The World's Greatest Books - Volume 5 Part 11

"That man has been the horror of my life," she murmured. "Shall I never have courage enough to tell him what he is?"

_IV.--The Spell is Broken_

The shop thrived under Phoebe's management, and the acquaintance with Mr. Holgrave ripened into friendship.

Then, after some weeks, Phoebe went away on a temporary visit to her mother, and the old house, which had been brightened by her presence, was once more dark and gloomy.

It was during this absence of Phoebe's that Judge Pyncheon once more called and demanded to see Clifford.

"You cannot see him," answered Hepzibah. "Clifford has kept his bed since yesterday."

"What! Clifford ill!" said the judge, starting. "Then I must, and will see him!"

The judge explained the reason for his urgency. He believed that Clifford could give the clue to the dead uncle's wealth, of which not more than a half had been mentioned in his will. If Clifford refused to reveal where the missing doc.u.ments were placed, the judge declared he would have him confined in a public asylum as a lunatic, for there were many witnesses of Clifford's simple childlike ways.

"You are stronger than I," said Hepzibah, "and you have no pity in your strength. Clifford is not now insane; but the interview which you insist upon may go far to make him so. Nevertheless, I will call Clifford!"

Hepzibah went in search of her brother, and Judge Pyncheon flung himself down in an old chair in the parlour. He took his watch from his pocket and held it in his hand. But Clifford was not in his room, nor could Hepzibah find him. She returned to the parlour, calling out to the judge as she came, to rise and help find Clifford.

But the judge never moved, and Clifford appeared at the door, pointing his finger at the judge, and laughing with strange excitement.

"Hepzibah," he said, "we can dance now! We can sing, laugh, play, do what we will! The weight is gone, Hepzibah--gone off this weary old world, and we may be as lighthearted as little Phoebe herself! What an absurd figure the old fellow cuts now, just when he fancied he had me completely under his thumb!"

Then the brother and sister departed hastily from the house, and left Judge Pyncheon sitting in the old house of his forefathers.

Phoebe and Holgrave were in the house together when the brother and sister returned, and Holgrave had told her of the judge's sudden death.

Then, in that hour so full of doubt and awe, the one miracle was wrought, without which every human existence is a blank, and the bliss which makes all things true, beautiful, and holy shone around this youth and maiden. They were conscious of nothing sad or old.

Presently the voices of Clifford and Hepzibah were heard at the door, and when they entered Clifford appeared the stronger of the two.

"It is our own little Phoebe! Ah! And Holgrave with her!" he exclaimed.

"I thought of you both as we came down the street. And so the flower of Eden has bloomed even in this old, darksome house to-day."

A week after the judge's death news came of the death of his son, and so Hepzibah became rich, and so did Clifford, and so did Phoebe, and, through her, Holgrave.

It was far too late for the formal vindication of Clifford's character to be worth the trouble and anguish involved. For the truth was that the uncle had died by a sudden stroke, and the judge, knowing this, had let suspicion and condemnation fall on Clifford, only because he had himself been busy among the dead man's papers, destroying a later will made out in Clifford's favour, and because it was found the papers had been disturbed, to avert suspicion from the real offender he had let the blame fall on his cousin.

Clifford was content with the love of his sister and Phoebe and Holgrave. The good opinion of society was not worth publicly reclaiming.

It was Holgrave who discovered the missing doc.u.ment the judge had set his heart on obtaining.

"And now, my dearest Phoebe," said Holgrave, "how will it please you to a.s.sume the name of Maule? In this long drama of wrong and retribution I represent the old wizzard, and am probably as much of a wizzard as ever my ancestor was."

Then, with Hepzibah and Clifford, Phoebe and Holgrave left the old house for ever.

ROBERT HICHENS

The Garden of Allah

The son of a clergyman, Mr. Robert Smythe Hichens, born at Speldhurst, Kent, England, on November 14, 1864, was originally intended to follow a musical career, but after some years abandoned music for journalism. His first long novel was written and published at the age of seventeen. It attracted little or no attention, and has long been out of print. A trip to Egypt in 1893 resulted in a burning desire to become a novelist, and his brilliant satire, "The Green Carnation,"

followed. The book was written in a month, and at once established its author's name and fame. "The Garden of Allah,"

of all Mr. Hichens' works the most typical of his genius, appeared in 1905. "The intellectual grip of the story," says one critic, "cannot be denied, for it completely conquers the critical sense, and the ideas of the author insinuate themselves, as it were, among one's inmost thoughts." Yet Mr.

Hichens' stories are popular, not only with literary connoisseurs, but also with the general public, inasmuch as they owe their fascination not so much to an extreme refinement of art as to their freshness of imagination and dramatic intensity. This epitome of the "Garden of Allah" has been prepared by Mr. Hichens himself.

