Venetian Life Part 10

There was likewise a vast concourse of people and traffic in indulgences at the church of Santa Maria della Carita (now the Academy of Fine Arts), on the anniversary of the day when Pope Alexander III., in 1177, flying from the Emperor Barbarossa, found refuge in that monastery.

[Footnote: Selvatico and Lazari in their admirable _Guida Artistica e Storica di Veneza_, say that the pope merely lodged in the monastery on the day when he signed the treaty of peace with Barbarossa.] He bestowed great privileges upon it, and the Venetians honored the event to the end of their national existence.

One of the rare occasions during the year when the Doge appeared officially in public after nightfall, was on St. Stephen's Day. He then repaired at dusk in his gilded barge, with splendid attendance of n.o.bles and citizens, to the island church of San Giorgio Maggiore, whither, in 1009, the body of St. Stephen was brought from Constantinople. On the first of May the Doge visited the Convent of the Virgins, (the convent building now forms part of the a.r.s.enal,) where the abbess presented him with a bouquet, and graceful and pleasing ceremonies took place in commemoration of the erection and endowment of the church. The head of the State also annually a.s.sisted at ma.s.s in St. Mark's, to celebrate the arrival in Venice of St. Isidore's body, which the Doge Domenico Michiel brought with him from the East, at the end of twenty-six years' war against the infidels; and, finally, after the year 1485, when the Venetians stole the bones of San Rocco from the Milanese, and deposited them in the newly finished Scuola di San Rocco, a ducal visit was annually paid to that edifice.

Two only of the national religious festivals yet survive the Republic,--that of the church of the Redentore on the Giudecca, and that of the church of the Salute on the Grand Ca.n.a.l,--both votive churches, built in commemoration of the city's deliverances from the pest in 1578 and 1630. In their general features the celebrations of the two holidays are much alike; but that of the Salute is the less important of the two, and is more entirely religious in its character. A bridge of boats is annually thrown across the Ca.n.a.lazzo, and on the day of the Purification, the people throng to the Virgin's shrine to express their grat.i.tude for her favor. This grat.i.tude was so strong immediately after the cessation of the pest in 1630, that the Senate, while the architects were preparing their designs for the present church, caused a wooden one to be built on its site, and consecrated with ceremonies of singular splendor. On the Festa del Redentore (the third Sunday of July) a bridge of boats crosses the great ca.n.a.l of the Giudecca, and vast throngs constantly pa.s.s it, day and night. But though the small tradesmen who deal in fried cakes, and in apples, peaches, pears, and other fruits, make intolerable uproar behind their booths on the long quay before the church; though the venders of mulberries (for which the gardens of the Giudecca are famous) fill the air with their sweet jargoning (for their cries are like the shrill notes of so many singing-birds); though thousands of people pace up and down, and come and go upon the bridge, yet the Festa del Redentore has now none of the old-time gayety it wore when the Venetians thronged the gardens, and feasted, sang, danced, and flirted the night away, and at dawn went in their fleets of many-lanterned boats, covering the lagoon with fairy light, to behold the sunrise on the Adriatic Sea.

Besides the religious festivals mentioned, there were five banquets annually given by the State on the several days of St. Mark, St. Vitus, St. Jerome, and St. Stephen, and the Day of the Ascension, all of which were attended with religious observances. Good Friday was especially hallowed by church processions in each of the campos; and St. Martha's Day was occasion for junketings on the Giudecca Ca.n.a.l, when a favorite fish, being in season, was devotionally eaten.

The civil and political holidays which lasted till the fall of the Republic were eleven. One of the earliest was the anniversary of the recapture of the Venetian Brides, who were s.n.a.t.c.hed from their bridegrooms, at the altar of San Pietro di Castello, by Triestine pirates. The cla.s.s of citizens most distinguished in the punishment of the abductors was the trade of carpenters, who lived chiefly in the parish of Santa Maria Formosa; and when the Doge in his grat.i.tude bade them demand any reasonable grace, the trade asked that he should pay their quarter an annual visit. "But if it rains?" said the Doge. "We will give you a hat to cover you," answered the carpenters. "And if I am hungry?" "We will give you to eat and drink." So when the Doge made his visit on the day of the Virgin's Purification, he was given a hat of gilded straw, a bottle of wine, and loaves of bread. On this occasion the State bestowed dowers upon twelve young girls among the fairest and best of Venice (chosen two from each of the six sections of the city), who marched in procession to the church of Santa Maria Formosa. But as time pa.s.sed, the custom lost its simplicity and purity: pretty girls were said to make eyes at handsome youths in the crowd, and scandals occurred in public. Twelve wooden figures were then subst.i.tuted, but the procession in which they were carried was followed by a disgusted and hooting populace, and a.s.sailed with a shower of turnips.

