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The orioles in my part of the country always use the same material in the body of their nests--a kind of soft, gray, flaxlike fiber which they apparently get from some species of everlasting flower. Woven together and quilted through with strings and horse-hairs, it makes strong, warm, feltlike walls. In the nest sent me from Michigan the walls are made of something that suggests brown human hair, except that it is too hard and brittle for hair.

Our orchard oriole also makes a pendent nest, but not so deep and pocketlike as that of the Baltimore oriole, and showing no such elaborate use of strings and hairs. It is made entirely of some sort of dried gra.s.s, very elaborately woven together.

Bullock's oriole of California weaves its nest entirely of the long, strong threads which it draws out of the palm-leaves. The only one I have seen was suspended from the under side of one of those leaves.

I think the prize nest of the woods, if we except the nest of the hummingbird, is that of the wood pewee. It is as smooth and compact and symmetrical as if turned in a lathe out of some soft, feltlike substance. Of course, the phbe's artistic masonry under the shelving rocks, covered with moss and lined with feathers, or with the finest dry gra.s.s and bark fibers, sheltered from the storms and beyond the reach of four-footed prowlers, is almost ideal. It certainly is a happy thought.

The least flycatcher, the kingbird, the cedar-bird, the goldfinch, the indigo-bird, are all fine nest-builders, each with a style of its own.



About the most insecure nest in our trees is that of the little social sparrow, or "chippie." When the sudden summer storms come, making the tree-tops writhe as if in agony, I think of this frail nest amid the tossing branches. Pa.s.s through the grove or orchard after the tempest is over, and you are pretty sure to find several wrecked nests upon the ground. "Chippie" has never learned the art of nest-building in trees.

She is a poor architect. She should have kept to the ground or to the low bushes. The true tree nest-builders weave their nests fast to the branches, but "Chippie" does not; she simply arranges her material loosely between them, where the nest is supported, but not secured. She seems pathetically ignorant of the fact that there are such things as wind and storm. Hence her frail structure is more frequently dislodged from the trees than that of any other bird.

Recently, after a day of violent northwest wind, I found a wrecked robin's nest and eggs upon the lawn under a maple--not a frequent spectacle. The robin's firm masonry is usually proof against wind and rain, but in this case the nest was composed almost entirely of dry gra.s.s; there was hardly a trace of mud in it, hence it was flexible and yielding, and had no grip of the branches. It was evidently the second nest of the pair this season, and the second nest in summer of any species of bird is frailer and more of a makeshift than the first nest in spring. Comparatively few of our birds attempt to bring off a second brood unless the first attempt has been defeated, but the robin is sure to bring off two, and may bring off three. But the robin is a hustler, probably the most enterprising of all our birds. I recall a mother robin that, in late June, repaired a nest in a climbing rosebush which her first brood had vacated only a week before. A brood of wood thrushes which left their nest about the same time was still being fed by their parents about the place.

The song sparrow, the social sparrow, the phbe, the bluebird, all build a second nest. The first brood of the bluebird will be looked after by the father in some near-by grove or orchard, while the mother starts a new family in the old nest. If all goes well with them, those two bluebird families will unite and keep together in a loose flock till they migrate in the fall.

So many of our birds nest about our houses and lawns and gardens and along our highways, that at first sight it seems as if they must be drawn there by a sense of greater security for their eggs and young. The robin has become almost a domestic inst.i.tution. It is rarely that one finds a robin's nest very far from a human habitation. One spring there were four robins' nests on my house and outbuildings--in the vines, on window-sills, or other coigns of vantage. There were at the same time at least fifteen robins' nests on my lot of sixteen acres, and I am quite certain that I have not seen all there were. They were in sheds and apple-trees and spruces and cedars, in the ends of piles of grape-posts, in rosebushes, in the summer-house, and on the porch. We did not expect to get one of the early cherries, and might count ourselves lucky if we got any of the later ones.

A robin has built her nest in my summer-house. She abuses me so when I try to tarry there, after incubation has begun, that I take no comfort and presently withdraw. Until her brood has flown, I am practically a stranger in my open-air rest-house and study.

