Triumph of the Egg, and Other Stories Part 16

What a confusion! One day she went to the house of a schoolgirl friend who was about to be married. Several other girls came and they were all taken into a bedroom where the bride's trousseau was laid out on a bed.

What soft lovely things! All the girls went forward and stood over them, Rosalind among them. Some of the girls were shy, others bold.

There was one, a thin girl who had no b.r.e.a.s.t.s. Her body was flat like a door and she had a thin sharp voice and a thin sharp face. She began to cry out strangely. "How sweet, how sweet, how sweet," she cried over and over. The voice was not like a human voice. It was like something being hurt, an animal in the forest, far away somewhere by itself, being hurt. Then the girl dropped to her knees beside the bed and began to weep bitterly. She declared she could not bear the thought of her schoolgirl friend being married. "Don't do it! O, Mary don't do it!"

she pleaded. The other girls laughed but Rosalind couldn't stand it.

She hurried out of the house.

That was one thing that had happened to Rosalind and there were other things. Once she saw a young man on the street. He clerked in a store and Rosalind did not know him. However her fancy played with the thought that she had married him. Her own thoughts made her ashamed.

Everything shamed her. When she went into the orchard on summer afternoons she sat with her back against the apple tree and took off her shoes and stockings just as she had when she was a child, but the world of her childhood fancy was gone, nothing could bring it back.

Rosalind's body was soft but all her flesh was firm and strong. She moved away from the tree and lay on the ground. She pressed her body down into the gra.s.s, into the firm hard ground. It seemed to her that her mind, her fancy, all the life within her, except just her physical life, went away. The earth pressed upwards against her body. Her body was pressed against the earth. There was darkness. She was imprisoned.

She pressed against the walls of her prison. Everything was dark and there was in all the earth silence. Her fingers clutched a handful of the gra.s.ses, played in the gra.s.ses.

Then she grew very still but did not sleep. There was something that had nothing to do with the ground beneath her or the trees or the clouds in the sky, that seemed to want to come to her, come into her, a kind of white wonder of life.

The thing couldn't happen. She opened her eyes and there was the sky overhead and the trees standing silently about. She went again to sit with her back against one of the trees. She thought with dread of the evening coming on and the necessity of going out of the orchard and to the Wescott house. She was weary. It was the weariness that made her appear to others a rather dull stupid young woman. Where was the wonder of life? It was not within herself, not in the ground. It must be in the sky overhead. Presently it would be night and the stars would come out. Perhaps the wonder did not really exist in life. It had something to do with G.o.d. She wanted to ascend upwards, to go at once up into G.o.d's house, to be there among the light strong men and women who had died and left dullness and heaviness behind them on the earth. Thinking of them took some of her weariness away and sometimes she went out of the orchard in the late afternoon walking almost lightly. Something like grace seemed to have come into her tall strong body.

Rosalind had gone away from the Wescott house and from Willow Springs, Iowa, feeling that life was essentially ugly. In a way she hated life and people. In Chicago sometimes it was unbelievable how ugly the world had become. She tried to shake off the feeling but it clung to her. She walked through the crowded streets and the buildings were ugly. A sea of faces floated up to her. They were the faces of dead people. The dull death that was in them was in her also. They too could not break through the walls of themselves to the white wonder of life. After all perhaps there was no such thing as the white wonder of life. It might be just a thing of the mind. There was something essentially dirty about life. The dirt was on her and in her. Once as she walked at evening over the Rush Street bridge to her room on the North Side she looked up suddenly and saw the chrysoprase river running inland from the lake. Near at hand stood a soap factory. The men of the city had turned the river about, made it flow inland from the lake. Someone had erected a great soap factory there near the river's entrance to the city, to the land of men. Rosalind stopped and stood looking along the river toward the lake. Men and women, wagons, automobiles rushed past her. They were dirty. She was dirty. "The water of an entire sea and millions of cakes of soap will not wash me clean," she thought. The dirtiness of life seemed a part of her very being and an almost overwhelming desire to climb upon the railing of the bridge and leap down into the chrysoprase river swept over her. Her body trembled violently and putting down her head and staring at the flooring of the bridge she hurried away.