The festivities, which used to last eight days, with incredible magnificence, fell into discredit, and were finally abolished during the war when the Genoese took Chioggia and threatened Venice, under Doria.

This was the famous Festa delle Marie.

In 997 the Venetians beat the Narentines at sea, and annexed all Istria, as far as Dalmatia, to the Republic. On the day of the Ascension, of the same year, the Doge, for the first time, celebrated the dominion of Venice over the Adriatic, though it was not till some two hundred years later that the Pope Alexander III. blessed the famous espousals, and confirmed the Republic in the possession of the sea forever. "What,"

cries Giustina Renier-Michiel, turning to speak of the holiday thus established, and destined to be the proudest in the Venetian calendar,--"what shall I say of the greatest of all our solemnities, that of the Ascension? Alas! I myself saw Frenchmen and Venetians, full of derision and insult, combine to dismantle the Bucintoro and burn it for the gold upon it!" [Footnote: That which follows is a translation of the report given by Cesare Cantu, in his _Grande Ill.u.s.trazione del Lombardo-Veneto_, of a conversation with the author of _Feste Veneziane_. It is not necessary to remind readers of Venetian history that Renier and Michiel were of the foremost names in the Golden Book.

She who bore them both was born before the fall of the Republic which she so much loved and lamented, and no doubt felt more than the grief she expresses for the fate of the last Bucintoro. It was destroyed, as she describes, in 1796, by the French Republicans and Venetian Democrats after the abdication of the oligarchy; but a fragment of its mast yet remains, and is to be seen in the museum of the a.r.s.enal.].... (This was the nuptial-ship in which the Doge went to wed the sea, and the patriotic lady tells us concerning the Bucintoro of her day): "It was in the form of a galley, and two hundred feet long, with two decks.

The first of these was occupied by an hundred and sixty rowers, the handsomest and strongest of the fleet, who sat four men to each oar, and there awaited their orders; forty other sailors completed the crew. The upper deck was divided lengthwise by a part.i.tion, pierced with arched doorways, ornamented with gilded figures, and covered with a roof supported by caryatides--the whole surmounted by a canopy of crimson velvet embroidered with gold. Under this were ninety seats, and at the stern a still richer chamber for the Doge's throne, over which drooped the banner of St. Mark. The prow was double-beaked, and the sides of the vessel were enriched with figures of Justice, Peace, Sea, Land, and other allegories and ornaments.

"Let me imagine those times--it is the habit of the old. At midday, having heard ma.s.s in the chapel of the Collegio, the Doge descends the Giant's Stairs, issues from the Porta della Carta, [Footnote: The gate of the Ducal Palace which opens upon the Piazzetta next St. Mark's.] and pa.s.ses the booths of the mercers and gla.s.s-venders erected for the fair beginning that evening. He is preceded by eight standard-bearers with the flags of the Republic,--red, blue, white, and purple,--given by Alexander III. to the Doge Ziani. Six trumpets of silver, borne by as many boys, mix their notes with the clangor of the bells of the city.

Behind come the retinues of the amba.s.sadors in sumptuous liveries, and the fifty Comandadori in their flowing blue robes and red caps; then follow musicians, and the squires of the Doge in black velvet; then the guards of the Doge, two chancellors, the secretary of the Pregadi, a deacon clad in purple and bearing a wax taper, six canons, three parish priests in their sacerdotal robes, and the Doge's chaplain dressed in crimson. The grand chancellor is known by his crimson vesture. Two squires bear the Doge's chair and the cushion of cloth of gold. And the Doge--the representative, and not the master of his country; the executor, and not the maker of the laws; citizen and prince, revered and guarded, sovereign of individuals, servant of the State--comes clad in a long mantle of ermine, ca.s.sock of blue, and vest and hose of _tocca d'oro_ [Footnote: A gauze of gold and silk.] with the golden bonnet on his head, under the umbrella borne by a squire, and surrounded by the foreign amba.s.sadors and the papal nuncio, while his drawn sword is carried by a patrician recently destined for some government of land or sea, and soon to depart upon his mission. In the rear comes a throng of personages,--the grand captain of the city, the judges, the three chiefs of the Forty, the AvoG.o.dori, the three chiefs of the Council of Ten, the three censors, and the sixty of the Senate with the sixty of the Aggiunta, all in robes of crimson silk.

