Twice Told Tales Part 13

While I gazed a sudden shower came pattering down upon the leaves. In a moment the air was full of brightness, each raindrop catching a portion of sunlight as it fell, and the whole gentle shower appearing like a mist, just substantial enough to bear the burden of radiance. A rainbow vivid as Niagara's was painted in the air. Its southern limb came down before the group of trees and enveloped the fair vision as if the hues of heaven were the only garment for her beauty. When the rainbow vanished, she who had seemed a part of it was no longer there. Was her existence absorbed in nature's loveliest phenomenon, and did her pure frame dissolve away in the varied light? Yet I would not despair of her return, for, robed in the rainbow, she was the emblem of Hope.

Thus did the vision leave me, and many a doleful day succeeded to the parting moment. By the spring and in the wood and on the hill and through the village, at dewy sunrise, burning noon, and at that magic hour of sunset, when she had vanished from my sight, I sought her, but in vain. Weeks came and went, months rolled away, and she appeared not in them. I imparted my mystery to none, but wandered to and fro or sat in solitude like one that had caught a glimpse of heaven and could take no more joy on earth. I withdrew into an inner world where my thoughts lived and breathed, and the vision in the midst of them. Without intending it, I became at once the author and hero of a romance, conjuring up rivals, imagining events, the actions of others and my own, and experiencing every change of pa.s.sion, till jealousy and despair had their end in bliss. Oh, had I the burning fancy of my early youth with manhood's colder gift, the power of expression, your hearts, sweet ladies, should flutter at my tale.

In the middle of January I was summoned home. The day before my departure, visiting the spots which had been hallowed by the vision, I found that the spring had a frozen bosom, and nothing but the snow and a glare of winter sunshine on the hill of the rainbow. "Let me hope," thought I, "or my heart will be as icy as the fountain and the whole world as desolate as this snowy hill." Most of the day was spent in preparing for the journey, which was to commence at four o'clock the next morning. About an hour after supper, when all was in readiness, I descended from my chamber to the sitting-room to take leave of the old clergyman and his family with whom I had been an inmate. A gust of wind blew out my lamp as I pa.s.sed through the entry.

According to their invariable custom-so pleasant a one when the fire blazes cheerfully-the family were sitting in the parlor with no other light than what came from the hearth. As the good clergyman's scanty stipend compelled him to use all sorts of economy, the foundation of his fires was always a large heap of tan, or ground bark, which would smoulder away from morning till night with a dull warmth and no flame. This evening the heap of tan was newly put on and surmounted with three sticks of red oak full of moisture, and a few pieces of dry pine that had not yet kindled. There was no light except the little that came sullenly from two half-burnt brands, without even glimmering on the andirons. But I knew the position of the old minister's arm-chair, and also where his wife sat with her knitting-work, and how to avoid his two daughters-one a stout country la.s.s, and the other a consumptive girl. Groping through the gloom, I found my own place next to that of the son, a learned collegian who had come home to keep school in the village during the winter vacation. I noticed that there was less room than usual to-night between the collegian's chair and mine.

As people are always taciturn in the dark, not a word was said for some time after my entrance. Nothing broke the stillness but the regular click of the matron's knitting-needles. At times the fire threw out a brief and dusky gleam which twinkled on the old man's gla.s.ses and hovered doubtfully round our circle, but was far too faint to portray the individuals who composed it. Were we not like ghosts? Dreamy as the scene was, might it not be a type of the mode in which departed people who had known and loved each other here would hold communion in eternity? We were aware of each other's presence, not by sight nor sound nor touch, but by an inward consciousness. Would it not be so among the dead?

The silence was interrupted by the consumptive daughter addressing a remark to some one in the circle whom she called Rachel. Her tremulous and decayed accents were answered by a single word, but in a voice that made me start and bend toward the spot whence it had proceeded. Had I ever heard that sweet, low tone? If not, why did it rouse up so many old recollections, or mockeries of such, the shadows of things familiar yet unknown, and fill my mind with confused images of her features who had spoken, though buried in the gloom of the parlor? Whom had my heart recognized, that it throbbed so? I listened to catch her gentle breathing, and strove by the intensity of my gaze to picture forth a shape where none was visible.

