When I Am Playing With My Cat, How Do I Know That She Is Not Playing With Me? Part 8

Yuasa, Yasuo. The Body: Toward an Eastern MindBody Theory The Body: Toward an Eastern MindBody Theory, ed. and trans. Thomas P. Kasulis and Shigenori Nagatomo (New York: State University of New York Press, 1987), p. 47 for Watsuji's view of the nature of friendship.

Ill.u.s.trations

fm.1 Montaigne's tower, Chateau de Montaigne, Saul Frampton Montaigne's tower, Chateau de Montaigne, Saul Frampton 1.1 The Chateau de Montaigne in the early nineteenth century, from The Chateau de Montaigne in the early nineteenth century, from The Works of Michel de Montaigne The Works of Michel de Montaigne, ed. William Hazlitt, 1842 2.1 Plaque to Etienne de La Boetie, Chateau de Montaigne, Saul Frampton Plaque to Etienne de La Boetie, Chateau de Montaigne, Saul Frampton 2.2 Jean de Dinteville and Georges de Selve in 'The Amba.s.sadors', Hans Holbein, 1533, The National Gallery, London Jean de Dinteville and Georges de Selve in 'The Amba.s.sadors', Hans Holbein, 1533, The National Gallery, London 2.3 Asterisks from Montaigne's essay 'Of Friendship', from Asterisks from Montaigne's essay 'Of Friendship', from Essais de Messire Michel Seigneur de Montaigne Essais de Messire Michel Seigneur de Montaigne, 1580, the Bodleian Library, Oxford 3.1 Montaigne's library, Chateau de Montaigne, Saul Frampton Montaigne's library, Chateau de Montaigne, Saul Frampton 3.2 Hans von Gersdorff, Hans von Gersdorff, Feldtbuch der Wundartzney Feldtbuch der Wundartzney, 1528, National Library of Medicine 4.1 Image of Death taking a child from 'Dance of Death' series, engraved by Hans Lutzelburger, c.15268 (woodcut) (b/w photo), Holbein the Younger, Hans (1497/81543) (after) / Private Collection / The Bridgeman Art Library from Image of Death taking a child from 'Dance of Death' series, engraved by Hans Lutzelburger, c.15268 (woodcut) (b/w photo), Holbein the Younger, Hans (1497/81543) (after) / Private Collection / The Bridgeman Art Library from The Dance of Death The Dance of Death, Francis Douce, 1833 4.2 Image of Death taking an infant by Hans Holbein, from Image of Death taking an infant by Hans Holbein, from Alphabet of Death Alphabet of Death, Anatole de Montaiglon, 1856 4.3 Image of constancy from Image of constancy from Minerva Britannica Minerva Britannica, Henry Peacham, (1612) 5.1 Image of trees, Andrew F. Kazmierski / Image of trees, Andrew F. Kazmierski / Shutterstock.com 5.2 The deleted 'Nec nova vivendo procuditur ...' from the ceiling of Montaigne's library, Saul Frampton The deleted 'Nec nova vivendo procuditur ...' from the ceiling of Montaigne's library, Saul Frampton 6.1 The tombstone of Laetus' daughter, courtesy of the Musee d'Aquitaine, photo Saul Frampton The tombstone of Laetus' daughter, courtesy of the Musee d'Aquitaine, photo Saul Frampton 6.2 Human physiognomy from Human physiognomy from De Humana Physiognomonia De Humana Physiognomonia, Giambattista della Porta, 1593, National Library of Medicine 7.1 Map of Montaigne's journey to Italy, 158081 Map of Montaigne's journey to Italy, 158081 mapsill.u.s.trated.com 7.2 The toucan, from Andre Thevet's The toucan, from Andre Thevet's Les Singularitez de la France Antarctique Les Singularitez de la France Antarctique, 1557, reproduced by permission of the Syndics of Cambridge University Library 8.1 Leonardo image, Janaka Dharmasena / Leonardo image, Janaka Dharmasena / Shutterstock.com 8.2 The Baths of Bourbon l'Archambaut, Auvergne, ill.u.s.tration from 'Generale Description du Bourbonnais' by Nicolas de Nicolay, 1569 (w/c on paper), French School, (16th century) / Bibliotheque Mazarine, Paris, France / Archives Charmet / The Bridgeman Art Library The Baths of Bourbon l'Archambaut, Auvergne, ill.u.s.tration from 'Generale Description du Bourbonnais' by Nicolas de Nicolay, 1569 (w/c on paper), French School, (16th century) / Bibliotheque Mazarine, Paris, France / Archives Charmet / The Bridgeman Art Library 9.1 Detail from 'The Birth of Venus', c.1485 (tempera on canvas) (detail of 412), Botticelli, Sandro (1444/51510) / Galleria degli Uffizi, Florence, Italy / Giraudon / The Bridgeman Art Library Detail from 'The Birth of Venus', c.1485 (tempera on canvas) (detail of 412), Botticelli, Sandro (1444/51510) / Galleria degli Uffizi, Florence, Italy / Giraudon / The Bridgeman Art Library 9.2 Image of Marie de Gournay from Image of Marie de Gournay from Les avis, ou les Presens de la Demoiselle de Gournay Les avis, ou les Presens de la Demoiselle de Gournay, 1641, reproduced by permission of the Syndics of Cambridge University Library 10.1 Detail from Detail from The Jewish Bride The Jewish Bride, c.1667 (oil on canvas), Rembrandt van Rijn (160669) / Rijksmuseum, Amsterdam, The Netherlands / The Bridgeman Art Library 11.1 Image of Autumn, from 'The Ten Ages of Man', Conrad Meyer, 1675 Image of Autumn, from 'The Ten Ages of Man', Conrad Meyer, 1675 11.2 Wine tasters, woodcut from Wine tasters, woodcut from The Cla.s.sification and Description of the Wines of Bordeaux The Cla.s.sification and Description of the Wines of Bordeaux (1828) (1828) 12.1 'Moi', visitor's signature on the wall of Montaigne's study, Saul Frampton 'Moi', visitor's signature on the wall of Montaigne's study, Saul Frampton 12.2 Michel de Montaigne by Jean-Baptiste Mauzaisse, 1841, The Art Archive / Musee du Chateau de Versailles / Gianni Dagli Orti Michel de Montaigne by Jean-Baptiste Mauzaisse, 1841, The Art Archive / Musee du Chateau de Versailles / Gianni Dagli Orti 12.3 'Even on the highest throne in the world we are still sat on our backsides', Montaigne's toilet, Chateau de Montaigne Saul Frampton 'Even on the highest throne in the world we are still sat on our backsides', Montaigne's toilet, Chateau de Montaigne Saul Frampton 12.4 Image of vineyard Vaide Seskauskiene / Image of vineyard Vaide Seskauskiene / Shutterstock.com 12.5 Image of 'bonne foi' from Image of 'bonne foi' from Emblematum libri II Emblematum libri II, Andreas Alciato, 1556, reproduced by permission of University of Glasgow Library, Dept of Special Collections Every attempt has been made to trace or contact all copyright holders. The publisher would be pleased to rectify any ommissions or errors brought to their notice at the earliest opportunity.

A Note About the Author

Saul Frampton studied English and philosophy at the University of East Anglia, wrote a doctorate on Renaissance literature at Oxford, and was a research fellow at Cambridge. He lives in Hove on the Suss.e.x coast.