Van Dyck Part 6

"Now there is born a valiant prince i' the west, That shall eclipse the kingdoms of the east."

A month later the baby's baptism was celebrated with great solemnity in the chapel at St. James. The famous Laud, Bishop of London, officiated, and the sponsors were Louis XIII. of France, Marie de Medicis, and the Elector Palatine, all represented by proxies. There were wonderful christening presents, among them a jewel of great value brought by the old d.u.c.h.ess of Richmond.

The new-born prince did not grow into a pretty baby. Even his mother, who would naturally wish to praise him, wrote to a friend in France that he was "so ugly she was ashamed of him." "But," she added, "his size and fatness supply the want of beauty. I wish you could see the gentleman, for he has no ordinary mien; he is so serious in all that he does that I cannot help deeming him far wiser than myself." A few years later the child became a pretty boy, with a fine figure, brown complexion, and large, bright black eyes. His mouth, however, remained very ugly.

The prince's earliest years were pa.s.sed happily, and no one could have foreseen the stormy experiences through which he must pa.s.s before he should inherit the throne of his father. The king and queen were devoted to each other and to their children. There was a younger boy, Prince James, and three sisters, to complete the family circle.[16] It is pleasant to imagine them at play in the royal nursery.

[Footnote 16: That is, Princess Mary, Princess Elizabeth, and Princess Anne. Prince Henry was only an infant when the family circle was broken up, and Princess Henrietta was not born until 1644, while the Civil War was actually in progress.]

The young Prince of Wales had for his governor the Earl of Newcastle.

We read of a letter written at the age of eight and addressed to this n.o.bleman.

[Ill.u.s.tration: CHARLES, PRINCE OF WALES _Royal Gallery, Turin_]

The contents refer wittily to the governor's advice about taking medicine:--

"My lord,

"I would not have you take too much phisike for it doth always make me worse; and I think it will doe the like with you. I ride every day, and am ready to follow any other directions from you. Make haste back to him that loves you,

"Charles P."

We see from this that the boy was early taught to ride, and was doubtless trained in all manly sports. In the Stuart household dogs were the favorite pets, and the young Charles seems always to have been accompanied by one, now a collie, now a spaniel, now a great boarhound. The queen had a peculiar fancy for dwarfs, which were in this period common playthings of royalty. Little Geoffrey Hudson, eighteen inches high, was an important member of the court, having been presented to Henrietta Maria in a huge pie.[17]

[Footnote 17: As we read in Scott's novel, Peveril of the Peak.]

In our picture Prince Charles is about five years old. At this age, in our modern fashions, a boy is dressed quite differently from a girl.

Here, however, the little prince's finery and his round lace cap somewhat belie his manliness. Yet his short hair cut in a straight fringe across the forehead is his boy's prerogative. The wide lace collar was worn by men as well as boys, as we may see in the portraits of the king and of the Duke of Lennox. We speak of it to-day as a "Van Dyck collar."

The child has a winning face, with large round eyes and a mouth which the flattering painter has shaped like a Cupid's bow. Though the expression is perfectly child-like, there is a certain dignity in the pose of the head, which makes the boy appear mature beyond his years.

Evidently Van Dyck meant everybody to know that this was a prince.

Prince Charles's happy boyhood came to an end at the breaking out of the Civil War. Though he was then only twelve years of age, he and his brother, Prince James, followed their father to the battlefield, suffering cold and hunger and even the dangers of the enemy's bullets.

At the age of sixteen, the Prince of Wales joined his mother in Paris.

Upon the execution of his father he at once a.s.sumed the t.i.tle of King Charles II., and in the following year was crowned at Scone in Scotland at the age of twenty-one. Putting himself at the head of the Scottish army, he advanced into England, and was completely defeated by Cromwell. After nine years of exile he was recalled to England and restored to the throne. Thus did the innocent baby prince of our picture become the Merry Monarch of the Restoration, whose court was a disgrace in English history.

Our ill.u.s.tration is a detail of a larger picture containing a group of three children, Prince Charles, with Princess Mary and Prince James, Duke of York.

AUTHORITY.--Strickland: _Queens of England_.

X

ST. MARTIN DIVIDING HIS CLOAK WITH A BEGGAR

St. Martin was born during the reign of the Emperor Constantine the Great, and was the son of a Roman soldier. He himself entered the army at an early age, and was sent into Gaul with a regiment of cavalry.

Among his comrades he was loved for his mildness of temper and his generosity.

It happened that he was stationed in the city of Amiens, during a winter of unusual severity. There was great suffering among the poor, and many perished with cold and hunger. St. Martin was riding one day through the city gate, when he pa.s.sed a naked beggar shivering on the pavement. Immediately he drew rein, and spoke pityingly to the poor creature. The young soldier was wearing over his coat of mail a long mantle. Slipping this garment from his shoulders he divided it with his sword, giving half to the beggar. That same night, as he slept, he had a vision of Jesus clad in the portion of his mantle. And Jesus, turning to the angels who accompanied him, said, "My servant Martin hath done this."

