Unbeaten Tracks in Japan - novelonlinefull.com
You’re read light novel Unbeaten Tracks in Japan Part 2 online at NovelOnlineFull.com. Please use the follow button to get notification about the latest chapter next time when you visit NovelOnlineFull.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy
But the great temple to Kwan-non is not the only sight of Asakusa.
Outside it are countless shrines and temples, huge stone Amainu, or heavenly dogs, on rude blocks of stone, large cisterns of stone and bronze with and without canopies, containing water for the ablutions of the worshippers, cast iron Amainu on hewn stone pedestals--a recent gift--bronze and stone lanterns, a stone prayer-wheel in a stone post, figures of Buddha with the serene countenance of one who rests from his labours, stone idols, on which devotees have pasted slips of paper inscribed with prayers, with sticks of incense rising out of the ashes of hundreds of former sticks smouldering before them, blocks of hewn stone with Chinese and Sanskrit inscriptions, an eight-sided temple in which are figures of the "Five Hundred Disciples" of Buddha, a temple with the roof and upper part of the walls richly coloured, the circular Shinto mirror in an inner shrine, a bronze treasury outside with a bell, which is rung to attract the G.o.d's attention, a striking, five-storied paG.o.da, with much red lacquer, and the ends of the roof-beams very boldly carved, its heavy eaves fringed with wind bells, and its uppermost roof terminating in a graceful copper spiral of great height, with the "sacred pearl" surrounded by flames for its finial. Near it, as near most temples, is an upright frame of plain wood with tablets, on which are inscribed the names of donors to the temple, and the amount of their gifts.
There is a handsome stone-floored temple to the south-east of the main building, to which we were the sole visitors. It is lofty and very richly decorated. In the centre is an octagonal revolving room, or rather shrine, of rich red lacquer most gorgeously ornamented. It rests on a frame of carved black lacquer, and has a lacquer gallery running round it, on which several richly decorated doors open. On the application of several shoulders to this gallery the shrine rotates. It is, in fact, a revolving library of the Buddhist Scriptures, and a single turn is equivalent to a single pious perusal of them. It is an exceedingly beautiful specimen of ancient decorative lacquer work. At the back part of the temple is a draped bra.s.s figure of Buddha, with one hand raised--a dignified piece of casting. All the Buddhas have Hindoo features, and the graceful drapery and oriental repose which have been imported from India contrast singularly with the grotesque extravagances of the indigenous j.a.panese conceptions. In the same temple are four monstrously extravagant figures carved in wood, life-size, with clawed toes on their feet, and two great fangs in addition to the teeth in each mouth. The heads of all are surrounded with flames, and are backed by golden circlets. They are extravagantly clothed in garments which look as if they were agitated by a violent wind; they wear helmets and partial suits of armour, and hold in their right hands something between a monarch's sceptre and a priest's staff. They have goggle eyes and open mouths, and their faces are in distorted and exaggerated action.
One, painted bright red, tramples on a writhing devil painted bright pink; another, painted emerald green, tramples on a sea- green devil, an indigo blue monster tramples on a sky-blue fiend, and a bright pink monster treads under his clawed feet a flesh- coloured demon. I cannot give you any idea of the hideousness of their aspect, and was much inclined to sympathise with the more innocent-looking fiends whom they were maltreating. They occur very frequently in Buddhist temples, and are said by some to be a.s.sistant-torturers to Yemma, the lord of h.e.l.l, and are called by others "The G.o.ds of the Four Quarters."
The temple grounds are a most extraordinary sight. No English fair in the palmiest days of fairs ever presented such an array of attractions. Behind the temple are archery galleries in numbers, where girls, hardly so modest-looking as usual, smile and smirk, and bring straw-coloured tea in dainty cups, and tasteless sweetmeats on lacquer trays, and smoke their tiny pipes, and offer you bows of slender bamboo strips, two feet long, with rests for the arrows, and tiny cherry-wood arrows, bone-tipped, and feathered red, blue, and white, and smilingly, but quite un.o.btrusively, ask you to try your skill or luck at a target hanging in front of a square drum, flanked by red cushions. A click, a boom, or a hardly audible "thud," indicate the result. Nearly all the archers were grown-up men, and many of them spend hours at a time in this childish sport.
