Wild Cards Part 2

Jetboy heard him knocking at Belinda's door.

Outside, it had begun to rain.

"Great. Just like in a movie," said Jetboy.

The next night was quiet as a graveyard.

Then dogs all over the Pine Barrens started to bark. Cats screamed. Birds flew in panic from thousands of trees, circled, swooping this way and that in the dark night.

Static washed over every radio in the northeastern United States. New television sets flared out, volume doubling. People gathered around nine-inch Dumonts jumped back at the sudden noise and light, dazzled in their own living rooms and bars and sidewalks outside appliance stores all over the East Coast.

To those out in that hot August night it was even more spectacular. A thin line of light, high up, moved, brightened, still falling. Then it expanded, upping in brilliance, changed into a blue-green bolide, seemed to stop, then flew to a hundred falling sparks that slowly faded on the dark starlit sky.

Some people said they saw another, smaller light a few minutes later. It seemed to hover, then sped off to the west, growing dimmer as it flew. The newspapers had been full of stories of the "ghost rockets" in Sweden all that summer. It was the silly season.

A few calls to the weather bureau or Army Air Force bases got the answer that it was probably a stray from the Delta Aquarid meteor shower.

Out in the Pine Barrens, somebody knew differently, though he wasn't in the mood to communicate it to anyone.

Jetboy, dressed in a loose pair of pants, a shirt, and a brown aviator's jacket, walked in through the doors of the Blackwell Printing Company. There was a bright red-and-blue sign above the door: Home of the Cosh Comics Company.

He stopped at the receptionist's desk.

"Robert Tomlin to see Mr. Farrell."

The secretary, a thin blond job in gla.s.ses with swept-up rims that made it look like a bat was camping on her face, stared at him. "Mr. Farrell pa.s.sed on in the winter of 1945. Were you in the service or something?"

"Something."

"Would you like to speak to Mr. Lowboy? He has Mr. Farrell's job now."

"Whoever's in charge of Jetboy Comics Jetboy Comics."

The whole place began shaking as printing presses cranked up in the back of the building. On the walls of the office were garish comic-book covers, promising things only they they could deliver. could deliver.

"Robert Tomlin," said the secretary to the intercom.

"Scratch squawk never heard of him never heard of him squich squich."

"What was this about?" asked the secretary.

"Tell him Jetboy wants to see him."

"Oh," she said, looking at him. "I'm sorry. I didn't recognize you."

"n.o.body ever does."

Lowboy looked like a gnome with all the blood sucked out. He was as pale as Harry Langdon must have been, like a weed grown under a burlap bag.

"Jetboy!" He held out a hand like a bunch of grub worms. "We all thought you'd died until we saw the papers last week. You're a real national hero, you know?"

"I don't feel like one."

"What can I do for you? Not that I'm not pleased to finally meet you. But you must be a busy man."

"Well, first, I found out none of the licensing and royalty checks had been deposited in my account since I was reported Missing and Presumed Dead last summer."

"What, really? The legal department must have put it in escrow or something until somebody came forward with a claim. I'll get them right on it."

"Well, I'd like the check now, before I leave," said Jetboy.

"Huh? I don't know if they can do that. That sounds awfully abrupt."

Jetboy stared at him.

"Okay, okay, let me call Accounting." He yelled into the telephone.

"Oh," said Jetboy. "A friend's been collecting my copies. I checked the statement of ownership and circulation for the last two years. I know Jetboy Comics Jetboy Comics have been selling five hundred thousand copies an issue lately." have been selling five hundred thousand copies an issue lately."

Lowboy yelled into the phone some more. He put it down. "It'll take 'em a little while. Anything else?"

"I don't like what's happening to the funny book," said Jetboy.

"What's not to like? It's selling a half a million copies a month!"

"For one thing, the plane's getting to look more and more like a bullet. And the artists have swept back the wings, for Christ's sakes!"

"This is the Atomic Age, kid. Boys nowadays don't like a plane that looks like a red leg of lamb with coat hangers sticking out the front."

"Well, it's always looked like that. And another thing: Why's the d.a.m.ned plane blue in the last three issues?"

"Not me! I think red's fine. But Mr. Blackwell sent down a memo, said no more red except for blood. He's a big Legionnaire."

"Tell him the plane has to look right, and be the right color. Also, the combat reports were forwarded. When Farrell was sitting at your desk, the comic was about flying and combat, and cleaning up spy rings-real stuff. And there were never more than two ten-page Jetboy stories an issue."

"When Farrell was at this desk, the book was only selling a quar- ter-million copies a month," said Lowboy.

Robert stared at him again.

"I know the war's over, and everybody wants a new house and eye-bulging excitement," said Jetboy. "But look what I find in the last eighteen months . . .

"I never fought anyone like The Undertaker, anyplace called The Mountain of Doom. And come on! The Red Skeleton? Mr. Maggot? Professor Blooteaux? What is this with all the skulls and tentacles? I mean, evil twins named Sturm and Drang Hohenzollern? The Arthropod Ape, a gorilla with six sets of elbows? Where do you get all this stuff?"

"It's not me, it's the writers. They're a crazy bunch, always taking Benzedrine and stuff. Besides, it's what the kids want!"

"What about the flying features, and the articles on real aviation heroes? I thought my contract called for at least two features an issue on real events and people?"

"We'll have to look at it again. But I can tell you, kids don't want that kind of stuff anymore. They want monsters, s.p.a.ceships, stuff that'll make 'em wet the bed. You remember? You were a kid once yourself!"

