White Lilac; or the Queen of the May Part 2

Before nightfall everyone knew the sad tidings. James White had been shot by poachers, and Daniel Wishing had found him lying dead in the woods.

As the days went on, the excitement which stirred the whole village increased rather than lessened, for not even the oldest inhabitant could remember such a tragical event. Apart from the sadness of it, and the desolate condition of the widow, poor Jem's many virtues made it impressive and lamentable. Everyone had something to say in his praise, no one remembered anything but good about him; he was a brave chap, and one of the right sort, said the men, when they talked of it in the public-house; he was a good husband, said the women, steady and sober, fond of his wife, a pattern to others. They shook their heads and sighed mournfully; it was strange as well as pitiful that Jem White should a been took. "There might a been _some_ as we could mention as wouldn't a been so much missed."

Then came the funeral; the bunch of white lilac, still fresh, which he had brought from Cuddingham, was put on Jem's newly-made grave, and his widow, pa.s.sing silently through the people gathered in the churchyard, toiled patiently back to her lonely home.

They watched the solitary figure as it showed black against the steep chalky road in the distance.

"Yon's an afflicted woman," said one, "for all she carries herself so high under it."

"She's the only widder among all the Whites hereabouts," remarked Mrs Pinhorn. "We needn't call her 'Mrs White on the hill' no longer, poor soul."

"It's a mercy she's got the child," said another neighbour, "if the Lord spares it to her."

"The christening's to be on Sunday," added a third. "I do wonder if she'll call it that outlandish name _now_."

There was not much time to wonder, for Sunday soon came, and the Widow White, as she was to be called henceforth, was at the church, stern, sad, and calm, with her child in her arms. It was an April morning, breezy and soft; the uncertain sunshine darted hither and thither, now touching the newly turned earth of Jem's grave, and now peering through the church window to rest on the tiny face of his little daughter in the rector's arms at the font. All the village had come to see, for this christening was felt to be one of more than common interest, and while the service went on there was not one inattentive ear.

Foremost stood Mrs Greenways, her white handkerchief displayed for immediate use, and the expression in her face struggling between real compa.s.sion and an eager desire to lose nothing that was pa.s.sing; presently she craned her neck forward a little, for an important point was reached--

"Name this child," said the rector.

There was such deep silence in the church that the lowest whisper would have been audible, and Mrs Leigh's voice was heard distinctly in the farthest corner, when she answered "Lilac."

"Not that it matters," said Mrs Greenways on her way home afterwards, "what they call the poor little thing--Lilac White, or White Lilac, or what you will, for she'll never rear it, never. It'll follow its father before we're any of us much older. You mark my words, Greenways: I'm not the woman to discourage Mary White by naming it to her now she's so deep in trouble, but you mark my words, she'll _never_ rear that child."

CHAPTER TWO.

THE COUSINS.

"For the apparel oft proclaims the man."--Shakespeare.

But Mrs Greenways was wrong. Twelve more springs came and went, cold winds blew round the cottage on the hill, winter snow covered it, summer sun blazed down on its unsheltered roof, but the small blossom within grew and flourished. A weak tender-looking little plant at first, but gathering strength with the years until it became hardy and bold, fit to face rough weather as well as to smile in the sunshine.

It was twelve years since James White's death, twelve years since he had brought the bunch of lilac from Cuddingham which had given his little daughter her name--that name which had once sounded so strangely in Mrs White's ears. It had come to mean so much to her now, so many memories of the past, so much sweetness in the present, that she would not have changed it for the world, and indeed no one questioned its fitness, for as time went on it seemed to belong naturally to the child; it was even made more expressive by putting the surname first, so that she was often called "White Lilac."

For the distinguishing character of her face was its whiteness--"A wonderful white skin", as her mother had said, which did not tan, or freckle, or flush with heat, and which shone out in startling contrast amongst the red and brown cheeks of her school companions. This small white face was set upon a slender neck, and a delicately-formed but upright little figure, which looked all the straighter and more like the stalk of a flower, because it was never adorned with any flounces or furbelows. Lilac was considered in the village to be very old-fashioned in her dress; she wore cotton frocks, plain in the skirt with gathers all round the waist, long pinafores or ap.r.o.ns, and sunbonnets. This attire was always spotless and freshly clean, but garments of such a shape and cut were lamentably wanting in fashion to the general eye, and were the subject of constant ridicule. Not in the hearing of the widow, for most people were a good deal in awe of her, but Lilac herself heard quite enough about her clothes to be conscious of them and to feel ashamed of looking "different." And this was specially the case at school, for there she met Agnetta Greenways every day, and Agnetta was the object of her highest admiration; to be like her in some way was the deep and secret longing in her mind. It was, she knew well, a useless ambition, but she could not help desiring it, Agnetta was such a beautiful object to look upon, with her red cheeks and the heavy fringe of black hair which rested in a lump on her forehead. On Sundays, when she wore her blue dress richly trimmed with plush, a long feather in her hat, and a silver bangle on her arm, Lilac could hardly keep her intense admiration silent; it was a pain not to speak of it, and yet she knew that nothing would have displeased her mother so much, who was never willing to hear the Greenways praised. So she only gazed wistfully at her cousin's square gaily-dressed figure, and felt herself a poor washed-out insignificant child in comparison.