And now Rosalind, a grown woman, was in the Wescott house at the supper table with her father and mother. None of the three people ate. They fussed about with the food Ma Wescott had prepared. Rosalind looked at her mother and thought of what Melville Stoner had said.

"If I wanted to write I'd do something. I'd tell what everyone thought.

It would startle people, frighten them a little, eh? I would tell what you have been thinking this afternoon while you walked here on this railroad track with me. I would tell what your mother has been thinking at the same time and what she would like to say to you."

What had Rosalind's mother been thinking all through the three days since her daughter had so unexpectedly come home from Chicago? What did mothers think in regard to the lives led by their daughters? Had mothers something of importance to say to daughters and if they did when did the time come when they were ready to say it?

She looked at her mother sharply. The older woman's face was heavy and sagging. She had grey eyes like Rosalind's but they were dull like the eyes of a fish lying on a slab of ice in the window of a city meat market. The daughter was a little frightened by what she saw in her mother's face and something caught in her throat. There was an embarra.s.sing moment. A strange sort of tenseness came into the air of the room and all three people suddenly got up from the table.

Rosalind went to help her mother with the dishes and her father sat in a chair by a window and read a paper. The daughter avoided looking again into her mother's face. "I must gather myself together if I am to do what I want to do," she thought. It was strange--in fancy she saw the lean bird-like face of Melville Stoner and the eager tired face of Walter Sayers floating above the head of her mother who leaned over the kitchen sink, washing the dishes. Both of the men's faces sneered at her. "You think you can but you can't. You are a young fool," the men's lips seemed to be saying.

Rosalind's father wondered how long his daughter's visit was to last.

After the evening meal he wanted to clear out of the house, go up town, and he had a guilty feeling that in doing so he was being discourteous to his daughter. While the two women washed the dishes he put on his hat and going into the back yard began chopping wood. Rosalind went to sit on the front porch. The dishes were all washed and dried but for a half hour her mother would putter about in the kitchen. She always did that. She would arrange and rearrange, pick up dishes and put them down again. She clung to the kitchen. It was as though she dreaded the hours that must pa.s.s before she could go upstairs and to bed and asleep, to fall into the oblivion of sleep.

When Henry Wescott came around the corner of the house and confronted his daughter he was a little startled. He did not know what was the matter but he felt uncomfortable. For a moment he stopped and looked at her. Life radiated from her figure. A fire burned in her eyes, in her grey intense eyes. Her hair was yellow like cornsilk. She was, at the moment, a complete, a lovely daughter of the cornlands, a being to be loved pa.s.sionately, completely by some son of the cornlands--had there been in the land a son as alive as this daughter it had thrown aside.

The father had hoped to escape from the house unnoticed. "I'm going up town a little while," he said hesitatingly. Still he lingered a moment.

Some old sleeping thing awoke in him, was awakened in him by the startling beauty of his daughter. A little fire flared up among the charred rafters of the old house that was his body. "You look pretty, girly," he said sheepishly and then turned his back to her and went along the path to the gate and the street.

Rosalind followed her father to the gate and stood looking as he went slowly along the short street and around a corner. The mood induced in her by her talk with Melville Stoner had returned. Was it possible that her father also felt as Melville Stoner sometimes did? Did loneliness drive him to the door of insanity and did he also run through the night seeking some lost, some hidden and half forgotten loveliness?

When her father had disappeared around the corner she went through the gate and into the street. "I'll go sit by the tree in the orchard until mother has finished puttering about the kitchen," she thought.

