What Will He Do with It? Part 53

"Because this poor man has a young female grandchild, and he is so anxious that you should see and be kind to her, and because, too, he seems most anxious to remain in his present residence. The cottage, of course, belongs to Lord Montfort, and is let to him by the bailiff, and if you deign to feel interest in him, his tenure is safe."

Lady Montfort looked down, and coloured. She thought, perhaps, how false a security her protection, and how slight an influence her interest would be; but she did not say so. George went on; and so eloquently, and so touchingly did he describe both grandsire and grandchild, so skilfully did he intimate the mystery which hung over them, that Lady Montfort became much moved by his narrative; and willingly promised to accompany him across the park to the basketmaker's cottage the first opportunity. But when one has sixty guests in one's house, one has to wait for an opportunity to escape from them unremarked. And the opportunity, in fact, did not come for many days; not till the party broke up, save one or two dowager she-cousins who "gave no trouble," and one or two bachelor he-cousins whom my lord retained to consummate the slaughter of pheasants, and play at billiards in the dreary intervals between sunset and dinner, dinner and bedtime.

Then one cheerful frosty noon George Morley and his fair cousin walked boldly _en evidence_, before the prying ghostly windows, across the broad gravel walks; gained the secluded shrubbery, the solitary deeps of park-land; skirted the wide sheet of water, and, pa.s.sing through a private wicket in the paling, suddenly came upon the patch of osier-ground and humble garden, which were backed by the basketmaker's cottage.

As they entered those lowly precincts a child's laugh was borne to their ears,--a child's silvery, musical, mirthful laugh; it was long since the great lady had heard a laugh like that,--a happy child's natural laugh.

She paused and listened with a strange pleasure. "Yes," whispered George Morley, "stop--and hush! there they are."

Waife was seated on the stump of a tree, materials for his handicraft lying beside neglected. Sophy was standing before him,--he raising his finger as if in reproof, and striving hard to frown. As the intruders listened, they overheard that he was striving to teach her the rudiments of French dialogue, and she was laughing merrily at her own blunders, and at the solemn affectation of the shocked schoolmaster. Lady Montfort noted with no unnatural surprise the purity of idiom and of accent with which this singular basketmaker was unconsciously displaying his perfect knowledge of a language which the best-educated English gentleman of that generation, nay, even of this, rarely speaks with accuracy and elegance. But her attention was diverted immediately from the teacher to the face of the sweet pupil. Women have a quick appreciation of beauty in their own s.e.x; and women who are themselves beautiful, not the least. Irresistibly Lady Montfort felt attracted towards that innocent countenance so lively in its mirth, and yet so softly gay. Sir Isaac, who had hitherto lain _perdu_, watching the movements of a thrush amidst a holly-bush, now started up with a bark. Waife rose; Sophy turned half in flight. The visitors approached.

Here slowly, lingeringly, let fall the curtain. In the frank license of narrative, years will have rolled away ere the curtain rise again.

Events that may influence a life often date from moments the most serene, from things that appear as trivial and unnoticeable as the great lady's visit to the basketmaker's cottage. Which of those lives will that visit influence hereafter,--the woman's, the child's, the vagrant's? Whose? Probably little that pa.s.ses now would aid conjecture, or be a visible link in the chain of destiny. A few desultory questions; a few guarded answers; a look or so, a musical syllable or two, exchanged between the lady and the child; a basket bought, or a promise to call again. Nothing worth the telling. Be it then untold. View only the scene itself as the curtain drops reluctantly. The rustic cottage, its garden-door open, and open its old-fashioned lattice cas.e.m.e.nts. You can see how neat and cleanly, how eloquent of healthful poverty, how remote from squalid penury, the whitewashed walls, the homely furniture within. Creepers lately trained around the doorway; Christmas holly, with berries red against the window-panes; the bee-hive yonder; a starling, too, outside the threshold, in its wicker cage; in the background (all the rest of the neighbouring hamlet out of sight), the church spire tapering away into the clear blue wintry sky. All has an air of repose, of safety. Close beside you is the Presence of HOME; that ineffable, sheltering, loving Presence, which amidst solitude murmurs "not solitary,"--a Presence unvouchsafed to the great lady in the palace she has left. And the lady herself? She is resting on the rude gnarled root-stump from which the vagrant had risen; she has drawn Sophy towards her; she has taken the child's hand; she is speaking now, now listening; and on her face kindness looks like happiness. Perhaps she is happy that moment. And Waife? he is turning aside his weatherbeaten mobile countenance with his hand anxiously trembling upon the young scholar's arm. The scholar whispers, "Are you satisfied with me?" and Waife answers in a voice as low but more broken, "G.o.d reward you! Oh, joy! if my pretty one has found at last a woman friend!" Poor vagabond, he has now a calm asylum, a fixed humble livelihood; more than that, he has just achieved an object fondly cherished. His past life,--alas! what has he done with it? His actual life, broken fragment though it be, is at rest now. But still the everlasting question,--mocking terrible question, with its phrasing of farce and its enigmas of tragical sense,--"WHAT WILL HE DO WITH IT?" Do with what? The all that remains to him, the all he holds! the all which man himself, betwixt Free-will and Pre-decree, is permitted to do. Ask not the vagrant alone: ask each of the four there a.s.sembled on that flying bridge called the Moment. Time before thee,--what wilt thou do with it? Ask thyself! ask the wisest!

