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Little Dorrit
"Little Dorrit" was written at a time when the author was busying himself not only with other literary work, but also with semi-private theatricals. John Forster, Charles d.i.c.kens's biographer and friend, even had some sort of fear at that time that d.i.c.kens was in danger of adopting the stage as a profession. Domestic troubles, culminating a year later in the separation from his wife, also explain the restlessness and general dissatisfaction which affected the great novelist in the years 1855-57, when this story appeared. Hence there is no surprise that "Little Dorrit" added but little to its author's reputation. It is a very long book, but it will never take a front-rank place. The story, however, on its appearance in monthly parts, the first of which was published in January 1856, and the completed work in 1857, was enormously successful, beating, in d.i.c.kens's own words, "'Bleak House'
out of the field." Popular with the public, it has never won the critics.
_I.--The Father of the Marshalsea_
Thirty years ago there stood, a few doors short of the church of Saint George, in the Borough of Southwark, on the left-hand side of the way going southward, the Marshalsea Prison. It had stood there many years before, and it remained there some years afterwards; but it is gone now, and the world is none the worse without it.
A debtor had been taken to the Marshalsea Prison, a very amiable and very helpless middle-aged gentleman who was perfectly clear--"like all the rest of them," the turnkey on the lock said--that he was going out again directly.
The affairs of this debtor, a shy, retiring man, with a mild voice and irresolute hands, were perplexed by a partnership, of which he knew no more than that he had invested money in it.
"Out?" said the turnkey. "He'll never get out unless his creditors take him by the shoulders and shove him out!"
The next day the debtor's wife came to the Marshalsea, bringing with her a little boy of three, and a little girl of two.
"Two children," the turnkey observed to himself. "And you another, which makes three; and your wife another, which makes four."
Six months later a little girl was born to the debtor, and when this child was eight years old, her mother, who had long been languishing, died.
The debtor had long grown accustomed to the place. Crushed at first by his imprisonment, he had soon found a dull relief in it. His elder children played regularly about the yard. If he had been a man with strength of purpose, he might have broken the net that held him, or broken his heart; but being what he was, he slipped easily into this smooth descent, and never more took one step upward.
The shabby old debtor with the soft manners and the white hair became the Father of the Marshalsea. And he grew to be proud of the t.i.tle. All newcomers were presented to him. He was punctilious in the exaction of this ceremony. They were welcome to the Marshalsea, he would tell them.
It became a not unusual circ.u.mstance for letters to be put under his door at night enclosing half-a-crown, two half-crowns, now and then, at long intervals, even half a sovereign, for the Father of the Marshalsea, "With the compliments of a collegian taking leave." He received the gifts as tributes to a public character.
Later he established the custom of attending collegians of a certain standing to the gate, and taking leave of them there. The collegian under treatment would often wrap up something in a paper and give it to him, "For the Father of the Marshalsea."
_II.--The Child of the Marshalsea_
The youngest child of the Father of the Marshalsea, born within the jail, was a very, very little creature indeed when she gained the knowledge that while her own light steps were free to pa.s.s beyond the prison gate, her father's feet must never cross that line.
At thirteen she could read and keep accounts--that is, could put down in words and figures how much the bare necessaries they needed would cost, and how much less they had to buy them with. From the first she was inspired to be something which was not what the rest were, and to be that something for the sake of the rest. Recognised as useful, even indispensable, she took the place of eldest of the three in all but precedence; was the head of the fallen family, and bore, in her own heart, its anxieties and shames. She had been, by s.n.a.t.c.hes of a few weeks at a time, to an evening school outside, and got her sister and brother sent to day schools by desultory starts, during three or four years. There was no instruction for any of them at home; but she knew well--no one better--that a man so broken as to be the Father of the Marshalsea could be no father to his own children.
To these scanty means of improvement she added others. Her sister f.a.n.n.y, having a great desire to learn dancing, the Child of the Marshalsea persuaded a dancing-master, detained for a short time, to teach her. And f.a.n.n.y became a dancer.
