Villa Rubein, and Other Stories Part 43

My guest took up Jules's glove that lay on the table; before either of us could raise a finger, he had swung it in the speaker's face.

"Enough!" he said, and, dropping the glove, walked away.

We all jumped to our feet. I left Jules and hurried after him. His face was grim, his eyes those of a creature who has been struck on a raw place. He made a movement of his fingers which said plainly. "Leave me, if you please!"

I went back to the cafe. The two young men had disappeared, so had Jules, but everything else was going on just as before; the bandsman still tw.a.n.ging out his czardas; the waiters serving drinks; the orientals trying to sell their carpets. I paid the bill, sought out the manager, and apologised. He shrugged his shoulders, smiled and said: "An eccentric, your friend, nicht wahr?" Could he tell me where M. Le Ferrier was? He could not. I left to look for Jules; could not find him, and returned to my hotel disgusted. I was sorry for my old guest, but vexed with him too; what business had he to carry his Quixotism to such an unpleasant length? I tried to read. Eleven o'clock struck; the casino disgorged a stream of people; the Place seemed fuller of life than ever; then slowly it grew empty and quite dark. The whim seized me to go out.

It was a still night, very warm, very black. On one of the seats a man and woman sat embraced, on another a girl was sobbing, on a third--strange sight--a priest dozed. I became aware of some one at my side; it was my old guest.

"If you are not too tired," he said, "can you give me ten minutes?"

"Certainly; will you come in?"

"No, no; let us go down to the Terrace. I shan't keep you long."

He did not speak again till we reached a seat above the pigeon-shooting grounds; there, in a darkness denser for the string of lights still burning in the town, we sat down.

"I owe you an apology," he said; "first in the afternoon, then again this evening--your guest--your friend's glove! I have behaved as no gentleman should." He was leaning forward with his hands on the handle of a stick. His voice sounded broken and disturbed.

"Oh!" I muttered. "It's nothing!"'

"You are very good," he sighed; "but I feel that I must explain. I consider I owe this to you, but I must tell you I should not have the courage if it were not for another reason. You see I have no friend." He looked at me with an uncertain smile. I bowed, and a minute or two later he began....

III

"You will excuse me if I go back rather far. It was in '74, when I had been ill with Cuban fever. To keep me alive they had put me on board a ship at Santiago, and at the end of the voyage I found myself in London.

I had very little money; I knew n.o.body. I tell you, sir, there are times when it's hard for a fighting man to get anything to do. People would say to me: 'Afraid we've nothing for a man like you in our business.' I tried people of all sorts; but it was true--I had been fighting here and there since '60, I wasn't fit for anything--" He shook his head. "In the South, before the war, they had a saying, I remember, about a dog and a soldier having the same value. But all this has nothing to do with what I have to tell you." He sighed again and went on, moistening his lips: "I was walking along the Strand one day, very disheartened, when I heard my name called. It's a queer thing, that, in a strange street. By the way," he put in with dry ceremony, "you don't know my name, I think: it is Brune--Roger Brune. At first I did not recognise the person who called me. He had just got off an omnibus--a square-shouldered man with heavy moustaches, and round spectacles. But when he shook my hand I knew him at once. He was a man called Dalton, who was taken prisoner at Gettysburg; one of you Englishmen who came to fight with us--a major in the regiment where I was captain. We were comrades during two campaigns.

If I had been his brother he couldn't have seemed more pleased to see me. He took me into a bar for the sake of old times. The drink went to my head, and by the time we reached Trafalgar Square I was quite unable to walk. He made me sit down on a bench. I was in fact--drunk. It's disgraceful to be drunk, but there was some excuse. Now I tell you, sir"

