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Where The God Of Love Hangs Out Part 8

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Stupid, inconsiderate boy. Around now, his father would have been pacing, threatening to beat him senseless when he walked in, and I would have been calming Lionel down, trying to get him to come to bed.

At about three, when I was thinking of calling the hospital, I heard my car coming up the street slowly. I looked out the kitchen window and saw him pull into the drive, minus the right front fender.

He came inside quietly, pale gray around his mouth and eyes. There was blood on his shirt, but he was walking okay. I grabbed him by the shoulders and he winced and I dug my hands into him in the dark of the hallway.

"What is wrong with you? I don't have enough to contend with? Do you know it's three o'clock in the morning? There were no phones where you were, or what? It was too inconvenient to call home, to tell me you weren't lying dead somewhere? Am I talking to myself, G.o.ddammit?"

I was shaking him hard, wanting him to talk back so I could slap his face, and he was crying, turning his face away from me. I pulled him into the light of the kitchen and saw the purple bruise, the shiny puff of skin above his right eyebrow. There was a cut in his upper lip, making it lift and twist like a harelip.



"What the h.e.l.l happened to you?"

"I got into a little fight at the Navigator and then I had sort of an accident, nothing serious. I just hit a little tree and b.u.mped my head."

"You are an a.s.shole."

"I know, Ma, I'm sorry. I'll pay you back for the car so your insurance won't go up. I'm really sorry."

I put my hands in my pockets and waited for my adrenaline to subside.

I steered him into the bathroom and sat him down on the toilet while I got some ice cubes and wrapped them in a dish towel; that year I was always making compresses for Buster's skinned knees, busted lips, black eyes. Lion sat there holding the ice to his forehead. The lip was too far gone.

I wasn't angry anymore and I said so. He smiled lopsidedly and leaned against me for a second. I moved away and told him to wash up.

"All right, I'll be out in a minute."

"Take your time."

I sat on the couch, thinking about his going away and whether or not Jeffrey would be good company for him. Lion came out of the bathroom without his b.l.o.o.d.y shirt, the dish towel in his hand. He stood in the middle of the room, like he didn't know where to sit, and then he eased down onto the couch, tossing the towel from hand to hand.

"Don't send me away. I don't want to go away from you and Grandma and Buster. I just can't leave home this summer. Please, Ma, it won't-what happened won't happen again. Please let me stay home." He kept looking at his hands, smoothing the towel over his knees and then balling it up.

How could I do that to him?

"All right, let's not talk about it any more tonight."

He put his head back on the couch and sighed, sliding over so his cheek was on my shoulder. I patted his good cheek and went to sit in the brown chair.

I started to say more, to explain to him how it was going to be, but then I thought I shouldn't. I would tell him that we were looking at wreckage and he would not want to know.

I said good night and went to my bedroom. He was still on the couch in the morning.

We tried for a few weeks, but toward the end of the summer Lion got so obnoxious I could barely speak to him. Ruth kept an uncertain peace for the first two weeks and then blew up at him. "Where have your manners gone, young man? After all she did for you, this is the thanks she gets? And Julia, when did you get so mush-mouthed that you can't tell him to behave himself?" Lion and I looked at our plates, and Ruth stared at us, puzzled and cross. I came home from work on a Friday and found a note on the kitchen table: Friends called with a housepainting job in Nantucket. Will call before I go to Paris. Will still do junior year abroad, if that's okay. L. "If that's okay" meant that he wanted me to foot the bill, and I did. I would have done more if I had known how.

It's almost summer again. Buster and I do pretty well, and we have dinner every Sunday with Ruth, and more often than not, we drive her over to bingo on Thursday evenings and play a few games ourselves. I see my husband everywhere; in the deft hands of the man handing out the bingo cards, in the black-olive eyes of the boy sitting next to me on the bench, in the thick, curved back of the man moving my new piano. I am starting to play again and I'm teaching Buster.

Most nights, after I have gone to bed, I find myself in the living room or standing on the porch in the cold night air. I tell myself that I am not waiting, it's just that I'm not yet awake.

NIGHT VISION.

For fifteen years, I saw my stepmother only in my dreams.

