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"I am perfectly willing to go to New Orleans." Catherine said.
"Do you suppose I would take you to a nest of yellow fever?" cried Morris. "Do you suppose I would expose you at such a time as this?"
"If there is yellow fever, why should you go? Morris, you must not go!"
"It is to make six thousand dollars," said Morris. "Do you grudge me that satisfaction?"
"We have no need of six thousand dollars. You think too much about money!"
"You can afford to say that? This is a great chance; we heard of it last night." And he explained to her in what the chance consisted; and told her a long story, going over more than once several of the details, about the remarkable stroke of business which he and his partner had planned between them.
But Catherine's imagination, for reasons best known to herself, absolutely refused to be fired. "If you can go to New Orleans, I can go," she said. "Why shouldn't you catch yellow fever quite as easily as I? I am every bit as strong as you, and not in the least afraid of any fever. When we were in Europe, we were in very unhealthy places; my father used to make me take some pills. I never caught anything, and I never was nervous. What will be the use of six thousand dollars if you die of a fever? When persons are going to be married they oughtn't to think so much about business. You shouldn't think about cotton, you should think about me. You can go to New Orleans some other time--there will always be plenty of cotton. It isn't the moment to choose--we have waited too long already." She spoke more forcibly and volubly than he had ever heard her, and she held his arm in her two hands.
"You said you wouldn't make a scene!" cried Morris. "I call this a scene."
"It's you that are making it! I have never asked you anything before. We have waited too long already." And it was a comfort to her to think that she had hitherto asked so little; it seemed to make her right to insist the greater now.
Morris bethought himself a little. "Very well, then; we won't talk about it any more. I will transact my business by letter." And he began to smooth his hat, as if to take leave.
"You won't go?" And she stood looking up at him.
He could not give up his idea of provoking a quarrel; it was so much the simplest way! He bent his eyes on her upturned face, with the darkest frown he could achieve. "You are not discreet. You mustn't bully me!"
But, as usual, she conceded everything. "No, I am not discreet; I know I am too pressing. But isn't it natural? It is only for a moment."
"In a moment you may do a great deal of harm. Try and be calmer the next time I come."
"When will you come?"
"Do you want to make conditions?" Morris asked. "I will come next Sat.u.r.day."
"Come to-morrow," Catherine begged; "I want you to come to-morrow. I will be very quiet," she added; and her agitation had by this time become so great that the a.s.surance was not becoming. A sudden fear had come over her; it was like the solid conjunction of a dozen disembodied doubts, and her imagination, at a single bound, had traversed an enormous distance. All her being, for the moment, centred in the wish to keep him in the room.
Morris bent his head and kissed her forehead. "When you are quiet, you are perfection," he said; "but when you are violent, you are not in character."
It was Catherine's wish that there should be no violence about her save the beating of her heart, which she could not help; and she went on, as gently as possible, "Will you promise to come to-morrow?"
"I said Sat.u.r.day!" Morris answered, smiling. He tried a frown at one moment, a smile at another; he was at his wit's end.
"Yes, Sat.u.r.day too," she answered, trying to smile. "But to-morrow first." He was going to the door, and she went with him quickly.
She leaned her shoulder against it; it seemed to her that she would do anything to keep him.
"If I am prevented from coming to-morrow, you will say I have deceived you!" he said.
"How can you be prevented? You can come if you will."
"I am a busy man--I am not a dangler!" cried Morris sternly.
His voice was so hard and unnatural that, with a helpless look at him, she turned away; and then he quickly laid his hand on the door- k.n.o.b. He felt as if he were absolutely running away from her. But in an instant she was close to him again, and murmuring in a tone none the less penetrating for being low, "Morris, you are going to leave me."
"Yes, for a little while."
"For how long?"
"Till you are reasonable again."
"I shall never be reasonable in that way!" And she tried to keep him longer; it was almost a struggle. "Think of what I have done!" she broke out. "Morris, I have given up everything!"
"You shall have everything back!"
"You wouldn't say that if you didn't mean something. What is it?-- what has happened?--what have I done?--what has changed you?"
"I will write to you--that is better," Morris stammered.
