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Too Much Happiness Part 17

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"Then we have to get the police."

There was a pause.

"They could get up to the window," said Roxanne.

Old Mrs. Crozier drew in her breath and spoke decisively.

"You do not know what you are saying. I won't have the police in this house. I won't have them climbing all over my walls like caterpillars."



"We don't know what he could be doing in there."

"Well, then, that's up to him. Isn't it?"

Another pause.

Now steps-Roxanne's-retreating to the back staircase.

"Yes, you better," said Mrs. Crozier. "You better just take yourself away before you forget whose house this is."

Roxanne was going down the stairs. A couple of stomps of the stick went after her but did not continue down.

"And don't get the idea you'll go to the constable behind my back. He's not going to take his orders from you. Who gives the orders around here anyway? It's certainly not you. You hear me?"

Very soon I heard the kitchen door slam shut. And then Roxanne's car start.

I was no more worried about the police than Old Mrs. Crozier was. The police in our town meant Constable McClarty who came to the school to warn us about sledding on the streets in the winter and swimming in the millrace in summer, both of which we continued to do. It was ridiculous to think of him climbing up on a ladder or lecturing Mr. Crozier through a locked door.

He would tell Roxanne to mind her own business and let the Croziers mind theirs.

It was not ridiculous, however, to think of Old Mrs. Crozier giving orders, and I thought she might do so now that Roxanne-whom she apparently did not like anymore-was gone. She might turn on me and demand to know if I had anything to do with this.

But she did not even rattle the k.n.o.b. She just stood at the locked door and said one thing.

"Stronger than you'd think," she muttered.

Then made her way downstairs. The usual punishing noises with her steady stick.

I waited awhile and then I went out to the kitchen. Old Mrs. Crozier wasn't there. She wasn't in either parlor or in the dining room or the sunroom. I got up my nerve and knocked on the toilet door, then opened it, and she was not there either. Then I looked out the window over the kitchen sink and I saw her straw hat moving along slowly above the cedar hedge. She was out in the garden in the heat, stumping along between her flower beds.

I was not worried by the thought that had troubled Roxanne. I did not stop to consider it, because I believed that it would be quite absurd for a person with only a short time to live to commit suicide. It could not happen.

All the same, I was nervous. I ate two of the macaroons that were still sitting on the kitchen table. I ate them hoping that pleasure would bring back normalcy, but I barely tasted them. Then I shoved the box into the refrigerator so I would not hope to turn the trick by eating more.

Old Mrs. Crozier was still outside when Sylvia got home. And she didn't come in then.

I got the key from between the pages of the book as soon as I heard the car and I gave it to Sylvia as soon as she was in the house. I just told her quickly what had happened, leaving out most of the fuss. She would not have waited to listen to that, anyway. She went running upstairs.

I stood at the bottom of the stairs to hear what I could hear.

Nothing. Nothing.

Then Sylvia's voice, surprised and upset but in no way desperate, and too low for me to make out what she was saying. Within about five minutes she was downstairs, saying it was time to get me home. She was flushed as if the spots in her cheeks had spread all over her face, and she looked shocked but unable to resist her happiness.

Then, "Oh. Where is Mother Crozier?"

"In the flower garden, I think."

"Well, I suppose I better speak to her, just for a moment."

After she had done that, she no longer looked quite so happy.

"I suppose you know," she said as she backed out the car, "I suppose you can imagine Mother Crozier is upset. Not that I am blaming you. It was very good and loyal of you. Doing what Mr. Crozier asked you to do. You weren't scared of anything happening? With Mr. Crozier? Were you?"

I said no.

Then I said, "I think Roxanne was."

"Mrs. Hoy? Yes. That's too bad."

As we were driving down what was known as Croziers' Hill she said, "I don't think he wanted to be mean and frighten them. You know when you're sick, sick for a long time, you can get not to appreciate other people's feelings. You can get turned against people even when they're so good and doing what they can to help you. Mrs. Crozier and Mrs. Hoy were certainly trying their best, but Mr. Crozier just didn't feel that he wanted them around anymore. He'd just had enough of them. You understand?"

She did not seem to know she was smiling when she said this.

Mrs. Hoy.

Had I ever heard that name before?

And spoken so gently and respectfully, yet with light-years' condescension.

Did I believe what Sylvia had said?

I believed it was what he had told her.

I did see Roxanne again that day. I saw her at the very time that Sylvia was talking to me and introducing to me this new name. Mrs. Hoy.

She-Roxanne-was in her car and she had stopped at the first cross street at the bottom of Croziers' Hill to watch us drive by. I didn't turn to look at her because it was all too confusing, with Sylvia talking to me.