After my father got sick in the spring of my soph.o.m.ore year, dying fast and ugly in the middle of June, I went to Paris to recover, to become someone else, un homme du monde, an expert in international maritime law, nothing like the college boy who slept with his step mother the day after his father's funeral. We grieved apart after that night, and I left Julia to raise my little brother, Buster, and pay all the bills, including mine. Buster shuttled back and forth for holidays, even as a grown man, calm and affectionate with us both, bringing me Deaf Smith County peanut b.u.t.ter from my mother for Christmas morning, carrying home jars of Fauchon jam from me, packed in three of his sweat socks. My mother's letters came on the first of every month for fifteen years, news of home, of my soccer coach's retirement, newspaper clippings about maritime law and French shipping lines, her new address in Ma.s.sachusetts, a collection of her essays on jazz. I turned the book over and learned that her hair had turned gray.

"You gotta come home, Lionel," my brother said last time, his wife sprawled beside him on my couch, her long, pretty feet resting on his crotch.

"I don't think so."

"She misses you. You know that. You should go see her."

Jewelle nodded, digging her feet a little further, and Buster grinned hugely and closed his eyes.

"You guys," I said.

My brother married someone more beautiful and wild than I would have chosen. They had terrible, flying-dishes fights and pa.s.sionate reconciliations every few months, and they managed to divorce and remarry in one year, without even embarra.s.sing themselves. Jewelle loved Buster to death and told me she only left when he needed leaving, and my brother would say in her defense that it was nothing less than the truth. He never said what he had done that would deserve leaving, and I can't think that it was anything very bad. There is no bad even in the depths of Buster's soul, and when I am sick of him, his undaunted, fat-and-sa.s.sy younger-brotherness, I think that there are no depths.

When Buster and Jewelle were together (usually Columbus Day through July Fourth weekend), happiness poured out of them. Buster showed slides of Jewelle's artwork, thickly layered slashes of dark paint, and Jewelle cooked platters of fried chicken and bragged on his triumphs as a public defender. When they were apart, they both lost weight and shine and acted like people in the final stage of terminal heartbreak. Since Jewelle's arrival in Buster's life, I have had a whole secondhand love affair and pa.s.sionate marriage, and in return Buster got use of my apartment in New York and six consecutive Labor Days in Paris.

"Ma misses you," he said again. He held Jewelle's feet in one hand. "You know she does. She's getting old."

"I definitely don't believe that. She's fifty, fifty-five. That's not old. We'll be there ourselves in no time."

My mother, my stepmother, my only mother, is fifty-four and I am thirty-four and it has comforted me over the years to picture myself in what I expect to be a pretty vigorous middle age and to contemplate poor Julia tottering along, nylon knee-highs sloshing around her ankles, chin hairs and dewlaps flapping in the breeze.

"Fine. She's a spring chicken." Buster cut four inches of Brie and chewed on it. "She's not a real young fifty-five. What did she do so wrong, Lionel? Tell me. I know she loves you, I know she loves me. She loved Pop; she saved his life as far as I can tell. Jesus, she took care of Grammy Ruth for three years when anyone else would've put a pillow over the woman's face. Ma is really a good person, and whatever has p.i.s.sed you off, you could let it go now. You know, she can't help being white."

Jewelle, of whom we could say the same thing, pulled her feet out of his hand and curled her toes over his waistband, under his round belly.

"If she died tomorrow, how sorry would you be?" she said.

Buster and I stared at her, brothers again, because in our family you did not say things like that, not even with good intentions.

I poured wine for us all and pa.s.sed around the fat green olives Jewelle liked.

"Well. Color is not the issue. You can tell her I'll come in June."

Buster went into my bedroom. "I'm calling Ma," he said. "I'm telling her June."

Jewelle gently spat olive pits into her hand and shaped them into a neat pyramid on the coffee table.

I flew home with my new girlfriend, Claudine, and her little girl, Mirabelle. Claudine had business and a father in Boston, and a small hotel and me in Paris. She was lean as a boy and treated me with wry Parisian affection, as if all kisses were mildly amusing if one gave it any thought. Claudine's consistent, insouciant aridity was easy on me; I'd come to prefer my lack of intimacy straight up. Mirabelle was my true sweetheart. I loved her orange cartoon curls, her red gla.s.ses, and her welterweight swagger. She was Ma Poupee and I was her Bel Homme.

