Well Now, My Pretty Part 4

There was a long pause, then Chandler said, "You mean he will kill the guard?"

"Listen, buddy-boy," Perry said in his soft, giggling voice, "don't worry your gut about what happens to who. You take care of your job . . . I'll take care of mine."

"We are going to make three hundred thousand dollars each out of this operation," Maisky said. "You have to break eggs to make an omelette."

Chandler looked at Mish and Wash.

"Do you two want to get yourselves tied up in a murder rap?" he asked.

"Now, wait . . ." Maisky's voice was sharp. "I am satisfied that this operation will work. We don't have to consider violence. You are looking for trouble that doesn't exist."

"I don't want to be tied to a murder rap," Chandler said, and there was sweat on his face.

"Then what the h.e.l.l are you here for?" Perry said. "Look, buddy boy, be your age. Do your job and keep your worry gut of a mouth shut."

Again there was a pause, then Chandler, thinking of all that money, suddenly shrugged.

"So, okay . . . I keep my mouth shut . . ."

Mish said, now a little uneasy, "But suppose it does turn sour? Just what do we do?"

"It won't, but I agree with you, we should know what to do," Maisky said. "Whatever happens we come back here . . . if we have the money, we split it and go on our own ways . . . if we haven't got it, we still split up, but let us make this place here, which is quite safe, a meeting place after the operation."

Chandler hesitated, but he was now committed. He wasn't too happy, and he was scared of Perry, but the thought of all that money pushed him to agree.

"Okay . . . the uniforms are fine . . . the truck is fine . . . now let's look at the schedule."

Maisky smiled.

"Of course."

He led the way back to the bungalow.

chapter three.

Three times, during this hot Sat.u.r.day morning, the telephone bell in Lana Evans' one room apartment rang continuously for several minutes. The nagging, persistent sound disturbed the Persian cat who still sat obstinately before the refrigerator, every now and then emitting a yowl of impatient indignation.

The first caller, around ten o'clock, was Terry Nicols, Lana's boyfriend. He listened to the steady, unanswered burr-burr-burr with exasperation. He knew Lana never got out of bed before ten. She couldn't still be sleeping with the telephone bell ringing like this! He wanted to make a date with her for Sunday night which was her night off. The two students who were his friends and who were waiting outside the telephone booth, kept showing him their wrist.w.a.tches through the gla.s.s door. The time for the first morning's lecture was nearly due. With the exaggeration of youth, they began an elaborate countdown, and finally when they reached zero, they exploded into a pantomime of panic. Terry slammed down the receiver and raced with them across the corridor to the lecture room.

At eleven o'clock, Rita Watkins phoned from the Casino. She listened to the unanswered ring, then, frowning, a little worried, she replaced the receiver.

At one-thirty, Terry, munching a sandwich, again tried to contact Lana, then, failing again, he decided she must be on the beach, sunbathing. Irritated, he hung up. At little after two o'clock, Rita Watkins called again. Maria Wells hadn't been a success in the vault. This was understandable. The work was exacting and had to be done at high speed. Maria just hadn't the experience. Rita quailed at the thought of having her on this Sat.u.r.day night when the pressure would be on. She just had to have Lana Evans back on the job.

What could have happened to the girl? she wondered as she replaced the receiver. She had a couple of hours to spare and she decided to drive over and find out for herself.

Mrs. Mavd.i.c.k owned the apartment block. She was a large woman with jet-black dyed hair and an enormous floppy bosom which she held together under her soiled cotton wrap.

She regarded Rita's trim figure with disapproval. Those firm b.r.e.a.s.t.s, that flat stomach, the long shapely legs were to Mrs.

Mavd.i.c.k the symbols of sin.

"She's on the third floor," she said. "Seen her? No . . . I've things to do. I don't see people unless they come to see me. What's the excitement about?"

"There's no excitement. I have tried to contact her on the telephone . . . she doesn't answer."

Mrs. Mavd.i.c.k thumped her floppy bosom. She had difficulty in breathing.

"Well, you don't have to answer the phone, do you?"

Rita climbed the stairs and rang Lana's front-door bell. She saw a bottle of milk and a copy of the Paradise City Herald by the door. She waited, rang again, then with a feeling of frustration, she descended the stairs.

Mrs. Mavd.i.c.k was still propping her gross body against her door.

"She isn't there," Rita said.

Mrs. Mavd.i.c.k smirked. Her long, yellow teeth made her look like a cunning horse.

