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Ah, could he never, never learn to restrain himself? What business had he to talk of such things to such a woman. To let the holy of holies become, most likely, a subject of mere idle curiosity and idle talk?
IV.
As Greenleaf looked up from the article on the "Rochdale Pioneers and Co-operation" and glanced out of the window at the smoke-veiled, soot-engrained Northern towns, and the bleak-green North country hillsides which flashed past the express, he did not realise at all clearly that he was going to see once more Miss Val Flodden, and see her in the unexpected relations of hostess and guest.
She had indeed, during their last ramble through the British Museum, said something vague about his coming to Yetholme if ever he came North; but he had given the invitation no weight and had forgotten it completely. His journey was due to a circ.u.mstance more important in his eyes than the visit of a young lady to his studio, and would be crowned by an event far more satisfactory than the meeting with a stray acquaintance.
For Sir Percy Flodden had at last decided to sell the famous Yetholme collection of majolica and Palissy ware; and the South Kensington authorities had selected Leonard Greenleaf, potter and writer on pottery, to verify the catalogue and conclude the purchase. It was one of Greenleaf's socialist maxims that no important works of art should be hidden from public enjoyment in the houses of private collectors; an Act of Parliament, in his opinion, should force all owners to sell to the nation, supposing that arguments in favour of true citizenship and true love of art had failed to make them bestow their property gratis.
Greenleaf had agitated during several years to induce the public to make the first bid for the Yetholme collection; difficulties of all kinds had stood in the way, and the owner himself had become restive in the negotiations; but now, at last, this immortal earthenware had been saved from further private collections and secured for the enjoyment of everybody.
This being the case, it was not wonderful if Miss Flodden was thrown into the shade by her family collection; and if Greenleaf had gradually got to think very little about her of late--I say of late, because until the Yetholme sale had diverted his mind from theory to practice, Miss Flodden had played a certain part in Greenleaf's thoughts. Her sudden intrusion upon the monotony of his existence had made him ponder once more upon his undergraduate's dream of reclaiming the upper as well as the lower cla.s.ses; a dream which had gradually vanished before practical contact with the pressing want of the poor. He had forgotten, during the last five or six years, that the leisured cla.s.ses existed otherwise than as oppressors of the overworked ones. But now there had returned to the surface his const.i.tutional craving for harmony, his horror of cla.s.s warfare, a horror all the greater that in this very gentle soul there was a possibility of intense hatred. Why should not the whole of society work out harmoniously a new and better social order? After all, he and his chosen friends belonged to the privileged cla.s.s, and only the privileged cla.s.s could give the generous initiative required to counteract the selfish claiming of rights from below. Mankind was not wicked and perverse; and the injustice, wantonness, and cruelty of the rich were, doubtless, a result of their ignorance: they must be shown that they could do without so many things and that other folk were wanting those things so very much. And, half consciously, the image of Val Flodden rose up to concentrate and typify the ideas she had evoked.
She was the living example of the ignorance of all higher right and wrong, of all the larger facts of existence, in which the so-called upper cla.s.ses lived on no better than heathen blacks.
In these reflections Greenleaf had never claimed for Miss Flodden any individual superiority: to do so would have been to diminish her value as a type and an ill.u.s.tration. She had become, in his thoughts, the natural woman as produced, or rather as destroyed, by the evil const.i.tution of idle society. She appeared, indeed, to have a personal charm, but this was doubtless a cla.s.s peculiarity which his inexperience perceived as an individual one. It was the sole business of idle folk, Greenleaf said to himself, to make themselves charming, and they doubtless carried this quality as high as blacksmiths do strength of arm, and sempstresses nimbleness of finger: for the occasional examples of idle folk without any charm at all quickly faded from Greenleaf's logical memory. Also, he forgot for the moment, that many women, neither ignorant nor idle, the three Miss Carpenters for instance, who lived in a servantless flat in Holborn and worked in the East End, had as much charm, though not quite the same; and that there were tricks of manner and speech, affectations of school-boy slang, yokel ways, about Miss Flodden herself, which affected his sensitive nerves as ungraceful.
