Three Elephant Power and Other Stories Part 10

Dogs, like horses, have very keen intuition. They know when the men around them are frightened, though they may not know the cause. In a great Queensland strike, when the shearers attacked and burnt Dagworth shed, some rifle-volleys were exchanged. The air was full of human electricity, each man giving out waves of fear and excitement. Mark now the effect it had on the dogs. They were not in the fighting; n.o.body fired at them, and n.o.body spoke to them; but every dog left his master, left the sheep, and went away to the homestead, about six miles off.

There wasn't a dog about the shed next day after the fight. The noise of the rifles had not frightened them, because they were well-accustomed to that.*

* The same thing happened constantly with horses in the South African War. A loose horse would feed contentedly while our men were firing, but when our troops were being fired at the horses became uneasy, and the loose ones would trot away. The excitement of the men communicated itself to them.

Dogs have an amazing sense of responsibility. Sometimes, when there are sheep to be worked, an old s.l.u.t who has young puppies may be greatly exercised in her mind whether she should go out or not. On the one hand, she does not care about leaving the puppies, on the other, she feels that she really ought to go rather than allow the sheep to be knocked about by those learners. Hesitatingly, with many a look behind her, she trots out after the horses and the other dogs. An impa.s.sioned appeal from the head boundary rider, "Go back home, will yer!" is treated with the contempt it deserves. She goes out to the yards, works, perhaps half the day, and then slips quietly under the fences and trots off home, contented.

THE DOG--AS A SPORTSMAN

The sheep-dog and the cattle-dog are the workmen of the animal kingdom; sporting and fighting dogs are the professionals and artists.

A house-dog or a working-dog will only work for his master; a professional or artistic dog will work for anybody, so long as he is treated like an artist. A man going away for a week's shooting can borrow a dog, and the dog will work for him loyally, just as a good musician will do his best, though the conductor is strange to him, and the other members of the band are not up to the mark. The musician's art is sacred to him, and that is the case with the dog--Art before everything.

It is a grand sight to see a really good setter or pointer working up to a bird, occasionally glancing over his shoulder to see if the man with the gun has not lost himself. He throws his whole soul into his work, questing carefully over the cold scent, feathering eagerly when the bird is close, and at last drawing up like a statue. Not Paganini himself ever lost himself in his art more thoroughly than does humble Spot or Ponto. It is not amus.e.m.e.nt and not a mere duty to him; it is a sacred gift, which he is bound to exercise.

A pointer in need of amus.e.m.e.nt will play with another dog--the pair pretending to fight, and so on, but when there is work to be done, the dog is lost in the artist. How crestfallen he looks if by any chance he blunders on to a bird without pointing it! A fiddler who has played a wrong note in a solo is the only creature who can look quite so discomfited. Humanity, instead of going to the ant for wisdom, should certainly go to the dog.

Sporting dogs are like other artists, in that they are apt to get careless of everything except their vocation. They are similarly quite unreliable in their affections. They are not good watch dogs, and take little interest in chasing cats. They look on a little dog that catches rats much as a great musician looks on a cricketer--it's clever, but it isn't Art.

Hunting and fighting dogs are the gladiators of the animal world.

A fox-hound or a kangaroo-dog is always of the same opinion as Mr.

Jorrocks:--"All time is wasted what isn't spent in 'untin'."

A greyhound will start out in the morning with three lame legs, but as soon as he sees a hare start he _must_ go. He utterly forgets his sorrows in the excitement, just as a rowing-man, all over boils and blisters, will pull a desperate race without feeling any pain. Such dogs are not easily excited by anything but a chase, and a burglar might come and rob the house and murder the inmates without arousing any excitement among them. Guarding a house is "not their pidgin" as the Chinese say. That is one great reason for the success of the dog at whatever branch of his tribe's work he goes in for--he is so thorough. Dogs who are forced to combine half-a-dozen professions never make a success at anything. One dog one billet is their motto.

The most earnest and thorough of all the dog tribe is the fighting dog. His intense self-respect, his horror of brawling, his cool determination, make him a pattern to humanity. The bull-dog or bull-terrier is generally the most friendly and best-tempered dog in the world; but when he is put down in the ring he fights till he drops, in grim silence, though his feet are bitten through and through, his ears are in rags, and his neck a hideous ma.s.s of wounds.