"On the Bucintoro, each takes the post a.s.signed him, and the prince ascends the throne. The Admiral of the a.r.s.enal and the Lido stands in front as pilot; at the helm is the Admiral of Malamacco, and around him the ship-carpenters of the a.r.s.enal. The Bucintoro, amid redoubled clamor of bells and roar of cannon, quits the riva and majestically plows the lagoon, surrounded by innumerable boats of every form and size.

"The Patriarch, who had already sent several vases of flowers to do courtesy to the company in the Bucintoro, joins them at the island of Sant' Elena, and sprinkles their course with holy water. So they reach the port of Lido, whence they formerly issued out upon the open sea; but in my time they paused there, turning the stern of the vessel to the sea. Then the Doge, amid the thunders of the artillery of the fort, took the ring blessed by the Patriarch,--who now emptied a cup of holy water into the sea,--and, advancing into a little gallery behind his throne, threw the ring into the waves, p.r.o.nouncing the words, _Desponsamus te, mare, in signum veri perpetuique dominii_. Proceeding then to the church of San Nicoletto, they listened to a solemn ma.s.s, and returned to Venice, where the dignitaries were entertained at a banquet, while the mult.i.tude peacefully dispersed among the labyrinths of the booths erected for the fair." [Footnote: One of the sops thrown to the populace on this occasion, as we learn from Mutinelli, was the admission to the train of gilded barges following the Bucintoro of a boat bearing the chief of the Nicolotti, one of the factions into which from time immemorial the lower cla.s.ses of Venice had been divided. The distinction between the two parties seems to have been purely geographical; for there is no apparent reason why a man should have belonged to the Castellani except that he lived in the eastern quarter of the city, or to the Nicolotti, except that he lived in the western quarter. The government encouraged a rivalry not dangerous to itself, and for a long time the champions of the two sections met annually and beat each other with rods. The form of contest was afterwards modified, and became a struggle for the possession of certain bridges, in which the defeated were merely thrown into the ca.n.a.ls. I often pa.s.sed the scene of the fiercest of these curious battles at San Barnaba, where the Ponte de Pugni is adorned with four feet of stone let into the pavement, and defying each other from the four corners of the bridge. Finally, even these contests were given up and the Castellani and Nicolotti spent their rivalry in marvelous acrobatic feats.] This fair, which was established as early as 1180, was an industrial exhibition of the arts and trades peculiar to Venice, and was repeated annually, with increasing ostentation, till the end, in 1796. Indeed, the feasts of the Republic at last grew so numerous that it became necessary, as we have seen before, to make a single holiday pay a double or triple debt of rejoicing. When the Venetians recovered Chioggia after the terrible war of 1380, the Senate refused to yield them another _festa_, and merely ordered that St. Mark's Day should be thereafter observed with some added ceremony: there was already one festival commemorative of a triumph over the Genoese (that of San Giovanni Decollate, on whose day, in 1358, the Venetians beat the Genoese at Negroponte), and the Senate declared that this was sufficient. A curious custom, however, on the Sunday after Ascension, celebrated a remoter victory over the same enemies, to which it is hard to attach any historic probability. It is not known exactly when the Genoese in immense force penetrated to Poveglia (one of the small islands of the lagoons), nor why being there they stopped to ask the islanders the best way of getting to Venice.

But tradition says that the sly Povegliesi persuaded these silly Genoese that the best method of navigating the lagoons was by means of rafts, which they constructed for them, and on which they sent them afloat.

About the time the Venetians came out to meet the armada, the withes binding the members of the rafts gave way, and the Genoese who were not drowned in the tides stuck in the mud, and were cut in pieces like so many melons. No one will be surprised to learn that not a soul of them escaped, and that only the Povegliesi lived to tell the tale. Special and considerable privileges were conferred on them for their part in this exploit, and were annually confirmed by the Doge, when a deputation of the islanders called on him in his palace, and hugged and kissed the devoted prince.

People who _will_ sentimentalize over the pigeons of St. Mark's, may like to know that they have been settled in the city ever since 877.

After the religious services on Palm Sunday, it was anciently the custom of the sacristans of St. Mark's to release doves fettered with fragments of paper, and thus partly disabled from flight, for the people to scramble for in the Piazza. The people fatted such of the birds as they caught, and ate them at Easter, but those pigeons which escaped took refuge in the roof of the church, where they gradually a.s.sumed a certain sacredness of character, and increased to enormous numbers. They were fed by provision of the Republic, and being neglected at the time of its fall, many of them were starved. But they now flourish on a bequest left by a pious lady for their maintenance, and on the largess of grain and polenta constantly bestowed by strangers. Besides the holidays mentioned, the 6th of December was religiously observed in honor of the taking of Constantinople, the Doge a.s.sisting at ma.s.s in the ducal chapel of St. Nicholas. He also annually visited, with his Signory in the state barges, and with great concourse of people, the church of San Vito on the 15th of June, in memory of the change of the government from a democracy to an oligarchy, and of the suppression of Bajamonte Tiepolo's conspiracy. On St. Isidore's Day he went with his Signory, and the religious confraternities, in torchlight procession, to hear ma.s.s at St.