All over the grounds booths with the usual charcoal fire, copper boiler, iron kettle of curious workmanship, tiny cups, fragrant aroma of tea, and winsome, graceful girls, invite you to drink and rest, and more solid but less inviting refreshments are also to be had. Rows of pretty paper lanterns decorate all the stalls. Then there are photograph galleries, mimic tea-gardens, tableaux in which a large number of groups of life-size figures with appropriate scenery are put into motion by a creaking wheel of great size, matted lounges for rest, stands with saucers of rice, beans and peas for offerings to the G.o.ds, the pigeons, and the two sacred horses, Albino ponies, with pink eyes and noses, revoltingly greedy creatures, eating all day long and still craving for more.
There are booths for singing and dancing, and under one a professional story-teller was reciting to a densely packed crowd one of the old, popular stories of crime. There are booths where for a few rin you may have the pleasure of feeding some very ugly and greedy apes, or of watching mangy monkeys which have been taught to prostrate themselves j.a.panese fashion.
This letter is far too long, but to pa.s.s over Asakusa and its novelties when the impression of them is fresh would be to omit one of the most interesting sights in j.a.pan. On the way back we pa.s.sed red mail carts like those in London, a squadron of cavalry in European uniforms and with European saddles, and the carriage of the Minister of Marine, an English brougham with a pair of horses in English harness, and an escort of six troopers--a painful precaution adopted since the political a.s.sa.s.sination of Okubo, the Home Minister, three weeks ago. So the old and the new in this great city contrast with and jostle each other. The Mikado and his ministers, naval and military officers and men, the whole of the civil officials and the police, wear European clothes, as well as a number of dissipated-looking young men who aspire to represent "young j.a.pan." Carriages and houses in English style, with carpets, chairs, and tables, are becoming increasingly numerous, and the bad taste which regulates the purchase of foreign furnishings is as marked as the good taste which everywhere presides over the adornment of the houses in purely j.a.panese style.
Happily these expensive and unbecoming innovations have scarcely affected female dress, and some ladies who adopted our fashions have given them up because of their discomfort and manifold difficulties and complications.
The Empress on State occasions appears in scarlet satin hakama, and flowing robes, and she and the Court ladies invariably wear the national costume. I have only seen two ladies in European dress; and this was at a dinner-party here, and they were the wives of Mr.
Mori, the go-ahead Vice-Minister for Foreign Affairs, and of the j.a.panese Consul at Hong Kong; and both by long residence abroad have learned to wear it with ease. The wife of Saigo, the Minister of Education, called one day in an exquisite j.a.panese dress of dove-coloured silk crepe, with a pale pink under-dress of the same material, which showed a little at the neck and sleeves. Her girdle was of rich dove-coloured silk, with a ghost of a pale pink blossom hovering upon it here and there. She had no frills or fripperies of any description, or ornaments, except a single pin in her chignon, and, with a sweet and charming face, she looked as graceful and dignified in her j.a.panese costume as she would have looked exactly the reverse in ours. Their costume has one striking advantage over ours. A woman is perfectly CLOTHED if she has one garment and a girdle on, and perfectly DRESSED if she has two.
There is a difference in features and expression--much exaggerated, however, by j.a.panese artists--between the faces of high-born women and those of the middle and lower cla.s.ses. I decline to admire fat-faces, pug noses, thick lips, long eyes, turned up at the outer corners, and complexions which owe much to powder and paint. The habit of painting the lips with a reddish-yellow pigment, and of heavily powdering the face and throat with pearl powder, is a repulsive one. But it is hard to p.r.o.nounce any unfavourable criticism on women who have so much kindly grace of manner. I. L.
B.
LETTER VI
Fears--Travelling Equipments--Pa.s.sports--Coolie Costume--A Yedo Diorama--Rice-Fields--Tea-Houses--A Traveller's Reception--The Inn at Kasukabe--Lack of Privacy--A Concourse of Noises--A Nocturnal Alarm--A Vision of Policemen--A Budget from Yedo.