When the fish crows come egging in the spruces and maples about the house, and I hear the screaming of the robins, I seize my gun and rush out to protect them, but am not always successful, as the mischief is often done before I get within reach; I am not sure but that the robins think--if they think at all--that I am in league with the crows to despoil them. I was not in time to save the eggs of the wood thrush the other morning, when I heard the alarm calls of the birds, but I had the satisfaction of seeing the black marauder go limping over the hill, dropping quills from his wings at nearly every stroke. I am sure he will not come back. The fish crow is one of the most active enemies of our small birds. Of course, he only obeys his instincts in hunting out and devouring their eggs and young, but I fancy I obey something higher than instinct when I protest with powder and shot.

The birds do not mind the approach of the domestic animals, such as the cow, the horse, the sheep, the pig, and they are only a little suspicious of the dog, but the appearance of the cat fills them with sudden alarm. I think that birds that have never before seen a cat join in the hue and cry. What alarms one alarms all within hearing. The orioles are probably the most immune from the depredations of crows and jays and owls of all our birds, and yet they will join in the cry of "Thief, thief!" when a crow appears. (The alarm cry of birds will even arrest the attention of four-footed beasts, and often bring the sportsman's stalking to naught.)

I fancy that Phbe selects our sheds and bridges and porticoes for her nesting-sites because they are so much more numerous than the overhanging rocks where her forbears built. For the same reason certain of the swallows and the swifts select our barns and chimneys.

If the birds themselves are not afraid to draw near us, why should their instinct lead them to feel that their enemies will be afraid of us? How do they know that a jay or a crow or a red squirrel will be less timid than they are? And why also, if they have such confidence in us, do they raise such a hue and cry when we pa.s.s near their nests? The robin in my summer-house knew, if she knew anything, that I had never raised a finger against her. On the contrary, my hoe in the garden had unearthed many a worm and slug for her. Still she sees in me only a possible enemy, and tolerate me with my book or my newspaper near her nest she will not. Another robin has built her nest in a rosebush that has been trained to form an arch over the walk that leads to the kitchen door and only a few yards from it; but whenever we pa.s.s and repa.s.s she scurries away with loud, angry protests and keeps it up as long as we are in sight, so that we do not feel at all complimented by her settling down so near us. If one's appearance is so alarming, even when he is going to hoe the garden, why did the intolerant bird set up her household G.o.ds so near? If I keep away her enemies, why will she not be gracious enough to regard me as her friend? The robin that trusted her brood to the sheltering vines of the woodshed, and lined her nest with the hair of our old gray horse--why should she scream, "Murder!" whenever any of us go to the well a few feet away?

What is the real explanation of the fact that so many of our birds nest so near our dwellings and yet show such unfriendliness when we come near them? Their apparent confidence, on the one hand, contradicts their suspicion on the other. Is it because we have here the workings of a new instinct which has not yet adjusted itself to the workings of the older instinct of solicitude for the safety of the nest and young? My own interpretation is that birds are not drawn near us by any sense of greater security in our vicinity. It is evident from the start that there is an initial fear of us to be overcome. How, then, could the sense of greater safety in our presence arise? Fear and trust do not spring from the same root. How should the robins and thrushes know that their enemies--the jays, the crows, and the like--are more afraid of human beings than they are themselves? Hunted animals pursued by wolves or hounds will at times take refuge in the haunts of men, not because they expect human protection, but because they are desperate, and oblivious to everything save some means of escape. If the hunted deer or fox rushes into an open shed or a barn door, it is because it is desperately hard-pressed, and sees and knows nothing but some object or situation that it may place between itself and its deadly enemy. The great fear obliterates all minor fears.

The key to the behavior of the birds in this respect may be found in the Darwinian theory of natural selection. From the first settlement of the country a few of the common birds, attracted by a more suitable or more abundant food-supply, or other conditions, must inevitably have nested near human dwellings. These birds would thrive better and succeed in bringing off more young than those that nested in more exposed places.

Hence, their progeny would soon be in the ascendancy. All animals seem to have a.s.sociated memory. These birds would naturally return to the scenes and conditions of their youth, and start their nests there. It would not be confidence in men that would draw them; rather would the truth be that the fear of man is inadequate to overcome or annul this home attraction.

