Vandover and the Brute Part 21

There was nothing, nothing. He clearly saw the fate toward which he was hurrying; it was not too late to save himself if he only could find help, but he could find _no_ help. His terror increased almost to hysteria. It was one of those dreadful moments that men sometimes undergo that must be met alone, and that when past, remain in the memory for all time; a glimpse far down into the springs and wheels of life; a glimpse that does not come often lest the reason brought to the edge of the fearful gulf should grow dizzy at the sight, and reeling, topple headlong.

But suddenly Vandover rose to his feet, the tears came to his eyes, and with a long breath he exclaimed: "Thank G.o.d for it!" He grew calmer in a moment, the crisis had pa.s.sed, he had found a clue beneath his groping fingers.

He had remembered his art, turning to it instinctively as he always did when greatly moved. This was the one good thing that yet survived. It was the strongest side of him; it would be the last to go; he felt it there yet. It was the one thing that could save him.

The thought had come to him so suddenly and with such marvellous clearness that in his present exalted state of mind it filled him with a vague sense of awe, it seemed like a manifestation, a writing on the wall. Might it not be some sort of miracle? He had heard of men reforming their lives, transformed almost in an instant, and had scoffed at the idea. But might it not be true, after all? What was this wonderful thing that had happened to him? Was this less strange than a miracle? Less divine?

The following day Vandover rented a studio. It was the lofty room with hardwood floors and the immense north light in that suite which he had rejected when looking for rooms on the former occasion. He gave notice to the clerk in the apartment house where his quarters were situated that he intended to vacate after the first of the month. Charming as he had found these rooms, he gave up, with scarcely a regret, the idea of living in them any longer. In a month it would be summer and he would be on his way to Paris.

But so great was his desire for work now, so eager was he to start the "Last Enemy," so strong was the new energy that shook him, that Vandover could not wait until summer to begin work again. He grudged everything now that kept him away from his easel.

He disappeared from the sight of his ordinary companions; he did not even seek the society of Geary or of young Haight. All the sketches he had made for the "Last Enemy," together with his easel and his disused palette, his colour-box, tubes, brushes and all the other materials and tools for his work, he caused to be transferred to the new studio.

Besides this he had the stretcher made, best twill canvas on a frame four feet long, two and a half feet high. This was for the large sketch of the picture. But the finished work he calculated would demand an eight by five stretcher.

He did not think of decorating the room, of putting any ornaments about the wall. He was too serious, too much in earnest now to think of that.

The studio was not to be his lounging place, but his workshop. His art was work with him now, hard, serious work. It was above all _work_ that he needed to set him right again, regular work, steady, earnest work, not the dilettante fancy of an amateur content with making pretty things.

Never in his life had Vandover been so happy. He came and went continually between his rooms, his studio, and his art dealers, tramping grandly about the city, whistling to himself, strong, elated, filled with energy, vigour, ambition. At times his mind was full of thankfulness at this deliverance at the eleventh hour; at times it was busy with the details of the picture, its composition, its colour scheme. The main effects he wanted to produce were isolation and intense heat, the shadows on the sand would be blue, the horizon line high on the canvas, the sky would be light in tone, almost white near the earth.

The morning when he first began to work was charming. His new studio was in the top floor of a five-story building, and on arriving there, breathless from his long climb up the stairs, Vandover threw open the window and gazed out and down upon the city spread out below him, enjoying the view a moment before settling to his work.

A little later the trades would be blowing strong and brisk from the ocean, driving steadily through the Golden Gate, filling the city with a taint of salt; but at present the air was calm, touched with a certain nimbleness, a sparkling effervescence, invigourating, exhilarating.

It was early in the forenoon, not yet past nine o'clock, and the mist that gathers over the city just before dawn was steaming off under the sun, very thin and delicate, turning all distant objects a flat tone of pale blue. Over the roofs of the houses he could catch a glimpse of the distant mountains, faint purple ma.s.ses against the pale edge of the sky, r.i.m.m.i.n.g the horizon round with a fillet of delicate colour. But any larger view was barred by a huge frame house with a slated mansard roof, directly opposite him across the street, a residence house, one of the few in the neighbourhood. It had been newly painted white and showed brave and gay against the dark blue of the sky and the ruddy greens of the great garden in which it stood. Vandover from his window could from time to time catch the smell of eucalyptus trees coming to him in long aromatic breaths mingled with the odour of wet gra.s.s and fresh paint.

Somewhere he heard a hummingbird singing, a tiny tweedling thread of song, while farther off two roosters were crowing back and forth at each other with strained and raucous trumpet calls.