Mark's in celebration of the failure of Marin Falier's plot. On the 17th of January he visited by water the hospital erected for invalid soldiers and sailors, and thus commemorated the famous defence of Scutari against the Turks, in 1413. For the peace of 1516, concluded after the dissolution of the League of Cambray, he went in his barge to the church of Santa Marina, who had potently exerted her influence for the preservation of the Republic against allied France, Austria, Spain, and Rome. On St. Jerome's Day, when the newly-elected members of the Council of Ten took their seats, the Doge entertained them with a banquet, and there were great popular rejoicings over an affair in which the people had no interest.

It is by a singular caprice of fortune that, while not only all the Venetian holidays in anywise connected with the glory of the Republic, but also those which peculiarly signalized her piety and grat.i.tude, have ceased to be, a festival common to the whole Catholic world should still be observed in Venice with extraordinary display. On the day of Corpus Christi there is a superb ecclesiastical procession in the Piazza.

The great splendor of the solemnization is said to date from the times when Enrico Dandolo and his fellow-Crusaders so far forgot their purpose of taking Palestine from the infidels as to take Constantinople from the schismatics. Up to that period the day of Corpus Christi was honored by a procession from what was then the Cathedral of San Pietro di Castello; but now all the thirty parishes of the city, with their hundred churches, have part in the procession, which is of such great length as to take some two hours in its progress round the Piazza.

Several days before the holiday workmen begin to build, within the Place of St. Mark, the colonnade through which the procession is to pa.s.s; they roof it with blue cotton cloth, and adorn it with rolls of pasteboard representing garlands of palm. At last, on the festive morning, the dwellers on the Grand Ca.n.a.l are drawn to their balconies by the apparition of boat-loads of facchini, gorgeous in scarlet robes, and bearing banners, painted candles, and other movable elements of devotion, with which they pa.s.s to the Piazzetta, and thence into St.

Mark's. They re-appear presently, and, with a guard of Austrian troops to clear the way before them, begin their march under the canopy of the colonnade.

When you have seen the Place of St. Mark by night your eye has tasted its most delicate delight, but then it is the delight given by a memory only, and it touches you with sadness. You must see the Piazza to-day,--every window fluttering with rich stuffs and vivid colors; the three great flag staffs [Footnote: Once bearing the standards of Cyprus, Candia, and Venice.] hanging their heavy flags; the brilliant square alive with a holiday population, with resplendent uniforms, with Italian gesture and movement, and that long glittering procession, bearing slowly on the august paraphernalia of the Church--you must see all this before you can enter into the old heart of Venetian magnificence, and feel its life about you.

To-day, the ancient church of San Pietro di Castello comes first in the procession, and, with a proud humility, the Basilica San Marco last.

Before each parochial division goes a banner displaying the picture or distinctive device of its t.i.tular saint, under the shadow of which chants a priest; there are the hosts of the different churches, and the gorgeous canopies under which they are elevated; then come facchini dressed in scarlet and bearing the painted candles, or the long carved and gilded candlesticks; and again facchini delicately robed in vestments of the purest white linen, with caps of azure, green, and purple, and shod with sandals or white shoes, carrying other apparatus of worship. Each banner and candlestick has a fluttering leaf of tinsel paper attached to it, and the procession makes a soft rustling as it pa.s.ses. The matter-of-fact character of the external Church walks between those symbolists, the candle-bearers,--in the form of persons who gather the dropping fatness of the candles, and deposit it in a vase carried for that purpose. Citizens march in the procession with candles; and there are charity-schools which also take part, and sing in the harsh, shrill manner, of which I think only little boys who have their heads closely shorn are capable.

On all this we looked down from a window of the Old Procuratie--of course with that calm sense of superiority which people are apt to have in regarding the solemnities of a religion different from their own.

But that did not altogether prevent us from enjoying what was really beautiful and charming in the scene. I thought most of the priests, very good and gentle looking,--and in all respects they were much pleasanter to the eye than the monks of the Carmelite order, who, in shaving their heads to simulate the Saviour's crown of thorns, produce a hideous burlesque of the divine humiliation. Yet many even of these had earnest and sincere faces, and I could not think so much as I ought, perhaps, of their idle life, and the fleas in their coa.r.s.e brown cloaks. I confess, indeed, I felt rather a sadness than an indignation at all that self-sacrifice to an end of which I could but dimly see the usefulness.