The catbird does not come to our vines on the veranda to nest from considerations of safety, but because her line of descent runs through such places. The catbirds and robins and phbe-birds that were reared far from human habitations doubtless return to such localities to rear their young. The home sense in birds is strong. I have positive proof in a few instances of robins and song sparrows returning successive years to the same neighborhood. It is very certain, I think, that the phbe-birds that daub our porches with their mud, and in July leave a trail of minute creeping and crawling pests, were not themselves hatched and reared in the pretty, moss-covered structure under the shelving rocks in the woods, or on the hillsides.

How different from the manners of the robins are the manners of a pair of catbirds that have a nest in the honeysuckle against the side of the first-floor sleeping-porch! Nothing seems farther from the nature of the catbird than the hue and cry which the robin at times sets up. The catbird is sly and dislikes publicity. An appealing feline _mew_ is her characteristic note. She never raises her voice like the town-crier, as the robin does, perched in the mean time where all eyes may behold him.

The catbird peers and utters her soft protest from her hiding-place in the bushes. This particular pair of catbirds appeared in early May and began slyly to look over the situation in the vines and bushes about the house. All their proceedings were very stealthy; they were like two dark shadows gliding about, avoiding observation--no tree-tops or house-tops for them, but coverts close to the ground. We hoped they would divine safety in the shadow of the cottage, but tried to act as if oblivious of their goings and comings. We saw them now and then stealthily inspecting the tangle of honeysuckle on the east side of the veranda, where a robin last season reared a brood, and the low hedge of barberry-bushes on the south side of the cottage, where a song sparrow had her nest. If they come, which will they take, we wondered. Several times in the early morning I heard the male singing vivaciously and confidently in the thick of the honeysuckle. I guessed that the honeysuckle was the choice of the male, and that his song was a paean in praise of it, addressed to his mate. But it was nearly a week before his musical argument prevailed and the site was apparently agreed upon.

When the nest-building actually began, the birds were so shy about it that, watch as I might, I failed to catch them in the act. One morning I saw the mother bird in the garden with nesting-material in her beak, but she failed to come to the honeysuckle with it while I watched from a near-by covert. At the same time robins were flying here and there with loaded beaks, and wood thrushes were going through the air trailing long strips of white paper behind them, but the catbird was an emblem of secrecy itself. She, too, brought fragments of white paper to her nest, but no one saw her do it. Like other nest-builders, she apparently put in her big strokes of work in the early morning before the sleepers on the veranda were stirring. A few times my inquisitive eye, cautiously peering over the railing, started her from the vine, but I never saw her enter it with leaf, stick, or straw; yet slowly the nest grew and came into shape, and finally received its finishing touches. So cautiously had the birds proceeded that, were they capable of concepts like us, I should fancy they flattered themselves that we had not the least suspicion of their little secret. The male ceased to sing near the house after the nest was begun. So much time elapsed after the finishing of the nest before the first egg appeared in it that some members of the household feared the birds had deserted it, especially as they were not seen about the premises for several days. But the weather was wet and cool, and the eggs ripened slowly. Then one morning the birds were seen again, and one blue-green egg was discovered in the nest. The next morning another egg was added, and a third egg on the third morning, and a fourth on the fourth morning. In due time incubation began, and thenceforth all went well with our dusky neighbors.

It is an anxious moment for all birds when their young leave the nest.

One noontime by the unusual mewing of a parent catbird I felt sure that the critical time had come. Sure enough, there sat one of the young on a twig a few inches above the nest, motionless and hushed. No l.u.s.ty response to the agitated cry of the mother, as is usually the case with the robin. "No publicity" is the watchword of the young catbirds as well as of the old. An hour or two later another young one was perched on a branch, and before night, when no one was looking, they both disappeared, leaving two motionless birds in the nest. The next morning early, without any signs of alarm or agitation on the part of the old birds, they took the important step. It could hardly have been much of a flight with any of them, as their wing-quills were only partially developed, and their tails were mere stubs. For several days afterward no sign or sound of old or young was seen or heard. They were probably keeping well concealed in the near-by trees or in the vines and currant-bushes in the vineyard. In about a week the whole family appeared briefly in upper branches of the maples near the house. The young were distinguishable from the old only by their shorter tails. A few days later the parent birds were seen moving stealthily through the vines and bushes about the house, or perching on the near-by stakes that supported the wire netting. Are they coming back for a second brood? was the question in our minds.