Vandover turned back to his work. Under the huge north light was the easel, and clamped upon it the stretcher, blank, and untouched. The very sight of the heavy cream-white twill was an inspiration. Already Vandover saw a great picture upon it; a great wave of emotion suddenly welled up within him and he cried with enthusiasm:

"By G.o.d! it is in moods like this that _chef d'oeuvres_ are made."

Around the baseboard of the room were a row of _esquisses_ for the picture, on small landscape-stretchers, mere blotches of colour laid on with the palette knife and large brushes, almost unintelligible to any one but Vandover. He selected two or three of these and fastened them to the easel above the big stretcher where he could have them continually in his eye. He lit his pipe, rolled up his shirt-sleeves, and standing before the easel, began to sharpen a stick of charcoal with an old razor, drawing the blade toward him so as to keep the point of the stick from breaking. Then at last with a deep breath of satisfaction he began blocking in the first large construction lines of his picture.

It was one o'clock before he knew it. He went downtown and had a hasty lunch, jealous of every moment that was not spent on his picture. The sight of it as he re-entered the room sent a thrill all over him; he was succeeding better than he could have expected, doing better than he thought he would. He felt sure that now he should do good work; every stage of the picture's progress was an inspiration for the next one. At this time the figures had only been "placed," broadly sketched in large lines, "blocked in" as he called it. The next step was the second drawing, much more finished.

He rapped the stretcher sharply with his knuckles; it responded sonorously like a drumhead, the vibration shaking the charcoal from the tracings, filling the air with a fine dust. The outlines grew faint, just perceptible enough to guide him in the second more detailed drawing.

He brought his stick of charcoal to a very fine edge and set to work carefully. In a moment he stopped and, with his chamois cloth, dusted out what he had drawn. He had made a false start, he began but could not recall how the lines should run, his fingers were willing enough; in his imagination he saw just how the outlines should be, but somehow he could not make his hand interpret what was in his head. Some third medium through which the one used to act upon the other was sluggish, dull; worse than that, it seemed to be absent. _"Well,"_ he muttered, "can't I make this come out right?" Then he tried more carefully. His imagination saw the picture clearer, his hand moved with more a.s.surance, but the two seemed to act independently of each other. The forms he made on the canvas were no adequate reflection of those in his brain; some third delicate and subtle faculty that coordinated the other two and that called forth a sure and instant response to the dictates of his mind, was lacking. The lines on his canvas were those of a child just learning to draw; one saw for what they were intended, but they were crude, they had no life, no meaning. The very thing that would have made them intelligible, interpretive, that would have made them art, was absent. A third, a fourth, and a fifth time Vandover made the attempt. It was useless. He knew that it was not because his hand lacked cunning on account of long disuse; such a thing, in spite of popular belief, never happened to artists--a good artist might abandon his work for five years, ten years--and take it up again precisely where he had laid it down with no loss of technical skill. No, this thing seemed more subtle, so subtle that at first he could hardly grasp it. But suddenly a great fear came upon him, a momentary return of that wild hysterical terror from which he believed he had forever escaped.

"Is it gone?" he cried out. "Is it gone from me? My art? Steady," he went on, pa.s.sing his hand over his face with a rea.s.suring smile; "steady, old man, this won't do, again--and so soon! It won't do for you to get scared twice like that. This is just nervousness, you are overexcited. Pshaw! What's the matter with me? Let's get to work."

Still another time he dusted out what he had done and recommenced, concentrating all his attention with a tremendous effort of the will.

Grotesque and meaningless shapes, the mocking caricatures of those he saw in his fancy, grew under his charcoal, while slowly, slowly, a queer, numb feeling came in his head, like a rising fog, and the touch of that unreasoning terror returned, this time stronger, more persistent, more tenacious than before.

Vandover nerved himself against it, not daring to give in, fearing to allow himself to see what this really meant. He pa.s.sed one hand over his cheek and along the side of his head, the fingers dancing. "Hum!" he muttered, looking vaguely about him, "this is bad. I mustn't let this get the better of me now. I'll knock off for to-day, take a little rest, begin again to-morrow."

In ten minutes he was back at his easel again. His charcoal wandered, tracing empty lines on his canvas, the strange numbness grew again in his head. All the objects in the range of his eyes seemed to move back and stand on the same plane. He became a little dizzy.

"It's the _tobacco_," he exclaimed. "That pipe always was too strong."

He turned away to the open window, feeling an irresistible need of distraction, of amus.e.m.e.nt, and he remained there resting on his elbows, listening and looking, trying to be interested.