(all through his story he was always making use of that expression, it seemed to infuse fresh spirit into him, to help his memory in obscure places, to give him the mastery of his emotions; it was like the piece of paper a nervous man holds in his hand to help him through a speech), "there never was a man with a finer soul than my friend Dalton. He was not clever, though he had read much; and sometimes perhaps he was too fond of talking. But he was a gentleman; he listened to me as if I had been a child; he was not ashamed of me--and it takes a gentleman not to be ashamed of a drunken man in the streets of London; G.o.d knows what things I said to him while we were sitting there! He took me to his home and put me to bed himself; for I was down again with fever." He stopped, turned slightly from me, and put his hand up to his brow. "Well, then it was, sir, that I first saw her. I am not a poet and I cannot tell you what she seemed to me. I was delirious, but I always knew when she was there. I had dreams of sunshine and cornfields, of dancing waves at sea, young trees--never the same dreams, never anything for long together; and when I had my senses I was afraid to say so for fear she would go away. She'd be in the corner of the room, with her hair hanging about her neck, a bright gold colour; she never worked and never read, but sat and talked to herself in a whisper, or looked at me for a long time together out of her blue eyes, a little frown between them, and her upper lip closed firm on her lower lip, where she had an uneven tooth.

When her father came, she'd jump up and hang on to his neck until he groaned, then run away, but presently come stealing back on tiptoe. I used to listen for her footsteps on the stairs, then the knock, the door flung back or opened quietly--you never could tell which; and her voice, with a little lisp, 'Are you better today, Mr. Brune? What funny things you say when you're delirious! Father says you've been in heaps of battles!"'

He got up, paced restlessly to and fro, and sat down again. "I remember every word as if it were yesterday, all the things she said, and did; I've had a long time to think them over, you see. Well, I must tell you, the first morning that I was able to get up, I missed her. Dalton came in her place, and I asked him where she was. 'My dear fellow,'

he answered, 'I've sent Eilie away to her old nurse's inn down on the river; she's better there at this time of year.' We looked at each other, and I saw that he had sent her away because he didn't trust me. I was hurt by this. Illness spoils one. He was right, he was quite right, for all he knew about me was that I could fight and had got drunk; but I am very quick-tempered. I made up my mind at once to leave him. But I was too weak--he had to put me to bed again. The very next morning he came and proposed that I should go into partnership with him. He kept a fencing-school and pistol-gallery. It seemed like the finger of G.o.d; and perhaps it was--who knows?" He fell into a reverie, and taking out his caporal, rolled himself a cigarette; having lighted it, he went on suddenly: "There, in the room above the school, we used to sit in the evenings, one on each side of the grate. The room was on the second floor, I remember, with two windows, and a view of nothing but the houses opposite. The furniture was covered up with chintz. The things on the bookshelf were never disturbed, they were Eilie's--half-broken cases with b.u.t.terflies, a dead frog in a bottle, a horse-shoe covered with tinfoil, some sh.e.l.ls too, and a cardboard box with three speckled eggs in it, and these words written on the lid: 'Missel-thrush from Lucy's tree--second family, only one blown.'" He smoked fiercely, with puffs that were like sharp sighs.

"Dalton was wrapped up in her. He was never tired of talking to me about her, and I was never tired of hearing. We had a number of pupils; but in the evening when we sat there, smoking--our talk would sooner or later--come round to her. Her bedroom opened out of that sitting--room; he took me in once and showed me a narrow little room the width of a pa.s.sage, fresh and white, with a photograph of her mother above the bed, and an empty basket for a dog or cat." He broke off with a vexed air, and resumed sternly, as if trying to bind himself to the narration of his more important facts: "She was then fifteen--her mother had been dead twelve years--a beautiful, face, her mother's; it had been her death that sent Dalton to fight with us. Well, sir, one day in August, very hot weather, he proposed a run into the country, and who should meet us on the platform when we arrived but Eilie, in a blue sun-bonnet and frock-flax blue, her favourite colour. I was angry with Dalton for not telling me that we should see her; my clothes were not quite--my hair wanted cutting. It was black then, sir," he added, tracing a pattern in the darkness with his stick. "She had a little donkey-cart; she drove, and, while we walked one on each side, she kept looking at me from under her sunbonnet. I must tell you that she never laughed--her eyes danced, her cheeks would go pink, and her hair shake about on her neck, but she never laughed. Her old nurse, Lucy, a very broad, good woman, had married the proprietor of the inn in the village there. I have never seen anything like that inn: sweethriar up to the roof! And the scent--I am very susceptible to scents!" His head drooped, and the cigarette fell from his hand. A train pa.s.sing beneath sent up a shower of sparks. He started, and went on: "We had our lunch in the parlour--I remember that room very well, for I spent the happiest days of my life afterwards in that inn.... We went into a meadow after lunch, and my friend Dalton fell asleep. A wonderful thing happened then. Eilie whispered to me, 'Let's have a jolly time.' She took me for the most glorious walk. The river was close by. A lovely stream, your river Thames, so calm and broad; it is like the spirit of your people. I was bewitched; I forgot my friend, I thought of nothing but how to keep her to myself. It was such a day! There are days that are the devil's, but that was truly one of G.o.d's. She took me to a little pond under an elm-tree, and we dragged it, we two, an hour, for a kind of tiny red worm to feed some creature that she had. We found them in the mud, and while she was bending over, the curls got in her eyes. If you could have seen her then, I think, sir, you would have said she was like the first sight of spring.... We had tea afterwards, all together, in the long gra.s.s under some fruit-trees. If I had the knack of words, there are things that I could say." He bent, as though in deference to those unspoken memories. "Twilight came on while we were sitting there. A wonderful thing is twilight in the country! It became time for us to go.