Jetboy picked up a pencil from the desk. "I was thirteen when the war started, fifteen when they bombed Pearl Harbor. I've been in combat for six years. Sometimes I don't think I was ever a kid."

Lowboy was quiet a moment.

"Tell you what you need to do," he said. "You need to write up all the stuff you don't like about the book and send it to us. I'll have the legal department go over it, and we'll try to do something, work things out. Of course, we print three issues ahead, so it'll be Thanks-giving before the new stuff shows up. Or later."

Jetboy sighed. "I understand."

"I sure do want you happy, 'cause Jetboy's Jetboy's my favorite comic. No, I really mean that. The others are just a job. My G.o.d, what a job: deadlines, working with drunks and worse, riding herd over printers-you can just imagine! But I like the work on my favorite comic. No, I really mean that. The others are just a job. My G.o.d, what a job: deadlines, working with drunks and worse, riding herd over printers-you can just imagine! But I like the work on Jetboy Jetboy. It's special."

"Well, I'm glad."

"Sure, sure." Lowboy drummed his fingers on the desk. "Wonder what's taking them so long?"

"Probably getting out the other set of ledgers," said Jetboy.

"Hey, no! We're square here!" Lowboy came to his feet.

"Just kidding."

"Oh. Say, the paper said you were, what, marooned on a desert island or something? Pretty tough?"

"Well, lonely. I got tired of catching and eating fish. Mostly it was boring, and I missed everything. I don't mean missed, I mean missed out. I was there from April twenty-ninth of '45 until last month.

"There were times when I thought I'd go nuts. I couldn't believe it one morning when I looked up, and there was the U.S.S. Reluctant Reluctant anch.o.r.ed less than a mile offsh.o.r.e. I fired off a flare, and they picked me up. It's taken a month to get someplace to repair the plane, rest up, get home. I'm glad to be back." anch.o.r.ed less than a mile offsh.o.r.e. I fired off a flare, and they picked me up. It's taken a month to get someplace to repair the plane, rest up, get home. I'm glad to be back."

"I can imagine. Hey, lots of dangerous animals on the island? I mean, lions and tigers and stuff?"

Jetboy laughed. "It was less than a mile wide, and a mile and a quarter long. There were birds and rats and some lizards."

"Lizards? Big lizards? Poisonous?"

"No. Small. I must have eaten half of them before I left. Got pretty good with a slingshot made out of an oxygen hose."

"Huh! I bet you did!"

The door opened, and a tall guy with an ink-smudged shirt came in.

"That him?" asked Lowboy.

"I only seen him once, but it looks like him," said the man.

"Good enough for me!" said Lowboy.

"Not for me," said the accountant. "Show me some ID and sign this release."

Jetboy sighed and did. He looked at the amount on the check. It had far too few digits in front of the decimal. He folded it up and put it in his pocket.

"I'll leave my address for the next check with your secretary. And I'll send a letter with the objections this week."

"Do that. It's been a real pleasure meeting you. Let's hope we have a long and prosperous business together."

"Thanks, I guess," said Jetboy. He and the accountant left.

Lowboy sat back down in his swivel chair. He put his hands behind his head and stared at the bookcase across the room.

Then he rocketed forward, jerked up the phone, and dialed nine to get out. He called up the chief writer for Jetboy Comics Jetboy Comics.

A muzzy, hung-over voice answered on the twelfth ring.

"Clean the s.h.i.t out of your head, this is Lowboy. Picture this: fifty-two-page special, single-story issue. Ready? Jetboy on Dinosaur Island Jetboy on Dinosaur Island! Got that? I see lots of cavemen, a broad, a what-you-call-it-king rex. What? Yeah, yeah, a tyrannosaur. Maybe a buncha holdout j.a.p soldiers. You know. Yeah, maybe even samurai. When? Blown off course in A.D. A.D. 1100? Christ. Whatever. You know exactly what we need. 1100? Christ. Whatever. You know exactly what we need.

"What's this? Tuesday. You got till five P.M. Thursday, okay? Quit b.i.t.c.hin'. It's a hundred and a half fast bucks! See you then."

He hung up. Then he called up an artist and told him what he wanted for the cover.

Ed and Fred were coming back from a delivery in the Pine Barrens.

They were driving an eight-yard dump truck. In the back until a few minutes ago had been six cubic yards of new-set concrete. Eight hours before, it had been five and a half yards of water, sand, gravel, and cement-and a secret ingredient.

The secret ingredient had broken three of the Five Unbreakable Rules for carrying on a tax-free, unincorporated business in the state.

He had been taken by other businessmen to a wholesale construction equipment center, and been shown how a cement mixer works, up close and personal.

Not that Ed and Fred had anything to do with that. They'd been called an hour ago and been asked if they could drive a dump truck through the woods for a couple of grand.

It was dark out in the woods, not too many miles from the city. It didn't look like they were within a hundred miles of a town over five-hundred population.

The headlights picked out ditches where everything from old airplanes to sulfuric-acid bottles lay in clogged heaps. Some of the dumpings were fresh. Smoke and fire played about a few. Others glowed without combustion. A pool of metal bubbled and popped as they ground by.

Then they were back into the deep pines again, jouncing from rut to rut.

"Hey!" yelled Ed. "Stop!"

Fred threw on the brakes, killing the engine. "G.o.dd.a.m.n!" he said. "What the h.e.l.l's the matter with you?"

"Back there! I swear I saw a guy pushing a neon cat's-eye marble the size of Cleveland!"

"I'm sure as h.e.l.l not going back," said Fred.

"Nah! Come on! You don't see stuff like that every day."