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Wild Oranges Part 6

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"I had gone," he said without explanation. Then he added: "But I came back."

A silence threatened them which he resolutely broke: "Do you remember, when you told me about your father, that you wanted really to talk about yourself? Will you do that now?"

"Tonight I haven't the courage."

"I am not idly curious," he persisted.

"Just what are you?"

"I don't know," he admitted frankly. "At the present moment I'm lost, fogged. But, meanwhile, I'd like to give you any a.s.sistance in my power. You seem, in a mysterious way, needful of help."

She turned her head sharply in the direction of the open hall and said in a high, clear voice, that yet rang strangely false: "I am quite well cared for by my father and Nicholas." She moved closer to him, dragging her chair across the uneven porch, in the rasp of which she added, quick and low:

"Don't--please."

A mounting exasperation seized him at the secrecy that veiled her, hid her from him, and he answered stiffly: "I am merely intrusive."

She was seated above him, and she leaned forward and swiftly pressed his fingers, loosely clasped about a knee. Her hand was as cold as salt. His irritation vanished before a welling pity. He got now a sharp, recognized happiness from her nearness; his feeling for her increased with the acc.u.mulating seconds. After the surrender, the admission, of his return he had grown elemental, sensitized to emotions rather than to processes of intellect. His ardor had the poignancy of the period beyond youth. It had a trace of the consciousness of the fatal waning of life which gave it a depth denied to younger pa.s.sions. He wished to take Millie Stope at once from all memory of the troublous past, to have her alone in a totally different and thrilling existence.

It was a personal and blind desire, born in the unaccustomed tumult of his newly released feelings.

They sat for a long while, silent or speaking in trivialities, when he proposed a walk to the sea; but she declined in that curiously loud and false tone. It seemed to Woolfolk that, for the moment, she had addressed someone not immediately present; and involuntarily he looked around. The light of the hidden lamp in the hall fell in a pale, unbroken rectangle on the irregular porch. There was not the shifting of a pound's weight audible in the stillness.

Millie breathed unevenly; at times he saw she shivered uncontrollably.

At this his feeling mounted beyond all restraint. He said, taking her cold hand: "I didn't tell you why I went last night--it was because I was afraid to stay where you were; I was afraid of the change you were bringing about in my life. That's all over now, I----"

"Isn't it quite late?" she interrupted him uncomfortably. She rose and her agitation visibly increased.

He was about to force her to hear all that he must say, but he stopped at the mute wretchedness of her pallid face. He stood gazing up at her from the rough sod. She clenched her hands, her breast heaved sharply, and she spoke in a level, strained voice:

"It would have been better if you had gone--without coming back. My father is unhappy with anyone about except myself--and Nicholas. You see--he will not stay on the porch nor walk about his grounds. I am not in need of a.s.sistance, as you seem to think. And--thank you. Good night."

He stood without moving, his head thrown back, regarding her with a searching frown. He listened again, unconsciously, and thought he heard the low creaking of a board from within. It could be nothing but the uneasy peregrination of Lichfield Stope. The sound was repeated, grew louder, and the sagging bulk of Nicholas appeared in the doorway.

The latter stood for a moment, a dark, magnified shape; and then, moving across the portico to the farthest window, closed the shutters.

The hinges gave out a rasping grind, as if they had not been turned for months, and there was a faint rattle of falling particles of rusted iron. The man forced shut a second set of shutters with a sudden violence and went slowly back into the house. Millie Stope said once more:

"Good night."

It was evident to Woolfolk that he could gain nothing more at present; and stifling an angry protest, an impatient troop of questions, he turned and strode back to the tender. However, he hadn't the slightest intention of following Millie's indirectly expressed wish for him to leave. He had the odd conviction that at heart she did not want him to go; the evening, he elaborated this feeling, had been all a strange piece of acting. Tomorrow he would tear apart the veil that hid her from him; he would ignore her every protest and force the truth from her.

He lifted the tender's anchor from the sand and pulled sharply across the water to the _Gar_. A reddish, misshapen moon hung in the east, and when he had mounted to his deck it was suddenly obscured by a high, racing scud of cloud; the air had a damper, thicker feel. He instinctively moved to the barometer, which he found depressed. The wind, that had continued steadily since the night before, increased, and there was a corresponding stir among the branches ash.o.r.e, a slapping of the yacht's cordage against the spars. He turned forward and half absently noted the increasing strain on the hawser disappearing into the dark tide. The anchor was firmly bedded. The pervasive far murmur of the waves on the outer bars grew louder.

The yacht swung lightly over the choppy water, and a strong affection for the ketch that had been his home, his occupation, his solace through the past dreary years expanded his heart. He knew the _Gar's_ every capability and mood, and they were all good. She was an exceptional boat. His feeling was acute, for he knew that the yacht had been superseded. It was already an element of the past, of that past in which Ellen lay dead in a tennis skirt, with a bright scarf about her young waist.

He placed his hand on the mainmast, in the manner in which another might drop a palm on the shoulder of a departing faithful companion, and the wind in the rigging vibrated through the wood like a sentient and affectionate response. Then he went resolutely down into the cabin, facing the future.

John Woolfolk woke in the night, listened for a moment to the straining hull and wind shrilling aloft, and then rose and went forward again to examine the mooring. A second hawser now reached into the darkness. Halvard had been on deck and put out another anchor. The wind beat salt and stinging from the sea, utterly dissipating the languorous breath of the land, the odors of the exotic, flowering trees.