"Well . . . we're only young once," she said, fighting for her breath. "Girls like boys . . . it's not my business . . . I never worry when my folk aren't at home."

Rita regarded her with disgust and then went out into the hot sunshine to her car.

Detective 2nd Grade Tom Lepski was considered to be the toughest officer attached to the Paradise City police force. He was tall, wiry, with a lined, suntanned hawklike face and ice-blue eyes. He was not only tough, he was also ambitious.

At seven o'clock, he strode into the station house wearing a sharp-looking tuxedo, a blood-red bow tie and his shoes were of black reverse calf.

Charlie Tanner gaped at him.

"Well, drop me down a well!" he exclaimed. "If it isn't our Tom, got up like a G.o.ddam movie star!"

Lepski adjusted his bow tie. There was a smirk of satisfaction on his lean face.

"What's wrong with being a movie star? Let me tell you something, Charlie . . . if Hollywood could see me now!"

Charlie Tanner paused his thick lips and made a loud, rude noise. "If Hollywood saw you now, they would give up making movies. What's the big idea?"

"You ask the Chief . . . if he wants you to know, he will tell you . . . perhaps," and with a jaunty stride, Lepski went through the charge room and up the stairs to Terrell's office.

Here Terrell and Beigler regarded him, careful not to show their startled surprise.

"Reporting, sir," Lepski said, his lean face dead pan. "I'm taking four men to the Casino right away. Any orders, sir?"

Terrell's fleshy face creased into a grin.

"Does you credit, Tom. That's a nice outfit you've got there."

"Very fancy," Beigler said. "Do you own it or have you rented it?"

Lepski stiffened and Terrell said quickly, "Who cares? Okay, Tom, watch it. Are you wearing a gun?"

Lepski gave Beigler a sour look, then nodded.

"Yes, sir."

"Lewis seems to expect trouble. I don't know why, but keep circulating. There's a lot of money in the Casino tonight."

"I'll take care of it, sir."

"Okay. I'll be here until midnight. Joe will be here all night. If anything starts . . . I guess I don't have to tell you what to do."

Lepski nodded.

"I'll take care of it, sir."

"And listen, Tom," Beigler said, "just because you are wearing that monkey suit, don't imagine you are one of those rich slobs who are trying to enjoy themselves. Keep off drink and away from the girls. Get it?"

Lepski again nodded.

"Yes, Sergeant."

"And take that James Bond look off your face. You're a cop, and you have a job to do," Beigler said.

"Yes, Sergeant," Lepski said, his face dead pan.

"Okay, Tom," Terrell said. "Get off. I hope we won't be hearing from you."

"Yes, sir," Lepski said and walked out of the office. He stabbed a finger at the door when he had shut it, and then walked down to where Charlie Tanner was handing over to another sergeant.

Tanner said, "I bet Joe loved you, dressed up like that."

"He did," Lepski said. He shot his cuffs, flicked at his tie and, leaving Tanner gaping with admiration, he walked down to the waiting police car.

At midnight, Harry Lewis locked away the papers on his desk, lit a cigar, and left his office. His secretary had gone home a few minutes before. Now, he could concentrate on the activities in the gambling hall. He would remain, moving around on the first floor until three a.m., before going back to his luxury villa. He took the elevator down to the first floor.

So far, the evening had been uneventful. The gambling had begun at ten-thirty. Every fifteen minutes, Lewis received reports from the croupiers. As was expected, the gambling had been high and reckless. So far the Casino was ahead, but there was a syndicate of Brazilians who could be troublesome. Lewis decided it was time he went down and watched the play.

As he wandered into the gambling hall, he spotted Lepski, his alert ice-blue eyes surveying the scene.

Lewis went over to him.

"Glad you are here, Tom," he said, shaking hands. "How is Carroll?"

Carroll Mayhew was Lepski's fiance. They were hoping to get married at the end of the year, and Lepski felt certain Lewis would donate a handsome wedding present.

"Fine, sir," he said. "No trouble there. No trouble here. These guys are certainly tossing their money around."

"Well . . . if you have, you toss it . . . if you haven't, you shouldn't," Lewis said and smiled. "Your men around?"

"On the terrace, sir. They have instructions to wander in every ten minutes. You wouldn't want a bunch of flatfeet in here all the time."

Lewis laughed.

"I'll leave it to you, Toni. Just keep an eye on the money," and nodding he walked on.

There's a guy, Lepski thought. A real, nice, regular guy. He straightened his bow tie which was worrying him, then he went out on to the terrace where his four patrolmen were standing watchfully in obscure corners.

