Threads of Grey and Gold Part 21

When I am not expecting guests, I can leave the house immediately after breakfast, without a word about dinner, and return to the right sort of a meal at seven o'clock, bringing a guest or two with me, if I telephone first.

I can work for six weeks or two months in a seclusion as perfect as I could have in the Sahara Desert, and my household, meanwhile, will move as if on greased skids. I can go away for two months and hear nothing from her, and yet know that everything is all right at home. I think no more about it, so far as responsibility is concerned, when I am travelling, than as if I had no home at all. When we leave the apartment alone in the evening, we turn on the most of the lights, being a.s.sured by the police that burglars will never molest a brilliantly illuminated house.

The morose countenance of my ugly maid has subtly changed. It radiates, in its own way, beauty and good cheer. Her harsh voice is gentle, her manner is kind, her tastes are becoming refined, her ways are those of a lady.

My friends and neighbours continually allude to the transformation as "a miracle." The janitor remarked, in a burst of confidence, that he "never saw anybody change so." He "reckoned," too, that "it must be the folks she lives with!" Annie herself, conscious of a change, recently said complacently: "Ay guess Ay wa.s.s one awful crank when Ay first come here."

And so it happens that the highest satisfaction is connected with the beautiful theory, triumphantly proven now, against heavy odds.

Whatever else I may have done, I have taught one woman the workman's pride in her work, shown her where true happiness lies, and set her feet firmly on the path of right and joyous living.

To a Violin

(Antonius Stradivarius, 1685.)

What flights of years have gone to fashion thee, My violin! What centuries have wrought Thy sounding fibres! What dead fingers taught Thy music to awake in ecstasy Beyond our human dreams? Thy melody Is resurrection. Every buried thought Of singing bird, or stream, or south wind, fraught With tender message, or of sobbing sea, Lives once again. The tempest's solemn roll Is in thy pa.s.sion sleeping, till the king Whose touch is mastery shall sound thy soul.

The organ tones of ocean shalt thou bring, The crashing chords of thunder, and the whole Vast harmony of G.o.d. Ah, Spirit, sing!

The Old Maid

One of the best things the last century has done for woman is to make single-blessedness appear very tolerable indeed, even if it be not actually desirable.

The woman who didn't marry used to be looked down upon as a sort of a "leftover" without a thought, apparently, that she may have refused many a chance to change her att.i.tude toward the world. But now, the "bachelor maid" is welcomed everywhere, and is not considered eccentric on account of her oneness.

With the long records of the divorce courts before their eyes, it is not very unusual for the younger generation of women nowadays deliberately to choose spinsterhood as their independent lot in life.

A girl said the other day: "It's no use to say that a woman can't marry if she wants to. Look around you, and see the women who _have_ married, and then ask yourself if there is anybody who can't!"

This is a great truth very concisely stated. It is safe to say that no woman ever reached twenty-five years of age, and very few have pa.s.sed twenty, without having an opportunity to become somebody's mate.

A very small maiden with very bright eyes once came to her mother with the question: "Mamma, do you think I shall ever have a chance to get married?"

And the mother answered: "Surely you will, my child; the woods are full of offers of marriage--no woman can avoid them."

And ere many years had pa.s.sed the maiden had learned that the wisdom of her mother's prophecy was fully vindicated.

Every one knows that a woman needs neither beauty, talent, nor money to win the deepest and sincerest love that man is capable of giving.

Single life is, with rare exceptions, a matter of choice and not of necessity; and while it is true that a happy married life is the happiest position for either man or woman, there are many things which are infinitely worse than being an old maid, and chiefest among these is marrying the wrong man!

The modern woman looks her future squarely in the face and decides according to her best light whether her happiness depends upon spinsterhood or matrimony. This decision is of course influenced very largely by the quality of her chances in either direction, but if the one whom she fully believes to be the right man comes along, he is likely to be able to overcome strong objections to the married state.

If love comes to her from the right source, she takes it gladly; otherwise she bravely goes her way alone, often showing the world that some of the most mother-hearted women are not really mothers. Think of the magnificent solitude of such women as Florence Nightingale and our own splendid Frances Willard! Who shall say that these, and thousands of others of earth's grandest souls, were not better for their single-heartedness in the service of humanity?

A writer in a leading journal recently said: "The fact that a woman remains single is a tribute to her perception. She gains an added dignity from being hard to suit."

This, from the pen of a man, is somewhat of a revelation, in the light of various masculine criticisms concerning superfluous women. No woman is superfluous. G.o.d made her, and put her into this world to help her fellow-beings. There is a little niche somewhere which she, and she alone, can fill. She finds her own completeness in rounding out the lives of others.

It has been said that the average man may be piloted through life by one woman, but it must be admitted that several of him need somewhere near a dozen of the fair s.e.x to wait upon him at the same time. His wife and mother are kept "hustling," while his "sisters and his aunts"

are likely to be "on the keen jump" from the time his lordship enters the house until he leaves it!

But to return to the "superfluous woman,"--although we cannot literally return to her because she does not exist. Of the "old maid"

of to-day, it is safe to say that she has her allotted plane of usefulness. She isn't the type our newspaper brethren delight to caricature. She doesn't dwell altogether upon the subject of "woman's sphere," which, by the way, comes very near being the plane of the earth's sphere, and she need not, for her position is now well recognised.

She doesn't wear corkscrew curls and hideous reform garments. She is a dainty, feminine, broad-minded woman, and a charming companion. Men are her friends, and often her lovers, in her old age as well as in her youth.

Every old maid has her love story, a little romance that makes her heart young again as she dreams it over in the firelight, and it calls a happy smile to the faded face.

Or, perhaps, it is the old, sad story of a faithless lover, or a happiness spoiled by gossips--or it may be the scarcely less sad story of love and death.

Ibsen makes two of his characters, a young man and woman who love each other, part voluntarily on the top of a high mountain in order that they may be enabled to keep their high ideals and uplifting love for each other.

So the old maid keeps her ideals, not through fulfilment, but through memory, and she is far happier than many a woman who finds her ideal surprisingly and disagreeably real.

The bachelor girl and the bachelor man are much on the increase.

Marriage is not in itself a failure, but the people who enter unwisely into this solemn covenant too often are not only failures, but bitter disappointments to those who love them best.

Life for men and women means the highest usefulness and happiness, for the terms are synonymous, neither being able to exist without the other.

The model spinster of to-day is philanthropic. She is connected, not with innumerable charities, but with a few well-chosen ones. She gives freely of her time and money in many ways, where her left hand scarcely knoweth what her right doeth, and the record of her good works is not found in the chronicles of the world.

She is literary, musical, or artistic. She is a devoted and loyal club member, and is well informed on the leading topics of the day, while the resources of her well-balanced mind are always at the service of her friends.

And when all is said and done, the highest and truest life is within the reach of us all. Doing well whatever is given us to do will keep us all busy, and married or single, no woman has a right to be idle.

The old maid may be womanly and mother-hearted as well as the wife and mother.

The Spinster's Rubaiyat

I

Wake! For the hour of hope will soon take flight And on your form and features leave a blight; Since Time, who heals full many an open wound, More oft than not is impolite.

II

Before my relatives began to chide, Methought the voice of conscience said inside: "Why should you want a husband, when you have A cat who seldom will at home abide?"

III

And, when the evening breeze comes in the door, The lamp smokes like a chimney, only more; And yet the deacon of the church Is telling every one my parrot swore.