It was toward the middle of the afternoon. The morning mist was long since evaporated and the first faint puffs of the inevitable trade wind were just stirring the leaves of the eucalyptus across the street. In the music-room of the white house the young lady of the family had opened the piano and was practising finger-exercises. The scales and arpeggios following one another without interruption, came to his ears in a pleasant monotone. A Chinese "boy" in a stiff blouse of white linen, made a great splashing as he washed down the front steps with a bucket of water and the garden hose. Grocery and delivery wagons came and went, rattling over the cobbles and car-tracks, while occasionally a whistle blew very far off. At the corner of the street by a livery-stable a little boy in a flat-topped leather cap was calling incessantly for some unseen dog, whistling and slapping his knees. An ex press-wagon stopped a few doors below the white house and the driver pulled down the back-board with a strident rattle of chains; the cable in its slot kept up an unceasing burr and clack while the cars themselves trundled up and down the street, starting and stopping with a jangling of bells, the jostled gla.s.s windows whirring in a prolonged vibrant note. All these sounds played lightly over the steady m.u.f.fled roar that seemed to come from all quarters at once; it was that deep murmur, that great minor diapason that always disengages itself from vast bodies, from mountains, from oceans, from forests, from sleeping armies.

The desire for movement, for diversion, for anything that would keep him from thinking was not to be resisted. Vandover caught up his hat and fled from the room, not daring to look again at the easel. Once outside, he began to walk, anywhere, straight before him, going on with great strides, his head in the air.

He found Charlie Geary and took him to supper. Vandover talked continually on all sorts of subjects, speaking very rapidly. In the evening he insisted on Geary going to the theatre with him. He paid the closest attention to the play, letting it occupy his mind entirely. When the play was over and the two were about to say good night, Vandover began to urge Geary to sleep up at his rooms that night. He overrode his objections, interrupting him, taking hold of his arm, and starting off.

But Geary, a little surprised at his manner, refused. There were certain law papers he had taken home with him from the office that afternoon and that it was necessary he should return in the morning. Ah, you bet, he would get it right in the neck if old Beale didn't have those depositions the first thing when the office was open. Ah, he was getting to be indispensable down there. He had had Fischer's place now for a year. Fischer had never come back, and he had the promise of being taken on as head clerk as soon as Beale Jr. went into the partnership with old Beale. "I'll make my way in this town yet," he declared. "I'll be in that partnership myself some day. You see; yes, sir; ah, you bet!"

The idea of pa.s.sing the night alone terrified Vandover. He started toward home, walking up Sutter Street, proceeding slowly, his hands in his pockets. All at once he stopped, without knowing why; he roused himself and looked about him. There was a smell of eucalyptus in the air. Across the street was the huge white house, and he found that he had stopped just before the door of the building on the top floor of which his studio was situated. All day Vandover's mind had been in the greatest agitation, his ideas leaping and darting hither and thither like terrified birds in a cage. Just now he underwent a sudden reaction.

It had all been a matter of fancy, nothing but nervousness; he had not drawn for some time, his hand lacked cunning from long disuse. The desire for work came upon him again overpoweringly. He wanted to see again if he could not draw just as truly and freely as in the old days.

No, he could not wait till morning; he must put himself to the test again at once, at the very instant. It was a sudden feminine caprice, induced, no doubt, by the exalted, strained, and unnatural condition of his nerves, a caprice that could not be reasoned with, that could not be withstood. He had his keys with him, he opened the outside door and groped his way up the four long flights of stairs to his studio.

The studio was full of a sombre half-light, like a fog, spreading downward from the great north light in the sloping roof. The window was still wide open, the stretcher showed a pale gray blur. Vandover was about to light the gas when he checked himself, his arm still raised above his head. Ah, no; he did not dare to look at the result of his day's work. It would be better to start in afresh from the beginning. He found the chamois skin on the tray of the easel and rubbed out all the drawing on the canvas. Then he lit the gas.

As he turned to his work once more a little thrill of joy and of relief pa.s.sed over him. This time his hand was sure, steady, his head was clear. It had been nervousness after all. As he picked up his charcoal he even exclaimed to himself, "Just the same, that _was_ a curious experience this afternoon."

But the curious experience repeated itself again that night as soon as he tried to work. Once more certain shapes and figures were born upon his canvas, but they were no longer the true children of his imagination, they were no longer his own; they were changelings, grotesque abortions. It was as if the brute in him, like some malicious witch, had stolen away the true offspring of his mind, putting in their place these deformed dwarfs, its own hideous sp.a.w.n.

Through the numbness and giddiness that gradually came into his head like a poisonous murk he saw one thing clearly: It was gone--his art was gone, the one thing that could save him. That, too, like all the other good things of his life, he had destroyed. At some time during those years of debauchery it had died, that subtle, elusive something, delicate as a flower; he had ruined it. Little by little it had exhaled away, wilting in the air of unrestrained debauches, perishing in the warm musk-laden atmosphere of disreputable houses, defiled by the breath of abandoned women, trampled into the spilt wine-lees of the Imperial, dragged all fouled and polluted through the lowest mire of the great city's vice.

