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Where I'm Calling From Part 36

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"Not much it doesn't, bub," he said, and laughed.

My wife sat on the sofa between the blind man and me. I pa.s.sed her the number. She took it and toked and then pa.s.sed it back to me. "Which way is this going?" she said. Then she said, "I shouldn't be smoking this. I can hardly keep my eyes open as it is. That dinner did me in. I shouldn't have eaten so much."

"It was the strawberry pie," the blind man said. "That's what did it," he said, and he laughed his big laugh. Then he shook his head.

"There's more strawberry pie," I said.

"Do you want some more, Robert?" my wife said.

"Maybe in a little while," he said.

We gave our attention to the TV. My wife yawned again. She said, "Your bed is made up when you feel like going to bed, Robert. I know you must have had a long day. When you're ready to go to bed, say so." She pulled his arm. "Robert?"

He came to and said, "I've had a real nice time. This beats tapes, doesn't it?"

I said, "Coming at you," and I put the number between his fingers. He inhaled, held the smoke, and then let it go. It was like he'd been doing it since he was nine years old.

"Thanks, bub," he said. "But I think this is all for me. I think I'm beginning to feel it," he said. He held the burning roach out for my wife.

"Same here," she said. "Ditto. Me, too." She took the roach and pa.s.sed it to me. "I may just sit here for a while between you two guys with my eyes closed. But don't let me bother you, okay? Either one of you.

If it bothers you, say so. Otherwise, I may just sit here with my eyes closed until you're ready to go to bed," she said. "Your bed's made up, Robert, when you're ready. It's right next to our room at the top of the stairs. We'll show you up when you're ready. You wake me up now, you guys, if I fall asleep." She said that and then she closed her eyes and went to sleep.

The news program ended. I got up and changed the channel. I sat back down on the sofa. I wished my wife hadn't p.o.o.ped out. Her head lay across the back of the sofa, her mouth open. She'd turned so that her robe had slipped away from her legs, exposing a juicy thigh. I reached to draw her robe back over her, and it was then that I glanced at the blind man. What the h.e.l.l! I flipped the robe open again.

"You say when you want some strawberry pie," I said.

"I will," he said.

I said, "Are you tired? Do you want me to take you up to your bed? Are you ready to hit the hay?"

"Not yet," he said. "No, I'll stay up with you, bub. If that's all right. I'll stay up until you're ready to turn in. We haven't had a chance to talk. Know what I mean? I feel like me and her monopolized the evening." He lifted his beard and he let it fall. He picked up his cigarettes and his lighter.

"That's all right," I said. Then I said, "I'm glad for the company."

And I guess I was. Every night I smoked dope and stayed up as long as I could before I fell asleep. My wife and I hardly ever went to bed at the same time. When I did go to sleep, I had these dreams.

Sometimes I'd wake up from one of them, my heart going crazy.

Something about the church and the Middle Ages was on the TV. Not your run-of-the-mill TV fare. I wanted to watch something else. I turned to the other channels. But there was nothing on them, either.

So I turned back to the first channel and apologized.

"Bub, it's all right," the blind man said. "It's fine with me. Whatever you want to watch is okay. I'm always learning something. Learning never ends. It won't hurt me to learn something tonight. I got ears, "he said.

We didn't say anything for a time.

He was leaning forward with his head turned at me, his right ear aimed in the direction of the set. Very disconcerting. Now and then his eyelids drooped and then they snapped open again. Now and then he put his fingers into his beard and tugged, like he was thinking about something he was hearing on the television.

On the screen, a group of men wearing cowls was being set upon and tormented by men dressed in skeleton costumes and men dressed as devils. The men dressed as devils wore devil masks, horns, and long tails. This pageant was part of a procession. The Englishman who was narrating the thing said it took place in Spain once a year. I tried to explain to the blind man what was happening.

"Skeletons," he said. "I know about skeletons," he said, and he nodded.

The TV showed this one cathedral. Then there was a long, slow look at another one. Finally, the picture switched to the famous one in Paris, with its flying b.u.t.tresses and its spires reaching up to the clouds.

The camera pulled away to show the whole of the cathedral rising above the skyline.

There were times when the Englishman who was telling the thing would shut up, would simply let the camera move around over the cathedrals. Or else the camera would tour the countryside, men in fields walking behind oxen. I waited as long as I could. Then I felt I had to say something. I said, "They're showing the outside of this cathedral now. Gargoyles. Little statues carved to look like monsters. Now I guess they're in Italy. Yeah, they're in Italy. There's paintings on the walls of this one church."