Suddenly the dry pine caught; the fire blazed up with a ruddy glow, and where the darkness had been, there was she-the vision of the fountain. A spirit of radiance only, she had vanished with the rainbow and appeared again in the firelight, perhaps to flicker with the blaze and be gone. Vet her cheek was rosy and lifelike, and her features, in the bright warmth of the room, were even sweeter and tenderer than my recollection of them. She knew me. The mirthful expression that had laughed in her eyes and dimpled over her countenance when I beheld her faint beauty in the fountain was laughing and dimpling there now. One moment our glance mingled; the next, down rolled the heap of tan upon the kindled wood, and darkness s.n.a.t.c.hed away that daughter of the light, and gave her back to me no more!

Fair ladies, there is nothing more to tell. Must the simple mystery be revealed, then, that Rachel was the daughter of the village squire and had left home for a boarding-school the morning after I arrived and returned the day before my departure? If I transformed her to an angel, it is what every youthful lover does for his mistress. Therein consists the essence of my story. But slight the change, sweet maids, to make angels of yourselves.

FANCY'S SHOW-BOX.

A MORALITY.

What is guilt? A stain upon the soul. And it is a point of vast interest whether the soul may contract such stains in all their depth and flagrancy from deeds which may have been plotted and resolved upon, but which physically have never had existence. Must the fleshly hand and visible frame of man set its seal to the evil designs of the soul, in order to give them their entire validity against the sinner? Or, while none but crimes perpetrated are cognizable before an earthly tribunal, will guilty thoughts-of which guilty deeds are no more than shadows,-will these draw down the full weight of a condemning sentence in the supreme court of eternity? In the solitude of a midnight chamber or in a desert afar from men or in a church while the body is kneeling the soul may pollute itself even with those crimes which we are accustomed to deem altogether carnal. If this be true, it is a fearful truth.

Let us ill.u.s.trate the subject by an imaginary example. A venerable gentleman-one Mr. Smith-who had long been regarded as a pattern of moral excellence was warming his aged blood with a gla.s.s or two of generous wine. His children being gone forth about their worldly business and his grandchildren at school, he sat alone in a deep luxurious arm-chair with his feet beneath a richly-carved mahogany table. Some old people have a dread of solitude, and when better company may not be had rejoice even to hear the quiet breathing of a babe asleep upon the carpet. But Mr. Smith, whose silver hair was the bright symbol of a life unstained except by such spots as are inseparable from human nature-he had no need of a babe to protect him by its purity, nor of a grown person to stand between him and his own soul. Nevertheless, either manhood must converse with age, or womanhood must soothe him with gentle cares, or infancy must sport around his chair, or his thoughts will stray into the misty region of the past and the old man be chill and sad. Wine will not always cheer him.

Such might have been the case with Mr. Smith, when, through the brilliant medium of his gla.s.s of old Madeira, he beheld three figures entering the room. These were Fancy, who had a.s.sumed the garb and aspect of an itinerant showman, with a box of pictures on her back; and Memory, in the likeness of a clerk, with a pen behind her ear, an inkhorn at her b.u.t.tonhole and a huge ma.n.u.script volume beneath her arm; and lastly, behind the other two, a person shrouded in a dusky mantle which concealed both face and form. But Mr. Smith had a shrewd idea that it was Conscience. How kind of Fancy, Memory and Conscience to visit the old gentleman just as he was beginning to imagine that the wine had neither so bright a sparkle nor so excellent a flavor as when himself and the liquor were less aged! Through the dim length of the apartment, where crimson curtains m.u.f.fled the glare of sunshine and created a rich obscurity, the three guests drew near the silver-haired old man. Memory, with a finger between the leaves of her huge volume, placed herself at his right hand; Conscience, with her face still hidden in the dusky mantle, took her station on the left, so as to be next his heart; while Fancy set down her picture-box upon the table with the magnifying-gla.s.s convenient to his eye.

We can sketch merely the outlines of two or three out of the many pictures which at the pulling of a string successively peopled the box with the semblances of living scenes. One was a moonlight picture, in the background a lowly dwelling, and in front, partly shadowed by a tree, yet besprinkled with flakes of radiance, two youthful figures, male and female. The young man stood with folded arms, a haughty smile upon his lip and a gleam of triumph in his eye as he glanced downward at the kneeling girl. She was almost prostrate at his feet, evidently sinking under a weight of shame and anguish which hardly allowed her to lift her clasped hands in supplication. Her eyes she could not lift. But neither her agony, nor the lovely features on which it was depicted, nor the slender grace of the form which it convulsed, appeared to soften the obduracy of the young man. He was the personification of triumphant scorn.

