young man's face flushed. He looked at the card in his hand and then up at the lawyer. "Thank you, Mithter Klauth, I'll be glad to. The Tavern'th jutht around the corner. It'th the only plathe that'th any good that'th open now."

He turned to indicate the south. "My name'th George Dunne."

Klaus shook his hand and said, "Glad to know you," Luise Fischer nodded and smiled, and they went down the street.

"How's Conroy?" Klaus asked.

"He hathn't come to yet," the young man replied. "They don't know yet how bad it ith."

"Where is he?"

"Thrill at Robthon'th. They're afraid to move him."

They turned the corner. Klaus asked: "Any news of Brazil?"

The reporter craned his neck to look past Luise Fischer at the lawyer. "I thought you'd know."

"Know what?"

"What-whatever there wath to know. Thith ith it."

He led them into a white-tiled restaurant. By the time they were seated at a table, the dozen or more people at counter and tables were staring at Luise Fischer and there was a good deal of whispering among them.

Luise Fischer, sitting in the chair Dunne had pulled out for her, taking one of the menus from the rack on the table, seemed neither disturbed by nor conscious of anyone's interest in her. She said: "I am very hungry."

A plump, bald-headed man with a pointed white beard, sitting three tables away, caught Dunne's eye as the young man went around to his chair, and beckoned with a jerk of his head.

Dunne said, "Pardon me-it'th my both," and went over to the bearded man's table.

Klaus said: "He's a nice boy."

Luise Fischer said: "We must telephone the Links. They have surely heard from Brazil."

Klaus pulled the ends of his mouth down, shook his head. "You can't trust these county-seat telephone exchanges."

"But-"

"Have to wait till tomorrow. It's late anyhow." He looked at his watch and yawned. "Play this kid. Maybe he knows something."

Dunne came back to them. His face was flushed and he seemed embarra.s.sed.

"Anything new?" Klaus asked.

The young man shook his head violently. "Oh, no!" he said with emphasis.

A waiter came to their table. Luise Fischer ordered soup, a steak, potatoes, asparagus, a salad, cheese, and coffee. Klaus ordered scrambled eggs and coffee, Dunne pie and milk.

When the waiter stepped back from the table, Dunne's eyes opened wide. He stared past Klaus. Luise Fischer turned her head to follow the reporter's gaze. Kane Robson was coming into the restaurant. Two men were with him. One of them-a fat, pale, youngish man-smiled and raised his hat.

Luise Fischer addressed Klaus in a low voice: "It's Robson."

The lawyer did not turn his head. He said, "That's all right," and held his cigarette case out to her.

She took a cigarette without removing her gaze from Robson. When he saw her, he raised his hat and bowed. Then he said something to his companions and, leaving them, came toward her. His face was pale; his dark eyes glittered.

She was smoking by the time he reached her table. He said, "h.e.l.lo, darling," and sat in the empty chair facing her across the table. He turned his head to the reporter for an instant to say a careless "h.e.l.lo, Dunne."

Luise Fischer said: "This is Mr. Klaus. Mr. Robson."

Robson did not look at the lawyer. He addressed the woman: "Get your bail fixed up all right?"

"As you see."

He smiled mockingly. "I meant to leave word that I'd put it up if you couldn't get it anywhere else, but I forgot."

There was a moment of silence. Then she said: "I shall send for my clothes in the morning. Will you have Ito pack them?"

"Your clothes?" He laughed. "You didn't have a st.i.tch besides what you had on when I picked you up. Let your new man buy you new clothes."

Young Dunne blushed and looked at the tablecloth in embarra.s.sment. Klaus's face was, except for the brightness of his eyes, expressionless.

Luise Fischer said softly: "Your friends will miss you if you stay away too long."

"Let them. I want to talk to you, Luise." He addressed Dunne impatiently: "Why don't you two go play in a corner somewhere?"

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Woman in the Dark Part 5 summary

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