Wisdom, Wit, and Pathos of Ouida Part 1

Wisdom, Wit, and Pathos of Ouida.

by Ouida.

_ARIADNE._

One grows to love the Roman fountains as sea-born men the sea. Go where you will there is the water; whether it foams by Trevi, where the green moss grows in it like ocean weed about the feet of the ocean G.o.d, or whether it rushes reddened by the evening light, from the mouth of an old lion that once saw Cleopatra; whether it leaps high in air, trying to reach the gold cross on St. Peter's or pours its triple cascade over the Pauline granite; whether it spouts out of a great barrel in a wall in old Trastevere, or throws up into the air a gossamer as fine as Arachne's web in a green garden way where the lizards run, or in a crowded corner where the fruit-sellers sit against the wall;--in all its shapes one grows to love the water that fills Rome with an unchanging melody all through the year.

And indeed I do believe all things and all traditions. History is like that old stag that Charles of France found out hunting in the woods once, with the bronze collar round its neck on which was written, "Caesar mihi hoc donavit." How one's fancy loves to linger about that old stag, and what a crowd of mighty shades come thronging at the very thought of him! How wonderful it is to think of--that quiet grey beast leading his lovely life under the shadows of the woods, with his hinds and their fawns about him, whilst Caesar after Caesar fell and generation on generation pa.s.sed away and perished! But the sciolist taps you on the arm. "Deer average fifty years of life; it was some mere court trick of course--how easy to have such a collar made!" Well, what have we gained?

The stag was better than the sciolist.

Life costs but little on these sunny, silent sh.o.r.es; four walls of loose stones, a roof of furze and brambles, a fare of fish and fruit and millet-bread, a fire of driftwood easily gathered--and all is told. For a feast pluck the violet cactus; for a holiday push the old red boat to sea, and set the brown sail square against the sun--nothing can be cheaper, perhaps few things can be better.

To feel the western breezes blow over that sapphire sea, laden with the fragrance of a score of blossoming isles. To lie under the hollow rocks, where centuries before the fisher folk put up that painted tablet to the dear Madonna, for all poor shipwrecked souls. To climb the high hills through the tangle of myrtle and tamarisk, and the tufted rosemary, with the kids bleating above upon some unseen height. To watch the soft night close in, and the warning lights shine out over shoals and sunken rocks, and the moon hang low and golden in the blue dusk at the end there under the arch of the boughs. To spend long hours in the cool, fresh, break of day, drifting with the tide, and leaping with bare free limbs into the waves, and lying outstretched upon them, glancing down to the depths below, where silvery fish are gliding and coral branches are growing, and pink sh.e.l.ls are floating like rose-leaves, five fathoms low and more. Oh! a good life, and none better, abroad in the winds and weather, as Nature meant that every living thing should be, only, alas, the devil put it into the mind of man to build cities! A good life for the soul and the body: and from it this sea-born Joy came to seek the Ghetto!

With a visible and physical ill one can deal; one can thrust a knife into a man at need, one can give a woman money for bread or ma.s.ses, one can run for medicine or a priest. But for a creature with a face like Ariadne's, who had believed in the old G.o.ds and found them fables, who had sought for the old altars and found them ruins, who had dreamed of Imperial Rome and found the Ghetto--for such a sorrow as this, what could one do?

Some said I might have been a learned man, had I taken more pains. But I think it was only their kindness. I have that twist in my brain, which is the curse of my countrymen--a sort of devilish quickness at doing well, that prevents us ever doing best; just the same sort of thing that makes our goatherds rhyme perfect sonnets, and keeps them dunces before the alphabet.

If our beloved Leopardi, instead of bemoaning his fate in his despair and sickening of his narrow home, had tried to see how many fair strange things there lay at his house door, had tried to care for the troubles of the men that hung the nets on the trees, and the innocent woes of the girl that carried the gra.s.s to the cow, and the obscure martyrdom of maternity and widowhood that the old woman had gone through who sat spinning on the top of the stairs, he would have found that his little borgo that he hated so for its dulness had all the comedies and tragedies of life lying under the sound of its tolling bells. He would not have been less sorrowful, for the greater the soul the sadder it is for the unutterable waste, the unending pain of life. But he would never have been dull: he would never have despised, and despising missed, the stories and the poems that were round him in the millet fields and the olive orchards. There is only one lamp which we can carry in our hand, and which will burn through the darkest night, and make the light of a home for us in a desert place: it is sympathy with everything that breathes.

Into other lands I wandered, then, and sought full half the world. When one wants but little, and has a useful tongue, and knows how to be merry with the young folk, and sorrowful with the old, and can take the fair weather with the foul, and wear one's philosophy like an easy boot, treading with it on no man's toe, and no dog's tail; why, if one be of this sort, I say, one is, in a great manner, independent of fortune; and the very little that one needs one can usually obtain. Many years I strayed about, seeing many cities and many minds, like Odysseus; being no saint, but, at the same time, being no thief and no liar.

Art was dear to me. Wandering through many lands, I had come to know the charm of quiet cloisters; the delight of a strange, rare volume; the interest of a quaint bit of pottery; the unutterable loveliness of some perfect painter's vision, making a glory in some dusky, world-forgotten church: and so my life was full of gladness here in Rome, where the a.s.s's hoof ringing on a stone may show you that Vitruvius was right, where you had doubted him; or the sun shining down upon a cabbage garden, or a coppersmith's shreds of metal, may gleam on a signet ring of the Flavian women, or a broken vase that may have served vile Tullia for drink.