Claudine's father left a new black Crown Victoria for us at Logan, with chocolates and a Tintin comic on the backseat and Joan Sutherland in the CD player. Claudine folded up her black travel sweater and hung a white linen jacket on the back hook. There was five hundred dollars in the glove compartment, and I was apparently the only one who thought that if you were lucky enough to have a father, you might reasonably expect him to meet you at the airport after a two-year separation. My father would have been at that gate, drunk or sober. Mirabelle kicked the back of the driver's seat all the way from the airport, singing what the little boy from Dallas had taught her on the flight over: "I'm gonna kick you. I'm gonna kick you. I'm gonna kick you. I'm gonna kick you, right in your big old heinie." Claudine watched out the window until I pulled onto the turnpike, and then she closed her eyes. Anything in English was my department.

I recognized the new house right away. My mother had dreamed and sketched its front porch and its swing a hundred times during my childhood, on every telephone-book cover and notepad we ever had. For years my father talked big about a gla.s.s-and-steel house on the water, recording studio overlooking the ocean, wrap around deck for major partying and jam sessions, and for years I sat next to him on the couch while he read the paper and I read the funnies and we listened to my mother tuck my brother in: "Once upon a time, there were two handsome princes, Prince Fric, who was a little older, and Prince Frac, who was a little younger. They lived with their parents, the King and Queen, in a beautiful little cottage with a beautiful front porch looking out over the River Wilde. They lived in the little cottage because a big old castle with a wraparound deck and a million windows is simply more trouble than it's worth."

Julia stood before us on the porch, both arms upraised, her body pale and square in front of an old willow, its branches pooling on the lawn. Claudine pulled off her sungla.s.ses and said, "You don't resemble her," and I explained, as I thought I had several times between rue de Birague and the Ma.s.sachusetts border, that this was my stepmother, that my real mother had died when I was five and Julia had married my father and adopted me. "Ah," said Claudine, "not your real mother."

Mirabelle said, "Qu'est-ce que c'est, ca?"

"Tire swing," I said.

Claudine said, "May I smoke?"

"I don't know. She used to smoke."

"Did she stop?"

"I don't know. I don't know if she smokes or not, Claudine."

She reached for her jacket. "Does your mother know I'm coming?"

"Here we are, Poupee," I said to Mirabelle.

I stood by the car and watched my mother make a fuss over Mirabelle's red hair (speaking pretty good French, which I had never heard) and turn Claudine around to admire the crispness of her jacket. She shepherded us up the steps, thanking us for the gigantic and unimaginative bottle of toilet water. Claudine went into the bathroom; Mirabelle went out to the swing. My mother and I stood in her big white kitchen. She hadn't touched me.

"Bourbon?" she said.

"It's midnight in Paris, too late for me."

"Right," my mother said. "Gin and tonic?"

We were just clinking our gla.s.ses when Claudine came out and asked for water and an ashtray.

"No smoking in the house, Claudine. I'm sorry."

Claudine shrugged in that contemptuous way Parisians do, so wildly disdainful you have to laugh or hit them. She went outside, lighting up before she was through the door. We touched gla.s.ses again.

"Maybe you didn't know I was bringing a friend?" I said.

My mother smiled. "Buster didn't mention it."

"Do you mind?"

"I don't mind. You might have been bringing her to meet me. I don't think you did, but you might have. And a very cute kid. Really adorable."

"And Claudine?"

"Very pretty. Chien. That's the word I remember, I don't know if they still say that."

Chien means a b.i.t.c.hy, stylish appeal. They do still say that, and my own landlady has said it of Claudine.

Julia dug her hands into a bowl of tarragon and cream cheese and pushed it, one little white gob at a time, under the skin of the big chicken sitting on the counter. "Do you cook?"

"I do. I'm a good cook. Like Pop."

My mother put the chicken in the oven and laughed. "Honey, what did your father ever cook?"

"He was a good cook. He made those big breakfasts on Sunday, he barbecued great short ribs-I remember those."

"Oh, Abyssinian ribs. I remember them, too. Those were some great parties in those bad old days. Even after he stopped drinking, your father was really fun at a party." She smiled as if he were still in the room.

My father was a madly friendly, kissy, unreliable drunk when I was a little boy, and a successful, dependable musician and father after he met Julia. Once she became my mother, I never worried about him, I never hid again from that red-eyed, wet-lipped stranger, but I did occasionally miss the old drunk.