KASUKABE, June 10.
From the date you will see that I have started on my long journey, though not upon the "unbeaten tracks" which I hope to take after leaving Nikko, and my first evening alone in the midst of this crowded Asian life is strange, almost fearful. I have suffered from nervousness all day--the fear of being frightened, of being rudely mobbed, as threatened by Mr. Campbell of Islay, of giving offence by transgressing the rules of j.a.panese politeness--of, I know not what! Ito is my sole reliance, and he may prove a "broken reed." I often wished to give up my project, but was ashamed of my cowardice when, on the best authority, I received a.s.surances of its safety. {6}
The preparations were finished yesterday, and my outfit weighed 110 lbs., which, with Ito's weight of 90 lbs., is as much as can be carried by an average j.a.panese horse. My two painted wicker boxes lined with paper and with waterproof covers are convenient for the two sides of a pack-horse. I have a folding-chair--for in a j.a.panese house there is nothing but the floor to sit upon, and not even a solid wall to lean against--an air-pillow for kuruma travelling, an india-rubber bath, sheets, a blanket, and last, and more important than all else, a canvas stretcher on light poles, which can be put together in two minutes; and being 2.5 feet high is supposed to be secure from fleas. The "Food Question" has been solved by a modified rejection of all advice! I have only brought a small supply of Liebig's extract of meat, 4 lbs. of raisins, some chocolate, both for eating and drinking, and some brandy in case of need. I have my own Mexican saddle and bridle, a reasonable quant.i.ty of clothes, including a loose wrapper for wearing in the evenings, some candles, Mr. Brunton's large map of j.a.pan, volumes of the Transactions of the English Asiatic Society, and Mr. Satow's Anglo-j.a.panese Dictionary. My travelling dress is a short costume of dust-coloured striped tweed, with strong laced boots of unblacked leather, and a j.a.panese hat, shaped like a large inverted bowl, of light bamboo plait, with a white cotton cover, and a very light frame inside, which fits round the brow and leaves a s.p.a.ce of 1.5 inches between the hat and the head for the free circulation of air. It only weighs 2.5 ounces, and is infinitely to be preferred to a heavy pith helmet, and, light as it is, it protects the head so thoroughly, that, though the sun has been unclouded all day and the mercury at 86 degrees, no other protection has been necessary.
My money is in bundles of 50 yen, and 50, 20, and 10 sen notes, besides which I have some rouleaux of copper coins. I have a bag for my pa.s.sport, which hangs to my waist. All my luggage, with the exception of my saddle, which I use for a footstool, goes into one kuruma, and Ito, who is limited to 12 lbs., takes his along with him.
I have three kurumas, which are to go to Nikko, ninety miles, in three days, without change of runners, for about eleven shillings each.
Pa.s.sports usually define the route over which the foreigner is to travel, but in this case Sir H. Parkes has obtained one which is practically unrestricted, for it permits me to travel through all j.a.pan north of Tokiyo and in Yezo without specifying any route.
This precious doc.u.ment, without which I should be liable to be arrested and forwarded to my consul, is of course in j.a.panese, but the cover gives in English the regulations under which it is issued. A pa.s.sport must be applied for, for reasons of "health, botanical research, or scientific investigation." Its bearer must not light fires in woods, attend fires on horseback, trespa.s.s on fields, enclosures, or game-preserves, scribble on temples, shrines, or walls, drive fast on a narrow road, or disregard notices of "No thoroughfare." He must "conduct himself in an orderly and conciliating manner towards the j.a.panese authorities and people;" he "must produce his pa.s.sport to any officials who may demand it," under pain of arrest; and while in the interior "is forbidden to shoot, trade, to conclude mercantile contracts with j.a.panese, or to rent houses or rooms for a longer period than his journey requires."
NIKKO, June 13.--This is one of the paradises of j.a.pan! It is a proverbial saying, "He who has not seen Nikko must not use the word kek'ko" (splendid, delicious, beautiful); but of this more hereafter. My attempt to write to you from Kasukabe failed, owing to the onslaught of an army of fleas, which compelled me to retreat to my stretcher, and the last two nights, for this and other reasons, writing has been out of the question.