Art is, after nature, the only consolation that one has at all for living.

I have been all my life blown on by all sorts of weather, and I know there is nothing so good as the sun and the wind for driving ill-nature and selfishness out of one.

Anything in the open air is always well; it is because men now-a-days shut themselves up so much in rooms and pen themselves in stifling styes, where never the wind comes or the clouds are looked at, that puling discontent and plague-struck envy are the note of all modern politics and philosophies. The open air breeds Leonidas, the factory room Felix Pyat.

I lit my pipe. A pipe is a pocket philosopher, a truer one than Socrates. For it never asks questions. Socrates must have been very tiresome when one thinks of it.

I have had some skill in managing the minds of crowds; it is a mere knack, like any other; it belongs to no particular character or culture.

Arnold of Brescia had it, and so had Masaniello. Lamartine had it, and so had Jack Cade.

It is of use to have a reputation for queerness; it gains one many solitary moments of peace.

Ersilia was a good soul, and full of kindliness; but charity is a flower not naturally of earthly growth, and it needs manuring with a promise of profit.

The soul of the poet is like a mirror of an astrologer: it bears the reflection of the past and of the future, and can show the secrets of men and G.o.ds; but all the same it is dimmed by the breath of those who stand by and gaze into it.

"You are not unhappy now?" I said to her in farewell.

She looked at me with a smile.

"You have given me hope; and I am in Rome, and I am young."

She was right. Rome may be only a ruin, and Hope but another name for deception and disappointment; but Youth is supreme happiness in itself, because all possibilities lie in it, and nothing in it is as yet irrevocable.

There never was an aeneas; there never was a Numa; well, what the better are we? We only lose the Trojan ship gliding into Tiber's mouth, when the woodland thickets that bloomed by Ostia were reddening with the first warmth of the day's sun; we only lose the Sabine lover going by the Sacred Way at night, and sweet Egeria weeping in the woods of Nemi; and are--by their loss--how much the poorer!

Perhaps all these things never were.

The little stone of truth, rolling through the many ages of the world, has gathered and grown grey with the thick mosses of romance and superst.i.tion. But tradition must always have that little stone of truth as its kernel; and perhaps he who rejects all, is likelier to be wrong than even foolish folk like myself who love to believe all, and who tread the new paths, thinking ever of the ancient stories.

There can be hardly any life more lovely upon earth than that of a young student of art in Rome. With the morning, to rise to the sound of countless bells and of innumerable streams, and see the silver lines of the snow new fallen on the mountains against the deep rose of the dawn, and the shadows of the night steal away softly from off the city, releasing, one by one, dome and spire, and cupola and roof, till all the wide white wonder of the place discloses itself under the broad brightness of full day; to go down into the dark cool streets, with the pigeons fluttering in the fountains, and the sounds of the morning chants coming from many a church door and convent window, and little scholars and singing children going by with white clothes on, or scarlet robes, as though walking forth from the canvas of Botticelli or Garofalo; to eat frugally, sitting close by some shop of flowers and birds, and watching all the while the humours and the pageants of the streets by quaint corners, rich with sculptures of the Renaissance, and spanned by arches of architects that builded for Agrippa, under grated windows with arms of Frangipanni or Colonna, and pillars that Apollodorus raised; to go into the great courts of palaces, murmurous with the fall of water, and fresh with green leaves and golden fruit, that rob the colossal statues of their gloom and gauntness, and thence into the vast chambers where the greatest dreams that men have ever had, are written on panel and on canvas, and the immensity and the silence of them all are beautiful and eloquent with dead men's legacies to the living, where the Hours and the Seasons frolic beside the Maries at the Sepulchre, and Adonis bares his lovely limbs, in nowise ashamed because S. Jerome and S. Mark are there; to study and muse, and wonder and be still, and be full of the peace which pa.s.ses all understanding, because the earth is lovely as Adonis is, and life is yet unspent; to come out of the sacred light, half golden, and half dusky, and full of many blended colours, where the marbles and the pictures live, sole dwellers in the deserted dwellings of princes; to come out where the oranges are all aglow in the sunshine, and the red camellias are pushing against the h.o.a.ry head of the old stone Hermes, and to go down the width of the mighty steps into the gay piazza, alive with bells tolling, and crowds laughing, and drums abeat, and the flutter of carnival banners in the wind; and to get away from it all with a full heart, and ascend to see the sun set from the terrace of the Medici, or the Pamfili, or the Borghese woods, and watch the flame-like clouds stream homewards behind S. Peter's, and the pines of Monte Mario grow black against the west, till the pale green of evening spreads itself above them, and the stars arise; and then, with a prayer--be your faith what it will--a prayer to the Unknown G.o.d, to go down again through the violet-scented air and the dreamful twilight, and so, with unspeakable thankfulness, simply because you live, and this is Rome--so homeward.

The strong instinctive veracity in her weighed the measure of her days, and gave them their right name. She was content, her life was full of the sweetness and strength of the arts, and of the peace of n.o.ble occupation and endeavour. But some true instinct in her taught her that this is peace, but is not more than peace. Happiness comes but from the beating of one heart upon another.