What Every Woman Knows Part 3

[The room is beautified by a chandelier fitted for three gas jets, but with the advance of progress one of these has been removed and the incandescent light put in its place. This alone is lit. ALICK climbs a chair, pulls a little chain, and the room is now but vaguely lit by the fire. It plays fitfully on four sparkling faces.]

MAGGIE. Do you think he saw you, James?

JAMES. I couldn't say, but in any case I was too clever for him. I looked up at the stars, and yawned loud at them as if I was tremendous sleepy.

[There is a long pause during which they are lurking in the shadows. At last they hear some movement, and they steal like ghosts from the room.

We see DAVID turning out the lobby light; then the door closes and an empty room awaits the intruder with a shudder of expectancy. The window opens and shuts as softly as if this were a mother peering in to see whether her baby is asleep. Then the head of a man shows between the curtains. The remainder of him follows. He is carrying a little carpet bag. He stands irresolute; what puzzles him evidently is that the Wylies should have retired to rest without lifting that piece of coal off the fire. He opens the door and peeps into the lobby, listening to the wag-at-the-wall clock. All seems serene, and he turns on the light. We see him clearly now. He is JOHN SHAND, age twenty-one, boots muddy, as an indignant carpet can testify. He wears a shabby topcoat and a c.o.c.kerty bonnet; otherwise he is in the well-worn corduroys of a railway porter. His movements, at first stealthy, become almost homely as he feels that he is secure. He opens the bag and takes out a bunch of keys, a small paper parcel, and a black implement that may be a burglar's jemmy. This cool customer examines the fire and piles on more coals.

With the keys he opens the door of the bookcase, selects two large volumes, and brings them to the table. He takes off his topcoat and opens his parcel, which we now see contains sheets of foolscap paper.

His next action shows that the 'jemmy' is really a ruler. He knows where the pen and ink are kept. He pulls the fine chair nearer to the table, sits on it, and proceeds to write, occasionally dotting the carpet with ink as he stabs the air with his pen. He is so occupied that he does not see the door opening, and the Wylie family staring at him. They are armed with sticks.]

ALICK [at last]. When you're ready, John Shand.

[JOHN hints back, and then he has the grace to rise, dogged and expressionless.]

JAMES [like a railway porter]. Ticket, please.

DAVID. You can't think of anything clever for to go for to say now, John.

MAGGIE. I hope you find that chair comfortable, young man.

JOHN. I have no complaint to make against the chair.

ALICK [who is really distressed]. A native of the town. The disgrace to your family! I feel pity for the Shands this night.

JOHN [glowering]. I'll thank you, Mr. Wylie, not to pity my family.

JAMES. Canny, canny.

MAGGIE [that sense of justice again]. I think you should let the young man explain. It mayn't be so bad as we thought.

DAVID. Explain away, my billie.

JOHN. Only the uneducated would need an explanation. I'm a student, [with a little pa.s.sion] and I'm desperate for want of books. You have all I want here; no use to you but for display; well, I came here to study. I come twice weekly. [Amazement of his hosts.]

DAVID [who is the first to recover]. By the window.

JOHN. Do you think a Shand would so far lower himself as to enter your door? Well, is it a case for the police?

JAMES. It is.

MAGGIE [not so much out of the goodness of her heart as to patronise the Shands]. It seems to me it's a case for us all to go to our beds and leave the young man to study; but not on that chair. [And she wheels the chair away from him.]

JOHN. Thank you, Miss Maggie, but I couldn't be beholden to you.

JAMES. My opinion is that he's n.o.body, so out with him.

JOHN. Yes, out with me. And you'll be cheered to hear I'm likely to be a n.o.body for a long time to come.

DAVID [who had been beginning to respect him]. Are you a poor scholar?

JOHN. On the contrary, I'm a brilliant scholar.

DAVID. It's siller, then?

JOHN [glorified by experiences he has shared with many a gallant soul].

My first year at college I lived on a barrel of potatoes, and we had just a sofa-bed between two of us; when the one lay down the other had to get up. Do you think it was hardship? It was sublime. But this year I can't afford it. I'll have to stay on here, collecting the tickets of the illiterate, such as you, when I might be with Romulus and Remus among the stars.

JAMES [summing up]. Havers.

DAVID [in whose head some design is vaguely taking shape]. Whist, James.

I must say, young lad, I like your spirit. Now tell me, what's your professors' opinion of your future.

JOHN. They think me a young man of extraordinary promise.

DAVID. You have a name here for high moral character.

JOHN. And justly.

DAVID. Are you serious-minded?

JOHN. I never laughed in my life.

DAVID. Who do you sit under in Glasgow?

JOHN. Mr. Flemister of the Sauchiehall High.

DAVID. Are you a Sabbath-school teacher?

JOHN. I am.

DAVID. One more question. Are you promised?

JOHN. To a lady?

DAVID. Yes.

JOHN. I've never given one of them a single word of encouragement. I'm too much occupied thinking about my career.

DAVID. So. [He reflects, and finally indicates by a jerk of the head that he wishes to talk with his father behind the door.]

JAMES [longingly]. Do you want me too?

[But they go out without even answering him.]

MAGGIE. I don't know what maggot they have in their heads, but sit down, young man, till they come back.

JOHN. My name's Mr. Shand, and till I'm called that I decline to sit down again in this house.

MAGGIE. Then I'm thinking, young sir, you'll have a weary wait.