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"Is he like the Cure, or Monsieur De la Riviere, or Monsieur Garon, or Monsieur Medallion?"
"He's different," she said hesitatingly.
"Better or worse?"
"More--more"--she did not know what to say--"more interesting."
"Is he like the Judge Honourable that comes from Montreal, or the grand Governor, or the General that travels with the Governor?"
"Yes, but different--more--more like us in some things, like them in others, and more--splendid. He speaks such fine things! You mind the other night at the Louis Quinze. He is like--"
She paused. "What is he like?" Parpon asked slyly, enjoying her difficulty.
"Ah, I know," she answered; "he is a little like Madame the American who came two years ago. There is something--something!"
Parpon laughed again. "Like Madame Chalice from New York--fudge!" Yet he eyed her as if he admired her penetration. "How?" he urged.
"I don't know--quite," she answered, a little pettishly. "But I used to see Madame go off in the woods, and she would sit hour by hour, and listen to the waterfall, and talk to the birds, and at herself too; and more than once I saw her shut her hands--like that! You remember what tiny hands she had?" (She glanced at her own brown ones unconsciously.) "And she spoke out, her eyes running with tears--and she all in pretty silks, and a colour like a rose. She spoke out like this: 'Oh, if I could only do something, something, some big thing! What is all this silly coming and going to me, when I know, I know I might do it, if I had the chance! O Harry, Harry, can't you see!'"
"Harry was her husband. Ah, what a fisherman was he!" said Parpon, nodding. "What did she mean by doing 'big things'?" he added.
"How do I know?" she asked fretfully. "But Monsieur Valmond seems to me like her, just the same."
"Monsieur Valmond is a great man," said Parpon slowly.
"You know!" she cried; "you know! Oh, tell me, what is he? Who is he?
Where does he come from? Why is he here? How long will he stay? Tell me, how long will he stay?" She caught flutteringly at Parpon's shoulder.
"You remember what I sang the other night?" he asked.
"Yes, yes," she answered quickly. "Oh, how beautiful it was! Ah, Parpon, why don't you sing for us oftener, and all the world would love you, and--"
"I don't love the world," he retorted gruffly; "and I'll sing for the devil" (she crossed herself) "as soon as for silly gossips in Pontiac."
"Well, well!" she asked; "what had your song to do with him, with Monsieur Valmond?"
"Think hard, my dear," he said, with mystery in his look. Then, breaking off: "Madame Chalice is coming back to-day; the Manor House is open, and you should see how they fly round up there." He nodded towards the hill beyond.
"Pontiac'll be a fine place by and by," she said, for she had village patriotism deep in her veins. Had not her people lived there long before the conquest by the English?
"But tell me, tell me what your song had to do with Monsieur," she urged again. "It's a pretty song, but--"
"Think about it," he answered provokingly. "Adieu, my child!" he went on mockingly, using Valmond's words, and catching both her hands as he had done; then, springing upon a bench by the oven, he kissed her on both cheeks. "Adieu, my child!" he said again, and, jumping down, trotted away out into the road. Back to her, from the dust he made as he shuffled away, there came the words:
"Gold and silver he will bring, Vive le roi, la reine!
And eke the daughter of a king Vive Napoleon!"
She went about her work, the song in her ears, and the words of the refrain beat in and out, out and in:
"Vive Napoleon." Her brow was troubled, and she perched her head on this side and on that, as she tried to guess what the dwarf had meant. At last she sat down on a bench at the door of her home, and the summer afternoon spent its glories on her; for the sunflowers and the hollyhocks were round her, and the warmth gave her face a shining health and joyousness. There she brooded till she heard the voice of her mother calling across the meadow; then she got up with a sigh, and softly repeated Parpon's words: "He is a great man!"
In the middle of that night she started up from a sound sleep, and, with a little cry, whispered into the silence: "Napoleon--Napoleon!"
She was thinking of Valmond. A revelation had come to her out of her dreams. But she laughed at it, and buried her face in her pillow and went to sleep, hoping to dream again.
