Under One Flag Part 1

Under One Flag.

by Richard Marsh.

A PET OF THE BALLET

I

She was regarding, ruefully, the condition of her white satin shoes.

They were articles which the ladies of the ballet had to provide for themselves. Twice she had sewn on fresh uppers, and now both uppers and soles had gone. Clearly it was a case in which a new pair would have to be bought. And yet, this week, money seemed shorter than ever. She wondered if skilful patching would not make them do till treasury. And, while she wondered, there was a knock at the door.

"Come in."

Polly Steele was the only visitor who ever came her way. She took it for granted that it was Polly now--though why Miss Steele should be so ceremonious as to knock she did not stop to think. She was continuing to consider the question of the possibility of repairing the shoes when a voice behind her caused her to spring to her feet with a start.

"Pardon--Miss Lizzie Emmett?"

Standing in the doorway was an individual who was dressed in a fashion in which gentlemen in the immediate neighbourhood of Hercules Buildings were not accustomed to dress. His clothes were beautiful, he wore patent leather shoes, his tie was a marvel, he carried a glossy silk hat in a well-gloved hand. He became his costume--so tall and so slender; with a little beard cut to a point; a charming moustache, the ends of which curled gracefully upwards. The vision was such an unexpected one that Lizzie, forgetful, for the moment, of her manners, stared at the stranger with bewildered surprise. "I'm Liz Emmett." The stranger bowed and smiled.

"In that case, Miss Emmett, I believe that I have the honour of being the bearer of a little parcel for you. I trust that the contents may have the pleasure to meet with your approbation--also the source from which it comes."

He advanced into the room--the poor, scantily-furnished, untidy, tawdry little room!--holding out to her a small, neatly-fastened package. She took it with what was almost an air of sullen indifference, evincing neither curiosity nor satisfaction. "I don't know you." Again a bow and a smile.

"That is my misfortune, which I hope is on the high road towards amendment. My name is Philippe Rossignol. It may be that the day is not far distant when mademoiselle will come to look upon me as a friend--as a very good friend indeed--eh?"

There was something in the fellow's obsequious bearing which savoured of impertinence--something which it seemed as if the girl resented.

"I shouldn't think that you'd ever be a friend of mine. You don't look as if you was my sort."

The smile became more p.r.o.nounced, and also more insulting.

"Not your sort? I pray that I have not so much ill fortune."

He paused, as if for her to speak. She spoke.

"I don't care for foreigners. Can't abide 'em. Never could."

The man drew himself up as if she had struck him. The smile lingered about his lips, though something very different was in his eyes. He was silent, as if considering what to say. His words, when they came, ignored her unflattering remark.

"The abode of mademoiselle is a little difficult to discover, unless one happens to know just exactly where it is."

"No one asked you to discover it, as I know of, so I don't see what odds that makes to you."

The girl's insistent rudeness seemed to occasion the stranger not only surprise, but something else as well, something approaching to curiosity. He observed her with more attention, as if she suggested a problem to his mind which was of the nature of a puzzle. She was young, strongly built, healthy. Beyond that, so far as he could see, she was nothing. She had neither face nor figure. Her movements were ungainly, her features were, emphatically, plain. Her dress was not only poor--worse, it was in execrable taste. She seemed to have decked herself in as many colours as she conveniently could, none of them being in sympathy with her complexion. Her manners were those of a woman of the people, her voice was a female c.o.c.kney's. Metaphorically, M. Rossignol shrugged his shoulders; to himself he said,--

"What there is attractive in her is for him to decide; for my part, I would rather that it were for him than for me. It is a folly even for a fool, even such a fool as that!"

Aloud he bade the lady farewell. "I have the pleasure of wishing mademoiselle a very good day."

As he backed towards the door he favoured her with a bow which could scarcely have been lower had she been an empress. She let him go without a word or sign of greeting. It was only when he had vanished, and the sound of his footsteps had ceased upon the stairs, that she found her tongue.

"Greasy foreigner, nasty, sneering beast! Coming shoving his nose in here as if he was somebody and me the dirt under his feet. I'll show him! If he'd stayed much longer, a-trying it on with me, I'd have give him one for himself, and helped him to the door. What's this, I'd like to know." She glanced down at the package she was holding, as if suddenly remembering it was there. She read the address which was on it. "'Miss Lizzie Emmett, 14 Hercules Buildings, Westminster.' He's got my address all right, though how he's got it is more than I can say.

What's inside? Feels as if it was something hard." She made as if to open it. Then in a fit of sudden petulance she threw it from her, so that it landed on the bed which was at her back. "I'm not going to trouble myself about his rubbish. I never set eyes on him in all my life before--who's he, I'd like to know. If ever he shows himself inside my place again, I'll start him travelling." She resumed her consideration of the vexed question of the shoes. "I can't get no more till Sat.u.r.day, so they'll have to do, and that's all about it. I'll fake 'em up with cardboard, same as I did once before, and if anybody notices it, why, they'll have to."

Seating herself on the only chair the room contained she began to cut, with a pair of scissors, pieces out of the lid of a cardboard box, which was yellow on one side and white on the other. She was not deft with her fingers, nor quick. The job promised to be a long one, and not remarkable for neatness when done. As with hunched shoulders she pursued her task of cobbling, for a second time there came a knock at the door.

"Now who's that? If it's that bloke back again, he'll get what for."

This, _sotto voce_; then, aloud, "Is that you, Polly?"

It was not Polly, as the voice which answered showed.

"Does anyone live here named Emmett?"

The visitor this time was a woman. Lizzie eyed her with as much surprise as she had eyed the man; certainly she was every whit as much out of place in Hercules Buildings as he had been. Like him, she was tall and slender, and beautifully dressed. Lizzie's feminine gaze, taking in the details of her costume, dimly realised its costliness.

"May I come in?"

"If you like you can."

Apparently the stranger did like. She closed the door behind her, standing, for a moment, to regard Miss Emmett. Then her look wandered about the room. She wore a big hat, to which was attached a veil which was so thick as almost to entirely obscure her features. But one realised, from something in her att.i.tude, that what she saw filled her with amazement.

"I think that I may have made a mistake."

"I shouldn't be surprised but what you had."

"Is it a Miss Lizzie Emmett who lives here?"

"Yes--Liz Emmett--that's me."

"You!" The astonishment in the speaker's voice was unequivocal, and not complimentary. One understood that she was studying Lizzie from behind her veil as if she could scarcely believe her eyes. Her speech faltered. "Excuse me, but are you in the profession?"

A hint of defiance came into Lizzie's tone. She was beginning to suspect that her visitor might be something in the district-visiting line.

"I'm in the ballet at the Cerulean Theatre--that's what I am!"

The stranger seemed to shiver as she heard; as if the answer removed from her mind the last traces of doubt, leaving her, instead, with a feeling of uncomfortable certainty. Turning towards the tiny fireplace, she began to trifle with the odds and ends which were on the mantelshelf. Then, once more confronting Lizzie, with a deliberate movement she raised her veil.

"Do you know me?"

"I can't say as how I do."

"I am Agnes Graham."

Lizzie was moved to genuine emotion. She rose from her chair in a flutter of excitement. She became more awkward than ever.

"Think of me not knowing you! I ought to, seeing how often I've seen your picture. I beg your pardon, Miss Graham, I'm sure, but won't you take a chair?"

"Thank you, for the present I'll stand." She eyed the other steadfastly; it seemed as if the more she gazed the more her wonder grew. "I'm afraid that I have come to you on a foolish errand, and that you will laugh at me before I've done, if you don't do worse."