I left the Legation at 11 am. on Monday and reached Kasukabe at 5 p.m., the runners keeping up an easy trot the whole journey of twenty-three miles; but the halts for smoking and eating were frequent.
These kuruma-runners wore short blue cotton drawers, girdles with tobacco pouch and pipe attached, short blue cotton shirts with wide sleeves, and open in front, reaching to their waists, and blue cotton handkerchiefs knotted round their heads, except when the sun was very hot, when they took the flat flag discs, two feet in diameter, which always hang behind kurumas, and are used either in sun or rain, and tied them on their heads. They wore straw sandals, which had to be replaced twice on the way. Blue and white towels hung from the shafts to wipe away the sweat, which ran profusely down the lean, brown bodies. The upper garment always flew behind them, displaying chests and backs elaborately tattooed with dragons and fishes. Tattooing has recently been prohibited; but it was not only a favourite adornment, but a subst.i.tute for perishable clothing.
Most of the men of the lower cla.s.ses wear their hair in a very ugly fashion,--the front and top of the head being shaved, the long hair from the back and sides being drawn up and tied, then waxed, tied again, and cut short off, the stiff queue being brought forward and laid, pointing forwards, along the back part of the top of the head. This top-knot is shaped much like a short clay pipe. The shaving and dressing the hair thus require the skill of a professional barber. Formerly the hair was worn in this way by the samurai, in order that the helmet might fit comfortably, but it is now the style of the lower cla.s.ses mostly and by no means invariably.
Blithely, at a merry trot, the coolies hurried us away from the kindly group in the Legation porch, across the inner moat and along the inner drive of the castle, past gateways and retaining walls of Cyclopean masonry, across the second moat, along miles of streets of sheds and shops, all grey, thronged with foot-pa.s.sengers and kurumas, with pack-horses loaded two or three feet above their backs, the arches of their saddles red and gilded lacquer, their frontlets of red leather, their "shoes" straw sandals, their heads tied tightly to the saddle-girth on either side, great white cloths figured with mythical beasts in blue hanging down loosely under their bodies; with coolies dragging heavy loads to the guttural cry of Hai! huida! with children whose heads were shaved in hideous patterns; and now and then, as if to point a moral lesson in the midst of the whirling diorama, a funeral pa.s.sed through the throng, with a priest in rich robes, mumbling prayers, a covered barrel containing the corpse, and a train of mourners in blue dresses with white wings. Then we came to the fringe of Yedo, where the houses cease to be continuous, but all that day there was little interval between them. All had open fronts, so that the occupations of the inmates, the "domestic life" in fact, were perfectly visible. Many of these houses were roadside chayas, or tea-houses, and nearly all sold sweet-meats, dried fish, pickles, mochi, or uncooked cakes of rice dough, dried persimmons, rain hats, or straw shoes for man or beast. The road, though wide enough for two carriages (of which we saw none), was not good, and the ditches on both sides were frequently neither clean nor sweet. Must I write it? The houses were mean, poor, shabby, often even squalid, the smells were bad, and the people looked ugly, shabby, and poor, though all were working at something or other.
The country is a dead level, and mainly an artificial mud flat or swamp, in whose fertile ooze various aquatic birds were wading, and in which hundreds of men and women were wading too, above their knees in slush; for this plain of Yedo is mainly a great rice- field, and this is the busy season of rice-planting; for here, in the sense in which we understand it, they do not "cast their bread upon the waters." There are eight or nine leading varieties of rice grown in j.a.pan, all of which, except an upland species, require mud, water, and much puddling and nasty work. Rice is the staple food and the wealth of j.a.pan. Its revenues were estimated in rice. Rice is grown almost wherever irrigation is possible.
The rice-fields are usually very small and of all shapes. A quarter of an acre is a good-sized field. The rice crop planted in June is not reaped till November, but in the meantime it needs to be "puddled" three times, i.e. for all the people to turn into the slush, and grub out all the weeds and tangled aquatic plants, which weave themselves from tuft to tuft, and puddle up the mud afresh round the roots. It grows in water till it is ripe, when the fields are dried off. An acre of the best land produces annually about fifty-four bushels of rice, and of the worst about thirty.
