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Two Years Ago Volume Ii Part 19

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"Faith?--Yes, I trust. Humility?--No, I fear."

"I should like to hear your definition of the former, at least."

"Did I not say that you must discover it for yourself?"

"Yes. Well. When the lesson comes, if it does come, I suppose it will come in some learnable shape; and till then, I must shift for myself-- and if self-dependence he a punishable sin, I shall, at all events, have plenty of company whithersoever I go. There is Lord Scoutbush and Trebooze!"

Why did not Campbell speak his mind more clearly to Thurnall?

Because he knew that with such men words are of little avail. The disease was entrenched too strongly in the very centre of the man's being. It seemed at moments as if all his strange adventures and hairbreadth escapes had been sent to do him harm, and not good; to pamper and harden his self-confidence, not to crush it. Therefore Campbell seldom argued with him: but he prayed for him often; for he had begun, as all did who saw much of Tom Thurnall, to admire and respect him, in spite of all his faults.

And now, turning through a woodland path, they descend toward the river, till they can hear voices below them; Scoutbush laughing quietly, Trebooze laying down the law at the top of his voice.

"How noisy the fellow is, and how he is hopping about!" says Campbell.

"No wonder: he has been soaking, I hear, for the last fortnight, with some worthy compeers, by way of keeping off cholera. I must have my eye on him to-day."

Scrambling down through the brushwood, they found themselves in such a scene as Creswick alone knows how to paint: though one element of beauty, which Creswick uses full well, was wanting; and the whole place was seen, not by slant sun-rays, gleaming through the boughs, and dappling all the pebbles with a lacework of leaf shadows, but in the uniform and sober grey of dawn.

A broad bed of shingle, looking just now more like an ill-made turnpike road than the bed of Alva stream; above it, a long shallow pool, which showed every stone through the transparent water; on the right, a craggy bank, bedded with deep wood sedge and orange-tipped king ferns, cl.u.s.tering beneath sallow and maple bushes already tinged with gold; on the left, a long bar of gravel, covered with giant "b.u.t.ter-bur" leaves; in and out of which the hounds are brushing--beautiful black-and-tan dogs, of which poor Trebooze may be pardonably proud; while round the burleaf-bed dances a rough white Irish terrier, seeming, by his frantic self-importance, to consider himself the master of the hounds.

Scoutbush is standing with Trebooze beyond the bar, upon a little lawn set thick with alders. Trebooze is fussing and fidgetting about, wiping his forehead perpetually; telling everybody to get out of the way, and not to interfere; then catching hold of Scoutbush's b.u.t.ton to chatter in his face; then, starting aside to put some part of his dress to rights.

His usual lazy drawl is exchanged for foolish excitement. Two or three more gentlemen, tired of Trebooze's absurdities, are scrambling over the rocks above, in search of spraints. Old Tardrew waddles stooping along the line where gra.s.s and shingle meet, his bulldog visage bent to his very knees.

"Tardrew out hunting?" says Campbell. "Why, it is but a week since his daughter was buried!"

"And why not? I like him better for it. Would he bring her back again by throwing away a good day's sport? Better turn out, as he has done, and forget his feelings, if he has any."

"He has feelings enough, don't doubt. But you are right. There is something very characteristic in the way in which the English countryman never shows grief, never lets it interfere with business, even with pleasure."

"Hillo! Mr. Trebooze!" says the old fellow, looking up. "Here it is!"

"Spraint?--Spraint?--Spraint?--Where? Eh--what?" cries Trebooze.

"No; but what's as good: here on this alder stump, not an hour old. I thought they beauties starns weren't flemishing for nowt."

"Here! Here! Here! Here! Musical, Musical! Sweetlips! Get out of the way!"--and Trebooze runs down.

Musical examines, throws her nose into the air, and answers by the rich bell-like note of the true otter hound; and all the woodlands ring as the pack dashes down the shingle to her call.

"Over!" shouts Tom. "Here's the fresh spraint our side!"

Through the water splash squire, viscount, steward, and hounds, to the horror of a shoal of par, the only visible tenants of a pool, which, after a shower of rain, would be alive with trout. Where those trout are in the meanwhile is a mystery yet unsolved.

Over dances the little terrier, yapping furiously, and expending his superfluous energy by snapping right and left at the par.

"Hark to Musical! hark to Sweetlips! Down the stream?--No! the old girl has it; right up the bank!"

"How do, Doctor? How do, Major Campbell? Forward!--Forward!--Forward!"

shouts Trebooze, glad to escape a longer parley, as with his spear in his left hand, he clutches at the overhanging boughs with his right, and swings himself up, with Peter, the huntsman, after him. Tom follows him; and why?

Because he does not like his looks. That bull-eye is red, and almost bursting; his cheeks are flushed, his lips blue, his hand shakes; and Tom's quick eye has already remarked, from a distance, over and above his new fussiness, a sudden shudder, a quick half-frightened glance behind him; and perceived, too, that the moment Musical gave tongue, he put the spirit-flask to his mouth.

Away go the hounds at score through tangled cover, their merry peal ringing from brake and brier, clashing against the rocks, moaning musically away through distant glens aloft.

Scoutbush and Tardrew "take down" the riverbed, followed by Campbell. It is in his way home; and though the Major has stuck many a pig, shot many a gaur, rhinoceros, and elephant, he disdains not, like a true sportsman, the less dangerous but more scientific excitement of an otter-hunt.

"Hark to the merry merry Christchurch bells! She's up by this time;-- that don't sound like a drag now!" cries Tom, bursting desperately, with elbow-guarded visage, through the tangled scrub.

"What's the matter, Trebooze? No, thanks! 'Modest quenchers' won't improve the wind just now."

For Trebooze has halted, panting and bathed in perspiration; has been at the brandy flask again; and now offers Tom a "quencher," as he calls it.

"As you like," says Trebooze, sulkily, having meant it as a token of reconciliation, and pushes on.

They are now upon a little open meadow, girdled by green walls of wood; and along the river-bank the hounds are fairly racing. Tom and Peter hold on; Trebooze slackens.

"Your master don't look right this morning, Peter."

Peter lifts his hand to his mouth, to signify the habit of drinking; and then shakes it in a melancholy fashion, to signify that the said habit has reached a lamentable and desperate point.

Tom looks back. Trebooze has pulled up, and is walking, wiping still at his face. The hounds have overrun the scent, and are back again, flemishing about the plashed fence on the river brink.

"Over! over! over!" shouts Peter, tumbling over the fence into the stream, and staggering across.

Trebooze comes up to it, tries to scramble over, mutters something, and sits down astride of a bough.

"You are not well, Squire?"

"Well as ever I was in my life! only a little sick--have been several times lately; couldn't sleep either--haven't slept an hour this week.-- Don't know what it is."

"What ducks of hounds those are!" says Tom, trying, for ulterior purposes, to ingratiate himself. "How they are working there all by themselves, like so many human beings. Perfect!"

"Yes--don't want us--may as well sit here a minute. Awfully hot, eh?

What a splendid creature that Miss St. Just is! I say, Peter!"

"Yes, sir," shouts Peter, from the other side.

"Those hounds ain't right!" with an oath.

"Not right, sir?"

"Didn't I tell you?--five couple and a half--no, five couple--no, six.

Hang it! I can't see, I think! How many hounds did I tell you to bring out?"

"Five couple, sir."

"Then ... why did you bring out that other?"

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Two Years Ago Volume Ii Part 19 summary

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