This was very much Agnetta's own view of the case; but nevertheless there were occasions when she was glad of this insignificant creature's a.s.sistance, for she was slow and stupid at her lessons, books were grief and pain to her, and Lilac, who was intelligent and fond of learning, was always ready to help and explain. This service, given most willingly, was received by Agnetta as one to whom it was due, and indeed the position she held among her schoolfellows made most of them eager to call her friend. She lived at Orchards Farm, which was the biggest in the parish; her two elder sisters had been to a finishing school, and one of them was now in a millinery establishment in London, where she wore a silk dress every day. This was sufficient to excuse airs of superiority in anyone. It was natural, therefore, to repay Lilac's devotion by condescending patronage, and to look down on her from a great height; nevertheless it was extremely agreeable to Agnetta to be worshipped, and this made her seek her cousin's companionship, and invite her often to Orchards Farm. There she could display her smart frocks, dwell on the extent of her father's possessions, on her sister Bella's stylishness, on the last fashion Gusta had sent from London, while Lilac, meek and admiring, stood by with wonder in her eyes.

Orchards Farm was the most beautiful place her imagination could picture, and to live there must be, she thought, perfect happiness.

There was a largeness about it, with its blossoming fruit trees, its broad green meadows, its barns and stacks, its flocks of sheep and herds of cattle; even the shiny-leaved magnolia which covered part of the house seemed to Lilac to speak of peace and plenty. It was all so different from her home; the bare white cottage on the hillside where no trees grew, where all was so narrow and cold, and where life seemed to be made up of scrubbing, sweeping, and washing. She looked longingly down from this sometimes to the valley where the farm stood.

But other eyes, and Mrs White's in particular, saw a very different state of things when they looked at Orchards Farm. She knew that under this smiling outside face lay hidden care and anxiety; for her brother, Farmer Greenways, was in debt and short of money. Folks shook their heads when it was mentioned, and said: "What could you expect?" The old people remembered the prosperous days at the farm, when the dairy had been properly worked, and the b.u.t.ter was the best you could get anywhere round. There was the pasture land still, and a good lot of cows, but since the Greenways had come there the supply of b.u.t.ter was poor, and sometimes the whole quant.i.ty sent to market was so carelessly made that it was sour. Whose fault was it? Mrs Greenways would have said that Molly, the one overworked maid servant, was to blame; but other people thought differently, and Mrs White was as usual outspoken in her opinions to her sister-in-law: "It 'ull never be any different as long as you don't look after the dairy yourself, or teach Bella to do it.

What does Molly care how the b.u.t.ter turns out?"

But Bella tossed her head at the idea of working, as she expressed it, "like a common servant", or indeed at working at all. She considered that her business in life was to be genteel, and to be properly genteel was to do nothing useful. So she studied the fashion books which Gusta sent from London, made up wonderful costumes for herself, curled her hair in the last style, and read the stories about dukes and earls and countesses which came out in the _Family Herald_.

The smart bonnets and dresses which Mrs Greenways and her daughters wore on Sundays in spite of hard times and poor crops and debt were the wonder of the whole congregation, and in Mrs White's case the wonder was mixed with scorn. "Peter's the only one among 'em as is good for anything," she sometimes said, "an' he's naught but a puzzle-headed sort of a chap." Peter was the farmer's only son, a loutish youth of fifteen, steady and plodding as his plough horses and almost as silent.

It was April again, bright and breezy, and all the cherry trees at the farm were so white with bloom that standing under them you could scarcely see the sky. The gra.s.s in the orchard was freshly green and sprinkled with daisies, amongst which families of fluffy yellow ducklings trod awkwardly about on their little splay feet, while the careful mother hens picked out the best morsels of food for them. This food was flung out of a basin by Agnetta Greenways, who stood there squarely erect uttering a monotonous "Chuck, chuck, chuck," at intervals. Agnetta did not care for the poultry, or indeed for any of the creatures on the farm; they were to her only troublesome things that wanted looking after, and she would have liked not to have had anything to do with them. Just now, however, there was a week's holiday at the school, and she was obliged to use her leisure in helping her mother, much against her will. Agnetta had a stolid face with a great deal of colour in her cheeks; her hair was black, but at this hour it was so tightly done up in curl papers that the colour could hardly be seen.

