This Freedom Part 16

Keggo, who always was very alert in response, was here very long in responding. Then she responded an extraordinary thing that Rosalie afterwards remembered. She said slowly, "Oh, but Rosalie, it's very dangerous to be a woman."

Rosalie questioned her.

Keggo said, "Rosalie, you've great ideas, and I think very shrewd and very striking ideas, about the difference between men and women, but there's this difference I think you haven't thought of--the danger that women carry in themselves; right in them, here"--she had a hand against her breast and she pressed it there--"born in them, inerradicable, and that men have not. Men go into dangers but they come out of them and go home to tea. That's what it is with men, Rosalie. They can always get out. They can always come back.

They never belong to a thing, body and soul and heart and mind.

Rosalie, women do. That's their danger. That's why it is so very, very dangerous being a woman. Women can't come back. They can't, Rosalie. Look at me. They take to a thing and it becomes a craze, it becomes an obsession, it becomes a drug. Look at me. They take to a thing--anything; a poison like mine, or a pursuit like some one else's, or an idea like some other's, or a--a career in life like, like yours, Rosalie,--they take to it and go deep enough, and they're its; they never will get away from it, they never, never will be able to come out of it. Never."

She was extraordinarily vehement. It was embarra.s.sing for Rosalie.

Rosalie desired to contest, as vehemently, these theories. She did not believe them a bit. They were founded, she felt, on the tragedy of Keggo's own case. Keggo was unfairly, though very naturally, arguing from the particular to the general, from the personal to the abstract. But how could she reply to Keggo, "Of course you say that?"

She was silent; but she betrayed perhaps her thoughts in a gesture, her difficulty in some expression of her face.

Keggo said very intensely, "But, Rosalie, if you only knew! With me it's drink and you'll say--. But I say to you, Rosalie, never, never let anything get the mastery of you. With me it's drink and you'll say that is a matter altogether different, with which parallels are not to be drawn. Oh, do not believe it, Rosalie. A woman should in all things be desperately temperate--watchfully, desperately temperate. A man--nearly every man--seems somehow to have his life and all his interests in compartments. He can be immersed in one while he is in it, and can get out of it and distribute himself over his others and close it and forget it. Rosalie, a woman can't. Men have hobbies. They don't have attachments; they have detachments. They detach themselves and turn to a thing and they detach themselves from it and turn back again. Rosalie, women don't turn to a thing; they go to it. They don't have hobbies, they have obsessions. They don't trifle, they plunge. They cannot sip, they drain. It's in their bone. They never would have occupied the place they do occupy if it were not that from the beginning they have given themselves over, or they were given over, to mastery.

They are the weaker vessel. Rosalie, I tell you this, when a woman gives herself, forgets moderation and gives herself to anything, she is its captive for ever. She may think she can come back, but she can't come back. For a woman there is no comeback. They don't issue return tickets to women. For women there is only departure; there is no return."

Rosalie said, "Keggo, I think I could argue, but I won't. But what I can't imagine is the application of it in hundreds of cases--in by far the great majority of cases. Take mine. You're not warning me, are you? I don't see the possibility--"

Keggo said, "Darling, I'm not warning you and yet I am. I am warning you because you are a woman; and because you are a woman you are susceptible to danger. It's what I've said; it's what I would have you remember for a day perhaps to come, that it is dangerous being a woman. I'm not warning you, because there's nothing to--well, but isn't there? You've got a theory of life and you are bent upon a career in life. There's--"

Rosalie cried, "Well, but there you are, Keggo. No comeback, no return tickets--well, I don't want to come back; I don't want a return ticket."

"You might. You never know. Suppose you ever did?"

"But you can't suppose it. Why ever should I?"

"Suppose you wanted to marry?"

Rosalie laughed. The thing immediately lost reality. "Well, suppose the incredible. Suppose I did. There'd be no comeback wanted there.