He wasn't to know he was wasting their and his time. When the attack was to come, it would come in the soft underbelly of the Casino a" in the vault where no police officer was on guard.

The money pa.s.sing across the green-baize tables was as nothing compared to the money steadily piling up in the vault. The gamblers were having a bad night. The money was flowing into the Casino's vault . . . thousands and thousands of dollars.

In the cool atmosphere of the vault Rita Watkins directed the operation of handling the in-and-out flow of the money.

The girls fed the stacks of money as the money came from the elevators into an electronic device that automatically sorted the bills into their various denominations. The machine then counted them, clocking the total on a calculator. The bills were then paper-banded in fifty lots by the machine and were fed through a slot where two other girls piled the banded money in its various denominations on a rack.

Money came in: money went out. When a red light flashed under a number on Rita's desk, she directed more money to be sent up in the elevator, noting the number of the table in the gambling hall that had called for more supplies. The work was fast and non-stop, and no girl could afford to fumble.

Watching them, seated on stools, either side of the steel door of the vault, were two armed guards.

One of them, a tall, rangy youth whose name was Hank Jefferson, was bored to tears with his job. He thought if he had to sit on this stool, watching all that money for another few weeks, he would go screwy. He was planning to put in for a transfer. Even walking around the outside of the Casino endlessly was better than sitting in this vault just staring at thousands of dollars.

The other guard, an older man, heavily built and slightly balding, was Bic Lawdry. He had the mind of a vegetable and was happy enough to watch the girls, studying their trim bodies, dreaming erotic dreams as he picked his teeth with a match end, satisfied that he had the softest job in the world.

Beyond the steel door was a long pa.s.sage that led to the Staff entrance to the Casino. At the door that led to the rear of the Casino and to a broad strip of tarmac where trucks arrived each morning delivering food, drink, cigarettes and other provisions for the restaurant, was a doorman.

Sid Regan, the doorman, was sixty-one years of age. In another four years he would have to retire. He had worked at the Casino for thirty-eight years. He was short, fat and bulky with an amiable, freckled face, thinning, greyish hair and small, humorous eyes. Regan loved his job. He regretted he was slowly but inevitably reaching the age when he would no longer work at the Casino. He was what is known as a character. This, perhaps, was kind. The younger members of the staff called him a G.o.ddam, yakiting, old bore.

The trouble with Regan was he had too many memories. He couldn't resist talking about the good old days. Few bothered to listen to him, but this didn't discourage him. He always managed to find some unwary person who, trapped by his guile, had to stand impatiently while he described with a wealth of detail the glories of the past.

This bulky, elderly man, who did his job well, who had given years of faithful service, represented Harry Lewis's most serious mistake with his staff. Regan had a very important job: to see no one should ever pa.s.s his gla.s.s box without being known or without he being absolutely sure of their credentials. Regan was proud of his responsibility, and this Maisky had discovered. Maisky had found out by listening to gossip that Regan liked to act on his own initiative. He disliked being told anything. He had held his job successfully for years . . . he wasn't a kid. Why should he be told what to do? Maisky was gambling on this att.i.tude of Regan's, and it was a successful gamble.

When Regan saw a small truck with the well-known I.B.M. letters painted on its sides pull up at the Staff entrance, he was puzzled, but not suspicious. He decided that something had gone wrong and Head Office had failed to alert him. He was thinking, as Jess Chandler got out of the truck, that those girls in the office were getting more and more inefficient.

Chandler had been well coached by Maisky. He walked up to the gla.s.s box, pushed his peaked cap to the back of his head and nodded to Regan.

"You have a breakdown in the vault," he said. "My G.o.ddam luck! I was right in the middle of a musical on the Telly when the call came through. What a time!" He handed a delivery note to Regan. "Let's snap it up, mister. You know about it, don't you?"

Maisky had impressed on Chandler to use this phrase. He had watched Regan as he had walked to and fro from the Casino to his home. He had seen him stop and talk to people and had seen their desperately bored expressions. He had come to the correct conclusion that Regan imagined that he was the Casino, and he felt certain that Regan would never admit to not knowing about such an important event as a calculator having broken down in the vault.

But his guess hung on a knife's edge. For a split second, Regan was in two minds whether to call the office for confirmation, then, knowing the office was shut and feeling hurt that no one had bothered to consult him, he accepted the delivery note, shifted his gla.s.ses to the end of his nose and studied it. This was in order. It had taken Maisky some days to get a printed form from I.B.M.'s local office, but he had got it.