IX

In the morning a storm, driving out of the east, enveloped the coast in a frigid, lashing rain. The wind mounted steadily through the middle of the day with an increasing pitch accompanied by the ba.s.so of the racing seas. The bay grew opaque and seamed with white scars.

After the meridian the rain ceased, but the wind maintained its volume, clamoring beneath a leaden pall.

John Woolfolk, in dripping yellow oilskins, occasionally circled the deck of his ketch. Halvard had everything in a perfection of order.

When the rain stopped, the sailor dropped into the tender and with a boat sponge bailed vigorously. Soon after, Woolfolk stepped out upon the beach. He was without any plan but the determination to put aside whatever obstacles held Millie from him. This rapidly crystallized into the resolve to take her with him before another day ended. His feeling for her, increasing to a pa.s.sionate need, had destroyed the suspension, the deliberate calm of his life, as the storm had dissipated the sunny peace of the coast.

He paused before the ruined facade, weighing her statement that it would have been better if he had not returned; and he wondered how that would affect her willingness, her ability, to see him today. He added the word "ability" instinctively and without explanation. And he decided that, in order to have any satisfactory speech with her, he must come upon her alone, away from the house. Then he could force her to hear to the finish what he wanted to say; in the open they might escape from the inexplicable inhibition that lay upon her expression of feeling, of desire. It would be necessary, at the same time, to avoid the notice of anyone who would warn her of his presence. This precluded his waiting at the familiar place on the rotting wharf.

Three marble steps, awry and moldy, descended to the lawn from a French window in the side of the desolate mansion. They were screened by a tangle of rose-mallow, and there John Woolfolk seated himself--waiting.

The wind shrilled about the corner of the house; there was a mournful clatter of shingles from above and the frenzied lashing of boughs. The noise was so great that he failed to hear the slightest indication of the approach of Nicholas until that individual pa.s.sed directly before him. Nicholas stopped at the inner fringe of the beach and, from a point where he could not be seen from the ketch, stood gazing out at the _Gar_ pounding on her long anchor chains. The man remained for an oppressively extended period; Woolfolk could see his heavy, drooping shoulders and sunken head; and then the other moved to the left, crossing the rough open behind the oleanders. Woolfolk had a momentary glimpse of a huge nose and rapidly moving lips above an impotent chin.

Nicholas, he realized, remained a complete enigma to him; beyond the conviction that the man was, in some minor way, leaden-witted, he knew nothing.

A brief, watery ray of sunlight fell through a rift in the flying clouds and stained the tossing foliage pale gold; it was followed by a sudden drift of rain, then once more the naked wind. Woolfolk was fast determining to go up to the house and insist upon Millie's hearing him, when unexpectedly she appeared in a somber, fluttering cloak, with her head uncovered and hair blown back from her pale brow. He waited until she had pa.s.sed him, and then rose, softly calling her name.

She stopped and turned, with a hand pressed to her heart. "I was afraid you'd gone out," she told him. "The sea is like a pack of wolves." Her voice was a low complexity of relief and fear.

"Not alone," he replied; "not without you."

"Madness," she murmured, gathering her wavering cloak about her breast. She swayed, graceful as a reed in the wind, charged with potency. He made an involuntary gesture toward her with his arms; but in a sudden accession of fear she eluded him.

"We must talk," he told her. "There is a great deal that needs explaining, that--I think--I have a right to know, the right of your dependence on something to save you from yourself. There is another right, but only you can give that----"

"Indeed," she interrupted tensely, "you mustn't stand here talking to me."

"I shall allow nothing to interrupt us," he returned decidedly. "I have been long enough in the dark."

"But you don't understand what you will, perhaps, bring on yourself--on me."

"I'm forced to ignore even that last."

She glanced hurriedly about. "Not here then, if you must."

She walked from him, toward the second ruined pile that fronted the bay. The steps to the gaping entrance had rotted away and they were forced to mount an insecure side piece. The interior, as Woolfolk had seen, was composed of one high room, while, above, a narrow, open second story hung like a ledge. On both sides were long counters with mounting sets of shelves behind them.

"This was the store," Millie told him. "It was a great estate."

A dim and moldering fragment of cotton stuff was hanging from a forgotten bolt; above, some tinware was eaten with rust; a scale had crushed in the floor and lay broken on the earth beneath; and a ledger, its leaves a single, sodden film of grey, was still open on a counter. A precarious stair mounted to the flooring above, and Millie Stope made her way upward, followed by Woolfolk.

There, in the double gloom of the clouds and a small dormer window obscured by cobwebs, she sank on a broken box. The decayed walls shook perilously in the blasts of the wind. Below they could see the empty floor, and through the doorway the somber, gleaming greenery without.

All the patient expostulation that John Woolfolk had prepared disappeared in a sudden tyranny of emotion, of hunger for the slender, weary figure before him. Seating himself at her side, he burst into a torrential expression of pa.s.sionate desire that mounted with the tide of his eager words. He caught her hands, held them in a painful grip, and gazed down into her still, frightened face. He stopped abruptly, was silent for a tempestuous moment, and then baldly repeated the fact of his love.

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Wild Oranges Part 6 summary

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