Henry Wescott went along the streets until he came to the square about the court house and then went into Emanuel Wilson's Hardware Store. Two or three other men presently joined him there. Every evening he sat among these men of his town saying nothing. It was an escape from his own house and his wife. The other men came for the same reason. A faint perverted kind of male fellowship was achieved. One of the men of the party, a little old man who followed the housepainters trade, was unmarried and lived with his mother. He was himself nearing the age of sixty but his mother was still alive. It was a thing to be wondered about. When in the evening the house painter was a trifle late at the rendezvous a mild flurry of speculation arose, floated in the air for a moment and then settled like dust in an empty house. Did the old house painter do the housework in his own house, did he wash the dishes, cook the food, sweep and make the beds or did his feeble old mother do these things? Emanuel Wilson told a story he had often told before. In a town in Ohio where he had lived as a young man he had once heard a tale.

There was an old man like the house painter whose mother was also still alive and lived with him. They were very poor and in the winter had not enough bedclothes to keep them both warm. They crawled into a bed together. It was an innocent enough matter, just like a mother taking her child into her bed.

Henry Wescott sat in the store listening to the tale Emanuel Wilson told for the twentieth time and thought about his daughter. Her beauty made him feel a little proud, a little above the men who were his companions. He had never before thought of his daughter as a beautiful woman. Why had he never before noticed her beauty? Why had she come from Chicago, there by the lake, to Willow Springs, in the hot month of August? Had she come home from Chicago because she really wanted to see her father and mother? For a moment he was ashamed of his own heavy body, of his shabby clothes and his unshaven face and then the tiny flame that had flared up within him burned itself out. The house painter came in and the faint flavor of male companionship to which he clung so tenaciously was reestablished.

In the orchard Rosalind sat with her back against the tree in the same spot where her fancy had created the dancing life of her childhood and where as a young woman graduate of the Willow Springs High School she had come to try to break through the wall that separated her from life.

The sun had disappeared and the grey shadows of night were creeping over the gra.s.s, lengthening the shadows cast by the trees. The orchard had long been neglected and many of the trees were dead and without foliage. The shadows of the dead branches were like long lean arms that reached out, felt their way forward over the grey gra.s.s. Long lean fingers reached and clutched. There was no wind and the night would be dark and without a moon, a hot dark starlit night of the plains.

In a moment more it would be black night. Already the creeping shadows on the gra.s.s were barely discernible. Rosalind felt death all about her, in the orchard, in the town. Something Walter Sayers had once said to her came sharply back into her mind. "When you are in the country alone at night sometime try giving yourself to the night, to the darkness, to the shadows cast by trees. The experience, if you really give yourself to it, will tell you a startling story. You will find that, although the white men have owned the land for several generations now and although they have built towns everywhere, dug coal out of the ground, covered the land with railroads, towns and cities, they do not own an inch of the land in the whole continent. It still belongs to a race who in their physical life are now dead. The red men, although they are practically all gone still own the American continent. Their fancy has peopled it with ghosts, with G.o.ds and devils. It is because in their time they loved the land. The proof of what I say is to be seen everywhere. We have given our towns no beautiful names of our own because we have not built the towns beautifully. When an American town has a beautiful name it was stolen from another race, from a race that still owns the land in which we live. We are all strangers here. When you are alone at night in the country, anywhere in America, try giving yourself to the night. You will find that death only resides in the conquering whites and that life remains in the red men who are gone."

The spirits of the two men, Walter Sayers and Melville Stoner, dominated the mind of Rosalind. She felt that. It was as though they were beside her, sitting beside her on the gra.s.s in the orchard. She was quite certain that Melville Stoner had come back to his house and was now sitting within sound of her voice, did she raise her voice to call. What did they want her of her? Had she suddenly begun to love two men, both older than herself? The shadows of the branches of trees made a carpet on the floor of the orchard, a soft carpet spun of some delicate material on which the footsteps of men could make no sound.

The two men were coming toward her, advancing over the carpet. Melville Stoner was near at hand and Walter Sayers was coming from far away, out of the distance. The spirit of him was creeping toward her. The two men were in accord. They came bearing some male knowledge of life, something they wanted to give her.