Now, strange to say, as old Mr. Smith peeped through the magnifying-gla.s.s, which made the objects start out from the canvas with magical deception, he began to recognize the farmhouse, the tree and both the figures of the picture. The young man in times long past had often met his gaze within the looking-gla.s.s; the girl was the very image of his first love-his cottage-love, his Martha Burroughs. Mr. Smith was scandalized. "Oh, vile and slanderous picture!" he exclaims. "When have I triumphed over ruined innocence? Was not Martha wedded in her teens to David Tomkins, who won her girlish love and long enjoyed her affection as a wife? And ever since his death she has lived a reputable widow!"

Meantime, Memory was turning over the leaves of her volume, rustling them to and fro with uncertain fingers, until among the earlier pages she found one which had reference to this picture. She reads it close to the old gentleman's ear: it is a record merely of sinful thought which never was embodied in an act, but, while Memory is reading, Conscience unveils her face and strikes a dagger to the heart of Mr. Smith. Though not a death-blow, the torture was extreme.

The exhibition proceeded. One after another Fancy displayed her pictures, all of which appeared to have been painted by some malicious artist on purpose to vex Mr. Smith. Not a shadow of proof could have been adduced in any earthly court that he was guilty of the slightest of those sins which were thus made to stare him in the face. In one scene there was a table set out, with several bottles and gla.s.ses half filled with wine, which threw back the dull ray of an expiring lamp. There had been mirth and revelry until the hand of the clock stood just at midnight, when Murder stepped between the boon-companions. A young man had fallen on the floor, and lay stone dead with a ghastly wound crushed into his temple, while over him, with a delirium of mingled rage and horror in his countenance, stood the youthful likeness of Mr. Smith. The murdered youth wore the features of Edward Spencer. "What does this rascal of a painter mean?" cries Mr. Smith, provoked beyond all patience. "Edward Spencer was my earliest and dearest friend, true to me as I to him through more than half a century. Neither I nor any other ever murdered him. Was he not alive within five years, and did he not, in token of our long friendship, bequeath me his gold-headed cane and a mourning-ring?"

Again had Memory been turning over her volume, and fixed at length upon so confused a page that she surely must have scribbled it when she was tipsy. The purport was, however, that while Mr. Smith and Edward Spencer were heating their young blood with wine a quarrel had flashed up between them, and Mr. Smith, in deadly wrath, had flung a bottle at Spencer's head. True, it missed its aim and merely smashed a looking-gla.s.s; and the next morning, when the incident was imperfectly remembered, they had shaken hands with a hearty laugh. Yet, again, while Memory was reading, Conscience unveiled her face, struck a dagger to the heart of Mr. Smith and quelled his remonstrance with her iron frown. The pain was quite excruciating.

Some of the pictures had been painted with so doubtful a touch, and in colors so faint and pale, that the subjects could barely be conjectured. A dull, semi-transparent mist had been thrown over the surface of the canvas, into which the figures seemed to vanish while the eye sought most earnestly to fix them. But in every scene, however dubiously portrayed, Mr. Smith was invariably haunted by his own lineaments at various ages as in a dusty mirror. After poring several minutes over one of these blurred and almost indistinguishable pictures, he began to see that the painter had intended to represent him, now in the decline of life, as stripping the clothes from the backs of three half-starved children. "Really, this puzzles me!" quoth Mr. Smith, with the irony of conscious rect.i.tude. "Asking pardon of the painter, I p.r.o.nounce him a fool as well as a scandalous knave. A man of my standing in the world to be robbing little children of their clothes! Ridiculous!"

But while he spoke Memory had searched her fatal volume and found a page which with her sad calm voice she poured into his ear. It was not altogether inapplicable to the misty scene. It told how Mr. Smith had been grievously tempted by many devilish sophistries, on the ground of a legal quibble, to commence a lawsuit against three orphan-children, joint-heirs to a considerable estate. Fortunately, before he was quite decided, his claims had turned out nearly as devoid of law as justice. As Memory ceased to read Conscience again thrust aside her mantle, and would have struck her victim with the envenomed dagger only that he struggled and clasped his hands before his heart. Even then, however, he sustained an ugly gash.