In a well-conducted dog-fight each dog in turn has to attack the other dog, and one can see fierce earnestness blazing in the eye of the attacker as he hurls himself on the foe. What makes him fight like that? It is not bloodthirstiness, because they are neither savage nor quarrelsome dogs: a bulldog will go all his life without a fight, unless put into a ring. It is simply their strong self-respect and stubborn pride which will not let them give in. The greyhound snaps at his opponent and then runs for his life, but the fighting dog stands to it till death.

Just occasionally one sees the same type of human being--some quiet-spoken, good-tempered man who has taken up glove-fighting for a living, and who, perhaps, gets pitted against a man a shade better than himself. After a few rounds he knows he is overmatched, but there is something at the back of his brain that will not let him cave in. Round after round he stands punishment, and round after round he grimly comes up, till, possibly, his opponent loses heart, or a fluky hit turns the scale in his favour. These men are to be found in every cla.s.s of life.

Many of the gamest of the game are mere gutter-bred boys who will continue to fight long after they have endured enough punishment to ent.i.tle them to quit.

You can see in their eyes the same hard glitter that shows in the bulldog's eyes as he limps across the ring, or in the eye of the racehorse as he lies down to it when his opponent is outpacing him. It is grit, pluck, vim, nerve force; call it what you like, and there is no created thing that has more of it than the dog.

The blood-l.u.s.t is a dog-phase that has never been quite understood.

Every station-owner knows that sometimes the house-dogs are liable to take a sudden fit of sheep-killing. Any kind of dog will do it, from the collie downward. Sometimes dogs from different homesteads meet in the paddocks, having apparently arranged the whole affair beforehand. They are very artful about it, too. They lie round the house till dark, and then slink off and have a wild night's blood-spree, running down the wretched sheep and tearing their throats open; before dawn they slink back again and lie around the house as before. Many and many a sheep-owner has gone out with a gun and shot his neighbour's dogs for killing sheep which his own wicked, innocent-looking dogs had slain.

CONCERNING A STEEPLECHASE RIDER

Of all the ways in which men get a living there is none so hard and so precarious as that of steeplechase-riding in Australia. It is bad enough in England, where steeplechases only take place in winter, when the ground is soft, where the horses are properly schooled before being raced, and where most of the obstacles will yield a little if struck and give the horse a chance to blunder over safely.

In Australia the men have to go at racing-speed, on very hard ground, over the most rigid and uncompromising obstacles--ironbark rails clamped into solid posts with bands of iron. No wonder they are always coming to grief, and are always in and out of hospital in splints and bandages.

Sometimes one reads that a horse has fallen and the rider has "escaped with a severe shaking."

That "shaking", gentle reader, would lay you or me up for weeks, with a doctor to look after us and a crowd of sympathetic friends calling to know how our poor back was. But the steeplechase-rider has to be out and about again, "riding exercise" every morning, and "schooling" all sorts of cantankerous brutes over the fences. These men take their lives in their hands and look at grim death between their horses' ears every time they race or "school".

The death-record among Australian cross-country jockeys and horses is very great; it is a curious instance of how custom sanctifies all things that such horse-and-man slaughter is accepted in such a callous way. If any theatre gave a show at which men and horses were habitually crippled or killed in full sight of the audience, the manager would be put on his trial for manslaughter.

Our race-tracks use up their yearly average of horses and men without attracting remark. One would suppose that the risk being so great the profits were enormous; but they are not. In "the game" as played on our racecourses there is just a bare living for a good capable horseman while he lasts, with the certainty of an ugly smash if he keeps at it long enough.

And they don't need to keep at it very long. After a few good "shakings"

they begin to take a nip or two to put heart into them before they go out, and after a while they have to increase the dose. At last they cannot ride at all without a regular cargo of alcohol on board, and are either "half-muzzy" or shaky according as they have taken too much or too little.