Of course Sylvia would not know whose car that was. She wouldn't know that Roxanne must have come back to get an idea of what was going on. Or that maybe she had kept driving around the block-could she have done that?-all the time since she had left the Croziers' house.

Roxanne would recognize Sylvia's car, probably. She would notice me. She would know that things must be all right, from the kindly, serious, faintly smiling way that Sylvia was talking to me.

She didn't turn the corner and drive back up the hill to the Croziers' house. Oh no. She drove across the street-I watched in the rearview mirror-towards the east part of town where the wartime houses had been put up. That was where she lived.

"Feel the breeze," said Sylvia. "Maybe those clouds are going to bring us rain."

The clouds were high and white, glaring; they looked nothing like rain clouds; and the breeze was because we were in a moving car with the windows rolled down.

I understood pretty well the winning and losing that had taken place, between Sylvia and Roxanne, but it was strange to think of the almost obliterated prize, Mr. Crozier-and to think that he could have had the will to make a decision, even to deprive himself, so late in his life. The carnality at death's door-or the true love, for that matter-were things I had to shake off with shivers down my spine.

Sylvia took Mr. Crozier away to a rented cottage on the lake, where he died sometime before the leaves were off.

The Hoy family moved on, as mechanics' families often did.

My mother struggled with a crippling disease, which put an end to all her moneymaking dreams.

Dorothy Crozier had a stroke, but recovered, and famously bought Halloween candy for the children whose older brothers and sisters she had ordered from her door.

I grew up, and old.

Child's Play

I suppose there was talk in our house, afterwards.

How sad, how awful awful. (My mother.) There should have been supervision. Where were the counsellors? (My father.) It is possible that if we ever pa.s.sed the yellow house my mother said, "Remember? Remember you used to be so scared of her? The poor thing."

My mother had a habit of hanging on to-even treasuring-the foibles of my distant infantile state.

Every year, when you're a child, you become a different person. Generally it's in the fall, when you reenter school, take your place in a higher grade, leave behind the muddle and lethargy of the summer vacation. That's when you register the change most sharply. Afterwards you are not sure of the month or year but the changes go on, just the same. For a long while the past drops away from you easily and it would seem automatically, properly. Its scenes don't vanish so much as become irrelevant. And then there's a switchback, what's been all over and done with sprouting up fresh, wanting attention, even wanting you to do something about it, though it's plain there is not on this earth a thing to be done.

Marlene and Charlene. People thought we must be twins. There was a fashion in those days for naming twins in rhyme. Bonnie and Connie. Ronald and Donald. And then of course we-Charlene and I-had matching hats. Coolie hats, they were called, wide shallow cones of woven straw with some sort of tie or elastic under the chin. They became familiar later on in the century, from television shots of the war in Vietnam. Men on bicycles riding along a street in Saigon would be wearing them, or women walking in the road against the background of a bombed village.

It was possible at that time-I mean the time when Charlene and I were at camp-to say coolie coolie, without a thought of offense. Or darkie darkie, or to talk about jewing jewing a price down. I was in my teens, I think, before I ever related that verb to the noun. a price down. I was in my teens, I think, before I ever related that verb to the noun.

So we had those names and those hats, and at the first roll call the counsellor-the jolly one we liked, Mavis, though we didn't like her as well as the pretty one, Pauline-pointed at us and called out, "Hey. Twins," and went on calling out other names before we had time to deny it.

Even before that we must have noticed the hats and approved of each other. Otherwise one or both of us would have pulled off those brand-new articles, and been ready to shove them under our cots, declaring that our mothers had made us wear them and we hated them, and so on.

I may have approved of Charlene, but I was not sure how to make friends with her. Girls nine or ten years old-that was the general range of this crop, though there were a few a bit older-do not pick friends or pair off as easily as girls do at six or seven. I simply followed some other girls from my town-none of them my particular friends-to one of the cabins where there were some unclaimed cots, and dumped my things on top of the brown blanket. Then I heard a voice behind me say, "Could I please be next to my twin sister?"

It was Charlene, speaking to somebody I didn't know. The dormitory cabin held perhaps two dozen girls. The girl she had spoken to said, "Sure," and moved along.