She arose and stood by the tree, trembling. Into what a state she had got herself! How long would it endure? Into what knowledge of life and death was she being led? She had come home on a simple mission. She loved Walter Sayers, wanted to offer herself to him but before doing so had felt the call to come home to her mother. She had thought she would be bold and would tell her mother the story of her love. She would tell her and then take what the older woman offered. If her mother understood and sympathized, well that would be a beautiful thing to have happen. If her mother did not understand--at any rate she would have paid some old debt, would have been true to some old, unexpressed obligation.

The two men--what did they want of her? What had Melville Stoner to do with the matter? She put the figure of him out of her mind. In the figure of the other man, Walter Sayers, there was something less aggressive, less a.s.sertive. She clung to that.

She put her arm about the trunk of the old apple tree and laid her cheek against its rough bark. Within herself she was so intense, so excited that she wanted to rub her cheeks against the bark of the tree until the blood came, until physical pain came to counteract the tenseness within that had become pain.

Since the meadow between the orchard and the street end had been planted to corn she would have to reach the street by going along a lane, crawling under a wire fence and crossing the yard of the widowed chicken raiser. A profound silence reigned over the orchard and when she had crawled under the fence and reached the widow's back yard she had to feel her way through a narrow opening between a chicken house and a barn by running her fingers forward over the rough boards.

Her mother sat on the porch waiting and on the narrow porch before his house next door sat Melville Stoner. She saw him as she hurried past and shivered slightly. "What a dark vulture-like thing he is! He lives off the dead, off dead glimpses of beauty, off dead old sounds heard at night," she thought. When she got to the Wescott house she threw herself down on the porch and lay on her back with her arms stretched above her head. Her mother sat on a rocking chair beside her. There was a street lamp at the corner at the end of the street and a little light came through the branches of trees and lighted her mother's face. How white and still and death-like it was. When she had looked Rosalind closed her eyes. "I mustn't. I shall lose courage," she thought.

There was no hurry about delivering the message she had come to deliver. It would be two hours before her father came home. The silence of the village street was broken by a hubbub that arose in the house across the street. Two boys playing some game ran from room to room through the house, slamming doors, shouting. A baby began to cry and then a woman's voice protested. "Quit it! Quit it!" the voice called.

"Don't you see you have wakened the baby? Now I shall have a time getting him to sleep again."

Rosalind's fingers closed and her hands remained clenched. "I came home to tell you something. I have fallen in love with a man and can't marry him. He is a good many years older than myself and is already married.

He has two children. I love him and I think he loves me--I know he does. I want him to have me too. I wanted to come home and tell you before it happened," she said speaking in a low clear voice. She wondered if Melville Stoner could hear her declaration.

Nothing happened. The chair in which Rosalind's mother sat had been rocking slowly back and forth and making a slight creaking sound. The sound continued. In the house across the street the baby stopped crying. The words Rosalind had come from Chicago to say to her mother were said and she felt relieved and almost happy. The silence between the two women went on and on. Rosalind's mind wandered away. Presently there would be some sort of reaction from her mother. She would be condemned. Perhaps her mother would say nothing until her father came home and would then tell him. She would be condemned as a wicked woman, ordered to leave the house. It did not matter.

Rosalind waited. Like Walter Sayers, sitting in his garden, her mind seemed to float away, out of her body. It ran away from her mother to the man she loved.

One evening, on just such another quiet summer evening as this one, she had gone into the country with Walter Sayers. Before that he had talked to her, at her, on many other evenings and during long hours in the office. He had found in her someone to whom he could talk, to whom he wanted to talk. What doors of life he had opened for her! The talk had gone on and on. In her presence the man was relieved, he relaxed out of the tenseness that had become the habit of this body. He had told her of how he had wanted to be a singer and had given up the notion. "It isn't my wife's fault nor the children's fault," he had said. "They could have lived without me. The trouble is I could not have lived without them. I am a defeated man, was intended from the first to be a defeated man and I needed something to cling to, something with which to justify my defeat. I realize that now. I am a dependent. I shall never try to sing now because I am one who has at least one merit. I know defeat. I can accept defeat."

