Uncle Sam's Boys as Sergeants Part 22

No; it wasn't. Over under the Howe and Spangleton big-top, with its plain and reserved seats for eighteen thousand people, consternation prevailed.

The Army had proved the winning attraction for Denver's amus.e.m.e.nt-seeking crowds!

Only some eleven hundred and fifty people had paid to see the afternoon performance at the circus. In chagrin, the management hurriedly pa.s.sed in free some two hundred more loungers on the lot.

"I never even dreamed of a streak of luck like this!" grumbled Proprietor Howe to his partner, Spangleton.

"I hope we'll never meet it again. What has struck us this blow under the belt?"

"The confounded regular Army," growled Howe. "I've just telephoned over, and I hear that folks are packed in so tightly at the Army show that the people are able to breathe only half the usual number of times to the minute."

"Then they'll hit us just as bad to-night," growled Spangleton. "Howe, with the Army to play against, we'd save money by pulling down our tents now and striking the rails for the next stand."

Just a minute or so before two o'clock the artillery band left the bandstand and marched back to camp.

Now, all in an instant, the military parade formed.

At the head was the cavalry band, followed by a squadron (two troops or companies) of splendidly mounted fighting men, their accoutrements jingling.

As the cavalry, its band blaring joyously, pa.s.sed out before the people, the Signal Corps men followed on foot. Now the artillery, preceded by a mounted band that was just now silent, swung into line. Right behind the artillery, with its men perched up on the seats, their arms folded, or else driving the horses from saddles, came more men on foot, the ordnance detachment.

Now a third band, the Thirty-fourth's, marched on to the scene, silent, like the artillery musicians. After the third band in the line came the first battalion of the Thirty-fourth--at its head Colonel North and Major Silsbee, with their respective staffs, all on horseback. And now behind them marched, with the precise, easy rhythm of the foot soldier, the four companies, A, B, C and D, all moving like so many fine, automatic, easy-jointed machines.

The mounted detachments had brought forth rounds of rousing applause as they swept by, but when the infantrymen--the real, solid, fighting wall of the Army came in view, its men moving with the perfectly gaited, steady whump, whump! of superbly marching men, the spectators began to yell in frantic earnest.

The cavalry band ceased its stirring strain. Instantly the mounted drum major of the artillery swung about on his horse, holding up his baton, then bringing it down with the signal, "play."

As the artillery band blazed forth in a glory of rousing melody the noise of people's feet increased.

By the time that the infantry marched past the central portion of the great ma.s.s of civilians it was the turn of the Thirty-fourth's band.

Every spectator, nearly, was now standing, stamping, waving. Cheer after cheer went up.

It seemed as though human enthusiasm could not know greater bounds.

Faint echoes must have reached the distant, nearly empty circus big-top.

Yet the breathless thousands had caught, as yet, but the first tame pageantry of this glimpse of the glory of armed men.

Just before B company, as it swung along at the good old regular gait, one excited onlooker hurled a well-filled wallet--the only sign left him for showing his utter enthusiasm.

File after file of foot soldiers stepped over this wallet, yet, if one of the infantrymen knew it was there, not one of them let any sign escape him. Discipline was absolutely perfect. These marching men of rifle and bayonet swept on, heads up, eyes straight forward, every file in flawless, absolute alignment.

And so the wallet was pa.s.sed over and left behind while the crowd, staring at this unexpected scene of soldierly discipline, went wilder than before, in a frantic acclaim that was granted from the soul.

A policeman, standing at the edge of the crowd, picked up the wallet, returning it to its somewhat disappointed owner.

When the parade had swept around the field, each band playing in its turn, the crowd settled back with a sigh, as though satisfied that the greatest sight on the programme had been witnessed.

Yet hardly was there a pause. A troop of cavalry came forward, now, at the trot. All the evolutions of the school of the troop, mounted, were now gone through with. All the swift, bewildering changes of the cavalryman's manual of arms were exhibited.

Single riders and squads exhibited some of the prettiest work of the cowboy, for the American cavalryman has learned his riding and his daring from the best work of generations of cowboys.

Men rode two, and then three horses, at once, standing on bareback and leaping their animals over gates, ditches and hedges.

Down at the far end of the wheel a squad of cavalrymen halted, dismounted, unlimbered their carbines, and began firing at a squad of cavalrymen who galloped toward them from the other extremity of the field. Three of the men fired upon toppled and fell from their saddles to the dust with wonderful realism, while startled "ohs!" came from the eager onlookers.