There was an avenue of trees close by--like a church with a window at the end, where golden light came through. I walked up and down it with her. 'Will you come again?' she whispered, and suddenly she lifted up her face to be kissed. I kissed her as if she were a little child. And when we said good-bye, her eyes were looking at me across her father's shoulder, with surprise and sorrow in them. 'Why do you go away?' they seemed to say.... But I must tell you," he went on hurriedly, "of a thing that happened before we had gone a hundred yards. We were smoking our pipes, and I, thinking of her--when out she sprang from the hedge and stood in front of us. Dalton cried out, 'What are you here for again, you mad girl?' She rushed up to him and hugged him; but when she looked at me, her face was quite different--careless, defiant, as one might say--it hurt me. I couldn't understand it, and what one doesn't understand frightens one."

IV

"Time went on. There was no swordsman, or pistol-shot like me in London, they said. We had as many pupils as we liked--it was the only part of my life when I have been able to save money. I had no chance to spend it.

We gave lessons all day, and in the evening were too tired to go out.

That year I had the misfortune to lose my dear mother. I became a rich man--yes, sir, at that time I must have had not less than six hundred a year.

"It was a long time before I saw Eilie again. She went abroad to Dresden with her father's sister to learn French and German. It was in the autumn of 1875 when she came back to us. She was seventeen then--a beautiful young creature." He paused, as if to gather his forces for description, and went on.

"Tall, as a young tree, with eyes like the sky. I would not say she was perfect, but her imperfections were beautiful to me. What is it makes you love--ah! sir, that is very hidden and mysterious. She had never lost the trick of closing her lips tightly when she remembered her uneven tooth. You may say that was vanity, but in a young girl--and which of us is not vain, eh? 'Old men and maidens, young men and children!'

"As I said, she came back to London to her little room, and in the evenings was always ready with our tea. You mustn't suppose she was housewifely; there is something in me that never admired housewifeliness--a fine quality, no doubt, still--" He sighed.

"No," he resumed, "Eilie was not like that, for she was never quite the same two days together. I told you her eyes were like the sky--that was true of all of her. In one thing, however, at that time, she always seemed the same--in love for her father. For me! I don't know what I should have expected; but my presence seemed to have the effect of making her dumb; I would catch her looking at me with a frown, and then, as if to make up to her own nature--and a more loving nature never came into this world, that I shall maintain to my dying day--she would go to her father and kiss him. When I talked with him she pretended not to notice, but I could see her face grow cold and stubborn. I am not quick; and it was a long time before I understood that she was jealous, she wanted him all to herself. I've often wondered how she could be his daughter, for he was the very soul of justice and a slow man too--and she was as quick as a bird. For a long time after I saw her dislike of me, I refused to believe it--if one does not want to believe a thing there are always reasons why it should not seem true, at least so it is with me, and I suppose with all selfish men.

"I spent evening after evening there, when, if I had not thought only of myself, I should have kept away. But one day I could no longer be blind.