CHAPTER III
In less than one week Valmond was as outstanding from Pontiac as Dalgrothe Mountain, just beyond it in the south. His liberality, his jocundity, his occasional abstraction, his meditative pose, were all his own; his humour that of the people. He was too quick in repartee and drollery for a bourgeois, too "near to the bone" in point for an aristocrat, with his touch of the comedian and the peasant also.
Besides, he was mysterious and picturesque, and this is alluring to women and to the humble, if not to all the world. It might be his was the comedian's fascination, but the flashes of grotesqueness rather pleased the eye than hurt the taste of Pontiac.
Only in one quarter was there hesitation, added to an anxiety almost painful; for to doubt Monsieur Valmond would have shocked the sense of courtesy so dear to Monsieur the Cure, Monsieur Garon, the Little Chemist, and even Medallion the auctioneer, who had taken into his bluff, odd nature something of the spirit of those old-fashioned gentlemen. Monsieur De la Riviere, the young Seigneur, had to be reckoned with independently.
It was their custom to meet once a week, at the house of one or another, for a "causerie," as the avocat called it. On the Friday evening of this particular week, all were seated in the front garden of the Cure's house, as Valmond came over the hill, going towards the Louis Quinze.
His step was light, his head laid slightly to one side, as if in pleased and inquiring reverie, and there was a lifting of one corner of the mouth, suggesting an amused disdain. Was it that disdain which comes from conquest not important enough to satisfy ambition? The social conquest of a village--to be conspicuous and attract the groundlings in this tiny theatre of life, that seemed little!
Valmond appeared not to see the little coterie, but presently turned, when just opposite the gate, and, raising his hat, half paused. Then, without more ado, he opened the gate and advanced to the outstretched hand of the Cure, who greeted him with a courtly affability. He shook hands with, and nodded good-humouredly at, Medallion and the Little Chemist, bowed to the avocat, and touched off his greeting to Monsieur De la Riviere with deliberation, not offering his hand--this very reserve a sign of equality not lost on the young Seigneur. He had not this stranger at any particular advantage, as he had wished, he knew scarcely why. Valmond took the seat offered him beside the Cure, who remarked presently:
"My dear friend, Monsieur Garon, was saying just now that the spirit of France has ever been the Captain of Freedom among the nations."
Valmond glanced quickly from the Cure to the others, a swift, inquisitive look, then settled back in his chair, and turned, bowing, towards Monsieur Garon. The avocat's pale face flushed, his long, thin fingers twined round each other and untwined, and presently he said, in his little chirping voice, so quaint as to be almost unreal:
"I was saying that the spirit of France lived always ahead of the time, was ever first to conceive the feeling of the coming century, and by its own struggles and sufferings--sometimes too abrupt and perilous--made easy the way for the rest of the world."
During these words a change pa.s.sed over Valmond. His restless body became still, his mobile face steady and almost set--all the life of him seemed to have burnt into his eyes; but he answered nothing, and the Cure, in the pause, was constrained to say:
"Our dear Monsieur Garon knows perfectly the history of France, and is devoted to the study of the Napoleonic times and of the Great Revolution--alas for our people and the saints of Holy Church who perished then!"
The avocat lifted a hand in mute disacknowledgment. Again there was a silence, and out of the pause Monsieur De la Riviere's voice was heard.
"Monsieur Valmond, how fares this spirit of France now--you come from France?"
There was a shadow of condescension and ulterior meaning in De la Riviere's voice, for he had caught the tricks of the poseur in this singular gentleman.
Valmond did not stir, but looked steadily at De la Riviere, and said slowly, dramatically, yet with a strange genuineness also:
"The spirit of France, monsieur, the spirit of France looks not forward only, but backward, for her inspiration. It is as ready for action now as when the old order was dragged from Versailles to Paris, and in Paris to the guillotine, when France got a principle and waited, waited--"
He did not finish his sentence, but threw back his head with a sort of reflective laugh.
"Waited for what?" asked the young Seigneur, trying to conquer his dislike.
"For the Man!" came the quick reply.
The avocat rubbed his hands in pleasure. He instantly divined one who knew his subject, though he talked this melodramatically: a thing not uncommon among the habitants and the professional story-tellers, but scarcely the way of the coterie.
"Ah, yes, yes," he said, "for--? monsieur, for--?" He paused, as if to give himself the delight of hearing their visitor speak.