Soon we began to hear s.n.a.t.c.hes of song from the male, then one morning a regular old-time burst of joy from him in the vine that held the old nest. Then he sang in a syringa-bush near the window on the south side of the cottage, and both birds were soon seen paying frequent visits to the bush. We felt sure another brood was in the air. Whether or not the first brood were now shifting for themselves, we did not know; they never again appeared upon the scene. Finally, on the morning of the Fourth of July, the foundation of a new nest was started in the syringa-bush three feet from the ground, and barely four feet from the window!

We had a view of the proceedings that the first site did not afford us.

The old nest appeared to be in perfect condition, but there was evidently no thought with the birds of using it again, as the robins sometimes do, and as bluebirds and cliff swallows always do. A new nest, built of material almost identical with that of the old, and in a more exposed position, was decided upon. It progressed rapidly, and I was delighted to find that the male a.s.sisted in the building. Indeed, he was fully as active as the female. Very often they were both in the nest with material at the same moment. They seemed to agree perfectly. At first I got the impression that the male was not quite as decided as the female, and hesitated more, once or twice bringing material that he finally rejected. But he soon warmed up to the work and certainly did his share.

With most species of our birds the nest is entirely built by the female.

With the robin, the wood thrush, the phbe, the oriole, the hummingbird, the pewee, and many others, the male is only an interested spectator of the proceeding. He usually attends his mate in her quest for material, but does not lend a hand, or a bill. I think the c.o.c.k wren a.s.sists in nest-building. I know the male cedar-bird does, and probably the male woodp.e.c.k.e.rs do also. The male rose-breasted grosbeak a.s.sists in incubation, and has been seen to sing upon the nest. It seems fair to infer that he a.s.sists in the nest-building also, but I am not certain that he does, and I have heard another observer state that in a nest which he watched the female apparently did it all.

My catbirds both worked overtime one afternoon at least, being on their job as late as seven o'clock. In three days the nest was done, all but touching up the interior. During the construction I laid out pieces of twine and bits of white paper on the bushes and wire netting, also some loose material from the outside of the old nest; all was quickly used.

How much labor the birds would have saved themselves had they pulled the old nest to pieces and used the material a second time! I have known the oriole to start a nest, then change her mind, and then detach some of her strings and fibers and carry them to the new site; and I once saw a "chebec" whose eggs had been destroyed pull the old nest to pieces and rebuild it in a tree a hundred feet away.

The male catbird is slightly brighter and fresher-looking than his mate, but we could easily tell her by her often simulating the actions of a young bird when she came with material in her beak; she would alight on a near-by post and slightly spread and quiver her wings in a tender, beseeching kind of way. She would do this also when bringing food to her first brood. When one of the parent birds of any species simulates by voice or manner the young birds, it is always the female; her heart would naturally be more a-quiver with antic.i.p.ation than that of the male.

On the fifth day the nest was completed and received its first egg.

There was considerable delay with the second egg, but it appeared on the second or third day, and the third egg the following day. Then incubation began. In twenty days from the day the nest was begun, the birds were hatched, and in eleven days more they had quietly left the nest.

A friend of mine who has a summer home on one of the trout-streams of the Catskills discovered that the catbird was fond of b.u.t.ter, and she soon had one of the birds coming every day to the dining-room window for its lump of fresh b.u.t.ter, and finally entering the dining-room, perching on the back of the chair, and receiving its morsel of b.u.t.ter from a fork held in the mistress's hand. I think the b.u.t.ter was unsalted. My friend was convinced after three years that the same pair of birds returned to her each year, because each season the male came promptly for his b.u.t.ter.

The furtive and stealthy manners of the catbird contrast strongly with the frank, open manners of the thrushes. Its cousin the brown thrasher goes skulking about in much the same way, flirting from bush to bush like a culprit escaping from justice. But he does love to sing from the April tree-tops where all the world may see and hear, if said world does not come too near. In the South and West the thrasher also nests in the vicinity of houses, but in New York and New England we must look for him in remote, bushy fields. I do not know of any bad traits that go with the thrasher's air of suspicion and secrecy, but I do know of one that goes with the catbird's--I have seen her perch on the rim of another bird's nest and deliberately devour the eggs. But only once. Whether or not she frequently does this, I have no evidence. If she does, she is doubtless so sly about it that she escapes observation.

