Three Soldiers Part 52

"A' you all right now, ole boy?"

"Sure, I'm fine," said Andrews. A sudden constraint fell upon them.

"That's good," said Chrisfield.

"You're a corporal now. Congratulations."

"Um hum. Made me more'n a month ago."

They were silent. Chrisfield sat down in his chair again.

"What sort of a town is this?"

"It's a h.e.l.l-hole, this dump is, a h.e.l.l-hole."

"That's nice."

"Goin' to move soon, tell me.... Army o' Occupation. But Ah hadn't ought to have told you that.... Don't tell any of the fellers."

"Where's the outfit quartered?"

"Ye won't know it; we've got fifteen new men. No account all of 'em.

Second draft men."

"Civilians in the town?"

"You bet.... Come with me, Andy, an Ah'll tell 'em to give you some grub at the cookshack. No... wait a minute an' you'll miss the hike.... Hikes every day since the G.o.ddam armistice. They sent out a general order telling 'em to double up on the drill."

They heard a voice shouting orders outside and the narrow street filled up suddenly with a sound of boots beating the ground in unison. Andrews kept his back to the window. Something in his legs seemed to be tramping in time with the other legs.

"There they go," said Chrisfield. "Loot's with 'em today.... Want some grub? If it ain't been punk since the armistice."

The "Y" hut was empty and dark; through the grimy windowpanes could be seen fields and a leaden sky full of heavy ocherous light, in which the leafless trees and the fields full of stubble were different shades of dead, greyish brown. Andrews sat at the piano without playing. He was thinking how once he had thought to express all the cramped boredom of this life; the thwarted limbs regimented together, lashed into straight lines, the monotony of servitude. Unconsciously as he thought of it, the fingers of one hand sought a chord, which jangled in the badly-tuned piano. "G.o.d, how silly!" he muttered aloud, pulling his hands away.

Suddenly he began to play s.n.a.t.c.hes of things he knew, distorting them, willfully mutilating the rhythm, mixing into them s.n.a.t.c.hes of ragtime.

The piano jangled under his hands, filling the empty hut with clamor.

He stopped suddenly, letting his fingers slide from ba.s.s to treble, and began to play in earnest.

There was a cough behind him that had an artificial, discreet ring to it. He went on playing without turning round. Then a voice said:

"Beautiful, beautiful."

Andrews turned to find himself staring into a face of vaguely triangular shape with a wide forehead and prominent eyelids over protruding brown eyes. The man wore a Y. M. C. A. uniform which was very tight for him, so that there were creases running from each b.u.t.ton across the front of his tunic.

"Oh, do go on playing. It's years since I heard any Debussy."

"It wasn't Debussy."

"Oh, wasn't it? Anyway it was just lovely. Do go on. I'll just stand here and listen."

Andrews went on playing for a moment, made a mistake, started over, made the same mistake, banged on the keys with his fist and turned round again.

"I can't play," he said peevishly.

"Oh, you can, my boy, you can.... Where did you learn? I would give a million dollars to play like that, if I had it."

Andrews glared at him silently.

"You are one of the men just back from hospital, I presume."

"Yes, worse luck."

"Oh, I don't blame you. These French towns are the dullest places; though I just love France, don't you?" The "Y" man had a faintly whining voice.

"Anywhere's dull in the army."

"Look, we must get to know each other real well. My name's Spencer Sheffield...Spencer B. Sheffield.... And between you and me there's not a soul in the division you can talk to. It's dreadful not to have intellectual people about one. I suppose you're from New York."

Andrews nodded.

"Um hum, so am I. You're probably read some of my things in Vain Endeavor.... What, you've never read Vain Endeavor? I guess you didn't go round with the intellectual set.... Musical people often don't....

Of course I don't mean the Village. All anarchists and society women there...."

"I've never gone round with any set, and I never..."

"Never mind, we'll fix that when we all get back to New York. And now you just sit down at that piano and play me Debussy's 'Arabesque.'... I know you love it just as much as I do. But first what's your name?"

"Andrews."

"Folks come from Virginia?"

"Yes." Andrews got to his feet.

"Then you're related to the Penneltons."

"I may be related to the Kaiser for all I know."

"The Penneltons... that's it. You see my mother was a Miss Spencer from Spencer Falls, Virginia, and her mother was a Miss Pennelton, so you and I are cousins. Now isn't that a coincidence?"

"Distant cousins. But I must go back to the barracks."

"Come in and see me any time," Spencer B. Sheffield shouted after him.

"You know where; back of the shack; And knock twice so I'll know it's you."

Outside the house where he was quartered Andrews met the new top sergeant, a lean man with spectacles and a little mustache of the color and texture of a scrubbing brush.

"Here's a letter for you," the top sergeant said. "Better look at the new K. P. list I've just posted."