On the plain of Yedo, besides the nearly continuous villages along the causewayed road, there are islands, as they may be called, of villages surrounded by trees, and hundreds of pleasant oases on which wheat ready for the sickle, onions, millet, beans, and peas, were flourishing. There were lotus ponds too, in which the glorious lily, Nelumbo nucifera, is being grown for the sacrilegious purpose of being eaten! Its splendid cla.s.sical leaves are already a foot above the water.
After running cheerily for several miles my men bowled me into a tea-house, where they ate and smoked while I sat in the garden, which consisted of baked mud, smooth stepping-stones, a little pond with some goldfish, a deformed pine, and a stone lantern. Observe that foreigners are wrong in calling the j.a.panese houses of entertainment indiscriminately "tea-houses." A tea-house or chaya is a house at which you can obtain tea and other refreshments, rooms to eat them in, and attendance. That which to some extent answers to an hotel is a yadoya, which provides sleeping accommodation and food as required. The licenses are different.
Tea-houses are of all grades, from the three-storied erections, gay with flags and lanterns, in the great cities and at places of popular resort, down to the road-side tea-house, as represented in the engraving, with three or four lounges of dark-coloured wood under its eaves, usually occupied by naked coolies in all att.i.tudes of easiness and repose. The floor is raised about eighteen inches above the ground, and in these tea-houses is frequently a matted platform with a recess called the doma, literally "earth-s.p.a.ce," in the middle, round which runs a ledge of polished wood called the itama, or "board s.p.a.ce," on which travellers sit while they bathe their soiled feet with the water which is immediately brought to them; for neither with soiled feet nor in foreign shoes must one advance one step on the matted floor. On one side of the doma is the kitchen, with its one or two charcoal fires, where the coolies lounge on the mats and take their food and smoke, and on the other the family pursue their avocations. In almost the smallest tea- house there are one or two rooms at the back, but all the life and interest are in the open front. In the small tea-houses there is only an irori, a square hole in the floor, full of sand or white ash, on which the live charcoal for cooking purposes is placed, and small racks for food and eating utensils; but in the large ones there is a row of charcoal stoves, and the walls are garnished up to the roof with shelves, and the lacquer tables and lacquer and china ware used by the guests. The large tea-houses contain the possibilities for a number of rooms which can be extemporised at once by sliding paper panels, called fusuma, along grooves in the floor and in the ceiling or cross-beams.
When we stopped at wayside tea-houses the runners bathed their feet, rinsed their mouths, and ate rice, pickles, salt fish, and "broth of abominable things," after which they smoked their tiny pipes, which give them three whiffs for each filling. As soon as I got out at any of these, one smiling girl brought me the tabako- bon, a square wood or lacquer tray, with a china or bamboo charcoal-holder and ash-pot upon it, and another presented me with a zen, a small lacquer table about six inches high, with a tiny teapot with a hollow handle at right angles with the spout, holding about an English tea-cupful, and two cups without handles or saucers, with a capacity of from ten to twenty thimblefuls each.
The hot water is merely allowed to rest a minute on the tea-leaves, and the infusion is a clear straw-coloured liquid with a delicious aroma and flavour, grateful and refreshing at all times. If j.a.panese tea "stands," it acquires a coa.r.s.e bitterness and an unwholesome astringency. Milk and sugar are not used. A clean- looking wooden or lacquer pail with a lid is kept in all tea- houses, and though hot rice, except to order, is only ready three times daily, the pail always contains cold rice, and the coolies heat it by pouring hot tea over it. As you eat, a tea-house girl, with this pail beside her, squats on the floor in front of you, and fills your rice bowl till you say, "Hold, enough!" On this road it is expected that you leave three or four sen on the tea-tray for a rest of an hour or two and tea.