I welcomed the catbird, though she is not so attractive a neighbor as the wood thrush. She has none of the wood thrush's dignity and grace.

She skulks and slinks away like a culprit, while the wood thrush stands up before you or perches upon a limb, and turns his spotted waistcoat toward you in the most open and trusting manner. In fact, few birds have such good manners as the wood thrush, and few have so much the manner of a Paul Pry and eavesdropper as the catbird. The flight of the wood thrush across the lawn is such a picture of grace and harmony, it is music to the eye. The catbird seems saying, "There, there! I told you so, pretty figure, pretty figure you make!" But the courteous thrush (just here I heard the excited calls of robins and the hoa.r.s.e, angry caw of a crow, and rushed out hatless to see a fish crow fly away from the maple in front of the Study, pursued by a mob of screeching robins. He took refuge in the spruces above the house where the collected robins abused him from surrounding branches. On my appearance he flew away, and the robins dispersed)--but the courteous thrush, I say, invites the good-breeding in you which he himself shows. The thrush never has the air of a culprit, while the catbird seldom has any other air. But I welcome them both. One shall stand for the harmony and repose of bird life, and the other for its restlessness and curiosity. The songs and the manners of birds correspond. The catbird, the brown thrasher, and the mockingbird are all theatrical in their manners--full of gestures of tail and wings, and their songs all imply an audience, while the serene melody of the thrushes is in keeping with the grace and poise of their behavior.

V

A MIDSUMMER IDYL

As I sit here of a midsummer day, in front of the wide-open doors of a big hay-barn, busy with my pen, and look out upon broad meadows where my farmer neighbor is busy with his haymaking, I idly contrast his harvest with mine. I have to admit that he succeeds with his better than I do with mine, though he can make hay only while the sun shines, while I can reap and cure my light fancies nearly as well in the shade as in the sun. Yet his crop is the surer and of more certain value to mankind. But I have this advantage over him--I might make literature out of his haymaking, or might reap his fields after him, and gather a harvest he never dreamed of. What does Emerson say?

One harvest from the field Homeward bring the oxen strong; A second crop thine acres yield, Which I gather in a song.

But the poet, like the farmer, can reap only where he has sown, and if Emerson had not scattered his own heart in the fields his Muse would not reap much there. Song is not one of the instruments with which I gather my harvest, but long ago, as a farm boy, in haymaking, and in driving the cows to and from the pasture, I planted myself there, and whatever comes back to me now from that source is honestly my own. The second crop which I gather is not much more tangible than that which the poet gathers, but the farmer as little suspects its existence as he does that of the poet. I can use what he would gladly reject. His daisies, his b.u.t.tercups, his orange hawkweed, his yarrow, his meadow-rue, serve my purpose better than they do his. They look better on the printed page than they do in the haymow. Yes, and his timothy and clover have their literary uses, and his new-mown hay may perfume a line in poetry. When one of our poets writes, "wild carrot blooms nod round his quiet bed,"

he makes better use of this weed than the farmers can.

Certainly a midsummer day in the country, with all its sights and sounds, its singing birds, its skimming swallows, its grazing or ruminating cattle, its drifting cloud-shadows, its gra.s.sy perfumes from the meadows and the hillsides, and the farmer with his men and teams busy with the harvest, has material for the literary artist. A good hay day is a good day for the writer and the poet, because it has a certain crispness and pureness; it is positive; it is rich in sunshine; there is a potency in the blue sky which you feel; the high barometer raises your spirits; your thoughts ripen as the hay cures. You can sit in a circle of shade beneath a tree in the fields, or in front of the open hay-barn doors, as I do, and feel the fruition and satisfaction of nature all about you. The br.i.m.m.i.n.g meadows seem fairly to purr as the breezes stroke them; the trees rustle their myriad leaves as if in gladness; the many-colored b.u.t.terflies dance by; the steel blue of the swallows' backs glistens in the sun as they skim the fields; and the mellow boom of the pa.s.sing b.u.mble-bee but enhances the sense of repose and contentment that pervades the air. The hay cures; the oats and corn deepen their hue; the delicious fragrance of the last wild strawberries is on the breeze; your mental skies are lucid, and life has the midsummer fullness and charm.