Just behind this detachment rode more cavalrymen at the gallop. Three of these men, without seeming effort, swung down from their saddles, while their mounts still galloped, picked up the "dead or wounded," and then these horses, guided by their riders, wheeled and made fast time with the mock "casualties" to the rear.

It was a wonderful sight. Now, the audience began to come somewhere near its actual limits of enthusiasm.

Other yet more wonderful feats of skill and precision by the cavalry followed. Ere the "yellow-legs" had retired, momentarily, from the field of display, every small boy in the crowd--and many a large one--had decided that the life of the trooper must be his.

Then the flying artillery came on to the field, amid clouds of dust, the urgings of drivers, the sharp commands of officers and the pealing commands of bugles. For the first time in their lives the spectators realized how like lightning the American artillery moves, and how speedily it gets into deadly action. It was a pity that none of the fine marksmanship with the field cannon could be shown. The audience had to be satisfied with salvo after salvo fired with blank cartridges at imaginary enemies.

Then next the scene swiftly changed to a well-simulated one of battle, in which all arms engaged. "Under heavy fire" the engineers threw a bridge swiftly across a wide ditch representing a stream. While this was going on Signal Corps men laid wires and had telephone and telegraph instruments in operation from the firing line to the rear.

More of it came when the squadron of cavalry, at one end of the field, and backed by the signal and ordnance detachments, now bearing rifles, impersonated a hostile advance, firing volleys and "at will" at the artillery and infantry, posted to repulse them.

It took the breath of the spectators away. For now they gazed upon the grim realities of war, save for the actual deaths and manglings which all knew must follow such fierce firing when done in reality.

It was some minutes afterward before the smoke cleared away from over the field sufficiently to allow all to see the next spectacles. But all onlookers now felt the need of a brief rest from such sensations.

There were a host of features to the rousing programme, and not a spectator but thrilled and throbbed, and thanked his lucky stars that he was here, at the show, the spectacle of a lifetime!

Feature after feature followed, in a swiftly-moving, tightly-packed programme lasting three hours. The riot drill, showing with vivid effect how a battalion of regular infantry can move through a densely packed mob, brought forth tumultuous cheers. When the cheering had subsided such shouts as these were offered by excited spectators:

"Bring your anarchists here to-night, and show them this!"

"Never get into a riot unless you go with the regulars!"

It was truly an Army afternoon. All such afternoons are, for the average American knows truly nothing about his own Army. When he sees it actually at work he becomes, for the time at least, an "Army crank."

There were many features in which only one, or a few men, figured importantly. One of these was now about to be offered. On the programme it bore the t.i.tle, "the bicycle dispatch rider."

No name was set opposite this t.i.tle, but the man who had been selected for the work was Sergeant Hal Overton.

At the far side of the field the scene had been arranged. It represented a hill road, over which the dispatch bearer must ride at breakneck speed. For picturesque purposes Hal wore a surgeon's field case, hanging over one shoulder by a strap. In actual war time his real dispatches would have been hidden somewhere in his clothing, his shoes, or what-not place of concealment.

Of a sudden the Thirty-fourth's band turned loose into a dashing gallop played at faster time than usual. It was the signal for Sergeant Hal to mount his wheel and ride as for life.

Something in the speed, the dash, the evident purpose of the young soldier caught the hearts of the spectators as soon as Hal started. He had not gone fifty yards on his way before the cheering once more burst forth.

At the outset were some little gaps in the path, representing brooks and rills. Over these Sergeant Hal sped as if they did not exist, while little upward spurts of water helped out the illusion.

Ahead of the young military bicyclist now appeared a plain fence, some four feet high. Hal Overton rode at this with all the speed his flying feet could impart to the pedals. He appeared bent on violent collision with the fence.

Indeed, he rode at the palings as though he could not stop. Yet, when almost in the act of collision, Sergeant Hal made a flying leap from his wheel, which he tossed over the fence. In two incredibly swift movements he was over the fence. His wheel hardly seemed to have fallen at all, so swiftly did the young sergeant have it going again. He made a flying leap to the saddle, and was again pedaling desperately, while five or six shots to the rear filled out the illusion of a dispatch bearer being pursued by enemies.

That trick at the fence instantly took hold of the younger male portion of the audience. Denver boys saw wherein young soldiers were taught things about bicycle riding that were not known among civilians.