That is what Walter Sayers had said and then on the summer evening in the country as she sat beside him in his car he had suddenly begun to sing. He had opened a farm gate and had driven the car silently along a gra.s.s covered lane and into a meadow. The lights had been put out and the car crept along. When it stopped some cattle came and stood nearby.

Then he began to sing, softly at first and with increasing boldness as he repeated the song over and over. Rosalind was so happy she had wanted to cry out. "It is because of myself he can sing now," she had thought proudly. How intensely, at the moment she loved the man, and yet perhaps the thing she felt was not love after all. There was pride in it. It was for her a moment of triumph. He had crept up to her out of a dark place, out of the dark cave of defeat. It had been her hand reached down that had given him courage.

She lay on her back, at her mother's feet, on the porch of the Wescott house trying to think, striving to get her own impulses clear in her mind. She had just told her mother that she wanted to give herself to the man, Walter Sayers. Having made the statement she already wondered if it could be quite true. She was a woman and her mother was a woman.

What would her mother have to say to her? What did mothers say to daughters? The male element in life--what did it want? Her own desires and impulses were not clearly realized within herself. Perhaps what she wanted in life could be got in some sort of communion with another woman, with her mother. What a strange and beautiful thing it would be if mothers could suddenly begin to sing to their daughters, if out of the darkness and silence of old women song could come.

Men confused Rosalind, they had always confused her. On that very evening her father for the first time in years had really looked at her. He had stopped before her as she sat on the porch and there had been something in his eyes. A fire had burned in his old eyes as it had sometimes burned in the eyes of Walter. Was the fire intended to consume her quite? Was it the fate of women to be consumed by men and of men to be consumed by women?

In the orchard, an hour before she had distinctly felt the two men, Melville Stoner and Walter Sayers coming toward her, walking silently on the soft carpet made of the dark shadows of trees.

They were again coming toward her. In their thoughts they approached nearer and nearer to her, to the inner truth of her. The street and the town of Willow Springs were covered with a mantle of silence. Was it the silence of death? Had her mother died? Did her mother sit there now a dead thing in the chair beside her?

The soft creaking of the rocking chair went on and on. Of the two men whose spirits seemed hovering about one, Melville Stoner, was bold and cunning. He was too close to her, knew too much of her. He was unafraid. The spirit of Walter Sayers was merciful. He was gentle, a man of understanding. She grew afraid of Melville Stoner. He was too close to her, knew too much of the dark, stupid side of her life. She turned on her side and stared into the darkness toward the Stoner house remembering her girlhood. The man was too physically close. The faint light from the distant street lamp that had lighted her mother's face crept between branches of trees and over the tops of bushes and she could see dimly the figure of Melville Stoner sitting before his house.

She wished it were possible with a thought to destroy him, wipe him out, cause him to cease to exist. He was waiting. When her mother had gone to bed and when she had gone upstairs to her own room to lie awake he would invade her privacy. Her father would come home, walking with dragging footsteps along the sidewalk. He would come into the Wescott house and through to the back door. He would pump the pail of water at the pump and bring it into the house to put it on the box by the kitchen sink. Then he would wind the clock. He would--

Rosalind stirred uneasily. Life in the figure of Melville Stoner had her, it gripped her tightly. She could not escape. He would come into her bedroom and invade her secret thoughts. There was no escape for her. She imagined his mocking laughter ringing through the silent house, the sound rising above the dreadful commonplace sounds of everyday life there. She did not want that to happen. The sudden death of Melville Stoner would bring sweet silence. She wished it possible with a thought to destroy him, to destroy all men. She wanted her mother to draw close to her. That would save her from the men. Surely, before the evening had pa.s.sed her mother would have something to say, something living and true.

Rosalind forced the figure of Melville Stoner out of her mind. It was as though she had got out of her bed in the room upstairs and had taken the man by the arm to lead him to the door. She had put him out of the room and had closed the door.