All day we travelled through rice swamps, along a much-frequented road, as far as Kasukabe, a good-sized but miserable-looking town, with its main street like one of the poorest streets in Tokiyo, and halted for the night at a large yadoya, with downstairs and upstairs rooms, crowds of travellers, and many evil smells. On entering, the house-master or landlord, the teishi, folded his hands and prostrated himself, touching the floor with his forehead three times. It is a large, rambling old house, and fully thirty servants were bustling about in the daidokoro, or great open kitchen. I took a room upstairs (i.e. up a steep step-ladder of dark, polished wood), with a balcony under the deep eaves. The front of the house upstairs was one long room with only sides and a front, but it was immediately divided into four by drawing sliding screens or panels, covered with opaque wall papers, into their proper grooves. A back was also improvised, but this was formed of frames with panes of translucent paper, like our tissue paper, with sundry holes and rents. This being done, I found myself the possessor of a room about sixteen feet square, without hook, shelf, rail, or anything on which to put anything--nothing, in short, but a matted floor. Do not be misled by the use of this word matting.
j.a.panese house-mats, tatami, are as neat, refined, and soft a covering for the floor as the finest Axminster carpet. They are 5 feet 9 inches long, 3 feet broad, and 2.5 inches thick. The frame is solidly made of coa.r.s.e straw, and this is covered with very fine woven matting, as nearly white as possible, and each mat is usually bound with dark blue cloth. Temples and rooms are measured by the number of mats they contain, and rooms must be built for the mats, as they are never cut to the rooms. They are always level with the polished grooves or ledges which surround the floor. They are soft and elastic, and the finer qualities are very beautiful. They are as expensive as the best Brussels carpet, and the j.a.panese take great pride in them, and are much aggrieved by the way in which some thoughtless foreigners stamp over them with dirty boots.
Unfortunately they harbour myriads of fleas.
Outside my room an open balcony with many similiar rooms ran round a forlorn aggregate of dilapidated shingle roofs and water-b.u.t.ts.
These rooms were all full. Ito asked me for instructions once for all, put up my stretcher under a large mosquito net of coa.r.s.e green canvas with a fusty smell, filled my bath, brought me some tea, rice, and eggs, took my pa.s.sport to be copied by the house-master, and departed, I know not whither. I tried to write to you, but fleas and mosquitoes prevented it, and besides, the fusuma were frequently noiselessly drawn apart, and several pairs of dark, elongated eyes surveyed me through the cracks; for there were two j.a.panese families in the room to the right, and five men in that to the left. I closed the sliding windows, with translucent paper for window panes, called shoji, and went to bed, but the lack of privacy was fearful, and I have not yet sufficient trust in my fellow-creatures to be comfortable without locks, walls, or doors!
Eyes were constantly applied to the sides of the room, a girl twice drew aside the shoji between it and the corridor; a man, who I afterwards found was a blind man, offering his services as a shampooer, came in and said some (of course) unintelligible words, and the new noises were perfectly bewildering. On one side a man recited Buddhist prayers in a high key; on the other a girl was tw.a.n.ging a samisen, a species of guitar; the house was full of talking and splashing, drums and tom-toms were beaten outside; there were street cries innumerable, and the whistling of the blind shampooers, and the resonant clap of the fire-watchman who perambulates all j.a.panese villages, and beats two pieces of wood together in token of his vigilance, were intolerable. It was a life of which I knew nothing, and the mystery was more alarming than attractive; my money was lying about, and nothing seemed easier than to slide a hand through the fusuma and appropriate it.
Ito told me that the well was badly contaminated, the odours were fearful; illness was to be feared as well as robbery! So unreasonably I reasoned! {7}
My bed is merely a piece of canvas nailed to two wooden bars. When I lay down the canvas burst away from the lower row of nails with a series of cracks, and sank gradually till I found myself lying on a sharp-edged pole which connects the two pair of trestles, and the helpless victim of fleas and mosquitoes. I lay for three hours, not daring to stir lest I should bring the canvas altogether down, becoming more and more nervous every moment, and then Ito called outside the shoji, "It would be best, Miss Bird, that I should see you." What horror can this be? I thought, and was not rea.s.sured when he added, "Here's a messenger from the Legation and two policemen want to speak to you." On arriving I had done the correct thing in giving the house-master my pa.s.sport, which, according to law, he had copied into his book, and had sent a duplicate copy to the police-station, and this intrusion near midnight was as unaccountable as it was unwarrantable.
