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Told in a French Garden Part 2

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I asked you down here to enjoy yourselves, not to argue. I apologize--all my fault--unpardonable of me. Come now--we have decided to stay as long as we can--we are all interested. It is not every generation that has the honor to sit by, and watch two systems meet at the crossroads and dispute the pa.s.sage to the Future. We'll agree not to discuss the ethics of the matter again. If the men marching out there to the frontier can agree to face the cannon--and there are as many opinions there as here--surely we can _look on_ in silence."

And on that agreement we all went to bed.

But on the following day, as we sat in the garden after dinner, our attempts to "keep off the gra.s.s" were miserably visible. They cast a constraint on the party. Every topic seemed to lead to the forbidden enclosure. It was at a very critical moment that the Sculptor, sitting cross-legged on a bench, in a real Alma Tadema att.i.tude, filled the dangerous pause with:

"It was in the days of our Lord 1348 that there happened in Florence, the finest city in Italy--"

And the Violinist, who was leaning against a tree, touched an imaginary mandolin, concluding: "A most terrible plague."

The Critic leaped to his feet.

"A corking idea," he cried.

"Mine, mine own," replied the Sculptor. "I propose that what those who, in the days of the terrible plague, took refuge at the Villa Palmieri, did to pa.s.s away the time, we, who are watching the war approach--as our host says it will--do here. Let us, instead of disputing, each tell a story after dinner--to calm our nerves,--or otherwise."

At first every one hooted.

"I could never tell a story," objected the Divorcee.

"Of course you can," declared the Journalist. "Everybody in the world has one story to tell."

"Sure," exclaimed the Lawyer. "No embargo on subjects?"

"I don't know," smiled the Doctor. "There is always the Youngster."

"You go to blazes," was the Youngster's response, and he added: "No war stories. Draw that line."

"Then," laughed the Doctor, "let's make it tales of our own, our native land." And there the matter rested. Only, when we separated that night, each of us carried a sealed envelope containing a numbered slip, which decided the question of precedence, and it was agreed that no one but the story-teller should know who was to be the evening's entertainer, until story-telling hour arrived with the coffee and cigarettes.

I

THE YOUNGSTER'S STORY

IT HAPPENED AT MIDNIGHT

THE TALE OF A BRIDE'S NEW HOME

The daytimes were not ever very bad. Short-handed in the pretty garden, every one did a little work. The Lawyer was pa.s.sionately fond of flowers, and the Youngster did most of the errands. The Sculptor had found some clay, and loved to surprise us at night with a new centre piece for the table, and the Divorcee spent most of her time tending Angele's baby, while the Doctor and the Nurse were eternally fussing over new kinds of bandages and if ever we got together, it was usually for a little reading aloud at tea-time, or a little music. The spirit of discussion seemed to keep as far away before the lights were up as did the spirit of war, and nothing could be farther than that _appeared_.

The next day we were unusually quiet.

Most of us kept in our rooms in the afternoon. There were those stories to think over, and that we all took it so seriously proved how very much we had been needing some real thing to do. We got through dinner very comfortably.

There was little news in the papers that day except enthusiastic accounts of the reception of the British troops by the French. It was lovely to see the two races that had met on so many battle fields--conquered, and been conquered by one another--embracing with enthusiasm. It was to the credit of all of us that we did not make the inevitable reflections, but only saw the humor and charm of the thing, and remembered the fears that had prevented the plans of tunnelling the channel, only to find them humorous.

The coffee had been placed on the table. The Trained Nurse, as usual, sat behind the tray, and we each went and took our cup, found a comfortable seat in the circle under the trees, where a few yellow lanterns swung in the soft air.

Then the Youngster pulled a white head-band with a huge "Number One"

on it, out of his pocket, placed it on his head after the manner of the French Conscripts, struck an att.i.tude in the middle of the circle, drew his chair deftly under him, and with the air of an experienced monologist began:

Not so very many years ago there was a pretty wedding at Trinity Church in Boston. It was quite the sort of marriage Bostonians believe in. The man was a rising lawyer, rather a sceptic on all sorts of questions, as most of us chaps pride ourselves on being, when we come out of college. They were married in church to please the Woman. What odds did it make?

Before they were married they had decided to live outside the city.