With some things in this grand spectacle we were wholly charmed, and doubtless had most delight in the little child who personated John the Baptist, and who was quite naked, but for a fleece folded about him: he bore the cross-headed staff in one small hand, and led with the other a lamb much tied up with blue ribbon. Here and there in the procession little girls, exquisitely dressed, and gifted by fond mothers with wings and aureoles, walked, scattering flowers. I likewise greatly relished the lively holiday air of a company of airy old men, the pensioners of some charity, who, in their white linen trousers and blue coats, formed a prominent feature of the display. Far from being puffed up with their consequence, they gossiped cheerfully with the spectators in the pauses of the march, and made jests to each other in that light-hearted, careless way observable in old men taken care of, and with nothing before them to do worth speaking of but to die. I must own that the honest facchini who bore the candles were equally affable, and even freer with their jokes. But in this they formed a fine contrast to here and there a closely hooded devotee, who, with hidden face and silent lips, was carrying a taper for religion, and not, like them, for money.

I liked the great good-natured crowd, so orderly and amiable; and I enjoyed even that old citizen in the procession who, when the Patriarch gave his blessing, found it inconvenient to kneel, and compromised by stretching one leg a great way out behind him. These things, indeed, quite took my mind off of the splendors; and I let the canopy of the Scuola di San Rocco (worth 40,000 ducats) go by with scarce a glance, and did not bestow much more attention upon the brilliant liveries of the Patriarch's servants,--though the appearance of these ecclesiastical flunkies is far more impressive than that of any of their secular brethren. They went gorgeously before the Patriarch, who was surrounded by the richly dressed clergy of St. Mark's, and by clouds of incense rising from the smoking censers. He walked under the canopy in his cardinal's robes, and with his eye fixed upon the Host.

All at once the procession halted, and the Patriarch blessed the crowd, which knelt in a profound silence. Then the military band before him struck up an air from "Un Ballo in Maschera;" the procession moved on to the cathedral, and the crowd melted away.

The once-magnificent day of the Ascension the Venetians now honor by closing all shop-doors behind them and putting all thought of labor out of their minds, and going forth to enjoy themselves in the mild, inexplosive fashion which seems to satisfy Italian nature. It is the same on all the feast-days: then the city sinks into profounder quiet; only bells are noisy, and where their clangor is so common as in Venice, it seems at last to make friends with the general stillness, and disturbs none but people of untranquil minds. We always go to the Piazza San Marco when we seek pleasure, and now, for eight days only of all the year, we have there the great spectacle of the Adoration of the Magi, performed every hour by automata within the little golden-railed gallery on the facade of the Giant's Clock Tower. There the Virgin sits above the azure circle of the zodiac, all heavily gilded, and holding the Child, equally splendid. Through the doors on either side, usually occupied by the illuminated figures of the hours, appears the procession and disappears. The stately giant on the summit of the tower, at the hither side of the great bell, solemnly strikes the hour--as a giant should who has struck it for centuries--with a grand, whole-arm movement, and a slow, muscular pride. We look up--we tourists of the red-backed books; we peasant-girls radiant with converging darts of silver piercing the ma.s.ses of our thick black hair; we Austrian soldiers in white coats and blue tights; we voiceful sellers of the cherries of Padua, and we calm loafers about the many-pillared base of the church--we look up and see the Adoration. First, the trumpeter, blowing the world news of the act; then the first king, turning softly to the Virgin, and bowing; then the second, that enthusiastic devotee,--the second who lifts his crown quite from his head; last the Ethiopian prince, gorgeous in green and gold, who, I am sorry to say, burlesques the whole solemnity. His devotion may be equally heart-felt, but it is more jerky than that of the others. He bows well and adequately, but recovers his balance with a prodigious start, altogether too suggestive of springs and wheels. Perhaps there is a touch of the pathetic in this grotesque fatality of the black king, whose suffering race has always held mankind between laughter and tears, and has seldom done a fine thing without leaving somewhere the neutralizing absurdity; but if there is, the sentimental may find it, not I. When the procession has disappeared, we wait till the other giant has struck the hour, and then we disperse.

If it is six o'clock, and the sea has begun to breathe cool across the Basin of St. Mark, we find our account in strolling upon the long Riva degli Schiavoni towards the Public Gardens. One would suppose, at first thought, that here, on this magnificent quay, with its glorious lookout over the lagoons, the patricians would have built their finest palaces; whereas there is hardly any thing but architectural shabbiness from the Ponte della Paglia at one end, to the Ponte Santa Marina at the other.