"It was a Sunday in February. I always had an invitation on Sundays to dine with them in the middle of the day. There was no one in the sitting-room; but the door of Eilie's bedroom was open. I heard her voice: 'That man, always that man!' It was enough for me, I went down again without coming in, and walked about all day.

"For three weeks I kept away. To the school of course I came as usual, but not upstairs. I don't know what I told Dalton--it did not signify what you told him, he always had a theory of his own, and was persuaded of its truth--a very single-minded man, sir.

"But now I come to the most wonderful days of my life. It was an early spring that year. I had fallen away already from my resolution, and used to slink up--seldom, it's true--and spend the evening with them as before. One afternoon I came up to the sitting-room; the light was failing--it was warm, and the windows were open. In the air was that feeling which comes to you once a year, in the spring, no matter where you may be, in a crowded street, or alone in a forest; only once--a feeling like--but I cannot describe it.

"Eilie was sitting there. If you don't know, sir, I can't tell you what it means to be near the woman one loves. She was leaning on the windowsill, staring down into the street. It was as though she might be looking out for some one. I stood, hardly breathing. She turned her head, and saw me. Her eyes were strange. They seemed to ask me a question. But I couldn't have spoken for the world. I can't tell you what I felt--I dared not speak, or think, or hope. I have been in nineteen battles--several times in positions of some danger, when the lifting of a finger perhaps meant death; but I have never felt what I was feeling at that moment. I knew something was coming; and I was paralysed with terror lest it should not come!" He drew a long breath.

"The servant came in with a light and broke the spell. All that night I lay awake and thought of how she had looked at me, with the colour coming slowly up in her cheeks--

"It was three days before I plucked up courage to go again; and then I felt her eyes on me at once--she was making a 'cat's cradle' with a bit of string, but I could see them stealing up from her hands to my face.

And she went wandering about the room, fingering at everything. When her father called out: 'What's the matter with you, Elie?' she stared at him like a child caught doing wrong. I looked straight at her then, she tried to look at me, but she couldn't; and a minute later she went out of the room. G.o.d knows what sort of nonsense I talked--I was too happy.

"Then began our love. I can't tell you of that time. Often and often Dalton said to me: 'What's come to the child? Nothing I can do pleases her.' All the love she had given him was now for me; but he was too simple and straight to see what was going on. How many times haven't I felt criminal towards him! But when you're happy, with the tide in your favour, you become a coward at once...."

V

"Well, sir," he went on, "we were married on her eighteenth birthday. It was a long time before Dalton became aware of our love. But one day he said to me with a very grave look:

"'Eilie has told me, Brune; I forbid it. She's too young, and you're--too old!' I was then forty-five, my hair as black and thick as a rook's feathers, and I was strong and active. I answered him: 'We shall be married within a month!' We parted in anger. It was a May night, and I walked out far into the country. There's no remedy for anger, or, indeed, for anything, so fine as walking. Once I stopped--it was on a common, without a house or light, and the stars shining like jewels. I was hot from walking, I could feel the blood boiling in my veins--I said to myself 'Old, are you?' And I laughed like a fool. It was the thought of losing her--I wished to believe myself angry, but really I was afraid; fear and anger in me are very much the same. A friend of mine, a bit of a poet, sir, once called them 'the two black wings of self.' And so they are, so they are...! The next morning I went to Dalton again, and somehow I made him yield. I'm not a philosopher, but it has often seemed to me that no benefit can come to us in this life without an equal loss somewhere, but does that stop us? No, sir, not often....

"We were married on the 30th of June 1876, in the parish church. The only people present were Dalton, Lucy, and Lucy's husband--a big, red-faced fellow, with blue eyes and a golden beard parted in two. It had been arranged that we should spend the honeymoon down at their inn on the river. My wife, Dalton and I, went to a restaurant for lunch.

She was dressed in grey, the colour of a pigeon's feathers." He paused, leaning forward over the crutch handle of his stick; trying to conjure up, no doubt, that long-ago image of his young bride in her dress "the colour of a pigeon's feathers," with her blue eyes and yellow hair, the little frown between her brows, the firmly shut red lips, opening to speak the words, "For better, for worse, for richer, for poorer, in sickness and in health."