I could perfectly well marry and still keep my theory of life; I could perfectly well marry and still keep on in my career--and most certainly I would still keep on. Why, that is my theory of life, as you call it, or a very outstanding principle of it. There's nothing to me more detestable in the whole business than the idea that because a woman marries she therefore must give up her work.

That's what is the reason the boarding house and every boarding house and every home and street and city swarms with derelicts--with derelict women--just because their lives are all planned as blind alley occupations, marriage at the end of the alley, no need to do anything, no need to be anything because it's only a blind alley you're in. When you reach the end--you reach the end! That's it, Keggo. You reach the end. You're a woman, therefore for you--the end!"

She laughed again. She was returning Keggo's vehemence without embarra.s.sment upon the subject that had made return difficult. She cried, "I've got you now, Keggo. I really have. You say they don't issue return tickets to women. No. Perhaps they don't; but I'll tell you where they book them all to--from the cradle to a terminus."

Keggo smiled and would have spoken. But Rosalie was pleased with her adroit turning of metaphors. She repeated "To a terminus. Well, I've booked beyond, Keggo." She laughed again. "And then the idea of marriage for me! I've granted the preposterous just for the sake of the argument and just to floor the argument. But you know, you know perfectly well from all our talks, even so far back as at the Sultana's, that it's simply too grotesque! Marriage, for me!

Why, if a million men came to me on their bended knees, each with a million pounds on their backs you know perfectly well that I'd just feel sick. Tame cats, tabby cats, tomcats, Cheshire cats, wild cats, stray cats,--I'm not going to set up a cats' home. No thanks."

So Rosalie had the laugh of that evening.

CHAPTER IX

But this was not to continue. Keggo began to lapse; Rosalie began to weary of helping Keggo. She had herself to think of. Those who go down in life, whether by age or by misfortune, are p.r.o.ne, engulfed, to cry to those ascending, "You could help me!" There is a correct answer to this. It is, "I have done (or I do) a great deal for you.

I cannot do more. It is not fair to ask me to do more. I have a duty to myself. I have myself to think of." Our generation endorses this.

Rosalie had herself to think of. By stages that need not be detailed, they are the common facts of life, the thing pa.s.ses from that picture of those two with Rosalie's strong young arms about the other to a new picture, the last, between them.

The stages show Rosalie's enormous, ardent plans for the rescue and rehabilitation of Keggo, and they show the projection and the failure of the plans. They show work found for Keggo (through Simc.o.x's scholastic side) and lost and found again and again lost and still again. They show Keggo's remorse and they show Rosalie's forgiveness. They show it repeated and repeated. They show by degrees the gradual, and then the rapid, staling of Rosalie's fond sympathies. They show her finally, immersed in her own purposeful interests, discovering to herself feelings in regard to Keggo on a plane with feelings discovered to herself in regard to her mother.

It has been written: "Her mother was ageing rapidly. Rosalie could have wept to see the ageing signs; but somehow, seeing them, did not weep; was not moved; received the impression but was not sensitive to it; felt the tug but did not respond to the pull. Rather, indeed, was apt to be a little impatient." It is not necessary to expand.

Keggo was fast going downhill. Rosalie could have wept to see the downhill signs; but somehow, seeing them, did not weep; was not moved... rather, indeed... impatient. She had herself to think of.

Youth's an excuse for youth as childhood's an excuse for childishness.

Youth, still, like childhood, but unlike maturity, can be lost in its emotions, absorbed in them to the exclusion of all else, abandoned to them with all else pitched away as a swimmer discards his every st.i.tch and joyously plunges in the stream. Youth is not accountable for its actions then: it is too happy or it is too sad.

One oughtn't to blame youth, immersed.