"Are those fresco paintings, bub?" he asked, and he sipped from his drink.

I reached for my gla.s.s. But it was empty. I tried to remember what I could remember. "You're asking me are those frescoes?" I said. "That's a good question. I don't know."

The camera moved to a cathedral outside Lisbon. The differences in the Portuguese cathedral compared with the French and Italian were not that great. But they were there. Mostly the interior stuff. Then something occurred to me, and I said, "Something has occurred to me. Do you have any idea what a cathedral is? What they look like, that is? Do you follow me? If somebody says cathedral to you, do you have any notion what they're talking about? Do you know the difference between that and a Baptist church, say?"

He let the smoke dribble from his mouth. "I know they took hundreds of workers fifty or a hundred years to build," he said. "I just heard the man say that, of course. I know generations of the same families worked on a cathedral. I heard him say that, too. The men who began their life's work on them, they never lived to see the completion of their work. In that wise, bub, they're no different from the rest of us, right?" He laughed. Then his eyelids drooped again. His head nodded. He seemed to be snoozing.

Maybe he was imagining himself in Portugal. The TV was showing another cathedral now. This one was in Germany. The Englishman's voice droned on. "Cathedrals," the blind man said. He sat up and rolled his head back and forth. "If you want the truth, bub, that's about all I know. What I just said. What I heard him say. But maybe you could describe one to me? I wish you'd do it. I'd like that. If you want to know, I really don't have a good idea."

I stared hard at the shot of the cathedral on the TV. How could I even begin to describe it? But say my life depended on it. Say my life was being threatened by an insane guy who said I had to do it or else.

I stared some more at the cathedral before the picture flipped off into the countryside. There was no use.

I turned to the blind man and said, "To begin with, they're very tall." I was looking around the room for clues. "They reach way up. Up and up. Toward the sky. They're so big, some of them, they have to have these supports. To help hold them up, so to speak. These supports are called b.u.t.tresses. They remind me of viaducts, for some reason. But maybe you don't know viaducts, either? Sometimes the cathedrals have devils and such carved into the front. Sometimes lords and ladies. Don't ask me why this is," I said.

He was nodding. The whole upper part of his body seemed to be moving back and forth.

"I'm not doing so good, am I?" I said.

He stopped nodding and leaned forward on the edge of the sofa. As he listened to me, he was running his fingers through his beard. I wasn't getting through to him, I could see that. But he waited for me to go on just the same. He nodded, like he was trying to encourage me. I tried to think what else to say.

"They're really big," I said. "They're ma.s.sive. They're built of stone. Marble, too, sometimes. In those olden days, when they built cathedrals, men wanted to be close to G.o.d. In those olden days, G.o.d was an important part of everyone's life. You could tell this from their cathedral-building. I'm sorry," I said, "but it looks like that's the best I can do for you. I'm just no good at it."

"That's all right, bub," the blind man said. "Hey, listen. I hope you don't mind my asking you. Can I ask you something? Let me ask you a simple question, yes or no. I'm just curious and there's no offense.

You're my host. But let me ask if you are in any way religious? You don't mind my asking?"

I shook my head. He couldn't see that, though. A wink is the same as a nod to a blind man. "I guess I don't believe in it. In anything. Sometimes it's hard. You know what I'm saying?"

"Sure, I do," he said.

"Right," I said.

The Englishman was still holding forth. My wife sighed in her sleep. She drew a long breath and went on with her sleeping.

"You'll have to forgive me," I said. "But I can't tell you what a cathedral looks like. It just isn't in me to do it. I can't do any more than I've done."

The blind man sat very still, his head down, as he listened to me.

I said, "The truth is, cathedrals don't mean anything special to me. Nothing. Cathedrals. They're something to look at on late-night TV. That's all they are."

It was then that the blind man cleared his throat. He brought something up. He took a handkerchief from his back pocket. Then he said, "I get it, bub. It's okay. It happens. Don't worry about it," he said. "Hey, listen to me. Will you do me a favor? I got an idea. Why don't you find us some heavy paper? And a pen. We'll do something. We'll draw one together. Get us a pen and some heavy paper. Go on, bub, get the stuff," he said.

So I went upstairs. My legs felt like they didn't have any strength in them. They felt like they did after I'd done some running. In my wife's room, I looked around. I found some ballpoints in a little basket on her table. And then I tried to think where to look for the kind of paper he was talking about.

Downstairs, in the kitchen, I found a shopping bag with onion skins in the bottom of the bag. I emptied the bag and shook it. I brought it into the living room and sat down with it near his legs. I moved some things, smoothed the wrinkles from the bag, spread it out on the coffee table.