Why should we follow Fancy through the whole series of those awful pictures? Painted by an artist of wondrous power and terrible acquaintance with the secret soul, they embodied the ghosts of all the never-perpetrated sins that had glided through the lifetime of Mr. Smith. And could such beings of cloudy fantasy, so near akin to nothingness, give valid evidence against him at the day of judgment? Be that the case or not, there is reason to believe that one truly penitential tear would have washed away each hateful picture and left the canvas white as snow. But Mr. Smith, at a p.r.i.c.k of Conscience too keen to be endured, bellowed aloud with impatient agony, and suddenly discovered that his three guests were gone. There he sat alone, a silver-haired and highly-venerated old man, in the rich gloom of the crimsoned-curtained room, with no box of pictures on the table, but only a decanter of most excellent Madeira. Yet his heart still seemed to fester with the venom of the dagger.

Nevertheless, the unfortunate old gentleman might have argued the matter with Conscience and alleged many reasons wherefore she should not smite him so pitilessly. Were we to take up his cause, it should be somewhat in the following fashion. A scheme of guilt, till it be put in execution, greatly resembles a train of incidents in a projected tale. The latter, in order to produce a sense of reality in the reader's mind, must be conceived with such proportionate strength by the author as to seem in the glow of fancy more like truth, past, present or to come, than purely fiction. The prospective sinner, on the other hand, weaves his plot of crime, but seldom or never feels a perfect certainty that it will be executed. There is a dreaminess diffused about his thoughts; in a dream, as it were, he strikes the death-blow into his victim's heart and starts to find an indelible blood-stain on his hand. Thus a novel-writer or a dramatist, in creating a villain of romance and fitting him with evil deeds, and the villain of actual life in projecting crimes that will be perpetrated, may almost meet each other halfway between reality and fancy. It is not until the crime is accomplished that Guilt clenches its gripe upon the guilty heart and claims it for his own. Then, and not before, sin is actually felt and acknowledged, and, if unaccompanied by repentance, grows a thousandfold more virulent by its self-consciousness. Be it considered, also, that men often overestimate their capacity for evil. At a distance, while its attendant circ.u.mstances do not press upon their notice and its results are dimly seen, they can bear to contemplate it. They may take the steps which lead to crime, impelled by the same sort of mental action as in working out a mathematical problem, yet be powerless with compunction at the final moment. They knew not what deed it was that they deemed themselves resolved to do. In truth, there is no such thing in man's nature as a settled and full resolve, either for good or evil, except at the very moment of execution. Let us hope, therefore, that all the dreadful consequences of sin will not be incurred unless the act have set its seal upon the thought.

Yet, with the slight fancy-work which we have framed, some sad and awful truths are interwoven. Man must not disclaim his brotherhood even with the guiltiest, since, though his hand be clean, his heart has surely been polluted by the flitting phantoms of iniquity. He must feel that when he shall knock at the gate of heaven no semblance of an unspotted life can ent.i.tle him to entrance there. Penitence must kneel and Mercy come from the footstool of the throne, or that golden gate will never open.

DR. HEIDEGGER'S EXPERIMENT.

That very singular man old Dr. Heidegger once invited four venerable friends to meet him in his study. There were three white-bearded gentlemen-Mr. Medbourne, Colonel Killigrew and Mr. Gascoigne-and a withered gentlewoman whose name was the widow Wycherly. They were all melancholy old creatures who had been unfortunate in life, and whose greatest misfortune it was that they were not long ago in their graves. Mr. Medbourne, in the vigor of his age, had been a prosperous merchant, but had lost his all by a frantic speculation, and was now little better than a mendicant. Colonel Killigrew had wasted his best years and his health and substance in the pursuit of sinful pleasures which had given birth to a brood of pains, such as the gout and divers other torments of soul and body. Mr. Gascoigne was a ruined politician, a man of evil fame-or, at least, had been so till time had buried him from the knowledge of the present generation and made him obscure instead of infamous. As for the widow Wycherly, tradition tells us that she was a great beauty in her day, but for a long while past she had lived in deep seclusion on account of certain scandalous stories which had prejudiced the gentry of the town against her. It is a circ.u.mstance worth mentioning that each of these three old gentlemen-Mr. Medbourne, Colonel Killigrew and Mr. Gascoigne-were early lovers of the widow Wycherly, and had once been on the point of cutting each other's throats for her sake. And before proceeding farther I will merely hint that Dr. Heidegger and all his four guests were sometimes thought to be a little beside themselves, as is not infrequently the case with old people when worried either by present troubles or woeful recollections.