But there need be nothing surprising in the fact, after all. The feudal wealth and n.o.bility of other cities kept the base at a respectful distance by means of lofty stone walls, and so shut in their palaces and gardens. Here equal seclusion could only be achieved by building flush upon the water, and therefore all the finest palaces rise sheer from the ca.n.a.ls; and caffe, shops, barracks, and puppet-shows occupy the Riva degli Schiavoni. Nevertheless, it is the favorite promenade of the Venetians for the winter sunshine, and at such times in the summer as when the sun's rage is tempered. There is always variety in the throng on the Riva, but the fashionable part of it is the least interesting: here and there a magnificent Greek flashes through the crowd, in dazzling white petticoats and gold-embroidered leggings and jacket; now and then a tall Dalmat or a solemn Turk; even the fishermen and the peasants, and the lower orders of the people, are picturesque; but polite Venice is hopelessly given to the pride of the eyes, and commits all the excesses of the French modes. The Venetian dandy, when dressed to his own satisfaction, is the worst-dressed man in the world. His hat curls outrageously in brim and sides; his coatsleeves are extremely full, and the garment pinches him at the waist; his pantaloons flow forth from the hips, and contract narrowly at the boot, which is square-toed and made too long. The whole effect is something not to be seen elsewhere, and is well calculated to move the beholder to desperation. [Footnote: These exaggerations of the fashions of 1862 have been succeeded by equal travesties of the present modes.] The Venetian fine lady, also, is p.r.o.ne to be superfine. Her dress is as full of color as a Paolo Veronese; in these narrow streets, where it is hard to expand an umbrella, she exaggerates hoops to the utmost; and she fatally hides her ankles in pantalets.

In the wide thoroughfare leading from the last bridge of the Riva to the gate of the gardens there is always a clapping of wooden shoes on the stones, a braying of hand-organs, a shrieking of people who sell fish and fruit, at once insufferable and indescribable. The street is a _rio terra_,--a filled-up ca.n.a.l,--and, as always happens with _rii terrai_, is abandoned to the poorest cla.s.ses who manifest themselves, as the poorest cla.s.ses are apt to do always, in groups of frowzy women, small girls carrying large babies, beggars, of course, and soldiers. I spoke of fruit-sellers; but in this quarter the traffic in pumpkin-seeds is the most popular,--the people finding these an inexpensive and pleasant excess, when taken with a gla.s.s of water flavored with anise.

The Gardens were made by Napoleon, who demolished to that end some monasteries once c.u.mbering the ground. They are pleasant enough, and are not gardens at all, but a park of formally-planted trees--sycamores, chiefly. I do not remember to have seen here any Venetians of the better cla.s.s, except on the Mondays-of-the-Garden, in September. Usually the promenaders are fishermen, Austrian corporals, loutish youth of low degree, and women too old and too poor to have any thing to do.

Strangers go there, and the German visitors even drink the exceptionable beer which is sold in the wooden cottage on the little hillock at the end of the Gardens. There is also a stable--where are the only horses in Venice. They are let at a florin an hour, and I do not know why the riders are always persons of the Hebrew faith. In a word, nothing can be drearier than the company in the Gardens, and nothing lovelier than the view they command,--from the sunset on the dome of the church of the Salute, all round the broad sweep of lagoon, to the tower at the port of San Nicol, where you catch a glimpse of the Adriatic.

The company is commonly stupid, but one evening, as we strolled idly through the walks, we came upon an interesting group--forty or fifty sailors, soldiers, youth of the people, gray-haired fishermen and contadini--sitting and lying on the gra.s.s, and listening with rapt attention to an old man reclining against a tree. I never saw a manner of sweeter or easier dignity than the speaker's. Nature is so lavish of her grace to these people that grow near her heart--the sun! Infinite study could not have taught one northern-born the charm of oratory as this old man displayed it. I listened, and heard that he was speaking Tuscan. Do you guess with what he was enchanting his simple auditors?

Nothing less than "Orlando Furioso." They listened with the hungriest delight, and when Ariosto's interpreter raised his finger and said, "Disse l'imperatore," or, "Orlando disse, Carlomano mio," they hardly breathed.

On the _Luned dei Giardini_, already mentioned, all orders of the people flock thither, and promenade, and banquet on the gra.s.s. The trees get back the voices of their dryads, and the children fill the aisles with glancing movement and graceful sport.

Of course, the hand-organ seeks here its proper element, the populace,--but here it brays to a peculiarly beautiful purpose. For no sooner does it sound than the young girls of the people wreathe themselves into dances, and improvise the poetry of motion. Over the gra.s.s they whirl, and up and down the broad avenues, and no one of all the gentle and peaceable crowd molests or makes them afraid. It is a scene to make you believe in Miriam dancing with Donatello there in that old garden at Rome, and reveals a simple beauty in the nature of the Italian poor, which shall one day, I hope, be counted in their favor when they are called to answer for lying and swindling.