The blind man got down from the sofa and sat next to me on the carpet.

He ran his fingers over the paper. He went up and down the sides of the paper. The edges, even the edges. He fingered the corners.

"All right," he said. "All right, let's do her."

He found my hand, the hand with the pen. He closed his hand over my hand. "Go ahead, bub, draw," he said. "Draw. You'll see. I'll follow along with you. It'll be okay. Just begin now like I'm telling you.

You'll see. Draw," the blind man said.

So I began. First I drew a box that looked like a house. It could have been the house I lived in. Then I put a roof on it. At either end of the roof, I drew spires. Crazy.

"Swell," he said. "Terrific. You're doing fine," he said. "Never thought anything like this could happen in your lifetime, did you, bub? Well, it's a strange life, we all know that. Go on now. Keep it up."

I put in windows with arches. I drew flying b.u.t.tresses. I hung great doors. I couldn't stop. The TV station went off the air. I put down the pen and closed and opened my fingers. The blind man felt around over the paper. He moved the tips of his fingers over the paper, all over what I had drawn, and he nodded.

"Doing fine," the blind man said.

I took up the pen again, and he found my hand. I kept at it. I'm no artist. But I kept drawing just the same.

My wife opened up her eyes and gazed at us. She sat up on the sofa, her robe hanging open. She said, "What are you doing? Tell me, I want to know."

I didn't answer her.

The blind man said, "We're drawing a cathedral. Me and him are working on it. Press hard," he said to me. "That's right. That's good," he said. "Sure. You got it, bub. I can tell. You didn't think you could. But you can, can't you? You're cooking with gas now. You know what I'm saying? We're going to really have us something here in a minute. How's the old arm?" he said. "Put some people in there now. What's a cathedral without people?"

My wife said, "What's going on? Robert, what are you doing? What's going on?"

"It's all right," he said to her. "Close your eyes now," the blind man said to me.

I did it. I closed them just like he said.

"Are they closed?" he said. "Don't fudge."

"They're closed," I said.

"Keep them that way," he said. He said, "Don't stop now. Draw."

So we kept on with it. His fingers rode my fingers as my hand went over the paper. It was like nothing else in my life up to now.

Then he said, "I think that's it. I think you got it," he said. "Take a look. What do you think?"

But I had my eyes closed. I thought I'd keep them that way for a little longer. I thought it was something I ought to do.

"Well?" he said. "Are you looking?"

My eyes were still closed. I was in my house. I knew that. But I didn't feel like I was inside anything.

"It's really something," I said.

A Small, Good Thing

Sat.u.r.day afternoon she drove to the bakery in the shopping center. After looking through a loose-leaf binder with photographs of cakes taped onto the pages, she ordered chocolate, the child's favorite. The cake she chose was decorated with a s.p.a.ceship and launching pad under a sprinkling of white stars, and a planet made of red frosting at the other end. His name, SCOTTY, would be in green letters beneath the planet. The baker, who was an older man with a thick neck, listened without saying anything when she told him the child would be eight years old next Monday. The baker wore a white ap.r.o.n that looked like a smock. Straps cut under his arms, went around in back and then to the front again, where they were secured under his heavy waist. He wiped his hands on his ap.r.o.n as he listened to her. He kept his eyes down on the photographs and let her talk. He let her take her time. He'd just come to work and he'd be there all night, baking, and he was in no real hurry. She gave the baker her name, Ann Weiss, and her telephone number. The cake would be ready on Monday morning, just out of the oven, in plenty of time for the child's party that afternoon. The baker was not jolly. There were no pleasantries between them, just the minimum exchange of words, the necessary information. He made her feel uncomfortable, and she didn't like that. While he was bent over the counter with the pencil in his hand, she studied his coa.r.s.e features and wondered if he'd ever done anything else with his life besides be a baker. She was a mother and thirty-three years old, and it seemed to her that everyone, especially someone the baker's age-a man old enough to be her father-must have children who'd gone through this special time of cakes and birthday parties. There must be that between them, she thought. But he was abrupt with her-not rude, just abrupt. She gave up trying to make friends withhim. She looked into the back of the bakery and could see a long, heavy wooden table with aluminum pie pans stacked at one end; and beside the table a metal container filled with empty racks. There was an enormous oven. A radio was playing country-Western music.

The baker finished printing the information on the special order card and closed up the binder. He looked at her and said, "Monday morning." She thanked him and drove home.