Claudine stuck her head back into the kitchen, beautiful and squinting through her smoke, and Mira belle ran in beneath her. My mother handed her two carrots and a large peeler with a black spongy handle for arthritic cooks, and Mirabelle flourished it at us both, our little musketeer. My mother brought out three less fancy peelers, and while we worked our way through a good-size pile of carrots and pink potatoes, she told us how she met my father at Barbara Cook's house and how they both ditched their dates, my mother leaving behind her favorite coat. Claudine told us about the lady who snuck twin Siamese bluepoints into the hotel in her ventilated Vuitton trunk and bailed out on her bill, taking six towels and leaving the cats behind. Claudine laughed at my mother's story and shook her head over the lost red beaver jacket, and my mother laughed at Claudine's story and shook her head over people's foolishness. Mirabelle fished the lime out of Claudine's club soda and sucked on it.

A feeling of goodwill and confidence settled on me for no reason I can imagine.

"Hey," I said, "let's stay over. Here."

My mother smiled and looked at Claudine.

"Perhaps we will just see how we feel," Claudine said. "I am a little fatiguee."

"Why don't you take a nap before dinner," my mother and I said simultaneously.

"Perhaps," she said, and kept peeling.

I think now that I must have given Claudine the wrong impression, that she'd come expecting a doddering old lady, none too sharp or tidy these days, living on dented canned goods and requiring a short, sadly empty visit before she collapsed entirely. Julia, with a silver braid hanging down her broad back, in black T-shirt, black pants, and black two-dollar flip-flops on her wide coral-tipped feet, was not that old lady at all.

My mother gave Mirabelle a bowl of cut-up vegetables to put on the table, and she carried it like treasure, the pink radishes bobbing among the ice cubes. Claudine waved her hand around, wanting another cigarette, and my mother gave her a gla.s.s of red wine. Claudine put it down a good ten inches away from her.

"I am sorry. We have reservations. Lionel, will you arrange your car? Mirabelle and me must go after dinner. Thank you, Madame Sampson, for your kindness."

My mother lifted her gla.s.s to Claudine. "Anytime. I hope you both come again." She did not say any thing like "Oh no, my dear, please stay here," or "Lionel, you can't let Claudine drive into Boston all by herself." I poured myself another drink. I'm still surprised I didn't offer to drive, because I was brought up properly, and because I had been sure until the moment Mirabelle pulled the lime out of Claudine's gla.s.s that I wanted to stay at the Ritz in Boston, that I had come only so that I could depart.

Mirabelle told my mother the long story of the airplane meal and the spilled soda and the nice lady and the bad little boy from Texas and Monsieur Teddy's difficult flight squashed in a suitcase with a hiking boot pressed against his nose for seven hours. My mother laughed and admired and clucked sympathetically in all the right places, pa.s.sing the platter of chicken and bowls of cuc.u.mber salad and minted peas. She poured another grenadine and ginger ale for Mirabelle, who watched the bubbles rise through the fuchsia syrup. She had just reached for her gla.s.s when Claudine arranged her knife and fork on her plate and stood up.

Mirabelle sighed, tilting her head back to drain her drink, like one of my father's old buddies at closing time. We all watched her swallow. My mother made very strong coffee for Claudine, filling an old silver thermos and putting together a plastic-wrapped mound of lemon squares for the road. She doted on Mirabelle and deferred to Claudine as if they were my lovable child and my formidable wife and she my fond and familiar mother. She refused to let us clear the table and amused Mirabelle while Claudine changed into comfortable driving clothes.

Mirabelle and my mother kissed good-bye French-style, and then Claudine did the same, walking out the kitchen door without waiting to see if I followed, which, of course, I did. I didn't want to be, I wasn't, rude or uninterested; I just didn't want to leave yet. Mirabelle hugged me quickly and lay down on the backseat. I made a little sweater pillow for her, and she brushed her cheek against my hand. Claudine made a big production of adjusting the Crown Victoria's side mirror, the rearview mirror, and the seat belt.

"Do you know how to get to the city?" I asked in French.

"Yes."

"And then you stay on-"

"I have a map," she said. "I can sleep by the side of the road until morning if I get lost."

"That probably won't be necessary. You have five hundred dollars in cash and seven credit cards. There'll be a hundred motels in the next fifty miles."

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Where The God Of Love Hangs Out Part 8 summary

You're reading Where The God Of Love Hangs Out. This manga has been translated by Updating. Author(s): Amy Bloom. Already has 365 views.

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