But, be this as it may, the acquaintance with Miss Flodden had set his thoughts on the disadvantages of the upper cla.s.ses, and he found it convenient to use Miss Flodden as an ill.u.s.tration thereof.
Besides, every now and then, Greenleaf had felt, in those long talks at the Museum, a curious pang of pity for her. In Greenleaf's nature, more thoughtful than logical, the dominating forces were a kind of transcendent aestheticism, and an extraordinary, also transcendent, compa.s.sion--compa.s.sion which, coming upon him in veritable stabs, went to his head and soon pa.s.sed the boundaries of individual pain and wrong.
This man, who aspired towards the future and really hankered painfully after the past, was like some mediaeval monk all quivering at the sufferings of a far-distant, impersonal G.o.dhead, for the sake of whose wrongs he could even hate fiercely, and for the sake of whose more than individual sufferings he could feel, every now and then, overwhelming pity for some small, ill-treated bird, or beast, or man. That this girl--intelligent and good--had been brought up not merely in utter indifference to real evil (tempered only by a vague fear of a black man who carried you to h.e.l.l and a much blacker man who turned you out of society) but in ignorance of every one of the n.o.bler and more beautiful activities of life; this perception of moral and intellectual starvation, veiled his mind with tears and made him spiritually choke, like the sight of a supperless ragged child, or of a dog that had lost its master.
Such impressions had been common enough in their two or three meetings.
They had met several times in the Museum, and once at Messrs. Boyce's works, the utter unworldliness of Greenleaf's mind preventing his asking himself, even once, whether such proceedings did not display unusual recklessness on the part of a girl belonging to Miss Flodden's set; so much that he did not even take heed of Miss Flodden's occasional remarks showing that this liberty, this familiarity with a man and a stranger, were possible only because she had deliberately turned her back on her former companions. Indifferent to personal matters, he had not even understood very plainly (although he had a pleasant, vague sense of something similar) that unfamiliarity with the cla.s.s and type to which he belonged had given the girl a sense of absolute safety which allowed her to go about and discuss everything with this man from a different sphere, as she might have done with another woman. This knowledge was vague and scarce conscious, taking the form rather of indignation with Miss Flodden's world and pity for Miss Flodden's self, whenever, incidentally, she said things which revealed the habit of an opposite state of things, the habit of a woman's liberty of action, speech and feeling being cramped by disbelief in men's purity and honour, or rather by knowledge of their thinly varnished baseness.
Thus it had come about during that dim and delicate London June that the young lady from Eaton Square had become a familiar figure in the mind, if not in the life, of the Socialist potter of Church Street, Bloomsbury. There was, of course, a certain exotic strain in the matter; and as they rambled among the solemn sitting Pharaohs, the Roman Emperors and headless Greek demiG.o.ds, and the rows of gla.s.s cases in the cool, empty Museum, Greenleaf occasionally experienced, while discussing various forms of art and describing dead civilisations, a little shock of surprise on realising the nature of his companion, on catching every now and then an intonation and an expression which told of ball-rooms and shooting-houses, on perceiving suddenly, silhouetted against the red wall, or reflected in a gla.s.s case, the slender, dapper figure in its plain, tight clothes; the tight, straight-featured head beneath its close little bonnet. But this sense of the unusual and the exotic was subdued by the sense of the real, the actually present, just as, in some foreign or Eastern town, our disbelief in the possibility of it all is oddly moulded into a sort of familiarity by the knowledge that we are our ourselves, and ourselves are on the spot.