After a time St. Martin left the army, to devote himself wholly to a religious life. He became the Bishop of Tours, and was noted for his deeds of mercy and charity. It was always his delight to clothe the poor. Once while he was standing at the altar of the cathedral, he turned and threw his priestly garment over a beggar, with the same impulsive generosity which had led him to divide his military cloak.

He was zealous also in uprooting all forms of heathenism, and cast down many temples of idols.

He lived to a good old age, and died among the scenes of his labors.

The legend relates that as he lay in his last illness he prayed his brethren to move him where he might see more of heaven than of earth.

His face shone as it had been glorified, and the voices of angels were heard singing.[18] In Tours from that day to this his memory is piously cherished. Every child in the street loves to tell the story of the gallant soldier who shared his cloak with the beggar.

[Footnote 18: The life of St. Martin is related with much circ.u.mstance in the _Golden Legend_. See Caxton's translation in the _Temple Cla.s.sics Edition_, vol. vi., p. 142. Mrs. Jameson gives a brief account of the same in _Sacred and Legendary Art_, p. 705.]

This is the story in our picture. St. Martin rides forward on a splendid white charger, accompanied by other hors.e.m.e.n. At the corner of the gateway two beggars await them. The older one hobbles forward on his knees, supported by crutches. Though he is a miserable object, he is fairly protected from the cold by a long garment. His companion is perfectly naked, a huge muscular fellow seated on some straw. He is just turning about to make way for the cavalcade, when the knight draws rein.

[Ill.u.s.tration: ST. MARTIN DIVIDING HIS CLOAK WITH A BEGGAR _Church of Saventhem_]

The horse arches his neck proudly and stamps impatient at the delay.

The rider on St. Martin's right looks across with surprise. But the young knight serenely proceeds in his generous act. Already his cloak has slipped from his figure and hangs only from his left shoulder.

Grasping it with his left hand half way down its length, he raises his sword to sunder it at this place.

The lower end has fallen across the beggar's right arm. At its warm touch, the man, overwhelmed with grat.i.tude, abashed perhaps by the goodness of his benefactor, hides his face with his upraised left arm.

It is as if the knightly purity of the compa.s.sionate face above him has revealed the man to himself in his loathsome degradation.

The young soldier is clad in a tunic of mail which sets off to perfect advantage the lithe figure. Over his short curls is worn a jaunty cap with a long feather; he is a veritable fairy prince. The boyish face accords well with the legend, which relates that he was only a youth when the incident occurred. It is said that no one ever saw St. Martin angry, or sad, or gay; he was always sweet, and serious, and serene.

This, too, is precisely as we see him in the picture. The good deed done, we may fancy the young cavalier riding on his way, as if nothing had happened.

The beautiful horse of the picture is one which appears in many of Van Dyck's works. There is a tradition that the original was Rubens's gift to the painter when he set out for Italy. Van Dyck has built his picture on a diagonal plan, such as the older painter Rubens often used. The main line of the composition runs from the head of the man in the upper left corner, to the beggar in the lower right corner. The lifted sword and the falling mantle form the connecting lines across the canvas.

The feast of St. Martin is celebrated on the eleventh of November, in that short season of warm weather which brightens the autumn. It is for this that the French call the week "St. Martin's little summer."

Every year, at this time, pious pilgrims visit the quiet cells, in the limestone cliff by the riverside, where the good bishop used to retire for prayer.

XI

THE CRUCIFIXION

The life of our Lord, which began in the Bethlehem manger, culminated on the cross of Mount Calvary. In our picture we see the Man of Sorrows in his last moments of suffering. How it came about that he was crucified is fully related by the four evangelists.[19]

[Footnote 19: St. Matthew, chapters xxvi. and xxvii.; St. Mark, chapters xiv. and xv.; St. Luke, chapters xxii. and xxiii.; St. John, chapters xviii. and xix.]

For three years he had gone about among the people, healing the sick, comforting the sorrowing, and preaching the good tidings of the kingdom. His blameless life was a constant reproach to hypocrites and evil doers. The priests were jealous of his popularity and hated him for his rebukes. As the feast of the Pa.s.sover drew near, they sought how they might kill him.

Judaea was at that time a province of the great Roman empire, and the civil authority was vested in the governor, Pontius Pilate, and a body of Roman soldiery. The Romans, however, did not interfere much with the affairs of the Jews, and there was little trouble in carrying out a plot. A formal charge against Jesus was made by false witnesses, and he was arrested as a common criminal. After being examined by the high priest, he was led to the governor for trial. "And they began to accuse him, saying, We found this fellow perverting the nation and forbidding to give tribute to Caesar, saying that he himself is Christ, a king."

Pilate now took him within his palace for a private interview, and could find no fault with him. Nor did King Herod, to whom the case was referred, differ from the governor as to the prisoner's innocence.

Pilate therefore appealed to the people in behalf of Jesus, but a mult.i.tude of angry voices shouted, "Crucify him!" "Crucify him!" "And so, Pilate, willing to content the people ... delivered Jesus ... to be crucified." He was crucified, as we know, between two thieves, and over his cross was the superscription written by Pilate, in three languages, "This is Jesus, the King of the Jews."