She wore an old red merino dress which had once been a smart one, but was now degraded to what she called "dirty work", and was covered with patches and stains. Her hands and wrists were very large, and looked capable of hard work, as indeed did the whole person of Agnetta from top to toe.

"Chuck, chuck, chuck," she repeated as she threw out the last spoonful; then, raising her eyes, she became aware of a little figure in the distance, running towards her across the field at the bottom of the orchard.

"Lor'!" she exclaimed aloud, "if here isn't Lilac White!"

It was a slight little figure clothed in a cotton frock which had once been blue in colour, but had been washed so very often that it now approached a shade of green; over it was a long straight pinafore gathered round the neck with a string, and below it appeared blue worsted stockings, and thick, laced boots. Her black hair was brushed back and plaited in one long tail tied at the end with black ribbon, and in her hand she carried a big sunbonnet, swinging it round and round in the air as she ran. As she came nearer the orchard gate, it was easy to see that she had some news to tell, for her small features worked with excitement, and her grey eyes were bright with eagerness.

Agnetta advanced slowly to meet her with the empty basin in her hand, and unlatched the gate.

"Whatever's the matter?" she asked.

Lilac could not answer just at first, for she had been running a long way, and her breath came in short gasps. She came to a standstill under the trees, and Agnetta stared gravely at her with her mouth wide open.

The two girls formed a strong contrast to each other. Lilac's white face and the faded colour of her dress matched the blossoms and leaves of the cherry trees in their delicacy, while about the red-cheeked Agnetta there was something firm and positive, which suggested the fruit which would come later.

"I came--" gasped Lilac at last, "I ran--I thought I must tell you--"

"Well," said Agnetta, still staring at her in an unmoved manner, "you'd better fetch your breath, and then you'll be able to tell me. Come and sit down."

There was a bench under one of the trees near where she had been feeding the ducks. The two girls sat down, and presently Lilac was able to say: "Oh, Agnetta, the artist gentleman wants to put me in a picture!"

"Whatever do you mean, Lilac White?" was Agnetta's only reply. Her slightly disapproving voice calmed Lilac's excitement a little.

"This is how it was," she continued more quietly. "You know he's lodging at the 'Three Bells?' and he comes an' sits at the bottom of our hill an' paints all day."

"Of course I know," said Agnetta. "It's a poor sort of an object he's copyin', too--Old Joe's tumble-down cottage. I peeped over his shoulder t'other day--'taint much like."

"Well, I pa.s.s him every day comin' from school, and he always looks up at me eager without sayin' nothing. But this morning he says, 'Little gal,' says he, 'I want to put you into my picture.'"

"Lor'!" put in Agnetta, "whatever can he want to paint _you_ for?"

"So I didn't say nothing," continued Lilac, "because he looked so hard at me that I was skeert-like. So then he says very impatient, 'Don't you understand? I want you to come here in that frock and that bonnet in your hand, and let me paint you, copy you, take your portrait. You run and ask Mother.'"

"I never did!" exclaimed Agnetta, moved at last. "Whatever can he want to do it for? An' that frock, an' that silly bonnet an' all! He must be a crazy gentleman, I should say." She gave a short laugh, partly of vexation.

"But that ain't all," continued Lilac; "just as I was turning to go he calls after me, 'What's yer name?' And when I told him he shouts out, '_What_!' with his eyes hanging out ever so far."

"Well, I dare say he thought it was a silly-sounding sort of a name,"

observed Agnetta.

"He said it over and over to hisself, and laughed right out--'Lilac White! White Lilac!' says he. 'What a subjeck! What a name!

Splendid!' An' then he says to me quieter, 'You're a very nice little girl indeed, and if Mother will let you come I'll give you sixpence for every hour you stand.' So then I went an' asked Mother, and she said yes, an' then I ran all the way here to tell you."

Lilac looked round as she finished her wonderful story. Agnetta's eyes were travelling slowly over her cousin's whole person, from her face down to the thick, laced boots on her feet, and back again. "I can't mek out," she said at length, "whatever it is that he wants to paint you for, and dressed like that! Why, there ain't a mossel of colour about you! Now, if you had my Sunday blue!"

"Oh, Agnetta!" exclaimed Lilac at the mention of such impossible elegance.