"At that time, sir," he went on suddenly, "I was a bit of a dandy. I wore, I remember, a blue frock-coat, with white trousers, and a grey top hat. Even now I should always prefer to be well dressed....

"We had an excellent lunch, and drank Veuve Clicquot, a wine that you cannot get in these days! Dalton came with us to the railway station. I can't bear partings; and yet, they must come.

"That evening we walked out in the cool under the aspen-trees. What should I remember in all my life if not that night--the young bullocks snuffling in the gateways--the campion flowers all lighted up along the hedges--the moon with a halo-bats, too, in and out among the stems, and the shadows of the cottages as black and soft as that sea down there.

For a long time we stood on the river-bank beneath a lime-tree. The scent of the lime flowers! A man can only endure about half his joy; about half his sorrow. Lucy and her husband," he went on, presently, "his name was Frank Tor--a man like an old Viking, who ate nothing but milk, bread, and fruit--were very good to us! It was like Paradise in that inn--though the commissariat, I am bound to say, was limited. The sweethriar grew round our bedroom windows; when the breeze blew the leaves across the opening--it was like a bath of perfume. Eilie grew as brown as a gipsy while we were there. I don't think any man could have loved her more than I did. But there were times when my heart stood still; it didn't seem as if she understood how much I loved her.

One day, I remember, she coaxed me to take her camping. We drifted down-stream all the afternoon, and in the evening pulled into the reeds under the willow-boughs and lit a fire for her to cook by--though, as a matter of fact, our provisions were cooked already--but you know how it is; all the romance was in having a real fire. 'We won't pretend,'

she kept saying. While we were eating our supper a hare came to our clearing--a big fellow--how surprised he looked! 'The tall hare,' Eilie called him. After that we sat by the ashes and watched the shadows, till at last she roamed away from me. The time went very slowly; I got up to look for her. It was past sundown. I called and called. It was a long time before I found her--and she was like a wild thing, hot and flushed, her pretty frock torn, her hands and face scratched, her hair down, like some beautiful creature of the woods. If one loves, a little thing will scare one. I didn't think she had noticed my fright; but when we got back to the boat she threw her arms round my neck, and said, 'I won't ever leave you again!'

"Once in the night I woke--a water-hen was crying, and in the moonlight a kingfisher flew across. The wonder on the river--the wonder of the moon and trees, the soft bright mist, the stillness! It was like another world, peaceful, enchanted, far holier than ours. It seemed like a vision of the thoughts that come to one--how seldom! and go if one tries to grasp them. Magic--poetry-sacred!" He was silent a minute, then went on in a wistful voice: "I looked at her, sleeping like a child, with her hair loose, and her lips apart, and I thought: 'G.o.d do so to me, if ever I bring her pain!' How was I to understand her? the mystery and innocence of her soul! The river has had all my light and all my darkness, the happiest days, and the hours when I've despaired; and I like to think of it, for, you know, in time bitter memories fade, only the good remain.... Yet the good have their own pain, a different kind of aching, for we shall never get them back. Sir," he said, turning to me with a faint smile, "it's no use crying over spilt milk.... In the neighbourhood of Lucy's inn, the Rose and Maybush--Can you imagine a prettier name? I have been all over the world, and nowhere found names so pretty as in the English country. There, too, every blade of gra.s.s; and flower, has a kind of pride about it; knows it will be cared for; and all the roads, trees, and cottages, seem to be certain that they will live for ever.... But I was going to tell you: Half a mile from the inn was a quiet old house which we used to call the 'Convent'--though I believe it was a farm. We spent many afternoons there, trespa.s.sing in the orchard--Eilie was fond of trespa.s.sing; if there were a long way round across somebody else's property, she would always take it. We spent our last afternoon in that orchard, lying in the long gra.s.s. I was reading Childe Harold for the first time--a wonderful, a memorable poem!

I was at that pa.s.sage--the bull-fight--you remember:

"'Thrice sounds the clarion; lo! the signal falls, The din expands, and expectation mute'