Then the game becomes suicidal; it is an axiom that as soon as a man begins to funk he begins to fall. The reason is that a rider who has lost his nerve is afraid of his horse making a mistake, and takes a pull, or urges him onward, just at the crucial moment when the horse is rattling up to his fence and judging his distance. That little, nervous pull at his head or that little touch of the spur, takes his attention from the fence, with the result that he makes his spring a foot too far off or a foot too close in, and--smash!

The loafers who hang about the big fences rush up to see if the jockey is killed or stunned; if he is, they dispose of any jewellery he may have about him; they have been known almost to tear a finger off in their endeavours to secure a ring. The ambulance clatters up at a canter, the poor rider is pushed in out of sight, and the ladies in the stand say how unlucky they are--that brute of a horse falling after they backed him. A wolfish-eyed man in the Leger-stand shouts to a wolfish-eyed pal, "Bill, I believe that jock was killed when the chestnut fell," and Bill replies, "Yes, d.a.m.n him, I had five bob on him." And the rider, gasping like a crushed chicken, is carried into the casualty-room and laid on a little stretcher, while outside the window the bookmakers are roaring "Four to one bar one," and the racing is going on merrily as ever.

These remarks serve to introduce one of the fraternity who may be considered as typical of all. He was a small, wiry, hard-featured fellow, the son of a stockman on a big cattle-station, and began life as a horse-breaker; he was naturally a horseman, able and willing to ride anything that could carry him. He left the station to go with cattle on the road, and having picked up a horse that showed pace, amused himself by jumping over fences. Then he went to Wagga, entered the horse in a steeplechase, rode him himself, won handsomely, sold the horse at a good price to a Sydney buyer, and went down to ride it in his Sydney races.

In Sydney he did very well; he got a name as a fearless and clever rider, and was offered several mounts on fine animals. So he pitched his camp in Sydney, and became a fully-enrolled member of the worst profession in the world. I had known him in the old days on the road, and when I met him on the course one day I enquired how he liked the new life.

"Well, it's a livin'," he said, "but it's no great shakes. They don't give steeplechase-riders a chance in Sydney. There's very few races, and the big sweepstakes keep horses out of the game."

"Do you get a fair share of the riding?" I asked.

"Oh, yes; I get as much as anybody. But there's a lot of 'em got a notion I won't take hold of a horse when I'm told (i.e., pull him to prevent him winning). Some of these days I'll take hold of a horse when they don't expect it."

I smiled as I thought there was probably a sorry day in store for some backer when the jockey "took hold" unexpectedly.

"Do you have to pull horses, then, to get employment?"

"Oh, well, it's this way," he said, rather apologetically, "if an owner is badly treated by the handicapper, and is just giving his horse a run to get weight off, then it's right enough to catch hold a bit. But when a horse is favourite and the public are backing him it isn't right to take hold of him then. _I_ would not do it." This was his whole code of morals--not to pull a favourite; and he felt himself very superior to the scoundrel who would pull favourites or outsiders indiscriminately.

"What do you get for riding?" I asked him.

"Well," he said, looking about uneasily, "we're supposed to get a fiver for a losing mount and ten pounds if we win, but a lot of the steeplechase-owners are what I call 'battlers'--men who have no money and get along by owing everybody. They promise us all sorts of money if we win, but they don't pay if we lose. I only got two pounds for that last steeplechase."

"Two pounds!" I made a rapid calculation. He had ridden over eighteen fences for two pounds--had chanced his life eighteen times at less than half-a-crown a time.

"Good Heavens!" I said, "that's a poor game. Wouldn't you be better back on the station?"

"Oh, I don't know--sometimes we get laid a bit to nothing, and do well out of a race. And then, you know, a steeplechase rider is somebody--not like an ordinary fellow that is just working."

I realised that I was an "ordinary fellow who was just working", and felt small accordingly.

"I'm just off to weigh now," he said--"I'm riding Contractor, and he'll run well, but he always seems to fall at those logs. Still, I ought to have luck to-day. I met a hea.r.s.e as I was coming out. I'll get him over the fences, somehow."

"Do you think it lucky, then, to meet a hea.r.s.e?"

"Oh, yes," he said, "if you _meet_ it. You mustn't overtake it--that's unlucky. So is a cross-eyed man unlucky. Cross-eyed men ought to be kept off racecourses."