Out of effort to answer that question, what dream-schools have risen, never wholly to perish,--the science of seers on the Chaldee's Pur-Tor, or in the rock-caves of Delphi, gasped after and grasped at by horn-handed mechanics to-day in their lanes and alleys. To the heart of the populace sink down the blurred relics of what once was the law of the secretest sages, hieroglyphical tatters which the credulous vulgar attempt to interpret. "WHAT WILL HE DO WITH IT?" Ask Merle and his Crystal! But the curtain descends! Yet a moment, there they are,--age and childhood,--poverty, wealth, station, vagabondage; the preacher's sacred learning and august ambition; fancies of dawning reason; hopes of intellect matured; memories of existence wrecked; household sorrows; untold regrets; elegy and epic in low, close, human sighs, to which Poetry never yet gave voice: all for the moment personified there before you,--a glimpse for the guess, no more. Lower and lower falls the curtain! All is blank!

BOOK VI.

CHAPTER I.

Etchings of Hyde Park in the month of June, which, if this history escapes those villains the trunk-makers, may be of inestimable value to unborn antiquarians.--Characters, long absent, reappear and give some account of themselves.

Five years have pa.s.sed away since this history opened. It is the month of June once more,--June, which clothes our London in all its glory, fills its languid ballrooms with living flowers, and its stony causeways with human b.u.t.terflies. It is about the hour of six P.M. The lounge in Hyde Park is crowded; along the road that skirts the Serpentine crawl the carriages one after the other; congregate by the rails the lazy lookers-on,--lazy in att.i.tude, but with active eyes, and tongues sharpened on the whetstone of scandal,--the Scaligers of club windows airing their vocabulary in the Park. Slowly saunter on foot idlers of all degrees in the hierarchy of London idlesse: dandies of established-fame; youthful tyros in their first season. Yonder in the Ride, forms less inanimate seem condemned to active exercise; young ladies doing penance in a canter; old beaux at hard labour in a trot. Sometimes, by a more thoughtful brow, a still brisker pace, you recognize a busy member of the Imperial Parliament, who, advised by physicians to be as much on horseback as possible, s.n.a.t.c.hes an hour or so in the interval between the close of his Committee and the interest of the Debate, and shirks the opening speech of a well-known bore. Among such truant lawgivers (grief it is to say it) may be seen that once model member, Sir Gregory Stollhead. Grim dyspepsia seizing on him at last, "relaxation from his duties" becomes the adequate punishment for all his sins. Solitary he rides, and communing with himself, yawns at every second. Upon chairs beneficently located under the trees towards the north side of the walk are interspersed small knots and coteries in repose. There you might see the Ladies Prymme, still the Ladies Prymme,--Janet and Wilhelmina; Janet has grown fat, Wilhelmina thin. But thin or fat, they are no less Prymmes. They do not lack male attendants; they are girls of high fashion, with whom young men think it a distinction to be seen talking; of high principle, too, and high pretensions (unhappily for themselves, they are co-heiresses), by whom young men under the rank of earls need not fear to be artfully entrapped into "honourable intentions." They coquet majestically, but they never flirt; they exact devotion, but they do not ask in each victim a sacrifice on the horns of the altar; they will never give their hands where they do not give their hearts; and being ever afraid that they are courted for their money, they will never give their hearts save to wooers who have much more money than themselves. Many young men stop to do pa.s.sing homage to the Ladies Prymme: some linger to converse; safe young men,--they are all younger sons. Farther on, Lady Frost and Mr.

Crampe, the wit, sit amicably side by side, pecking at each other with sarcastic beaks; occasionally desisting, in order to fasten nip and claw upon that common enemy, the pa.s.sing friend! The Slowes, a numerous family, but taciturn, sit by themselves; bowed to much, accosted rarely.