It was different now; as his train jogged slowly along the banks of the Tweed, between the bare, green hills and the leafy little ravines of Northumberland. A couple of months' separation had gradually reduced Miss Flodden to an unfamiliar, and almost an abstract being. She was the subject no longer of impressions, but merely of reflections; and of reflections which had grown daily more general, as the perfume of individuality faded away. Greenleaf lived so much more in his thoughts than in his life that creatures very speedily got to represent nothing but problems to him. At this moment his main interest in life was to secure the Yetholme collection of majolica and Palissy work; the fact that he was going, in a few minutes, to meet Miss Flodden was not more important than the fact that he would have to get his portmanteau out of the van. And as to Miss Flodden, she represented to him, in a rather rubbed-out way, the problem of upper cla.s.s want of education and moral earnestness.
It seemed to him also, as he shook hands with Miss Flodden, in her cart at Yetholme station, and took his place beside her in the vehicle, that not only all his own feelings about Miss Flodden, but Miss Flodden herself had changed. She had grown so much more like everybody else, he thought, or he had got to see her so much more in her reality. There was nothing exotic about her now, wrapped in a big, fuzzy cloak, a big cap drawn over her head, concealing the close, light-brown curls, and making her face so very much less keen in feature. He wondered why he had seen so much of the Celt in her, and such a far-fetched nervous fineness. She seemed also, in her almost monosyllabic conversation, mainly preoccupied with his portmanteau, the hours of his train, the names of the villages and hills they pa.s.sed, and similar commonplace matters; whereas, in London he had noted the eager insistence with which she had immediately set the conversation and firmly kept it on intellectual and artistic problems.
The cart rolled away by high-lying fields of pale green barley and oats shivering in the cold breeze, between the stunted hedges, whence an occasional wind-warped thorn-tree rose black against the pale yellow afternoon sky, with every now and then a bunch of blue cranesbill, or a little fluttering group of poppies, taking the importance of bushes and trees in this high, bleak, Northern country. Great savage dogs, with chests and pointed ears like the antique Cerberus, came barking out of the black stone cottages; and over the fields, from the tree-tops just visible in the river valley below, circled innumerable rooks, loudly cawing. The road made a sudden dip, and they were on a level with the wide, shingly bed of the Tweed, scattered sheep grazing along the banks.
Then a black belfry appeared among black ash trees; a row of black cottages bordered the road with their hollyhocks and asters; and the cart rolled in between rows of rook-peopled trees, and stopped at last before a long, black stone house, sunk, as in some parts of Scotland, into a kind of trench. There was a frightful alarum of dogs of all kinds, rushing up from all directions. But Miss Flodden led Greenleaf into the house and through various pa.s.sages, without any human being appearing, save a boy, to whom she threw the reins at the door. At last, in a big, dark drawing-room, a child was discovered helping herself to milk and bread and jam at a solitary table.
"They're all out," she said, taking no notice of Greenleaf, although scanning him with the critical eyes of six or seven. "Cut me a scone, Val, and put b.u.t.ter on it, but not too much."
"This is a step-sister of mine," explained Miss Flodden, laconically, nodding in the child's direction, as she threw aside her cloak, drew off her gloves, and began pouring out tea. "I say, leave that scone alone until I can cut it for you. It's rather hard lines on one for the family to have its tea and leave us only the cold dregs."
She looked listless and calm and bored. Greenleaf wondered how he could ever have romanced about this handsome, commonplace young woman. Then he began to speculate as to where the famous collection was kept.
V.
"It's very unfair of me, of course," Miss Flodden remarked next morning, as she handed down plate after plate, jar after jar, to Greenleaf, seated, the catalogue before him and the pen in his hand, at a long deal table--"it's very unfair, and it isn't at all business, but I used to think I should like to see you again; and now, on account of these pots, I dislike you."