Charlene had used a special voice. Ingratiating, teasing, self-mocking, and with a seductive merriment in it, like a trill of bells. It was evident right away that she had more confidence than I did. And not simply confidence that the other girl would move, and not say st.u.r.dily, "I got here first." (Or-if she was a roughly brought-up sort of girl-and some were, having their way paid by the Lions Club or the church and not by their parents-she might have said, "Go p.o.o.p your pants, I'm not moving.") No. Charlene had confidence that anybody would want want to do as she asked, not just agree to do it. With me too she had taken a chance, for could I not have said, "I don't want to be twins," and turned back to sort my things. But of course I didn't. I felt flattered, as she had expected, and I watched her dump out the contents of her suitcase with such an air of celebration that some things fell on the floor. to do as she asked, not just agree to do it. With me too she had taken a chance, for could I not have said, "I don't want to be twins," and turned back to sort my things. But of course I didn't. I felt flattered, as she had expected, and I watched her dump out the contents of her suitcase with such an air of celebration that some things fell on the floor.

All I could think of to say was, "You got a tan already."

"I always tan easy," she said.

The first of our differences. We applied ourselves to learning them. She tanned, I freckled. We both had brown hair but hers was darker. Hers was wavy, mine bushy. I was half an inch taller, she had thicker wrists and ankles. Her eyes had more green in them, mine more blue. We did not grow tired of inspecting and tabulating even the moles or notable freckles on our backs, length of our second toes (mine longer than the first toe, hers shorter). Or of recounting all the illnesses or accidents that had befallen us so far, as well as the repairs or removals performed on our bodies. Both of us had had our tonsils out-a usual precaution in those days-and both of us had had measles and whooping cough but not mumps. I had had an eyetooth pulled because it was growing in over my other teeth and she had a thumbnail with an imperfect half-moon, because her thumb had been slammed under a window.

And once we had the peculiarities and history of our bodies in place we went on to the stories-the dramas or near dramas or distinctions-of our families. She was the youngest and the only girl in her family and I was an only child. I had an aunt who had died of polio in high school and she-Charlene-had an older brother who was in the Navy. For it was wartime, and at the campfire sing-song we would choose "There'll Always Be an England" and "Hearts of Oak," and "Rule Britannia," and sometimes "The Maple Leaf Forever." Bombing raids and battles and sinking ships were the constant, though distant, backdrop of our lives. And once in a while there was a near strike, frightening but solemn and exhilarating, as when a boy from our town or our street would be killed, and the house where he had lived, without having any special wreath or black drapery on it, seemed nevertheless to have a special weight inside it, a destiny fulfilled and dragging it down. Though there was nothing special inside it at all, maybe just a car that didn't belong there parked at the curb, showing that some relatives or a minister had come to sit with the bereaved family.

One of the camp counsellors had lost her fiance in the war and wore his watch-we believed it was his watch-pinned to her blouse. We would like to have felt for her a mournful interest and concern, but she was sharp voiced and bossy, and she even had an unpleasant name. Arva.

The other backdrop of our lives, which was supposed to be emphasized at camp, was religion. But since the United Church of Canada was officially in charge there was not so much harping on that subject as there would have been with the Baptists or the Bible Christians, or so much formal acknowledgment as the Roman Catholics or even the Anglicans would have provided. Most of us had parents who belonged to the United Church (though some of the girls who were having their way paid for them might not have belonged to any church at all), and being used to its hearty secular style, we did not even realize that we were getting off easy with just evening prayers and grace sung at meals and the half-hour special talk-it was called a Chat-after breakfast. Even the Chat was relatively free of references to G.o.d or Jesus and was more about honesty and loving-kindness and clean thoughts in our daily lives, and promising never to drink or smoke when we grew up. n.o.body had any objection to this sort of thing or tried to get out of attending, because it was what we were used to and because it was pleasant to sit on the beach in the warming sun and a little too cold yet for us to long to jump into the water.

Grown-up women do the same sort of thing that Charlene and I did. Not counting the moles on each other's backs and comparing toe lengths, maybe. But when they meet and feel a particular sympathy with each other they also feel a need to set out the important information, the big events whether public or secret, and then go ahead to fill in all the blanks between. If they feel this warmth and eagerness it is quite impossible for them to bore each other. They will laugh at the very triviality and silliness of what they're telling, or at the revelation of some appalling selfishness, deception, meanness, sheer badness.

There has to be great trust, of course, but that trust can be established at once, in an instant.

I've observed this. It's supposed to have begun in those long periods of sitting around the campfire stirring the manioc porridge or whatever while the men were out in the bush deprived of conversation because it would warn off the wild animals. (I am an anthropologist by training though a rather slack one.) I've observed but never taken part in these female exchanges. Not truly. Sometimes I've pretended because it seemed to be required, but the woman I was supposed to be making friends with always got wind of my pretense and became confused and cautious.

As a rule, I've felt less wary with men. They don't expect such transactions and are seldom really interested.

This intimacy I'm talking about-with women-is not erotic, or pre-erotic. I've experienced that as well, before p.u.b.erty. Then too there would be confidences, probably lies, maybe leading to games. A certain hot temporary excitement, with or without genital teasing. Followed by ill feeling, denial, disgust.

