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Who? Part 3

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"Flogged! How awful! But I can't believe it."

"Indeed!"

"Certainly not. You must be mistaken. The bruises may be the result of a fall."

"They are not," snapped the doctor.

"Flogged! here in England, in the twentieth century! But who could have done such a thing?"

"That is for you to explain, and I must warn you that unless your explanation is unexpectedly satisfactory, I shall at once notify the police."

Police! Crichton wiped beads of perspiration from his forehead.

"But, doctor, I know no more about it than you do."

"So you think that it will be sufficient for you to deny all knowledge as to how, where, and by whom a woman who is your wife--yes, sir--your wife, has been maltreated? Man, do you take me for a fool?"

What should he do? Was this the moment to tell him the truth? No, it would be useless. The doctor, believing him to be a brute, was not in a frame of mind to attach credence to his story. The truth was too improbable, a convincing lie could alone save the situation.

"My wife and I have not been living together lately," he stammered.

"Indeed!" The piercing eyes seemed to grow more piercing, the long upper lip to become longer.

"Yes," Crichton hesitated--it is so difficult to invent a plausible story on the spur of the moment. "In fact, I met her quite unexpectedly in Newhaven."

"In Newhaven?"

"Yes. I have just arrived from France," continued Crichton more fluently. An idea was shaping itself in his mind. "I was most astonished to meet my wife in England as I had been looking for her in Paris for the last week."

"I don't understand."

"My wife is unfortunately mentally unbalanced. For the last few months she has been confined in an asylum." Crichton spoke with increasing a.s.surance.

"Where was this asylum?"

"In France."

"Yes, but where? France is a big place."

"It is called Charleroi and is about thirty miles from Paris in the direction of Fontainebleau."

"Who is the director of this inst.i.tution?"

"Dr. Leon Monet."

"And you suggest that it was there that she was ill-treated. Let me tell you----"

Cyril interrupted him.

"I suggest no such thing. My wife escaped from Charleroi over a week ago. We know she went to Paris, but there we lost all trace of her.

Imagine my astonishment at finding her on the train this morning. How she got there, I can't think. She seemed very much agitated, but I attributed that to my presence. I have lately had a most unfortunate effect upon her. I did ask her how she got the bruise on her cheek, but she wouldn't tell me. I had no idea she was suffering. If I had been guilty of the condition she is in, is it likely that I should have brought her to a man of your reputation and character? I think that alone proves my innocence."

The doctor stared at him fixedly for a few moments as if weighing the credibility of his explanation.

"You say that the physician under whose care your wife has been is called Monet?"

"Yes, Leon Monet."

The doctor left the room abruptly. When he returned, his bearing had completely changed.

"I have just verified your statement in a French medical directory and I must apologise to you for having jumped at conclusions in the way I did.

Pray, forgive me----"

Crichton bowed rather distantly. He didn't feel over-kindly to the man who had forced him into such a quagmire of lies.

"Now as to--" Cyril hesitated a moment; he detested calling the girl by his name. "Now--as to--to--the patient. Have you any idea when she is likely to recover consciousness?"

"Not the faintest. Of course, what you tell me of her mental condition increases the seriousness of the case. With hysterical cases anything and everything is possible."

"But you do not fear the--worst."

"Certainly not. She is young. She will receive the best of care. I see no reason why she should not recover. Now if you would like to remain near her----"

There seemed a conspiracy to keep him forever at the girl's side, but this time he meant to break away even if he had to fight for it.

"I shall, of course, remain near her," Cyril interrupted hastily. "I have taken lodgings in Half Moon Street and shall stay there till she has completely recovered. As she has lately shown the most violent dislike of me, I think I had better not attempt to see her for the present. Don't you agree with me?"

"Certainly. I should not permit it under the circ.u.mstances."

"I shall call daily to find out how she is, and if there is any change in her condition, you will, of course, notify me at once." Crichton took out a card and scribbled his address on it. "This will always find me.

And now I have a rather delicate request to make. Would you mind not letting any one know the ident.i.ty of your patient? You see I have every hope that she will eventually recover her reason and therefore I wish her malady to be kept a secret. I have told my friends that my wife is in the south of France undergoing a species of rest cure."

"I think you are very wise. I shall not mention her name to any one."

"But the nurses?"

"It is a rule of all nursing homes that a patient's name is never to be mentioned to an outsider. But if you wish to take extra precautions, you might give her another name while she is here and they need never know that it is not her own."

"Thank you. That is just what I should wish."

"What do you think Mrs. Crichton had better be called?"

Cyril thought a moment.

"Mrs. Peter Thompkins, and I will become Mr. Thompkins. Please address all communications to me under that name; otherwise the truth is sure to leak out."

"But how will you arrange to get your mail?"

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Who? Part 3 summary

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