Greenleaf looked up in astonishment. It was as if the veil of sullenness, preventing his recognition of Miss Flodden ever since his arrival, had suddenly been torn asunder by a burst of pa.s.sion. The girl was standing by the gla.s.s case, dusting a Limoges platter with a feather brush, her mannish coat and short skirt covered with dust. She spoke in an undertone, and her eyes were looking down upon the platter; but it struck him at once that she was a Celt once more, and that the Celtic waywardness and emotion were bursting out the more irresistibly for that long repression due to the Spartan undemonstrativeness of smart society. He noticed also a trait he had forgotten, and which had seemed to be, long ago at the Museum, a sort of mark of temperament, telling of inherited ferocity in this well-bred young lady; two of her little white teeth, instead of being square pearls, like their companions, were pointed and sharp, like those of a wild animal. And as she raised her eyes, their light, whitish blue, flashed angrily.
"Excuse my being so rude, Mr. Greenleaf," she added very coldly, "you have been so good, showing and explaining a lot of things to me, that it's only fair you should know that, on account of the pots, I have--well, got to dislike you. You see," she went on, turning her back to him, "they were my toys. They were the only people, except the trees and the river, one had to talk to sometimes."
Greenleaf had noticed at dinner last night, and again this morning at lunch, that Miss Flodden seemed to have very little in common with her family, and, indeed, scarcely any communication at all.
Sir Percy Flodden, an old gentleman with a beautiful white beard, and beautiful soft manners, but a deficiency in further characteristics, had found leisure, in the intervals of organising Primrose meetings, making speeches at Conservative dinners, writing letters to the _Times_ about breeds of cattle, and hunting and fishing a great deal, to get married a second time, and to produce a large number of younger fishermen and huntresses, future Primrose Leaguers and writers to the _Times_. The second wife being dead, and sundry aunts installed in her place, the younger generation of Floddens, after gradually emerging from the nursery, ran wild in brooks and streams, stables and haylofts, until the boys were packed off to civilisation and Eton, pending further civilisation and Sandhurst; and the girls were initiated into their proper form of civilisation by being taken to a drawing-room and then hustled into further female evolution by an energetic and tactful married sister. The elder girls were now at home, preparing clothes for various b.a.l.l.s and packing trunks for various visits; and the elder boys had come back on holidays, with fishing-rods, coin collections, the first three books of Euclid, and the last new thing in slang; as to the younger half-brothers and sisters, they were still in the phase of the hayloft and stable, emerging only to partake of gigantic breakfasts and teas.
Among all these good-natured and well-mannered, but somewhat dull creatures, Val Flodden moved in an atmosphere of her own, somewhat of a stranger, considerably of a puzzle, and regarded with the mixed awe and suspicion due to her having been recently an admittedly pretty woman, and now showing signs of becoming an undoubtedly eccentric one. Besides, there was the fact that Val Flodden was partially a Celt, and that her father and brothers were most emphatically Saxons.
All this it has been necessary to explain that the reader might understand that Greenleaf might have understood Miss Flodden's pa.s.sionate clinging to her sole companions at Yetholme, the old crockery of her grandfather's collection.
But although Greenleaf did actually take in a portion of the situation, he was mainly impressed by the want of public spirit exhibited by the young lady; so inevitably do we expect other folk to possess even our most eccentric standards, and to rule their feelings and actions by notions of which they have probably never even heard.
Miss Flodden had broken through all rules in manifesting her feelings about the pots; Greenleaf never dreamed of taking advantage of her false move, but with his usual simplicity, encouraged by a plain-spokenness, which never struck him as otherwise than natural, he answered very gravely: "Of course I understand how fond you must be of these beautiful things, and how much it must have been to you--it would be to anyone who cared for art, even if not specially interested like you in pottery--to have them constantly before you. But you ought to remember that you are parting with them for the advantage of others."
Miss Flodden flushed a little. It was probably from surprise and shame at this man's stupidity. She must have felt as if she herself had alluded to the necessity of selling these heirlooms, as if she herself had done the incredible thing of pointing out the pecuniary advantage.
Then, apparently, she reflected that if this man was so obtuse, he could not help himself; but that he was doubtless honest in his intentions.
For she added coldly, and hiding her contemptuous face from him with a jar held at arms' length:
"Of course I know that it's for the benefit of my brothers and sisters.