For a moment Vandover felt as though he was losing his hold upon his reason; the return of the hysteria shook him like a dry, light leaf. He suddenly had a sensation that the room was too small to hold him; he ran, almost reeled, to the open window, drawing his breath deep and fast, inhaling the cool night air, rolling his eyes wildly.

It was night. He looked out into a vast blue-gray s.p.a.ce sown with points of light, winking lamps, and steady slow-burning stars. Below him was the sleeping city. All the lesser staccato noises of the day had long since died to silence; there only remained that prolonged and sullen diapason, coming from all quarters at once. It was like the breathing of some infinitely great monster, alive and palpitating, the sistole and diastole of some gigantic heart. The whole existence of the great slumbering city pa.s.sed upward there before him through the still night air in one long wave of sound.

It was Life, the murmur of the great, mysterious force that spun the wheels of Nature and that sent it onward like some enormous engine, resistless, relentless; an engine that sped straight forward, driving before it the infinite herd of humanity, driving it on at breathless speed through all eternity, driving it no one knew whither, crushing out inexorably all those who lagged behind the herd and who fell from exhaustion, grinding them to dust beneath its myriad iron wheels, riding over them, still driving on the herd that yet remained, driving it recklessly, blindly on and on toward some far-distant goal, some vague unknown end, some mysterious, fearful bourne forever hidden in thick darkness.

Chapter Fifteen

About a week later Hiram Wade, Ida's father, brought suit against Vandover to recover twenty-five thousand dollars, claiming that his daughter had killed herself because she had been ruined by him and that he alone was responsible for her suicide.

Vandover had pa.s.sed this week in an agony of grief over the loss of his art, a grief that seemed even sharper than that which he had felt over the death of his father. For this last calamity was like the death of a child of his, some dear, sweet child, that might have been his companion throughout all his life. At times it seemed to him impossible that his art should fail him in this manner, and again and again he would put himself at his easel, only to experience afresh the return of the numbness in his brain, the impotency of his fingers.

He had begun little by little to pick up the course of his life once more, and on a certain Wednesday morning was looking listlessly through the morning paper as he sat in his window-seat. The room was delightful, flooded with the morning sun, the a.s.syrian _bas-reliefs_ just touched with a ruddy light, the Renaissance portraits looking down at him through a fine golden haze; a little fire, just enough to blunt the keenness of the early morning air, snapping in the famous tiled and flamboyant stove. All about the room was a pleasant fragrance of coffee and good tobacco.

Vandover caught sight of the announcement of the suit with a sudden sharp intake of breath that was half gasp, half cry, starting up from the window-seat, reading it over again and again with staring eyes.

It was a very short paragraph, not more than a dozen lines, lost at the bottom of a column, among the cheap advertis.e.m.e.nts. It made no allusion to any former stage of the affair; from its tone Ida might have killed herself only the day before. It seemed hardly more than a notice that some enterprising reporter, burrowing in the records at the City Hall, had unearthed and brought to light with the idea that it might be of possible interest to a few readers of the paper. But there was his name staring back at him from out the gray blur of the type, like some reflection of himself seen in a mirror. Insignificant as the paragraph was, it seemed to Vandover as though it was the only item in the whole paper. One might as well have trumpeted his crime through the streets.

"But twenty-five thousand dollars!" exclaimed Vandover, terrified.

"Where will _I_ find twenty-five thousand dollars?" And at once he fell to wondering as to whether or no in default of payment he could be sent to the penitentiary. The idea of winning the suit did not enter his mind an instant; he did not even dream of fighting it.

For the moment it was like fire driving out fire. He forgot the loss of his art, his mind filled only with the sense of the last disaster. What could he do? Twenty-five thousand dollars! It would ruin him. A cry of exasperation, of rage at his own folly, escaped him. "Ah, what a fool I've been!"

For an hour he raged to and fro in the delightful sunlit room, pacing back and forth in its longest dimension between the bamboo tea-table and the low bookcase, a thousand different plans and projects coming and going in his head. As his wits steadied themselves he began to see that he must consult at once with some lawyer--Field, of course--perhaps something could be done; a clever lawyer might make out a case for him after all. But all at once he became convinced that Field would not undertake his defence; he knew he had no case; so what could Field do for him? He would have to tell him the truth, and he saw with absolute clearness that the lawyer would refuse to try to defend him. The thing could not honourably be done. But, then, what _should_ he do? He must have legal advice from some quarter.