"My dear old friends," said Dr. Heidegger, motioning them to be seated, "I am desirous of your a.s.sistance in one of those little experiments with which I amuse myself here in my study."

If all stories were true, Dr. Heidegger's study must have been a very curious place. It was a dim, old-fashioned chamber festooned with cobwebs and besprinkled with antique dust. Around the walls stood several oaken bookcases, the lower shelves of which were filled with rows of gigantic folios and black-letter quartos, and the upper with little parchment-covered duodecimos. Over the central bookcase was a bronze bust of Hippocrates, with which, according to some authorities, Dr. Heidegger was accustomed to hold consultations in all difficult cases of his practice. In the obscurest corner of the room stood a tall and narrow oaken closet with its door ajar, within which doubtfully appeared a skeleton. Between two of the bookcases hung a looking-gla.s.s, presenting its high and dusty plate within a tarnished gilt frame. Among many wonderful stories related of this mirror, it was fabled that the spirits of all the doctor's deceased patients dwelt within its verge and would stare him in the face whenever he looked thitherward. The opposite side of the chamber was ornamented with the full-length portrait of a young lady arrayed in the faded magnificence of silk, satin and brocade, and with a visage as faded as her dress. Above half a century ago Dr. Heidegger had been on the point of marriage with this young lady, but, being affected with some slight disorder, she had swallowed one of her lover's prescriptions and died on the bridal-evening. The greatest curiosity of the study remains to be mentioned: it was a ponderous folio volume bound in black leather, with ma.s.sive silver clasps. There were no letters on the back, and n.o.body could tell the t.i.tle of the book. But it was well known to be a book of magic, and once, when a chambermaid had lifted it merely to brush away the dust, the skeleton had rattled in its closet, the picture of the young lady had stepped one foot upon the floor and several ghastly faces had peeped forth from the mirror, while the brazen head of Hippocrates frowned and said, "Forbear!"

Such was Dr. Heidegger's study. On the summer afternoon of our tale a small round table as black as ebony stood in the centre of the room, sustaining a cut-gla.s.s vase of beautiful form and elaborate workmanship. The sunshine came through the window between the heavy festoons of two faded damask curtains and fell directly across this vase, so that a mild splendor was reflected from it on the ashen visages of the five old people who sat around. Four champagne-gla.s.ses were also on the table.

"My dear old friends," repeated Dr. Heidegger, "may I reckon on your aid in performing an exceedingly curious experiment?"

Now, Dr. Heidegger was a very strange old gentleman whose eccentricity had become the nucleus for a thousand fantastic stories. Some of these fables-to my shame be it spoken-might possibly be traced back to mine own veracious self; and if any pa.s.sages of the present tale should startle the reader's faith, I must be content to bear the stigma of a fiction-monger.

When the doctor's four guests heard him talk of his proposed experiment, they antic.i.p.ated nothing more wonderful than the murder of a mouse in an air-pump or the examination of a cobweb by the microscope, or some similar nonsense with which he was constantly in the habit of pestering his intimates. But without waiting for a reply Dr. Heidegger hobbled across the chamber and returned with the same ponderous folio bound in black leather which common report affirmed to be a book of magic. Undoing the silver clasps, he opened the volume and took from among its black-letter pages a rose, or what was once a rose, though now the green leaves and crimson petals had a.s.sumed one brownish hue and the ancient flower seemed ready to crumble to dust in the doctor's hands.

"This rose," said Dr. Heidegger, with a sigh-"this same withered and crumbling flower-blossomed five and fifty years ago. It was given me by Sylvia Ward, whose portrait hangs yonder, and I meant to wear it in my bosom at our wedding. Five and fifty years it has been treasured between the leaves of this old volume. Now, would you deem it possible that this rose of half a century could ever bloom again?"