On Monday morning, the birthdayboy was walking to school with another boy. They were pa.s.sing a bag of potato chips back and forth and the birthday boy was trying to find out what his friend intended to give him for his birthday that afternoon. Without looking, the birthday boy stepped off the curb at an intersection and was immediately knocked down by a car. He fell on his side with his head in the gutter and his legs out in the road. His eyes were closed, but his legs moved back and forth as if he were trying to climb over something. His friend dropped the potato chips and started to cry. The car had gone a hundred feet or so and stopped in the middle of the road. The man in the driver's seat looked back over his shoulder. He waited until the boy got unsteadily to his feet. The boy wobbled a little. He looked dazed, but okay. The driver put the car into gear and drove away.

The birthday boy didn't cry, but he didn't have anything to say about anything either. He wouldn't answer when his friend asked him what it felt like to be hit by a car. He walked home, and his friend went on to school. But after the birthday boy was inside his house and was telling his mother about it-she sitting beside him on the sofa, holding his hands in her lap, saying, "Scotty, honey, are you sure you feel all right, baby?" thinking she would call the doctor anyway-he suddenly lay back on the sofa, closed his eyes, and went limp. When she couldn't wake him up, she hurried to the telephone and called her husband at work. Howard told her to remain calm, remain calm, and then he called an ambulance for the child and left for the hospital himself.

Of course, the birthday party was canceled. The child was in the hospital with a mild concussion and suffering from shock. There'd been vomiting, and his lungs had taken in fluid which needed pumping out that afternoon. Now he simply seemed to be in a very deep sleep-but no coma, Dr. Francis had emphasized, no coma, when he saw the alarm inthe parents' eyes. At eleven o'clock that night, when the boy seemed to be resting comfortably enough after the many X-rays and the lab work, and it was just a matter of his waking up and coming around, Howard left the hospital. He and Ann had been at the hospital with the child since that afternoon, and he was going home for a short while to bathe and change clothes. "I'll be back in an hour," he said. She nodded. "It's fine," she said. "I'll be right here." He kissed her on the forehead, and they touched hands.

She sat in the chair beside the bed and looked at the child. She was waiting for him to wake up and be all right. Then she could begin to relax.

Howard drove home from the hospital. He took the wet, dark streets very fast, then caught himself and slowed down. Until now, his life had gone smoothly and to his satisfaction-college, marriage, another year of college for the advanced degree in business, a junior partnership in an investment firm.

Fatherhood. He was happy and, so far, lucky-he knew that. His parents were still living, his brothers and his sister were established, his friends from college had gone out to take their places in the world. So far, he had kept away from any real harm, from those forces he knew existed and that could cripple or bring down a man if the luck went bad, if things suddenly turned. He pulled into the driveway and parked. His left leg began to tremble. He sat in the car for a minute and tried to deal with the present situation in a rational manner. Scotty had been hit by a car and was in the hospital, but he was going to be all right. Howard closed his eyes and ran his hand over his face. He got out of the car and went up to the front door. The dog was barking inside the house. The telephone rang and rang while he unlocked the door and fumbled for the light switch. He shouldn't have left the hospital, he shouldn't have.

"G.o.dd.a.m.n it!" he said. He picked up the receiver and said, "I just walked in the door!"

"There's a cake here that wasn't picked up," the voice on the other end of the line said.

"What are you saying?" Howard asked.

"A cake," the voice said. "A sixteen-dollar cake."

Howard held the receiver against his ear, trying to understand. "I don't know anything about a cake," he said. "Jesus, what are you talking about?"

"Don't hand me that," the voice said.

Howard hung up the telephone. He went into the kitchen and poured himself some whiskey. He called the hospital. But the child's condition remained the same; he was still sleeping and nothing had changed there. While water poured into the tub, Howard lathered his face and shaved. He'd just stretched out in the tub and closed his eyes when the telephone rang again. He hauled himself out, grabbed a towel, and hurried through the house, saying, "Stupid, stupid," for having left the hospital. But when he picked up the receiver and shouted, "h.e.l.lo!" there was no sound at the other end of the line. Then the caller hung up.

He arrived back at the hospital a littleafter midnight. Ann still sat in the chair beside the bed. She looked up at Howard, and then she looked back at the child. The child's eyes stayed closed, the head was still wrapped in bandages. His breathing was quiet and regular. From an apparatus over the bed hung a bottle of glucose with a tube running from the bottle to the boy's arm.

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Where I'm Calling From Part 36 summary

You're reading Where I'm Calling From. This manga has been translated by Updating. Author(s): Raymond Carver. Already has 617 views.

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