_I.--The Home of Peace_

On an autumn evening, Domini Enfilden leaned on the parapet of a verandah of the Hotel du Desert at Beni-Mora, in Southern Algeria, gazing towards the great Sahara, which was lit up by the glory of sunset. The bell of the Catholic Church chimed. She heard the throbbing of native drums in the village near by. Tired with her long journey from England, she watched and listened while the twilight crept among the palms, and the sandy alleys grew dark.

Thirty-two, an orphan, unmarried, strong, fearless, ardent, but a deeply religious woman and a Catholic, Domini had pa.s.sed through much mental agony. Her mother, Lady Rens, a member of one of England's oldest Catholic families, but half Hungarian on the mother's side, had run away when Domini was nineteen with a Hungarian musician, leaving her only child with her despairing and abandoned husband. Lord Rens had become a Catholic out of love for his wife. When he was deserted by her, he furiously renounced his faith, and eventually died blaspheming. In vain through many years he had tried to detach his daughter from the religion of her guilty mother, now long since dead. Domini had known how to resist; but the cruel contest had shaken her body and soul.

Now free, alone, she had left England to begin a new life far away from the scene of her misery. Vaguely she had thought of the great desert, called by the Arabs "The Garden of Allah," as the home of peace. She had travelled there to find peace. That day, at the gate of the desert, she had met a traveller, Doris Androvsky, a man of about thirty-six, powerfully built, tanned by the sun. When she was about to get into the train at the station of El Akbara this man had rudely sprung in before her. The train had begun to move, and Domini had sprung into it almost at the risk of her life. Androvsky had not offered to help her, had not said a word of apology. His _gaucherie_ had almost revolted Domini.

Nevertheless, something powerful, mournful, pa.s.sionate, and sincere in his personality had affected her, roused her interest.

Silently they had come into the desert together, strangers, almost at enmity the one with the other. They were now staying in the same hotel in this oasis in the desert of Sahara.

In coming to the hotel, Domini had seen a curious incident. Androvsky, with a guide who carried his bag, was walking before her down the long public garden, when in the distance there appeared the black figure of the priest of Beni-Mora advancing slowly towards them. When Androvsky saw the priest he had stopped short, hesitated, then, despite the protests of his guide, had abruptly turned down a side path and hurried away. He had fled from the man of prayer.

Now, as the twilight fell, Domini thought of this incident, and when she heard Androvsky's heavy tread upon the stairs of the verandah, the sharp closing of the French window of his room, she was filled with a vague uneasiness.

Next day she visited a wonderful garden on the edge of the desert belonging to a Count Anteoni, a recluse who loved the Arabs and spent much of his time among them. There, standing with the count by the garden wall at the hour of the Mohammedan's prayer, she had seen Androvsky again. He was in the desert with a Nomad. The cry of the _muezzin_ went up to the brazen sky. The Nomad fell on his knees and prayed. Androvsky started, gazed, shrank back, then turned and strode away like one horrified by some grievous vision. Domini said to the count, "I have just seen a man flee from prayer; it was horrible."

He answered her, very gravely, "The man who is afraid of prayer is unwise to set foot beyond the palm-trees, for the desert is the garden of Allah."

That evening Domini and Androvsky spoke to each other for the first time, on the top of a tower where they had come to see the sunset.

Domini spoke first, moved by a strange look of loneliness, of desolation, in Androvsky's eyes. He replied in a low voice, and asked her pardon for his rude conduct at the station. Then, abruptly, he descended the tower and disappeared.

At night she visited a dancing house to see the strange dances of the desert. She found Androvsky there, watching the painted women as if half fascinated, half horrified by them. Irena, a girl who had been banished from Beni-Mora for threatening to murder an Arab of whom she was jealous, but had been permitted to return, discovering him among the audience, stabbed him. There was a violent scene, during which Androvsky, forcing his way through the desert men, protected Domini from the crush. The crowd rushed out, leaving them alone together. Androvsky insisted on escorting Domini back to the hotel.

_II.--Defying Allah in Allah's Garden_

The acquaintance thus unconventionally began between them continued, and ripened into a strange friendship. Domini was a magnificent horsewoman.

Finding that Androvsky did not know how to ride, she gave him lessons.

Together they galloped over the desert sands; together they visited the Saharan villages, hidden in the groves of date palms behind the brown earthen walls of the oasis; together watched the burning sunsets of Africa; at meal-times they met in the hotel; in the evenings they sat upon the verandah, and heard the Zouaves singing in chorus, the distant murmur of the tom-toms.

Domini became profoundly interested in Androvsky, but her interest was complicated by wonder at his peculiarities, at his uncouth manners, his strange silences, his ignorance of life and of social matters, his distrust of others, his desire to keep aloof from all human beings, except herself. The good priest, now her intimate friend, Count Anteoni, also her friend and respectful admirer, were ill at ease with him. He had tried to avoid them, but Domini, anxious to bring some pleasure into his life, had introduced him to them at a luncheon given by the count in his garden, despite Androvsky's dogged a.s.sertion that he disliked priests, and did not care for social intercourse.