There was a ruined uncle in the family group, ruined by his brother, the Father of the Marshalsea, and knowing no more how than his ruiner did, on whom f.a.n.n.y's protection devolved. Naturally a retired and simple man, he had shown no particular sense of being ruined, further than that he left off washing when the shock was announced, and never took to that luxury any more. Having been a very indifferent musical amateur in his better days, when he fell with his brother he resorted for support to playing a clarionet in a small theatre orchestra. It was the theatre in which his niece became a dancer, and he accepted the task of serving as her escort and guardian.
To get her brother--christened Edward, but called Tip--out of the prison was a more difficult task. Every post she obtained for him he always gave up, returning with the announcement that he was tired of it, and had cut it.
One day he came back, and said he was in for good, that he had been taken for forty pounds odd. For the first time in all those years, she sank under her cares. It was so hard to make Tip understand that the Father of the Marshalsea must not know the truth about his son.
For, the Father of the Marshalsea, as he grew more dependent on the contributions of his changing family, made the greater stand by his forlorn gentility. So the pretence had to be kept up that neither of his daughters earned their bread.
The Child of the Marshalsea learned needlework of an insolvent milliner, and went out daily to work for a Mrs. Clennam.
This was the life and this the history of the Child of the Marshalsea at twenty-two. Worldly wise in hard and poor necessities, she was innocent in all things else. This was the life, and this the history of Little Dorrit, now going home upon a dull September evening, and observed at a distance by Arthur Clennam. Arthur Clennam had returned to his mother's house--a dark and gloomy place--from the Far East. He had noticed that Little Dorrit appeared at eight, and left at eight. She let herself out to do needlework, he was told. What became of her between the two eights was a mystery.
It was not easy for Arthur Clennam to make out Little Dorrit's face; she plied her needle in such retired corners. But it seemed to be a pale, transparent face, quick in expression, though not beautiful in feature.
A delicately bent head, a tiny form, a quick little pair of busy hands, and a shabby dress--shabby but very neat--were Little Dorrit as she sat at work.
Arthur Clennam watched Little Dorrit disappear within the outer gate of the Marshalsea, and presently stopped an old man to ask what place it was.
"This is the Marshalsea, sir."
"Can anyone go in here?"
"Anyone can go in," replied the old man, plainly implying, "but it is not everyone who can go out."
"Pardon me once more. I am not impertinently curious. But are you familiar with the place? Do you know the name of Dorrit here?"
"My name, sir," replied the old man, "is Dorrit."
Clennam explained that he had seen a young woman working at his mother's, spoken of as Little Dorrit, and had noticed her come in here, and that he was sincerely interested in her, and wanted to know something about her.
"I know very little of the world, sir," replied the old man, "it would not be worth while to mislead me. The young woman whom you saw go in is my brother's child. You say you have seen her at your mother's, and have felt an interest in her, and wish to know what she does here. Come and see."
Arthur Clennam followed his guide to the room of the Father of the Marshalsea.
"I found this gentleman," said the uncle--"Mr. Clennam, William, son of Amy's friend--at the outer gate, wishful, as he was going by, of paying his respects. This is my brother William, sir."
"Mr. Clennam," said William Dorrit, "you are welcome, sir; pray sit down. I have welcomed many visitors here."
The Father of the Marshalsea went on to mention that he had been gratified by the testimonials of his visitors--the "very acceptable testimonials."
When Clennam left he presented his testimonial, and the next morning found him there again. He went out with Little Dorrit alone; asked her if she had ever heard his mother's name before.
"No, sir."
"I am not asking from any reason that can cause you anxiety. You think that at no time of your father's life was my name of Clennam ever familiar to him?"
"No, sir. And, oh, I hope you will not misunderstand my father! Don't judge him, sir, as you would judge others outside the gates. He has been there so long."
They had walked some way before they returned. She was not working at Mrs. Clennam's that day.
The courtyard received them at last, and there he said good-bye to Little Dorrit. Little as she had always looked, she looked less than ever when he saw her going into the Marshalsea Lodge pa.s.sage.
Aware that his mother might have once averted the ruin of the Dorrit family, Clennam returned more than once to the Marshalsea. No word of love crossed his lips; he told Little Dorrit to think of him as an old man, old enough to be her father, and he besought her only to let him know if at any time he could do her service. "I press for no confidence now. I only ask you to repose unhesitating trust in me," he said.
"Can I do less than that when you are so good?"
"Then you will trust me fully? Will have no secret unhappiness or anxiety concealed from me?"