Nevertheless the appearance of the two mannikins in European uniforms, with the familiar batons and bull's-eye lanterns, and with manners which were respectful without being deferential, gave me immediate relief. I should have welcomed twenty of their species, for their presence a.s.sured me of the fact that I am known and registered, and that a Government which, for special reasons, is anxious to impress foreigners with its power and omniscience is responsible for my safety.
While they spelt through my pa.s.sport by their dim lantern I opened the Yedo parcel, and found that it contained a tin of lemon sugar, a most kind note from Sir Harry Parkes, and a packet of letters from you. While I was attempting to open the letters, Ito, the policemen, and the lantern glided out of my room, and I lay uneasily till daylight, with the letters and telegram, for which I had been yearning for six weeks, on my bed unopened!
Already I can laugh at my fears and misfortunes, as I hope you will. A traveller must buy his own experience, and success or failure depends mainly on personal idiosyncrasies. Many matters will be remedied by experience as I go on, and I shall acquire the habit of feeling secure; but lack of privacy, bad smells, and the torments of fleas and mosquitoes are, I fear, irremediable evils.
I. L. B.
LETTER VI--(Continued)
A Coolie falls ill--Peasant Costume--Varieties in Threshing--The Tochigi yadoya--Farming Villages--A Beautiful Region--An In Memoriam Avenue--A Doll's Street--Nikko--The Journey's End--Coolie Kindliness.
By seven the next morning the rice was eaten, the room as bare as if it had never been occupied, the bill of 80 sen paid, the house- master and servants with many sayo naras, or farewells, had prostrated themselves, and we were away in the kurumas at a rapid trot. At the first halt my runner, a kindly, good-natured creature, but absolutely hideous, was seized with pain and vomiting, owing, he said, to drinking the bad water at Kasukabe, and was left behind. He pleased me much by the honest independent way in which he provided a subst.i.tute, strictly adhering to his bargain, and never asking for a gratuity on account of his illness.
He had been so kind and helpful that I felt quite sad at leaving him there ill,--only a coolie, to be sure, only an atom among the 34,000,000 of the Empire, but not less precious to our Father in heaven than any other. It was a brilliant day, with the mercury 86 degrees in the shade, but the heat was not oppressive. At noon we reached the Tone, and I rode on a coolie's tattooed shoulders through the shallow part, and then, with the kurumas, some ill- disposed pack-horses, and a number of travellers, crossed in a flat-bottomed boat. The boatmen, travellers, and cultivators, were nearly or altogether without clothes, but the richer farmers worked in the fields in curved bamboo hats as large as umbrellas, kimonos with large sleeves not girt up, and large fans attached to their girdles. Many of the travellers whom we met were without hats, but shielded the front of the head by holding a fan between it and the sun. Probably the inconvenience of the national costume for working men partly accounts for the general practice of getting rid of it. It is such a hindrance, even in walking, that most pedestrians have "their loins girded up" by taking the middle of the hem at the bottom of the kimono and tucking it under the girdle. This, in the case of many, shows woven, tight-fitting, elastic, white cotton pantaloons, reaching to the ankles. After ferrying another river at a village from which a steamer plies to Tokiyo, the country became much more pleasing, the rice-fields fewer, the trees, houses, and barns larger, and, in the distance, high hills loomed faintly through the haze. Much of the wheat, of which they don't make bread, but vermicelli, is already being carried. You see wheat stacks, ten feet high, moving slowly, and while you are wondering, you become aware of four feet moving below them; for all the crop is carried on horses' if not on human backs.
I went to see several threshing-floors,--clean, open s.p.a.ces outside barns,--where the grain is laid on mats and threshed by two or four men with heavy revolving flails. Another method is for women to beat out the grain on racks of split bamboo laid lengthwise; and I saw yet a third practised both in the fields and barn-yards, in which women pa.s.s handfuls of stalks backwards through a sort of carding instrument with sharp iron teeth placed in a slanting position, which cuts off the ears, leaving the stalk unbruised.