I don't grudge them the money, heaven knows, and when one's broke, one's broke. Only it's sad to think what sort of things--what stupid amus.e.m.e.nts and useless necessaries these lovely things will be exchanged for, merely because the world is so idiotically const.i.tuted. You see, the possession of these pots ought to give everyone more pleasure than the possession of an additional horse, or an extra frock."
Greenleaf was as much taken aback at her misconception of his meaning as she had been at her supposed understanding of it.
"Good gracious, Miss Flodden, I didn't mean the advantage of your brothers and sisters. But surely you ought to reflect that these pots pa.s.sing from a private house in Northumberland to the South Kensington Museum, will mean that hundreds of people will be afforded pleasure, instead of only one or two--one, namely yourself, by your own account.
Besides, do you really think that any private individual has a moral right to keep for himself any object capable of giving a n.o.ble kind of pleasure to his fellows, merely because the present state of society allows him to possess more money than his neighbours, and to lock up things as his property? Surely art belongs to all who can enjoy it!"
There was something fault-finding in Greenleaf's tone, owing to the fact that he could not realise such ideas, so very familiar to himself, not being equally familiar to everyone else.
Miss Flodden set down the jar she was dusting, keeping her wrist balanced on its edge, and looked at Greenleaf with surprise in her blue eyes, which concentrated, and seemed to grow darker and deeper by the concentration.
"Really," she asked incredulously, "are you speaking seriously? But then--what would become of luxury and so forth?"
"The active would enjoy it as well as the idle--or rather, there would be no longer either active or idle; everyone would work and enjoy equally, and equally fairly and rationally."
"Then," went on Miss Flodden slowly, the sequence of thoughts bursting with difficulty on to her mind, "no one would have things, except for real enjoyment and as a result of fairly earning them? People would all have books and beautiful trees and fields to look at, and pictures and music; but no diamonds, or stepping horses, or frocks from Worth--the things one has because other folk have them."
Greenleaf smiled: she seemed to him, talking of these things which "one"
had because "others" had them, things so futile, so foreign to his mind, extraordinarily like a child talking of the snakes, whales, and ogres, represented by tables and chairs, and hearthrugs.
"Of course not."
"At that rate," went on the girl, "there would no longer be any need for marrying and giving in marriage. One would live quite free; free to work at what one liked, and look about without folks worrying one."
Greenleaf did not follow her thought, for his own thoughts were too foreign to the habits she was alluding to.
"I don't see," he added simply, "why people shouldn't marry or be given in marriage because every one worked and had leisure. Some mightn't, perhaps, because some would always, perhaps, want to work too much, and because things matter to me--I mean to some--more than other people. But I can't see why others shouldn't marry and be given in marriage, Miss Flodden."
A little contraction pa.s.sed across the girl's face, and she answered in a hurried, husky voice:
"No, no; that would be all over."
And they fell again to the catalogue. It was a very hard day's work, that first one, for the catalogue was in horrid confusion; and they really could not have had time to talk much about other things, for they went on with merely a brief s.p.a.ce for lunch, and Greenleaf was sent for a walk with one of the boys at tea time, while Miss Flodden unwillingly entertained some neighbours. Then at dinner the conversation, in which she took no part, rolled mainly upon local pedigrees, crops, how many fish the boys had caught, in what houses friends were staying, whom sundry young ladies of the neighbourhood were likely to marry, and how many bags had been made at the various shoots. Still, despite these irrelevant interests, Miss Flodden seemed to have understood why Greenleaf had expected her to like the sale of the collection, and Greenleaf to have understood why Miss Flodden should have been vexed at the collection being sold. At least there was a sense of mutual comprehension and good-will, such as the morning had scarcely promised.
And when, after fretting a little over more bags of game and more local pedigrees, with his host and the boys after dinner, Greenleaf returned to find the ladies in various stages of somnolence, over the drawing-room fire; he experienced an odd sense of the naturalness of things when Miss Flodden asked whether he could play the piano, and took her violin out of its case.