There was outstandingly one such day of absorption in delight, of abandonment to ecstasy for Rosalie, and it was the day on which she made her third advance in the social grade of Miss Kentish's boarding house and moved into the two rooms en suite, furnished and decorated by herself to her own taste. She awoke to this great day, long antic.i.p.ated; and with the vigorous action of throwing off the clothes and jumping out of bed, she plunged into it and was lost in it. The excitement and the elation of taking possession of that enchanting, that significant apartment of her own! She was excited; she was elated. Moving in was the c.u.mulative excitement of all the long-drawn, anxious excitements of peering round the antique dealers and picking up the bits of furniture and of placing them and moving them a shade to this side and then a shade to that till was found the one and only exact position that suited them and that they suited; and the terrible excitements of watching the decorators at work, her scheme developing beneath their hands, and the awful knowledge that now it was being done it was done for good or bad--no altering it now!--and the agonizing excitements of putting down the carpets--how can you tell exactly how a carpet is going to look until you see it actually down upon its floor and between its walls?--and the increasing excitement all the time of the knowledge that everything was harmonising and was looking just as in dreams of the ideal it had been made to look; and now all ready! The bed-sitting-room slept in last night for the last time; the two utterly perfect rooms and all that their possession connoted, to be occupied that evening for the first time! Yes, in all the tumultuous pride and engrossment of that, there was no place--how could there be place?--for tiresome things of other people's worlds, if such should offer.

And in this tremendous day there was stuff more tremendous yet. This also was the day on whose evening was made the tremendous tribute to her work and to her talent, the evening of the dazzling offer that, like a door swung open on a treasure house, disclosed to her new fields to which her career had brought her, new triumphs that her career, in its stride, might make her own--the evening when Mr. Sturgiss of Field's Bank leant across the dinner table in his house (at his request only she and himself left in the room) and said in his quiet voice, "Well, look here--to come to the point--the reason I've got you up here to-night--it's this: we want you, Field and Company, the Bank, we want you to join us. We want you in Lombard Street."

Lombard Street!

c.u.mulative also was this thrill, for it had begun some few days previously when Mr. Sturgiss, calling at Simc.o.x's for a chat with Mr. Simc.o.x, an old friend, had come into her room and after mysteriously fidgetting with business and conversational trifles, had issued the invitation to dinner at his house at Cricklewood in language mysteriously couched. "My wife would like to meet you,"

said Mr. Sturgiss. "She's heard a lot from me, and from Field, of what an astonishingly clever young person we think you and she'd--she'd like to meet you. And more than that." Mr. Sturgiss's halting speech suddenly became direct and definitive like a flag that had been fluttering suddenly streaming upon the breeze. "And more than that. The fact is, there's a proposition I want to put up to you.

A proposition. We could go into it quietly and discuss it. I rather think it would interest you. I'm sure it will. You'll come? Good.

I'm very glad. Very glad."

A proposition! From Mr. Sturgiss! Of Field and Company! What could it be?

But Rosalie was not of the sort to tread the succeeding days on the enchanted air of fond surmises. She told herself that the mysterious proposition might be everything or might be nothing: the fact that outstood was that she had brought her aspirations to this--that a partner in a London bank recognised in her stuff sufficient to invite her to a confidential meeting, there to go into something with her "quietly together," to meet together over something and "discuss it." She had determined to establish herself and she was establishing herself. And was it not an omen propitious and significant that this recognition of her parts was to fall on the very day on which the exercise of those parts brought her into the dignity and comfort of that delicious, that significant apartment of her own?

This solid stuff, and no mere daydreams, was the delight absorbing her and the ecstasy to which she was abandoned when that great day came. In the morning she put the last of her possessions, the equipment of her dressing table, into the new apartment; after the day spent at Simc.o.x's, she returned to dress for the first time before the n.o.ble cheval gla.s.s purchased for the bedroom. She decided to go up in a hat; it could be removed or not for dinner as Mrs.

Sturgiss might seem to indicate. She put on an evening bodice of black silk and net with a simple skirt in keeping. She gave last approving glances about the delightful rooms and set out, immersed in eager happiness, for Cricklewood.

One of those old red buses that vied with the white Putney buses as being the best horsed on the London routes took her there. Up the Edgware Road; past the junction with the Harrow Road that led to Keggo's street--she only had for it the thought that it was weeks since she had seen Keggo, almost months; along broad Maida Vale and past the turning that led to the Sultana's with the corner where often the crocodile had huddled--and she was so engrossed in her happy achievements that she pa.s.sed it without thinking of it. The bus terminated its journey at the foot of Shoot Up Hill.