"Ah, you won't come back!" she cried, bursting into tears.
"Dear Catherine," he said, "don't believe that I promise you that you shall see me again!" And he managed to get away and to close the door behind him.
CHAPTER x.x.x
It was almost her last outbreak of pa.s.sive grief; at least, she never indulged in another that the world knew anything about. But this one was long and terrible; she flung herself on the sofa and gave herself up to her misery. She hardly knew what had happened; ostensibly she had only had a difference with her lover, as other girls had had before, and the thing was not only not a rupture, but she was under no obligation to regard it even as a menace. Nevertheless, she felt a wound, even if he had not dealt it; it seemed to her that a mask had suddenly fallen from his face. He had wished to get away from her; he had been angry and cruel, and said strange things, with strange looks. She was smothered and stunned; she buried her head in the cushions, sobbing and talking to herself. But at last she raised herself, with the fear that either her father or Mrs. Penniman would come in; and then she sat there, staring before her, while the room grew darker. She said to herself that perhaps he would come back to tell her he had not meant what he said; and she listened for his ring at the door, trying to believe that this was probable. A long time pa.s.sed, but Morris remained absent; the shadows gathered; the evening settled down on the meagre elegance of the light, clear-coloured room; the fire went out. When it had grown dark, Catherine went to the window and looked out; she stood there for half an hour, on the mere chance that he would come up the steps. At last she turned away, for she saw her father come in. He had seen her at the window looking out, and he stopped a moment at the bottom of the white steps, and gravely, with an air of exaggerated courtesy, lifted his hat to her. The gesture was so incongruous to the condition she was in, this stately tribute of respect to a poor girl despised and forsaken was so out of place, that the thing gave her a kind of horror, and she hurried away to her room. It seemed to her that she had given Morris up.
She had to show herself half an hour later, and she was sustained at table by the immensity of her desire that her father should not perceive that anything had happened. This was a great help to her afterwards, and it served her (though never as much as she supposed) from the first. On this occasion Dr. Sloper was rather talkative.
He told a great many stories about a wonderful poodle that he had seen at the house of an old lady whom he visited professionally.
Catherine not only tried to appear to listen to the anecdotes of the poodle, but she endeavoured to interest herself in them, so as not to think of her scene with Morris. That perhaps was an hallucination; he was mistaken, she was jealous; people didn't change like that from one day to another. Then she knew that she had had doubts before-- strange suspicions, that were at once vague and acute--and that he had been different ever since her return from Europe: whereupon she tried again to listen to her father, who told a story so remarkably well. Afterwards she went straight to her own room; it was beyond her strength to undertake to spend the evening with her aunt. All the evening, alone, she questioned herself. Her trouble was terrible; but was it a thing of her imagination, engendered by an extravagant sensibility, or did it represent a clear-cut reality, and had the worst that was possible actually come to pa.s.s? Mrs.
Penniman, with a degree of tact that was as unusual as it was commendable, took the line of leaving her alone. The truth is, that her suspicions having been aroused, she indulged a desire, natural to a timid person, that the explosion should be localised. So long as the air still vibrated she kept out of the way.
She pa.s.sed and repa.s.sed Catherine's door several times in the course of the evening, as if she expected to hear a plaintive moan behind it. But the room remained perfectly still; and accordingly, the last thing before retiring to her own couch, she applied for admittance.
Catherine was sitting up, and had a book that she pretended to be reading. She had no wish to go to bed, for she had no expectation of sleeping. After Mrs. Penniman had left her she sat up half the night, and she offered her visitor no inducement to remain. Her aunt came stealing in very gently, and approached her with great solemnity.
"I am afraid you are in trouble, my dear. Can I do anything to help you?"
"I am not in any trouble whatever, and do not need any help," said Catherine, fibbing roundly, and proving thereby that not only our faults, but our most involuntary misfortunes, tend to corrupt our morals.
"Has nothing happened to you?"
"Nothing whatever."
"Are you very sure, dear?"
"Perfectly sure."
"And can I really do nothing for you?"
"Nothing, aunt, but kindly leave me alone," said Catherine.