CHAPTER XVIII.

CHRISTMAS HOLIDAYS.

It often happens, even after the cold has announced itself in Venice, that the hesitating winter lingers in the Tyrol, and a mellow Indian-summer weather has possession of the first weeks of December.

There was nothing in the December weather of 1863 to remind us Northerners that Christmas was coming. The skies were as blue as those of June, the sun was warm, and the air was bland, with only now and then a trenchant breath from the Alps, coming like a delicate sarcasm from loveliness unwilling to be thought insipidly amiable. But if there was no warning in the weather, there were other signs of Christmas-time not to be mistaken: a certain foolish leaping of the heart in one's own breast, as if the dead raptures of childhood were stirred in their graves by the return of the happy season; and in Venice, in weary, forlorn Venice, there was the half-unconscious tumult, the expectant bustle which cities feel at the approach of holidays. The little shops put on their gayest airs; there was a great clapping and hammering on the stalls and booths which were building in the campos; the street-cries were more shrill and resonant than ever, and the air was shaken with the continual clangor of the church bells. All this note of preparation is rather bewildering to strangers, and is apt to disorder the best-disciplined intentions of seeing Christmas as the Venetians keep it. The public observance of the holiday in the churches and on the streets is evident and accessible to the most transient sojourner; but it is curious proof of the difficulty of knowledge concerning the in-door life and usages of the Italians, that I had already spent two Christmases in Venice without learning any thing of their home celebration of the day. Perhaps a degree of like difficulty attends like inquiry everywhere, for the happiness of Christmas contracts the family circle more exclusively than ever around the home hearth, or the domestic scaldino, as the case may be. But, at any rate, I was quite ready to say that the observance of Christmas in Venice was altogether public, when I thought it a measure of far-sighted prudence to consult my barber.

In all Latin countries the barber is a source of information, which, skillfully tapped, pours forth in a stream of endless gossip and local intelligence. Every man talks with his barber; and perhaps a lingering dignity clings to this artist from his former profession of surgeon: it is certain the barber here prattles on with a freedom and importance perfectly admitted and respected by the interlocutory count under his razor. Those who care to know how things pa.s.sed in an Italian barber shop three hundred years ago, may read it in Miss Evans's "Romola;"

those who are willing to see Nello alive and carrying on his art in Venice at this day, must go to be shaved at his shop in the Frezzaria.

Here there is a continual exchange of gossip, and I have often listened with profit to the sage and piquant remarks of the head barber and chief _ciarlone_, on the different events of human life brought to his notice.

His shop is well known as a centre of scandal, and I have heard a fair Venetian declare that she had cut from her list all acquaintance who go there, as persons likely to become infected with the worst habits of gossip.

To this Nello, however, I used to go only when in the most brilliant humor for listening, and my authority on Christmas observances is another and humbler barber, but not less a babbler, than the first. By birth, I believe, he is a Mantuan, and he prides himself on speaking Italian instead of Venetian. He has a defective eye, which obliges him to tack before bringing his razor to bear, but which is all the more favorable to conversation. On the whole, he is flattered to be asked about Christmas in Venice, and he first tells me that it is one of the chief holidays of the year:--

"It is then, Signore, that the Venetians have the custom to make three sorts of peculiar presents: Mustard, Fish, and Mandorlato. You must have seen the mustard in the shop windows: it is a thick conserve of fruits, flavored with mustard; and the mandorlato is a candy made of honey, and filled with almonds. Well, they buy fish, as many as they will, and a vase of mustard, and a box of mandorlato, and make presents of them, one family to another, the day before Christmas. It is not too much for a rich family to present a hundred boxes of mandorlato and as many pots of mustard. These are exchanged between friends in the city, and Venetians also send them to acquaintance in the country, whence the gift is returned in cakes and eggs at Easter. Christmas Eve people invite each other to great dinners, and eat and drink, and make merry; but there are only fish and vegetables, for it is a meagre day, and meats are forbidden. This dinner lasts so long that, when it is over, it is almost time to so to midnight ma.s.s, which all must attend, or else hear three ma.s.ses on the morrow; and no doubt it was some delinquent who made our saying,--'Long as a Christmas ma.s.s.' On Christmas Day people dine at home, keeping the day with family reunions. But the day after! Ah-heigh!

