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Wild Oranges Part 3

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"Then he began to think--it was absolute fancy--that there was a conspiracy in the town to kill him. He sent some of his things away, got together what money he had, and one night left his home secretly on foot. He tramped south for weeks, living for a while in small place after place, until he reached Georgia, and then a town about fifty miles from here----"

She broke off, sitting rigidly erect, looking out over the level black sea with its shifting, chalky line of light, and a long silence followed. The antiphonal crying of the owls sounded over the bubbling swamp, the mephitic perfume hung like a vapor on the sh.o.r.e. John Woolfolk shifted his position.

"My mother told me this," his companion said suddenly. "Father repeated it over and over through the nights after they were married.

He slept only in s.n.a.t.c.hes, and would wake with a gasp and his heart almost bursting. I know almost nothing about her, except that she had a brave heart--or she would have gone mad. She was English and had been a governess. They met in the little hotel where they were married. Then father bought this place, and they came here to live."

Woolfolk had a vision of the tenuous figure of Lichfield Stope; he was surprised that such acute agony had left the slightest trace of humanity; yet the other, after forty years of torment, still survived to shudder at a chance footfall, the advent of a casual and harmless stranger.

This, then, was by implication the history of the woman at his side; it disposed of the mystery that had veiled her situation here. It was surprisingly clear, even to the subtle influence that, inherited from her father, had set the shadow of his own obsession upon her voice and eyes. Yet, in the moment that she had been made explicable, he recalled the conviction that the knowledge of an actual menace lurked in her mind; he had seen it in the tension of her body, in the anxiety of fleet backward glances.

The latter, he told himself, might be merely a symptom of mental sickness, a condition natural to the influences under which she had been formed. He tested and rejected that possibility--there could be no doubt of her absolute sanity. It was patent in a hundred details of her carriage, in her mentality as it had been revealed in her restrained, balanced narrative.

There was, too, the element of her mother to be considered. Millie Stope had known very little about her, princ.i.p.ally the self-evident fact of the latter's "brave heart." It would have needed that to remain steadfast through the racking recitals of the long, waking darks; to accompany to this desolate and lonely refuge the man who had had an ap.r.o.n tied to his doork.n.o.b. In the degree that the daughter had been a prey to the man's fear she would have benefited from the stiffer qualities of the English governess. Life once more a.s.sumed its enigmatic mask.

His companion said:

"All that--and I haven't said a word about myself, the real end of my soliloquy. I'm permanently discouraged; I have qualms about boring you. No, I shall never find another listener as satisfactory as the iron dog."

A light glimmered far at sea. "I sit here a great deal," she informed him, "and watch the ships, a thumbprint of blue smoke at day and a spark at night, going up and down their water roads. You are enviable--getting up your anchor, sailing where you like, safe and free." Her voice took on a pa.s.sionate intensity that surprised him; it was sick with weariness and longing, with sudden revolt from the pervasive apprehension.

"Safe and free," he repeated thinly, as if satirizing the condition implied by those commonplace, a.s.suaging words. He had, in his flight from society, sought simply peace. John Woolfolk now questioned all his implied success. He had found the elemental hush of the sea, the iron aloofness of rocky and uninhabited coasts, but he had never been able to still the dull rebellion within, the legacy of the past. A feeling of complete failure settled over him. His safety and freedom amounted to this--that life had broken him and cast him aside.

A long, hollow wail rose from the land, and Millie Stope moved sharply.

"There's Nicholas," she exclaimed, "blowing on the conch! They don't know where I am; I'd better go in."

A small, evident panic took possession of her; the shiver in her voice swelled.

"No, don't come," she added. "I'll be quicker without you." She made her way over the wharf to the sh.o.r.e, but there paused, "I suppose you'll be going soon?"

"Tomorrow probably," he answered.

On the ketch Halvard had gone below for the night. The yacht swayed slightly to an unseen swell; the riding light moved backward and forward, its ray flickering over the gla.s.sy water. John Woolfolk brought his bedding from the cabin and, disposing it on deck, lay with his wakeful dark face set against the far, mult.i.tudinous worlds.

V

In the morning Halvard proposed a repainting of the engine.

"The Florida air," he said, "eats metal overnight." And the ketch remained anch.o.r.ed.