She wanted a garden and an old house. He did not care where they lived so long as they lived together. Very proper of him, too. They spent the last year of their engaged life, the nicest year of some girls'

lives, I have heard--in hunting the place. What they finally settled on was an old colonial house with a colonnaded front, and a round tower at each end, standing back from the road, and approached by a wide circular drive. It was large, substantial, with great possibilities, and plenty of ground. It had been unoccupied for many years, and the place had an evil report, and, at the time when they first saw it, appeared to deserve it.

He had looked it over. The situation was healthy. It was convenient to the city. He could make it in his car in less than forty-five minutes.

They saw what could be done with the place, and did not concern themselves with _why_ other people had not cared to live there.

Architects, interior decorators, and landscape gardeners were put to work on it, and, even before the wedding, the place was well on toward its habitable stage.

Then they were married, and, quite correctly, went abroad to float in a gondola on the Grand Ca.n.a.l--together; to cross the Gemmi--together; to stroll about Pompeii and cross to Capri--together; and then ravage antiquity shops in Paris--together. They returned in the early days of a glorious September. The house was ready for its master and mistress to lay the touch of their personality on it, and put in place the trophies of their Wedding Journey.

The evil look the house once had was gone.

A few old trees had been cut down round it to let in the glorious autumn sun all over the house, and when, on their first morning, after a good sound, well-earned sleep, they took their coffee on the terrace off the breakfast room, under a yellow awning, they certainly did not think, if they ever had, of the mysterious rumors against the house which had been whispered about when they first bought it. To them it seemed that they had never seen a gayer place.

But on the second night, just as the Woman was putting her book aside, and had a hand stretched out to shut off the light, she stopped--a carriage was coming up the drive. She sat up, and listened for the bell. It did not ring. After a few moments--as there was absolutely no sound of the carriage pa.s.sing--she got up, and gently pushed the shutter--her room was on the front--there was nothing there, so, attaching no importance to it, she went quietly to bed, put out her light, just noticing as she did so, that it was midnight, and went to sleep. In the morning, the incident made so little impression on her, that she forgot to even mention it.

The next night, by some queer trick of memory, just as she went to bed, the thing came back to her, and she was surprised to find that she had no sleep in her. Instead of that she kept looking at the clock, and just before twelve, cold chills began to go down her back, when she heard the rapid approach of a carriage--this time she was conscious that her hearing was so keen that she knew there were two horses. She listened intently--no doubt about it--the carriage had stopped at the door.

Then there was a silence.

She was just convincing herself that there must be some sort of echo which made it appear that a team pa.s.sing in the road had come up the drive--when she was suddenly sure that she heard a hurried step in the corridor--it pa.s.sed the door. Now she was naturally a very unimaginative person, and had never had occasion to know fear. So, after a bit, she put out her light, saying to herself that a belated servant was busy with some neglected work--nothing more likely--and she went to sleep.

Again the morning sunlight, the Man's gay companionship, the hundreds of delightful things to do, wiped out that bad quarter of an hour, and again it never occurred to her to mention it.

The next night the remembrance came back so vividly after the Man had gone to his room, that she regretted she had not at least asked him if he had heard a carriage pa.s.s in the night. Of course she was sure that he had not. He was such a sound sleeper. Besides, it was not important. If he had, he would not have been nervous about it. Still, she could not sleep, and, just before the dining room clock began to chime midnight--she had never heard it before, and that she heard it now was a proof of how her whole body was listening--again came the rapid tread of running horses. This time every hair stood up on her head, and before she could control herself, she called out toward the open door: "Dearest, are you awake?"

Almost before she had the words out he was standing smiling in the doorway. It was all right.

"Did you _think_ you heard a carriage come up the driveway?" she asked.

"Why, yes," he replied, "but I didn't."

"Listen! Is there some one coming along the corridor?"

He crossed the room quietly, opened the door, and turned on the light.

"No, dear. There is no one there."

"Hadn't you better ring for your man, and have him see if any of the servants are up?"

He sat down on the edge of the bed, and laughed heartily.

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Told in a French Garden Part 2 summary

You're reading Told in a French Garden. This manga has been translated by Updating. Author(s): Mildred Aldrich. Already has 514 views.

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