Note that man of good presence, somewhere about thirty, or a year or two more, who, recognized by most of the loungers, seems not at home in the lounge. He has pa.s.sed by the various coteries just described, made his obeisance to the Ladies Prymme, received an icy epigram from Lady Frost, and a laconic sneer from Mr. Crampe, and exchanged silent bows with seven silent Slowes. He has wandered on, looking high in the air, but still looking for some one not in the air, and evidently disappointed in his search, comes to a full stop at length, takes off his hat, wipes his brow, utters a petulant "Prr--r--pshaw!" and seeing, a little in the background, the chairless shade of a thin, emaciated, dusty tree, thither he retires, and seats himself with as little care whether there to seat himself be the right thing in the right place, as if in the honeysuckle arbour of a village inn. "It serves me right," said he to himself: "a precocious villain bursts in upon me, breaks my day, makes an appointment to meet me here, in these very walks, ten minutes before six; decoys me with the promise of a dinner at Putney,--room looking on the river and fried flounders. I have the credulity to yield: I derange my habits; I leave my cool studio; I put off my easy blouse; I imprison my freeborn throat in a cravat invented by the Thugs; the dog-days are at hand, and I walk rashly over scorching pavements in a black frock-coat and a brimless hat; I annihilate 3s. 6d. in a pair of kid gloves; I arrive at this haunt of spleen; I run the gauntlet of Frosts, Slowes, and Prymmes: and my traitor fails me! Half-past six,--not a sign of him! and the dinner at Putney,--fried flounders? Dreams! Patience, five minutes more; if then he comes not, breach for life between him and me! Ah, voila! there he comes, the laggard! But how those fine folks are catching at him! Has he asked them also to dinner at Putney, and do they care for fried flounders?"

The soliloquist's eye is on a young man, much younger than himself, who is threading the motley crowd with a light quick step, but is compelled to stop at each moment to interchange a word of welcome, a shake of the hand. Evidently he has already a large acquaintance; evidently he is popular, on good terms with the world and himself. What free grace in his bearing! what gay good-humour in his smile! Powers above! Lady Wilhelmina surely blushes as she returns his bow. He has pa.s.sed Lady Frost unblighted; the Slowes evince emotion, at least the female Slowes, as he shoots by them with that sliding bow. He looks from side to side, with the rapid glance of an eye in which light seems all dance and sparkle: he sees the soliloquist under the meagre tree; the pace quickens, the lips part half laughing.

"Don't scold, Vance. I am late, I know; but I did not make allowance for interceptions."

"Body o' me, interceptions! For an absentee just arrived in London, you seem to have no lack of friends."

"Friends made in Paris and found again here at every corner, like pleasant surprises,--but no friend so welcome and dear as Frank Vance."

"Sensible of the honour, O Lionello the Magnificent. Verily you are _bon prince!_ The Houses of Valois and of Medici were always kind to artists.

But whither would you lead me? Back into that treadmill? Thank you, humbly; no."

"A crowd in fine clothes is of all mobs the dullest. I can look undismayed on the many-headed monster, wild and rampant; but when the many-headed monster buys its hats in Bond Street, and has an eyegla.s.s at each of its inquisitive eyes, I confess I take fright. Besides, it is near seven o'clock; Putney not visible, and the flounders not fried!"

"My cab is waiting yonder; we must walk to it: we can keep on the turf, and avoid the throng. But tell me honestly, Vance, do you really dislike to mix in crowds; you, with your fame, dislike the eyes that turn back to look again, and the lips that respectfully murmur, 'Vance the Painter'? Ah, I always said you would be a great painter,--and in five short years you have soared high."

"Pooh!" answered Vance, indifferently. "Nothing is pure and unadulterated in London use; not cream, nor cayenne pepper; least of all Fame,--mixed up with the most deleterious ingredients. Fame! did you read the 'Times' critique on my pictures in the present Exhibition? Fame indeed Change the subject. Nothing so good as flounders. Ho! is that your cab? Superb! Car fit for the 'Grecian youth of talents rare,' in Mr. Enfield's 'Speaker;' horse that seems conjured out of the Elgin Marbles. Is he quiet?"

"Not very; but trust to my driving. You may well admire the horse,--present from Darrell, chosen by Colonel Morley." When the young men had settled themselves into the vehicle, Lionel dismissed his groom, and, touching his horse, the animal trotted out briskly.

"Frank," said Lionel, shaking his dark curls with a petulant gravity, "your cynical definitions are unworthy that masculine beard. You despise fame! what sheer affectation!