Rosalie, called upon to alight, came out of her thoughts into her surroundings. She realised that she must have pa.s.sed Crocodile Corner without noticing and the realisation caused her to give a little note of amused indifference. The indifference was not directed precisely at the Sultana's; it was at the idea, which came to her, that, normally to human predilections, she ought to have given--ought now to give--a sentimental thought to memories of the Sultana years. Well, she did not. Funny! Yes, it was funny. As she sometimes thought of her mother and of all her home ties; of Miss Salmon and that cry of hers of never being able to find another lover; of Keggo now so seldom seen and known to be going from bad to worse,--so with memories of Crocodile Corner and the Sultana's, she could see and appreciate the call of all these attachments, but somehow, seeing and appreciating, did not respond to them. What a very curious att.i.tude! It was not unfeeling for she could feel. It was not insensibility for she was sensitive to such things. Sensitive!

No, a better word than that. She was in such matters sensible. She saw, as one should see, these things in their right perspective.

They were touching (as of her mother) or they were sad (as of Keggo) or they were appealing (as the happy schoolgirl memories) but they must not touch or sadden or appeal too closely. They must be estimated in their degree and in their place; they must not be a.s.sumed, be shouldered, be permitted to c.u.mber. No good could be done to them by enc.u.mbrance with them. That was the point. What good could it do them? No good. Yes, that was sensible.

She abated, in these thoughts, nothing of the eagerness with which she was living this great day--the day whose points of suspension (on which it tumultuously revolved) were the taking over of the significant apartment from which she had just come and the entering upon the significant invitation to which now her feet were taking her. These thoughts, this a.n.a.lysis of her att.i.tude to sentimental appeals, she tossed upon her eager happiness that was her being as an airball tossed upon laughing breath that yet is used, breathing, to support life. And she was aware that this was so. And she enjoyed a flash of approval of herself that it could be so; it was admirable, it was sensible, thus to be able to detach and look upon a portion of her mind while her main mind deflected not a shade from its occupation with the main chance. That faculty was perhaps the secret of her success, the quality, that, in exercise, had brought her to the significant apartment and to the significant invitation.

She was at the gate of Mr. Sturgiss's house and she most happily pa.s.sed up the short drive, ascended the steps and rang the bell.

Mr. Sturgiss's house was almost on the summit of Shoot Up Hill.

It was one of those houses standing a few miles along the main thoroughfares out of London that, now in decay or displaced by busy shops, packed villas, or monstrous flats, were then the distinctly impressive residences of distinctly well-to-do business people. Mr.

Sturgiss was a distinctly well-to-do business person. The house, double-fronted, had that third sitting-room which confers such an immense superiority over houses of but two sitting-rooms--"Such a convenience in so many ways" as those newly promoted from two to three nowadays remark with languid triumph to visitors still immured in two. Houses--new, two sitting-roomed houses--extended beyond it and around it, and now stretch miles beyond and about, but Mrs.

Sturgiss told Rosalie that when they first came there they actually had cows grazing and horses ploughing in fields adjoining their garden.

Mrs. Sturgiss told Rosalie this while personally attending Rosalie's removal of her hat (it was "no hat"; Rosalie felt so glad she had come dressed for either indication) and Mrs. Sturgiss sighed pleasantly as she said it. "Things are going ahead at such a pace now!" said Mrs. Sturgiss. "It's all very different from what it used to be. Why, the very fact of your coming here, not as my guest but as my husband's, 'on business!' The idea of women being in business, or even knowing anything about business, when I was a girl, why, I can't tell you how, how positively shocking it would have been considered."

Rosalie laughed. She liked Mrs. Sturgiss, who was motherly and seemed to have her own dear mother's gentle ways--this personally attending her in her bedroom, for instance. "Oh, there are getting to be heaps of women in business now, Mrs. Sturgiss," she smiled.