As I linger here I note the oft-repeated song of the scarlet tanager in the maple woods that crown a hill above me, and in the loft overhead two broods of swallows are chattering and lining up their light-colored b.r.e.a.s.t.s on the rims of their nests, or trying their newly fledged wings while clinging to its sides. The only ominous and unwelcome sound is the call of the cuckoo, which I hear and have heard at nearly all hours for many days, and which surely bodes rain. The countryman who first named this bird the "rain crow" hit the mark. The cuckoo is a devourer of worms and caterpillars, and why he should be interested in rain is hard to see. The tree-toad calls before and during a shower, mainly, I think, because he likes to have his back wet, but why a well-dressed bird like the cuckoo should become a prophet of the rain is a mystery, unless the rain and the shadows are congenial to the gloomy mood in which he usually seems to be. He is the least sprightly and cheery of our birds, and the part of doleful prophet in our bird drama suits him well.

A high barometer is best for the haymakers and it is best for the human spirits. When the smoke goes straight up, one's thoughts are more likely to soar also, and revel in the higher air. The persons who do not like to get up in the morning till the day has been well sunned and aired evidently thrive best on a high barometer. Such days do seem better ventilated, and our lungs take in fuller draughts of air. How curious it is that the air should seem heavy to us when it is light, and light when it is heavy! On those sultry, muggy days when it is an effort to move, and the gra.s.shopper is a burden, the air is light, and we are in the trough of the vast atmospheric wave; while we are on its crest, and are buoyed up both in mind and in body, on the crisp, bright days when the air seems to offer us no resistance. We know that the heavier salt sea-water buoys us up more than the fresh river or pond water, but we do not feel in the same way the lift of the high barometric wave. Even the rough, tough-coated maple-trees in spring are quickly susceptible to these atmospheric changes. The farmer knows that he needs sunshine and crisp air to make maple-sugar as well as to make hay. Let the high blue-domed day with its dry northwest breezes change to a warmer, overcast, humid day from the south, and the flow of sap lessens at once.

It would seem as if the trees had nerves on the outside of their dry bark, they respond to the change so quickly. There is no sap without warmth, and yet warmth, without any memory of the frost, stops the flow.

The more the air presses upon us the lighter we feel, and the less it presses upon us the more "logy" we feel. Climb to the top of a mountain ten thousand feet high, and you breathe and move with an effort. The air is light, water boils at a low temperature, and our lungs and muscles seem inadequate to perform their usual functions. There is a kind of pressure that exhilarates us, and an absence of pressure that depresses us.

The pressure of congenial tasks, of worthy work, sets one up, while the idle, the unemployed, has a deficiency of haemoglobin in his blood. The Lord pity the unemployed man, and pity the man so over-employed that the pressure upon him is like that upon one who works in a tunnel filled with compressed air.

Haying in this pastoral region is the first act in the drama of the harvest, and one likes to see it well staged, as it is to-day--the high blue dome, the rank, dark foliage of the trees, the daisies still white in the sun, the b.u.t.tercups gilding the pastures and hill-slopes, the clover shedding its perfume, the timothy shaking out its little clouds of pollen as the sickle-bar strikes it, most of the song-birds still vocal, and the tide of summer standing poised at its full. Very soon it will begin to ebb, the stalks of the meadow gra.s.ses will become dry and harsh, the clover will fade, the girlish daisies will become coa.r.s.e and matronly, the birds will sing fitfully or cease altogether, the pastures will turn brown, and the haymakers will find the hay half cured as it stands waiting for them in the meadows.

What a wonderful thing is the gra.s.s, so common, so abundant, so various, a green summer snow that softens the outlines of the landscape, that makes a carpet for the foot, that brings a hush to the fields, and that furnishes food to so many and such various creatures! More than the grazing animals live upon the gra.s.s. All our cereals--wheat, barley, rye, rice, oats, corn--belong to the great family of the gra.s.ses.

Gra.s.s is the nap of the fields; it is the undergarment of the hills. It gives us the meadow, a feature in the northern landscape so common that we cease to remark it, but which we miss at once when we enter a tropical or semi-tropical country. In Cuba and Jamaica and Hawaii I saw no meadows and no pastures, no grazing cattle, none of the genial, mellow look which our landscape presents. Harshness, rawness, aridity, are the prevailing notes.

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Under the Maples Part 3 summary

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