Later in the day Woolfolk sounded the water casks cradled in the c.o.c.kpit, and, when they answered hollow, directed his man with regard to their refilling. They drained a cask. Halvard put it on the tender and pulled in to the beach. There he shouldered the empty container and disappeared among the trees.

Woolfolk was forward, preparing a chain hawser for coral anchorages, when he saw Halvard tramping shortly back over the sand. He entered the tender and, with a vicious shove, rowed with a powerful, vindictive sweep toward the ketch. The cask evidently had been left behind. He made the tender fast and swung aboard with his notable agility.

"There's a d.a.m.n idiot in that house," he declared, in a surprising departure from his customary detached manner.

"Explain yourself," Woolfolk demanded shortly.

"But I'm going back after him," the sailor stubbornly proceeded. "I'll turn any knife out of his hand." It was evident that he was laboring under an intense growing excitement and anger.

"The only idiot's not on land," Woolfolk told him. "Where's the water cask you took ash.o.r.e?"

"Broken."

"How?"

"I'll tell you fast enough. There was n.o.body about when I went up to the house, although there was a chair rocking on the porch as if a person had just left. I knocked at the door; it was open, and I was certain that I heard someone inside, but n.o.body answered. Then after a bit I went around back. The kitchen was open, too, and no one in sight. I saw the water cistern and thought I'd fill up, when you could say something afterward. I did, and was rolling the cask about the house when this--loggerhead came out of the bushes. He wanted to know what I was getting away with, and I explained, but it didn't suit him.

He said I might be telling facts and again I mightn't. I saw there was no use talking, and started rolling the cask again; but he put his foot on it, and I pushed one way and he the other----"

"And between you, you stove in the cask," Woolfolk interrupted.

"That's it," Poul Halvard answered concisely. "Then I got mad, and offered to beat in his face, but he had a knife. I could have broken it out of his grip--I've done it before in a place or two--but I thought I'd better come aboard and report before anything general began."

John Woolfolk was momentarily at a loss to establish the ident.i.ty of Halvard's a.s.sailant.

He soon realized, however, that it must be Nicholas, whom he had never seen, and who had blown such an imperative summons on the conch the night before. Halvard's temper was communicated to him; he moved abruptly to where the tender was fastened.

"Put me ash.o.r.e," he directed. He would make it clear that his man was not to be interrupted in the execution of his orders, and that his property could not be arbitrarily destroyed.

When the tender ran upon the beach and had been secured, Halvard started to follow him, but Woolfolk waved him back. There was a stir on the portico as he approached, the flitting of an unsubstantial form; but, hastening, John Woolfolk arrested Lichfield Stope in the doorway.

"Morning," he nodded abruptly. "I came to speak to you about a water cask of mine."

The other swayed like a thin, grey column of smoke.

"Ah, yes," he p.r.o.nounced with difficulty. "Water cask----"

"It was broken here a little while back."

At the suggestion of violence such a pitiable panic fell upon the older man that Woolfolk halted. Lichfield Stope raised his hands as if to ward off the mere impact of the words themselves; his face was stained with the thin red tide of congestion.

"You have a man named Nicholas," Woolfolk proceeded. "I should like to see him."

The other made a gesture as tremulous and indeterminate as his speech and appeared to dissolve into the hall. John Woolfolk stood for a moment undecided and then moved about the house toward the kitchen.

There, he thought, he might obtain an explanation of the breaking of the cask. A man was walking about within and came to the door as Woolfolk approached.

The latter told himself that he had never seen a blanker countenance.

In profile it showed a narrow brow, a huge, drooping nose, a pinched mouth and insignificant chin. From the front the face of the man in the doorway held the round, unscored cheeks of a fat and sleepy boy.

The eyes were mere long glimmers of vision in thick folds of flesh; the mouth, upturned at the corners, lent a fixed, mechanical smile to the whole. It was a countenance on which the pa.s.sage of time and thoughts had left no mark; its stolidity had been moved by no feeling.

His body was heavy and sagging. It possessed, Woolfolk recognized, a considerable unwieldy strength, and was completely covered by a variously spotted and streaked ap.r.o.n.

"Are you Nicholas?" John Woolfolk demanded.

The other nodded.

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Wild Oranges Part 3 summary

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