That is the first of Carnival, and all the theatres are opened, and there is no end to the amus.e.m.e.nts--or was not, in the old time. Now, they never begin. A week later comes the day of the Lord's Circ.u.mcision, and then the next holiday is Easter. The Nativity, the Circ.u.mcision, and the Resurrection--behold! these are the three mysteries of the Christian faith. Of what religion are the Americans, Signore?"

I think I was justified in answering that we were Christians. My barber was politely surprised. "But there are so many different religions," he said, in excuse.

On the afternoon before Christmas I walked through the thronged Merceria to the Rialto Bridge, where the tumultuous mart which opens at Piazza San Marco culminates in a deafening uproar of bargains. At this time the Merceria, or street of the shops, presents the aspect of a fair, and is arranged with a tastefulness and a cunning ability to make the most of every thing, which are seldom applied to the abundance of our fairs at home. The shops in Venice are all very small, and the streets of lofty houses are so narrow and dark, that whatever goods are not exposed in the shop-windows are brought to the door to be clamored over by purchasers; so that the Merceria is roused by unusual effort to produce a more p.r.o.nounced effect of traffic and noise than it always wears; but now the effort had been made and the effect produced. The street was choked with the throngs, through which all sorts of peddlers battled their way and cried their wares. In Campo San Bartolomeo, into which the Merceria expands, at the foot of Rialto Bridge, holiday traffic had built enormous barricades of stalls, and entrenched itself behind booths, whence purchasers were a.s.sailed with challenges to buy bargains.

More than half the campo was paved with crockery from Rovigo and gla.s.s-ware from Murano; clothing of every sort, and all kinds of small household wares, were offered for sale; and among the other booths, in the proportion of two to one, were stalls of the inevitable Christmas mustard and mandorlato.

But I cared rather for the crowd than what the crowd cared for. I had been long ago obliged to throw aside my preconceived notions of the Italian character, though they were not, I believe, more absurd than the impressions of others who have never studied Italian character in Italy.

I hardly know what of bacchantic joyousness I had not attributed to them on their holidays: a people living in a mild climate under such a lovely sky, with wine cheap and abundant, might not unreasonably have been expected to put on a show of the greatest jollity when enjoying themselves. Venetian crowds are always perfectly gentle and kindly, but they are also as a whole usually serious; and this Christmas procession, moving up and down the Merceria, and to and fro between the markets of Rialto, was in the fullest sense a solemnity. It is true that the scene was dramatic, but the drama was not consciously comic. Whether these people bought or sold, or talked together, or walked up and down in silence, they were all equally in earnest. The crowd, in spite of its noisy bustle and pa.s.sionate uproar, did not seem to me a blithe or light-hearted crowd. Its sole activity was that of traffic, for, far more dearly than any Yankee, a Venetian loves a bargain, and puts his whole heart into upholding and beating down demands.

Across the Bridge began the vegetable and fruit market, where whole Hollands of cabbage and Spains of onions opened on the view, with every other succulent and toothsome growth; and beyond this we entered the glory of Rialto, the fish-market, which is now more lavishly supplied than at any other season. It was picturesque and full of gorgeous color for the fish of Venice seem all to catch the rainbow hues of the lagoon.

There is a certain kind of red mullet, called _triglia_, which is as rich and tender in its dyes as if it had never swam in water less glorious than that which crimsons under October sunsets. But a fish-market, even at Rialto, with fishermen in scarlet caps and _triglie_ in sunset splendors, is only a fish-market after all: it is wet and slimy under foot, and the innumerable gigantic eels, writhing everywhere, set the soul asquirm, and soon-sated curiosity slides willingly away.

We had an appointment with a young Venetian lady to attend midnight ma.s.s at the church of San Moise, and thither about half-past eleven we went to welcome in Christmas. The church of San Moise is in the highest style of the Renaissance art, which is, I believe, the lowest style of any other. The richly sculptured facade is divided into stories; the fluted columns are stilted upon pedestals, and their lines are broken by the bands which encircle them like broad barrel-hoops. At every possible point theatrical saints and angels, only sustained from falling to the ground by iron bars let into their backs, start from the niches and cling to the sculpture. The outside of the church is in every way detestable, and the inside is consistently bad. All the side-altars have broken arches, and the high altar is built of rough blocks of marble to represent Mount Sinai, on which a melodramatic statue of Moses receives the tables of the law from G.o.d the Father, with frescoed seraphim in the background. For the same reason, I suppose, that the devout prefer a hideous Bambino and a Madonna in crinoline to the most graceful artistic conception of those sacred personages, San Moise is the most popular church for the midnight ma.s.s in Venice, and there is no ma.s.s at all in St. Mark's, where its magnificence would be so peculiarly impressive.