Charlene did tell me about her brother, but with true repugnance. This was the brother now in the Navy. She went into his room looking for her cat and there he was doing it to his girlfriend. They never knew she saw them.

She said they slapped as he went up and down.

You mean they slapped on the bed, I said.

No, she said. It was his thing slapped when it was going in and out. It was gross. Sickening.

And his bare white b.u.m had pimples on it. Sickening.

I told her about Verna.

Up until the time I was seven years old my parents had lived in what was called a double house. The word "duplex" was perhaps not in use at that time, and anyway the house was not evenly divided. Verna's grandmother rented the rooms at the back and we rented the rooms at the front. The house was tall and bare and ugly, painted yellow. The town we lived in was too small to have residential divisions that amounted to anything, but I suppose that as far as there were divisions, that house was right on the boundary between decent and fairly dilapidated. I am speaking of the way things were just before the Second World War, at the end of the Depression. (That word, I believe, was unknown to us.) My father being a teacher had a regular job but little money. The street petered out beyond us between the houses of those who had neither. Verna's grandmother must have had a little money because she spoke contemptuously of people who were On Relief. I believe my mother argued with her, unsuccessfully, that it was Not Their Fault. The two women were not particular friends but they were cordial about clothesline arrangements.

The grandmother's name was Mrs. Home. A man came to see her occasionally. My mother spoke of him as Mrs. Home's friend.

You are not to speak to Mrs. Home's friend.

In fact I was not even allowed to play outside when he came, so there was not much chance of my speaking to him. I don't even remember what he looked like, though I remember his car, which was dark blue, a Ford V-8. I took a special interest in cars, probably because we didn't have one.

Then Verna came.

Mrs. Home spoke of her as her granddaughter and there is no reason to suppose that not to be true, but there was never any sign of a connecting generation. I don't know if Mrs. Home went away and came back with her, or if she was delivered by the friend with the V-8. She appeared in the summer before I was to start school. I can't remember her telling me her name-she was not communicative in the ordinary way and I don't believe I would have asked her. From the very beginning I had an aversion to her unlike anything I had felt up to that time for any other person. I said that I hated her, and my mother said, How can you, what has she ever done to you?

The poor thing.

Children use that word "hate" to mean various things. It may mean that they are frightened. Not that they feel in danger of being attacked-the way I did, for instance, by certain big boys on bicycles who liked to cut in front of you, yelling fearsomely, as you walked on the sidewalk. It is not physical harm that is feared-or that I feared in Verna's case-so much as some spell, or dark intention. It is a feeling you can have when you are very young even about certain house faces, or tree trunks, or very much about moldy cellars or deep closets.

She was a good deal taller than I was and I don't know how much older-two years, three years? She was skinny, indeed so narrowly built and with such a small head that she made me think of a snake. Fine black hair lay flat on this head, and fell over her forehead. The skin of her face seemed dull to me as the flap of our old canvas tent, and her cheeks puffed out the way the flap of that tent puffed in a wind. Her eyes were always squinting.

But I believe there was nothing remarkably unpleasant about her looks, as other people saw her. Indeed my mother spoke of her as pretty, or almost pretty (as in, isn't it too bad, she could be pretty) isn't it too bad, she could be pretty). Nothing to object to either, as far as my mother could see, in her behavior. She is young for her age She is young for her age. A roundabout and inadequate way of saying that Verna had not learned to read or write or skip or play ball, and that her voice was hoa.r.s.e and unmodulated, her words oddly separated, as if they were chunks of language caught in her throat.

Her way of interfering with me, spoiling my solitary games, was that of an older not a younger girl. But of an older girl who had no skill or rights, nothing but a strenuous determination and an inability to understand that she wasn't wanted.

Children of course are monstrously conventional, repelled at once by whatever is off-center, out of whack, unmanageable. And being an only child I had been coddled a good deal (also scolded). I was awkward, precocious, timid, full of my private rituals and aversions. I hated even the celluloid barrette that kept slipping out of Verna's hair, and the peppermints with red or green stripes on them that she kept offering to me. In fact she did more than offer; she would try to catch me and push these candies into my mouth, chuckling all the time in her disconnected way. I dislike peppermint flavoring to this day. And the name Verna-I dislike that. It doesn't sound like spring to me, or like green gra.s.s or garlands of flowers or girls in flimsy dresses. It sounds more like a trail of obstinate peppermint, green slime.

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Too Much Happiness Part 17 summary

You're reading Too Much Happiness. This manga has been translated by Updating. Author(s): Alice Munro. Already has 960 views.

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