"'Pulverem Olympic.u.m Collegisse juvat; metaque fervidis Evitata rotis-----'"

"Take care," cried Vance; "we shall be over." For Lionel, growing excited, teased the horse with his whip; and the horse bolting, took the cab within an inch of a water-cart.

"Fame, fame!" cried Lionel, unheeding the interruption. "What would I not give to have and to hold it for an hour?" "Hold an eel, less slippery; a scorpion, less stinging! But--" added Vance, observing his companion's heightened colour--"but," he added seriously, and with an honest compunction, "I forgot, you are a soldier, you follow the career of arms! Never heed what is said on the subject by a querulous painter!

The desire of fame may be folly in civilians: in soldiers it is wisdom.

Twin-born with the martial sense of honour, it cheers the march; it warms the bivouac; it gives music to the whir of the bullet, the roar of the ball; it plants hope in the thick of peril; knits rivals with the bond of brothers; comforts the survivor when the brother falls; takes from war its grim aspect of carnage; and from homicide itself extracts lessons that strengthen the safeguards to humanity, and perpetuate life to nations. Right: pant for fame; you are a soldier!"

This was one of those bursts of high sentiment from Vance, which, as they were very rare with him, had the dramatic effect of surprise.

Lionel listened to him with a thrilling delight. He could not answer: he was too moved. The artist resumed, as the cabriolet now cleared the Park, and rolled safely and rapidly along the road. "I suppose, during the five years you have spent abroad completing your general education, you have made little study, or none, of what specially appertains to the profession you have so recently chosen."

"You are mistaken there, my dear Vance. If a man's heart be set on a thing, he is always studying it. The books I loved best, and most pondered over, were such as, if they did not administer lessons, suggested hints that might turn to lessons hereafter. In social intercourse, I never was so pleased as when I could fasten myself to some practical veteran,--question and cross-examine him. One picks up more ideas in conversation than from books; at least I do. Besides, my idea of a soldier who is to succeed some day is not that of a mere mechanician-at-arms. See how accomplished most great captains have been.

What observers of mankind! what diplomatists! what reasoners! what men of action, because men to whom reflection had been habitual before they acted! How many stores of idea must have gone to the judgment which hazards the sortie or decides on the retreat!"

"Gently, gently!" cried Vance. "We shall be into that omnibus! Give me the whip,--do; there, a little more to the left,--so. Yes; I am glad to see such enthusiasm in your profession: 't is half the battle. Hazlitt said a capital thing, 'The 'prentice who does not consider the Lord Mayor in his gilt coach the greatest man in the world will live to be hanged!'"

"Pish!" said Lionel, catching at the whip.

VANCE (holding it back).--"No. I apologize. I retract the Lord Mayor: comparisons are odious. I agree with you, nothing like leather. I mean nothing like a really great soldier,--Hannibal, and so forth. Cherish that conviction, my friend: meanwhile, respect human life; there is another omnibus!"

The danger past, the artist thought it prudent to divert the conversation into some channel less exciting.

"Mr. Darrell, of course, consents to your choice of a profession?"

"Consents! approves, encourages. Wrote me such a beautiful letter! what a comprehensive intelligence that man has!"

"Necessarily; since he agrees with you. Where is he now?"

"I have no notion: it is some months since I heard from him. He was then at Malta, on his return from Asia Minor."

"So! you have never seen him since he bade you farewell at his old Manor-house?"

"Never. He has not, I believe, been in England."

"Nor in Paris, where you seem to have chiefly resided."

"Nor in Paris. Ah, Vance, could I but be of some comfort to him. Now that I am older, I think I understand in him much that perplexed me as a boy when we parted. Darrell is one of those men who require a home. Between the great world and solitude, he needs the intermediate filling-up which the life domestic alone supplies: a wife to realize the sweet word helpmate; children, with whose future he could knit his own toils and his ancestral remembrances. That intermediate s.p.a.ce annihilated, the great world and the solitude are left, each frowning on the other."

"My dear Lionel, you must have lived with very clever people: you are talking far above your years."

"Am I? True; I have lived, if not with very clever people, with people far above my years. That is a secret I learned from Colonel Morley, to whom I must present you,--the subtlest intellect under the quietest manner. Once he said to me, 'Would you throughout life be up to the height of your century,--always in the prime of man's reason, without crudeness and without decline,--live habitually while young with persons older, and when old with persons younger, than yourself.'"

"Shrewdly said indeed. I felicitate you on the evident result of the maxim. And so Darrell has no home,--no wife and no children?"

"He has long been a widower; he lost his only son in boyhood, and his daughter--did you never hear?"