This is probably "the sharp threshing instrument having teeth"
mentioned by Isaiah. The ears are then rubbed between the hands.
In this region the wheat was winnowed altogether by hand, and after the wind had driven the chaff away, the grain was laid out on mats to dry. Sickles are not used, but the reaper takes a handful of stalks and cuts them off close to the ground with a short, straight knife, fixed at a right angle with the handle. The wheat is sown in rows with wide s.p.a.ces between them, which are utilised for beans and other crops, and no sooner is it removed than daikon (Rapha.n.u.s sativus), cuc.u.mbers, or some other vegetable, takes its place, as the land under careful tillage and copious manuring bears two, and even three, crops, in the year. The soil is trenched for wheat as for all crops except rice, not a weed is to be seen, and the whole country looks like a well-kept garden. The barns in this district are very handsome, and many of their grand roofs have that concave sweep with which we are familiar in the paG.o.da. The eaves are often eight feet deep, and the thatch three feet thick. Several of the farm-yards have handsome gateways like the ancient "lychgates"
of some of our English churchyards much magnified. As animals are not used for milk, draught, or food, and there are no pasture lands, both the country and the farm-yards have a singular silence and an inanimate look; a mean-looking dog and a few fowls being the only representatives of domestic animal life. I long for the lowing of cattle and the bleating of sheep.
At six we reached Tochigi, a large town, formerly the castle town of a daimiyo. Its special manufacture is rope of many kinds, a great deal of hemp being grown in the neighbourhood. Many of the roofs are tiled, and the town has a more solid and handsome appearance than those that we had previously pa.s.sed through. But from Kasukabe to Tochigi was from bad to worse. I nearly abandoned j.a.panese travelling altogether, and, if last night had not been a great improvement, I think I should have gone ignominiously back to Tokiyo. The yadoya was a very large one, and, as sixty guests had arrived before me, there was no choice of accommodation, and I had to be contented with a room enclosed on all sides not by fusuma but shoji, and with barely room for my bed, bath, and chair, under a fusty green mosquito net which was a perfect nest of fleas. One side of the room was against a much-frequented pa.s.sage, and another opened on a small yard upon which three opposite rooms also opened, crowded with some not very sober or decorous travellers. The shoji were full of holes, and often at each hole I saw a human eye.
Privacy was a luxury not even to be recalled. Besides the constant application of eyes to the shoji, the servants, who were very noisy and rough, looked into my room constantly without any pretext; the host, a bright, pleasant-looking man, did the same; jugglers, musicians, blind shampooers, and singing girls, all pushed the screens aside; and I began to think that Mr. Campbell was right, and that a lady should not travel alone in j.a.pan. Ito, who had the room next to mine, suggested that robbery was quite likely, and asked to be allowed to take charge of my money, but did not decamp with it during the night! I lay down on my precarious stretcher before eight, but as the night advanced the din of the house increased till it became truly diabolical, and never ceased till after one. Drums, tom-toms, and cymbals were beaten; kotos and samisens screeched and tw.a.n.ged; geishas (professional women with the accomplishments of dancing, singing, and playing) danced,-- accompanied by songs whose jerking discords were most laughable; story-tellers recited tales in a high key, and the running about and splashing close to my room never ceased. Late at night my precarious shoji were accidentally thrown down, revealing a scene of great hilarity, in which a number of people were bathing and throwing water over each other.
The noise of departures began at daylight, and I was glad to leave at seven. Before you go the fusuma are slidden back, and what was your room becomes part of a great, open, matted s.p.a.ce--an arrangement which effectually prevents fustiness. Though the road was up a slight incline, and the men were too tired to trot, we made thirty miles in nine hours. The kindliness and courtesy of the coolies to me and to each other was a constant source of pleasure to me. It is most amusing to see the elaborate politeness of the greetings of men clothed only in hats and maros. The hat is invariably removed when they speak to each other, and three profound bows are never omitted.