"Nonsense!" said the widow Wycherly, with a peevish toss of her head. "You might as well ask whether an old woman's wrinkled face could ever bloom again."

"See!" answered Dr. Heidegger. He uncovered the vase and threw the faded rose into the water which it contained. At first it lay lightly on the surface of the fluid, appearing to imbibe none of its moisture. Soon, however, a singular change began to be visible. The crushed and dried petals stirred and a.s.sumed a deepening tinge of crimson, as if the flower were reviving from a deathlike slumber, the slender stalk and twigs of foliage became green, and there was the rose of half a century, looking as fresh as when Sylvia Ward had first given it to her lover. It was scarcely full-blown, for some of its delicate red leaves curled modestly around its moist bosom, within which two or three dewdrops were sparkling.

"That is certainly a very pretty deception," said the doctor's friends-carelessly, however, for they had witnessed greater miracles at a conjurer's show. "Pray, how was it effected?"

"Did you never hear of the Fountain of Youth?" asked Dr. Heidegger, "which Ponce de Leon, the Spanish adventurer, went in search of two or three centuries ago?"

"But did Ponce de Leon ever find it?" said the widow Wycherly.

"No," answered Dr. Heidegger, "for he never sought it in the right place. The famous Fountain of Youth, if I am rightly informed, is situated in the southern part of the Floridian peninsula, not far from Lake Macaco. Its source is overshadowed by several gigantic magnolias which, though numberless centuries old, have been kept as fresh as violets by the virtues of this wonderful water. An acquaintance of mine, knowing my curiosity in such matters, has sent me what you see in the vase."

"Ahem!" said Colonel Killigrew, who believed not a word of the doctor's story; "and what may be the effect of this fluid on the human frame?"

"You shall judge for yourself, my dear colonel," replied Dr. Heidegger.-"And all of you, my respected friends, are welcome to so much of this admirable fluid as may restore to you the bloom of youth. For my own part, having had much trouble in growing old, I am in no hurry to grow young again. With your permission, therefore, I will merely watch the progress of the experiment."

While he spoke Dr. Heidegger had been filling the four champagne-gla.s.ses with the water of the Fountain of Youth. It was apparently impregnated with an effervescent gas, for little bubbles were continually ascending from the depths of the gla.s.ses and bursting in silvery spray at the surface. As the liquor diffused a pleasant perfume, the old people doubted not that it possessed cordial and comfortable properties, and, though utter sceptics as to its rejuvenescent power, they were inclined to swallow it at once. But Dr. Heidegger besought them to stay a moment.

"Before you drink, my respectable old friends," said he, "it would be well that, with the experience of a lifetime to direct you, you should draw up a few general rules for your guidance in pa.s.sing a second time through the perils of youth. Think what a sin and shame it would be if, with your peculiar advantages, you should not become patterns of virtue and wisdom to all the young people of the age!"

The doctor's four venerable friends made him no answer except by a feeble and tremulous laugh, so very ridiculous was the idea that, knowing how closely Repentance treads behind the steps of Error, they should ever go astray again.

"Drink, then," said the doctor, bowing; "I rejoice that I have so well selected the subjects of my experiment."

With palsied hands they raised the gla.s.ses to their lips. The liquor, if it really possessed such virtues as Dr. Heidegger imputed to it, could not have been bestowed on four human beings who needed it more woefully. They looked as if they had never known what youth or pleasure was, but had been the offspring of Nature's dotage, and always the gray, decrepit, sapless, miserable creatures who now sat stooping round the doctor's table without life enough in their souls or bodies to be animated even by the prospect of growing young again. They drank off the water and replaced their gla.s.ses on the table.

a.s.suredly, there was an almost immediate improvement in the aspect of the party-not unlike what might have been produced by a gla.s.s of generous wine-together with a sudden glow of cheerful sunshine, brightening over all their visages at once. There was a healthful suffusion on their cheeks instead of the ashen hue that had made them look so corpse-like. They gazed at one another, and fancied that some magic power had really begun to smooth away the deep and sad inscriptions which Father Time had been so long engraving on their brows. The widow Wycherly adjusted her cap, for she felt almost like a woman again.